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  1. Big by Walking Fearless, $20.00
    BIG is an elegant condensed display font created for strong and impactful headlines. It comes from a series of hand printed specimens taken from wood type found in Andrew Howard’s Studio in Porto (Portugal). A wooden type that reassembles the industrial victorian style which has now been expanded to 20 cuts, ranging from ExtraLight to Bold, with Italics and a stencil version, covering all your needs for a striking visual effect just with plain type with distinctive features and personality, standing out from the crowded world of display sans serif. The font was engineered with essential OpenType features, that allows the user to compose the headlines in two different heights, with case-sensitive punctuation, symbols and special ligatures such as “the”, “of” and “le”.
  2. Hancock - Unknown license
  3. Improvisation - Unknown license
  4. Hawaii Killer - Personal use only
  5. Opal - Unknown license
  6. Newlyn - Unknown license
  7. Augustus - Unknown license
  8. Cottonwood-Thin - Unknown license
  9. nya-memo Font - Unknown license
  10. Nordic - Unknown license
  11. Polo - Unknown license
  12. Gismonda - Unknown license
  13. Sherman - Unknown license
  14. Amelia - Unknown license
  15. Caligula - Unknown license
  16. SchwarzWald - Unknown license
  17. Entropy - Unknown license
  18. Camberic - Unknown license
  19. Pretorian DT by DTP Types, $49.00
    A revival design by Ron Carpenter and Malcolm Wooden of DTP Types Limited.
  20. ITC Pioneer by ITC, $40.99
    A set of blocky shadowed outline capitals designed by Tom Carnase for ITC.
  21. Bradley Dingies by Intellecta Design, $27.90
    Digitization of some of classic William H Bradley's characters, from America vintage heritage
  22. Nouveau Never Dies by Intellecta Design, $13.90
    Nouveau Never Dies is a compreensive family of ornaments from Art Nouveau era.
  23. Deveren by Corien’s Handwritingfonts, $19.00
    Deveren is a font based on goosefeather writings from the late 1600's.
  24. Janda Spring Doodles by Kimberly Geswein, $5.00
    Doodles ranging from cute animals to Easter eggs to flowers of various types.
  25. Tasci Kursiv by Abdullah Tasci, $30.00
    Tasci Kursiv is a typeface which is transformed from the designer’s own calligraphy.
  26. Maze by Oporto Design, $79.90
    Maze is a modern font created from a single line with no interruption.
  27. Le Be MF by Masterfont, $59.00
    Revival of typographer and punch cutter Guillaume LeBe’s Hebrew typeface from the 1580.
  28. Capa by Oporto Design, $19.90
    A distinguished new font from Oporto Design, Capa is clean, modern and urban.
  29. I know a ghost by Dismantle Destroy, $19.00
    This font was inspired by music from the band The Devil Wears Prada.
  30. North Arrow Assortment by Gerald Gallo, $20.00
    North Arrow Assortment contains 47 north arrow designs ranging from simple to intricate.
  31. Altemus Arabesques by Altemus Creative, $11.00
    A collection of 174 calligraphic designs derived from early 20th Century European arabesques.
  32. Madrid by Red Rooster Collection, $45.00
    Based on Nacional by Carlos Winkow from the Spanish foundry, Nacional, circa 1941.
  33. Estanica by Ixipcalli, $30.00
    Typography inspired by ancient medieval writings from texts and wordings of Spanish scriptures.
  34. Squalo by Letritas, $30.00
    Squalo, the genesis The idea of this project called Squalo popped into my mind while I was working with excitement on some sketches. I was chasing after a strong typographical character, something that for me has to be crystallized in form which is always legible and functional. The concept The concept of Squalo arises from the observation of an athlete’s body: you notice that even if most are lean, they are also strong, cut and chiselled. The sport they play molds and modify their bodies.  Just think, for instance, on a professional swimmer: during the competition every single muscle, tendon, tissue, cell is working to swim faster. Every single part is there to give strength and speed like in a “squalo” (shark in italian). Not as an eel, nor as a mermaid, nor as a hake. Just like a shark. If you take a quick look, you will notice that the width of the typeface is slightly more condensed than that of a standard sans serif. We designed Squalo this way specifically to assist and strengthen your concepts through stylized typography. We designed the joins and terminals (tip ends) of the characters A, V, W, Z, v, w, z, to create a feeling of “tension”, reinforcing the concept of shark, danger, caution, as well explicit, intentional movement. Pure strength. We wanted to recall the exact moment of the start of the 100 meters race: when the sprinter initially spreads all of his powerful energy. The italic version, starting with the former two typographical concepts of width and tension, emphasizes them. First of all, we compressed the characters 10 percent more, and slanted it 10 degrees to the right. With this movement I intended to convey the gorgeous feeling of tension in power and rapidity. The typeface has 9 weights, from “hair” to “black”, and two versions, “regular” and “italic”.  All 18 fonts include small caps, unicase, tabular and oldstyle numbers, numerators and denominators, and much more. Squalo is an ideal typeface that I recommend for use in marketing campaigns, design of packaging, magazines, branding for tv programs, films, book texts, editorial, publications, logos, corporate projects, web texts, and graphic design in motion. Squalo supports the following languages: Abenaki, Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Amis, Anuta, Aragonese, Aranese, Aromanian, Arrernte, Arvanitic (Latin), Asturian, Atayal, Aymara, Bashkir (Latin), Basque, Bemba, Bikol, Bislama, Bosnian, Breton, Cape Verdean Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Chickasaw, Cimbrian, Cofán, Corsican Creek,Crimean Tatar (Latin),Croatian, Czech, Dawan, Delaware, Dholuo, Drehu, Dutch, English, Estonian, Faroese, Fijian Filipino, Finnish, Folkspraak, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Gikuyu, Gooniyandi, Greenlandic (Kalaallisut)Guadeloupean, Creole, Gwich’in, Haitian, Creole, Hän, Hawaiian, Hiligaynon, Hopi, Hotcąk (Latin), Hungarian, Icelandic, Ido, IgboI, locano, Indonesian, Interglossa, Interlingua, Irish, Istro-Romanian, Italian, Jamaican, Javanese (Latin), Jèrriais, Kala Lagaw Ya, Kapampangan (Latin), Kaqchikel, Karakalpak (Latin), Karelian (Latin), Kashubian, Kikongo, Kinyarwanda, Kiribati, Kirundi, Klingon, Ladin, Latin, Latino sine Flexione, Latvian, Lithuanian, Lojban, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Manx, Māori, Marquesan, Megleno-Romanian, Meriam Mir, Mirandese, Mohawk, Moldovan, Montagnais, Montenegrin, Murrinh-Patha, Nagamese Creole, Ndebele, Neapolitan, Ngiyambaa, Niuean, Noongar, Norwegian, Novial, Occidental, Occitan, Old Icelandic, Old Norse, Oshiwambo, Ossetian (Latin), Palauan, Papiamento, Piedmontese, Polish, Portuguese, Potawatomi, Q’eqchi’, Quechua, Rarotongan, Romanian, Romansh, Rotokas, Sami (Inari Sami), Sami (Lule Sami), Sami (Northern Sami), Sami (Southern Sami), Samoan, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Seri, Seychellois Creole, Shawnee, Shona, Sicilian, Silesian, Slovak, Slovenian, Slovio (Latin), Somali, Sorbian (Lower Sorbian), Sorbian (Upper Sorbian), Sotho (Northern), Sotho (Southern), Spanish, Sranan, Sundanese (Latin), Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tok Pisin, Tokelauan, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Tzotzil, Uzbek (Latin), Venetian, Vepsian, Volapük, Võro, Wallisian, Walloon, Waray-Waray, Warlpiri, Wayuu, Welsh, Wik-Mungkan, Wiradjuri, Wolof, Xavante, Xhosa, Yapese, Yindjibarndi, Zapotec, Zulu, Zuni
  35. Cow-Spots - Unknown license
  36. Proteron - Unknown license
  37. Tuesday - Unknown license
  38. Lord Mayor by Solotype, $19.95
    We know very little about this font. A printer in Lisbon had it, but said it came from England. Nicolette Gray shows it in her Nineteenth Century Ornamented Type Faces as Lord Mayor from the British Typefoundry. We never got the complete font, but drawing the missing letters was not difficult.
  39. Broadsheet by Three Islands Press, $29.00
    A full-featured typeface that simulates old newspaper text from the 1700s, Broadsheet gives you all the “long s” ligatures you could ever dream of. Wonderfully authentic in either display type or long blocks of body copy. Includes a couple of printer’s flourishes. (Based on antique publications from 1728 and 1776.)
  40. Dreamy JNL by Jeff Levine, $29.00
    Dreamy JNL was modeled from the hand-lettered title on the sheet music cover for "If I'm Dreaming" and features an Art Deco type design with engraved lines in both regular and oblique versions. The Jerome Kern song was from the 1929 First National/Vitaphone picture "Sally" starring Marilyn Miller.
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