CONCEPT/CHARACTERISTICS What is a child­like, naive wri­t­ing, acting not boring sta­tic, has enough personality/character and yet is easy to read? › Over­si­zed points › Slightly cur­ved, warm and fri­endly bars › Open, fri­endly forms › Orga­nic, lightly bat­te­red forms APPLICATION AREA The fri­endly, play­ful and warm cha­rac­ter of the font »Kiddy Sans« would look good at dis­play size for party flyer & movie pos­ter, music covers or head­lines in maga­zi­nes or websites… TECHNICAL SPECIFICATIONS Head­line Font | Dis­play Font | Sans Serif Font »kiddy Sans« with 8 styles & 366 gly­phs, inkl. accents & €

The sheet music for the 1934 tune "Two in A Dream" had the title hand lettered in a bold type style that utilized some stencil and some solid lettering. Following through on the stencil portion of the design, Tuxedo Stencil JNL was created in both regular and oblique versions. The 1930s were the era of elegant supper clubs and night spots, and it was not unusual to find gentlemen all decked out in formal wear for an evening on the town, hence the font's name.

The basic design style for Nouveau Days JNL was inspired by the hand lettering on the sheet music cover for "Linger Longer Letty". This tongue-twisting song title comes from the 1919 musical comedy of the same name. Some of the characters originally had tiny spur serifs, but they were omitted in the digital version to keep the overall design consistent. The font is available in both regular and oblique versions.

The 1951 sheet music of "I Like the Wide Open Spaces" has the cover title set in a casual type design that emulates the "one stroke" or "speed letter" style so popular with sign painters in that decade. Taking the lettering on the sheet music and expanding the character set with a new interpretation, the result is Sign Work JNL which is available in both regular and oblique versions.

Hand lettered, the title on the sheet music for a 1940s hit song "Ti-Pi-Tin" inspired Guadalajara JNL. The melody and original Spanish lyrics were written by Maria Grever, one of Mexico's first successful female composers, with English lyrics supplied by Raymond Leveen. This decorative and fun type face brings to mind fiestas South of the border, and emanates the charm of Mexico's music, dance and colorful costumes.

"Grunge Typography? I invented it!" claims Chank Diesel. Badoni was created in 1993 for use in CAKE, a fanzine that reveled in grunge music. As creative director of CAKE, Chank wanted the magazine's design to reflect the music it glorified. Kurt Cobain was alive and miserable. Soundgarden had long hair. Seattle was everywhere. Chank's answer was Badoni, a gritty and distressed typeface that is a sign of the grunge glory years.

Hieroglyphs were a pictorial alphabet used in Ancient Egypt from 3100 BC to approximately 300 AD. This font set features over 250 different phonetic and decorative hieroglyphics, complete with an extensive translation chart. P22’s Hieroglyphic font adapts one of the world’s most ancient forms of art and communication for today’s technology. Note: This is not an automatic word translator. It is a font set. It is used just like any other font and does not require special software skills.

Pizza Lumer is a font that you can instantly download in OTF, TTF and SVG format. You can use this font in Photoshop, Illustrator, or any other program that will allow you to import fonts. Please see listing image for all characters and symbols included in this font pack. This font is for personal and commercial use. Please note that this is a digital download, you will not be sent anything physical. All sales are final. Refunds or exchanges are not accepted.

An unorthodox font with an edgy vibe. Great for use in editorial, advertising, music, film and EXTREME sports projects. With western language support.

Introducing my new font named "Droptune". Dark riffs, strong rhythm, low frequencies - it's all about heavy music, and, I hope, about this typeface :)

Social Gathering JNL is modeled from the Art Deco hand-lettered title of a vintage piece of sheet music entitled "Three of Us".

The hand lettered titling on a vintage piece of sheet music for the song "Sweet Siamese" is the basis for Port of Call JNL.

The Swing Bill font was designed as a display face for sport material or pop music posters, but has also been seen on TV.

Reisar is inspired by the vintage sign of motels, automotive logos, and badges, mixed up with urban modern cross-culture of contemporary visuals and brutalism. It makes Reisar born with a fresh vibe combined with the past and future for your visual graphic design needs. Perfectly fit for your logo, branding, clothing, apparel, merchandise, music project, album artwork, cover, book, music video, serial title, movie title, poster, animation, stickers, event, festival, magazine, and many more.

Two pieces of vintage sheet music (“Honeymoon Hotel” and “By a Waterfall”) from Warner Brothers' 1933 musical “Footlight Parade” featured a hand-lettered bold alphabet with a touch of the 1930s Art Deco influence. These song sheets served as the basis for Pocomoke JNL. As informal and casual as the design is, its strength is in the boldness of the letter forms (which showcases the era of pen-and-ink display lettering).

Woodstock is a round, heavy, lovable serif display typeface. Just as music brought many together in the spirit of love during the 1960s and the Woodstock music festival, this face brings a smile to the eye of the beholder. Many traces of the hand can be seen in the curves and the joins of Woodstock's forms. Try using Woodstock in headlines, logos, or greeting cards, in point sizes from 12 on upward.

The 1934 Dick Powell-Ruby Keeler-Joan Blondell movie musical "Dames" gave us the classic song "I Only Have Eyes for You", but the sheet music for the song had the movie title hand lettered in a multi-line Art Deco sans serif design that just begged to be turned into a type font. From these few letters now comes Deco Multiline JNL, which is available in both regular and oblique versions.

Most of the lettering on a piece of sheet music for a song from the 1921 George M. Cohan musical comedy entitled “The O’Brien Girl” was hand lettered in a playful, casual Art Nouveau design with rounded ends. The characters on that page took on a look reminiscent of cartoon or comic strip wording, and the result is a digital typeface named Cartoon Nouveau JNL, which is available in both regular and oblique versions.

Are you ready to transform your projects into visual masterpieces? Say hello to Beldaron, the experimental serif font that draws its inspiration from the dynamic world of modern music visuals and album design. It's your key to unlocking creativity like never before! Beldaron captures the essence of avant-garde music visuals and modern album aesthetics, infusing your designs with a futuristic aura. Watch your projects evolve into visually stunning, captivating masterpieces! Enhanced with a plethora of exquisite Ligatures and captivating Stylistic Alternates, this exquisite font is meticulously crafted to elevate your design journey to unparalleled heights. Just as music evolves, Beldaron seamlessly adapts to your design needs. From posters to websites and branding, it's your dynamic partner, harmonizing effortlessly with your creative vision. Break free from the ordinary and unleash your brand's uniqueness with this cutting-edge typeface. Whether you're a graphic designer, artist, or a creative visionary, Beldaron will ignite your imagination and empower you to bring your vision to life with the aesthetics of futuristic music visuals and modern album design. Beldaron - Where Design Meets Visual Symphony!

Hey guys! Meet our new font "Honey Vineyard"! It's time to pick up on the wedding trend of script-style fonts, and Honey Vineyard's sophisticated and stylish design is perfect for announcing your elegant wedding. A unique wedding font featuring flourishes of creativity and a graceful design won't leave anyone indifferent. This font includes stunning swashes and ligatures that will make your design even more attractive! Some commonly used letters have multiple swashes, while some rarely used letters have none at all. We also would like to note that when creating this font, a purely calligraphic approach was used. This means that all the letters are not the same: some letters are much thicker and some are thinner, as is the case in real calligraphy! The font also includes the Cyrillic version.

The hand lettering of a piece of 1930s sheet music's title has once more yielded an interesting take on the popular "thick and thin" lettering of the Art Deco period.

Bay Ridge JNL, modeled from vintage sheet music lettering, is named for a neighborhood in the Southwest corner of the borough of Brooklyn, New York.

Nouveau Eccentrique JNL is a novelty Art Nouveau lettering style found on some 1920s sheet music cheerfully entitled "I'm Glad I Can Make You Cry".

The rounded hand lettering for the circa-1920s sheet music title "I'm On My Way Back Home" inspired the font design for Lettering Pen JNL.

Many children start school with their hands not ready and trained to produce the precise strokes required for forming letters and starting to write. Pattern is essential preparation. It is fun for children, building their confidence as well as training their muscles for the task. Each font has normal letters and pattern characters. Free to download resources: How to access Stylistic Sets of alternative letters in these fonts Purchasers of this font package may use their Order Number to receive a free Copybook PDF by Rosemary Sassoon recommended for effective teaching

Ballpoint font family was designed by David Fox in 2021 for the FontJuice™ foundry. A rounded sans serif style, Ballpoint has a simplicity which does not reject traditional forms . It is non ornamental and non emotional, just clearly presentable. This font is suitable for logotype, brand, packaging, quotes, music poster, t-shirt, cover book and more custom design. More specifically, whilst the heavier weights are best used for display in advertising, the lighter weights remain readable in text. Ballpoint features uppercase, lowercase, numeral, punctuation & symbol, multilingual support.

Fonts can make or break a design, so why not use the best? The ideal Gothic font is QIUBA! You should use this professional-grade font to create labels, retro, stamps, badges, Oktoberfest posters, and other things. It’s ideal for any project that calls for a little gothic flair. Plus, it comes in a variety of beautiful, harmonious forms so you can use the perfect word for your project. This Blackletter font is the way to go whether you’re looking for a font for your logo, label, badge, or your newest music video or movie!

Because of the large influx of Irish immigrants during the late 1800s and early 1900s, it was not unusual for songwriters of the day to craft songs around Irish themes, offering a nostalgic link to their homeland. One such 1917 piece entitled "You Brought Ireland Right Over to Me" had the title hand lettered on the sheet music cover in a sans serif design reflecting the popular Art Nouveau movement of the day. This design is now available digitally as Retro Nouveau JNL, in both regular and oblique versions.

Bayoneta is not your usual handcut alphabet, though it can seem so. It can also seem like carefully constructed lettering inspired by Polynesian cultures. By bridging that gap between knife-wielding kitsch and studied display lettering, Bayoneta offers quite a various range of theme possibilities. Its clear and attractive shapes can provide the eye-catching spontaneity on a book cover, the expressive shout on a skateboard or a muscle shirt, the mouth-watering brand on a protein bar package, or the main notice on a theme park ride sign.

Melodica was so named because the characters dance easily across the page as music wafts across a room. The font was designed to meet the need of designers that need clarity, sensuousness, a suggestion of the oddball, and a modicum of humor. With its boldly curvy caps, and large x-height lower case characters, Melodica suggests a boldness of purpose while enjoying a well modulated delicacy of line. Use Melodica for any purpose that wants a happy, vibrant, slightly quirky yet "not too far from the norm" solution. Language support includes all European character sets.

Introducing Dunver - a display typeface font inspired by vintage albums and posters from 1960s music bands. The classic typeface, combined with fun and groovy impressions, make Dunver a unique and distinct font choice. This font is perfect for any kind of display purpose, including album covers, posters, labels, t-shirts, apparel, signage, quotes, logos, greeting cards, and logotypes. Dunver is especially well-suited for music and party events. With its retro feel and bold design, it can help you create designs that perfectly capture the energy and excitement of the event. Whether you're designing posters, flyers, or social media graphics for your next gig or music festival, Dunver can help you make an impact. The font comes with a range of features, including alternate characters divided into several OpenType features such as Swash, Stylistic Sets, Stylistic Alternates, Contextual Alternates, and Ligature. These OpenType features can be accessed using OpenType savvy programs such as Adobe Illustrator, Adobe InDesign, Adobe Photoshop CorelDRAW X version, and Microsoft Word. In the zip package, you will find Dunver in otf, ttf, and woff formats. It comes with uppercase and lowercase letters, opentype alternates and ligatures, numbers, punctuation, and symbols, as well as multilanguage support. Dunver is not just a font - it's a versatile tool that can help you bring your creative vision to life.

Wasty Pudding was made by drawing a lot of letters, over and over again - and not caring so much about the looks, but focusing more on the speed of drawing, because I wanted a font that represented the way I write, when I am taking notes for myself. It’s not pretty, but it’s legible and scribbeliciously beautiful! :) Anyway, I think the purpose of this font is massive amounts of text. Song lyrics, novels, stories, diaries, manuscripts, books, etc. I bet you can fool someone with them thinking that this is not a font, because I have added 6 different versions of each lowercase letter!!!

Roughler is brush font with clean and simple font. This font can apply to banner, wallpaper, tees, music theme, cover and party moment with brush style.

Hand lettering on the Art Deco-era sheet music for a song entitled "Rosemary" was the model for this delicate monoline design called Deco Hotel JNL.

Shareholder JNL could possibly be found on a stock certificate, but in truth, it's based on hand-lettering found on some old sheet music entitled "Sharing".

Nouveau Era JNL was adapted from the title of a hand-lettered advertisement found on the back of a 1920s-1930s piece of vintage sheet music.

Serif Nouveau JNL is a condensed type face based on the hand lettered title of a 1920s-era piece of sheet music for the song "Naturally".

Earlier this year, my eyes fell upon a discarded wedding invitation on the sidewalk. A closer look at it revealed that it had at one point been victimized by rain. Some of the fancy script letters were not quite broken, but sort of melted and run-down, while the rest were still somewhat intact. That's how Scroll was conceived, as an idea for a script where thicks and thins blend to produce a wet appearance. Unlike most available broken scripts, the Scroll script was originally drawn in its own juiced context, and not based on any existing script. This font is great for atmospheric antiquity, deep natural poetry, still life captioning, gothic music posters and collateral, or horror literature and poetry covers.

A very expanded sans serif font in capital letters inspired by the inscription on a bank note Old bank notes tend to have a very typical typography. Usually they carry decorative and elaborately designed markings. For one thing, they must be practically impossible to forge and for another, they should make a respectable and legitimate impression. And in the days of copper and steel engravings, that meant nothing less than creating ornate, shaded or otherwise complicated scripts. Designing the appropriate script was literally in the hands of the engraver. That’s why I noticed this bank note from 1948. It is the first 20 mark bill in the then newly created currency ”Deutsche Mark.“ All other bank notes of the 1948 series show daintier forms of typography with an obvious tendency toward modern face. The 1949 series which followed shortly thereafter reveals the more complicated script as well. For whatever reason, only this 20 mark bill displays this extremely expanded sans serif variation of the otherwise Roman form applied. This peculiarity led me in the year 2010 to create a complete font from the single word ”Banknote.“ Back to those days in the 40’s, the initial edition of DM bank notes was carried out by a special US-American printer who was under pressure of completing on time and whose engravers not only engraved but also designed. So that’s why the bank notes resemble dollars and don’t even look like European currency. That also explains some of the uniquely designed characters when looked at in detail. Especially the almost serif type form on the letters C, G, S and Z, but also L and T owe their look to the ”American touch.“ The ingoFont Banknote 1948 comprises all characters of the Latin typeface according to ISO 8859 for all European languages including Turkish and Baltic languages. In order to maintain the character of the original, the ”creation“ of lower case letters was waived. This factor doesn’t contribute to legibility, but this kind of type is not intended for long texts anyway; rather, it unfolds its entire attraction when used as a display font, for example on posters. Banknote 1948 is also very suitable for distortion and other alien techniques, without too much harm being done to the characteristic forms. With Banknote 1948 ingoFonts discloses a font like scripts which were used in advertising of the 1940’s and 50’s and were popular around the world. But even today the use of this kind of font can be expedient, especially considering how Banknote 1948, for its time of origin, impresses with amazingly modern detail.

Ben Harris' illustrated cover for the sheet music of "I Found A Million Dollar Baby (in a Five and Ten Cent Store)" from 1931's "Billy Rose's Crazy Quilt" lists the show's stars and other credits in a pen lettered monoline design with rounded terminals. This early Art Deco type style has now become the digital font Variety Store JNL (a reference to the Five and Ten Cent stores alluded to in the song title from the sheet music).