Retroman - Vintage Slab is a inspired by classic fonts with retro style combined with decorative Slab style nuances of western back to the era of the 70's - 80's, a style that is timeless. Retroman is perfect for vintage social media posts, Craft , Product packaging, product designs, label, branding projects, logo, advertisements, watermark, invitation, stationery and any projects .

A revival from the past this animated letter will fit right into todays market. With its subtle flair and Latin feeling it will surely give a feeling of pure fun. This style was very popular in the 40s and 50s then it was reborn in the 60s and 70s once again it is coming back and becoming popular again.

LE MANS - CLASSIC is a font inspired by vintage motorsport racing. In particular, advertising posters from the 70's. This time period was important as it showcased not only the cars that changed but also the illustrative styles & typography. Features: Offered in 2 Styles - Regular & Compressed Extensive Language support Specialised Kerning on all character combinations Designed by KAZER STUDIO

This retro serif font features plenty of curvy letters that give it a refined and cheerful vibe. Tap into the 70s with the Geshina Font With Shadow. Perfect for lovers of all things retro, Geshina is available in three styles: regular, outline, and shadow. It includes upper and lowercase characters, numbers, punctuation, ligatures, alternates, swashes, and multilingual support.

TF Bombass – Groovy Display Font By Teenage Foundry Introducing our latest font creation – a groovy typeface that’s sure to transport you back to the funky, psychedelic era of the 60s and 70s! With its bold, playful style and unique character, this font is perfect for adding a retro feel to your design projects. Features: Uppercase, Lowercase, Numeral, Punctuation & Multilingual.

Here’s another gem pulled from the pages of one of the many editions of Pen and Brush Lettering by the Blandford Press. Cascading bubbles add a somewhat 70s feel to a distinctly Deco font, and provide its name as well. Both versions of the font include 1252 Latin, 1250 CE (with localization for Romanian and Moldovan).

ArchiType Rounded is not just the rounded version of the ArchiType font. The aim was to get a slightly different balance between the squareness and the roundness of the original font. Now with rounded endings, resulting in a smoother appearance. Every glyph is redesigned, around 70 glyphs have been added and kerning has been vastly improved.

Skorid is a geometric condensed sans serif font family, constructed only out of straight lines. Coming in 7 weights, regular and italic, from thin to black, you have a wide array of possibilities of using Skorid for any purpose you need. Skorid speaks around 70 languages, including Cyrillic. Contains a lot of alternative letters to boost your creativity.

Introducing Heland - Inspired by typeface on 70s era, Heland has the vintage font & retro font with two style regular & extruded. Two style Font: regular & extruded. Heland is perfect for children product, branding, logo, invitation, stationery, product packaging, merchandise, monogram, blog design, game titles, cute style design, Book/Cover Title and more. Features : - Beginning & Ending swash - Multilingual Support

Medisans is A Retro Font, come from 70s style era Exellent typeface to use for covering your Project, like Branding, Movie Title, Headline Letter, Bookcover or Book Content, Magazine cover, Poster, Quotes Lettering, Logos, and more your project design. - Unique glyphs - Multilingual Characters Support - UPPERCASE - Lowercase - Numeric - Symbol - Punctuation Character - Stylistic Set (ss01) - PUA encoded inumoccatype

Born in the lab as a research experiment, Reboot is great for that certain 70’s sci-fi need. It’s filled with the angular curves of the technology of yore, with full diacriticals for Eastern European Cold War era galactic display copy. It’s the first font of a series of research experiments, varying from rectilinear to ovoid.

Westman is a inspired by classic fonts with retro style combined with decorative Slab style nuances of western back to the era of the 60’s – 70’s, a style that is timeless. Westman is perfect for vintage,social media posts, Craft , Product packaging, product designs, label, branding projects, logo, advertisements, watermark, invitation, stationery and any projects

Introducing The Boldstyle a retro bold script which will bring yo back to 70s feel.comes with Extrude versions. So you don't need extra effort to create extrude effects. Its features include: Stylistic Alternate, Swash, Ligatures, Stylistic set and multilingual support. You can choose alternatives for substitution with various variants Glyphs. Very suitable for logos, tshirts, posters, branding, etc.

Minebold is a retro bold handwritten font that will bring you back to the 70s. Fall in love with its unique character and use it to create gorgeous wedding invitations, beautiful stationery art, eye-catching social media posts, and much more! Minebold is PUA encoded, which means you can access all glyphs and swashes with ease!

Why not take a giant leap back to the 1970s? Rakia is a science-fiction inspired font, with classic overtones of the 70s. Alternatively, it is a 1970s font with scoff overtones. Take your pick! It’s an all capitals face, with a strong suggestion of speed and motion about it. A wonderful display font and fun to use!

Imagine a font that is easier to read the smaller it is – or the further away the text is. There are already many rasterised fonts, I wanted to take it to the extreme and use as few dots as possible. The result is a typeface that lives up to its name. Each individual circle makes no sense on its own; individual letters are only recognisable in the context of all associated circles, individual letters are most likely to be recognised in the context of whole words. Attached to a building wall, text would be readable from a great distance and become increasingly difficult to decipher the closer you get to the building. Placed on the ground or on a large flat roof, text would only be readable from a higher building, an aeroplane or - depending on the size - in Google Earth. Kontext has old style figures, superscript numerals, case-sensitive questiondown and exclamdown and an alternative ampersand, 390 glyphs at all. Use the same value for font size and line spacing to keep the lines in the grid, or change the line spacing in 10% steps. Change the spacing in 100-unit increments to keep the grid. The numbers in the family- and style-names refer to the (ca.) grey value of the respective background and the font itself. Kontext Dot 00-33 has e.g. a white background (0%) and 33% grey value. Kontext Dot 66-33 has a 66% background and 33% grey value. »Positive« styles (first number smaller than the second number) have kerning, »negative« styles (first number bigger than the second number) can have none.

We have transformed the “99 names of ALLAH” into a font. That means each key on your keyboard represents 1 of the 99 names of ALLAH Aaza Wajal. The fonts work with both the English and Arabic Keyboards. We call this Calligraphy "Spiral" because of the spiral like design. The first "Alef" has a "hamzit wasel", this indicates that you can pronounce the names both ways, "AR-RAHMAAN" or "R-RAHMAN". (in the zip file you will find a pdf file explaining the differences in the "harakat", pronunciation and spelling according to the Holy Quran). The "Ye" doesn't have 2 dots at the end of a name, instead we chose to include a small "ye" on the letter "ye". Also, we used the traditional "soukoun" instead of the Quranic "soukoun". Decorative letters used in this calligraphy: "Mim, Aain, Sin, HHe, He, Kaf, Alef & Ye". Purpose & use: - Writers: Highlight the names in your texts in beautiful Islamic calligraphy. - Editors: Use with kinetic typography templates (AE) & editing software. - Designers: The very small details in the names does not affect the quality. Rest assured it is flawless. The MOST IMPORTANT THING about this list is that all the names are 100% ERROR FREE, and you can USE THEM WITH YOUR EYES CLOSED. All the “Tachkilat” are 100% ERROR FREE, all the "Spelling" is 100% ERROR FREE, and they all have been written in accordance with the Holy Quran. No names are missing and no names are duplicated. The list is complete "99 names +1". The +1 is the name “ALLAH” 'Aza wajal. Another important thing is how we use the decorative letters. In every font you will see small decorative letters, these letters are used only in accordance with their respective letters to indicate pronunciation & we don't include them randomly. That means "mim" on top or below the letter "mim", "sin" on top or below the letter "sin", and so on and so forth. Included: Pdf file telling you which key is associated with which name. In that same file we have included the transliteration and explication of all 99 names. Pdf file explaining the differences in the harakat and pronunciation according to the Holy Quran. --------------------------------------------------------------------------------------------------------------------------- Here is a link to all the extra files you will need: https://drive.google.com/drive/folders/1Xj2Q8hhmfKD7stY6RILhKPiPfePpI9U4?usp=sharing ---------------------------------------------------------------------------------------------------------------------------

We have transformed the “99 names of ALLAH” into a font. That means each key on your keyboard represents 1 of the 99 names of ALLAH Aaza Wajal. The fonts work with both the English and Arabic Keyboards. We call this Calligraphy "Clear" because of how clear and easy to read the design is. The first "Alef" has a "hamzit wasel", this indicates that you can pronounce it as both "AR-RAHMAAN" or "R-RAHMAAN" (in the zip file you will find a pdf file explaining the differences in the "harakat", pronunciation and spelling according to the Holy Quran). The "Ye" in this calligraphy doesn't have the two dots, nor does it have a decorative "Ye", just like the Holy Quran. Also, we went for the traditional "soukoun" instead of the Quranic "soukoun" & decorative symbols are at a minimum. Decorative letters used in this calligraphy: "Mim, Aain, Sin, HHe, He, Kaf, Tah & Saad". Purpose & use: - Writers: Highlight the names in your texts in beautiful Islamic calligraphy. - Editors: Use with kinetic typography templates (AE) & editing software. - Designers: The very small details in the names does not affect the quality. Rest assured it is flawless. The MOST IMPORTANT THING about this list is that all the names are 100% ERROR FREE, and you can USED THEM WITH YOUR EYES CLOSED. All the “Tachkilat” are 100% ERROR FREE, all the "Spelling" is 100% ERROR, and they all have been written in accordance with the Holy Quran. No names are missing and no names are duplicated. The list is complete "99 names +1". The +1 is the name “ALLAH” 'Aza wajal. Another important thing is how we use the decorative letters. In every font you will see small decorative letters, these letters are used only in accordance with their respective letters to indicate pronunciation & we don't include them randomly. That means "mim" on top or below the letter "mim", "sin" on top or below the letter "sin", and so on and so forth. Included: Pdf file telling you which key is associated with which name. In that same file we have included the transliteration and explication of all 99 names. Pdf file explaining the differences in the harakat and pronunciation according to the Holy Quran. --------------------------------------------------------------------------------------------------------------------------- Here is a link to all the extra files you will need: https://drive.google.com/drive/folders/1Xj2Q8hhmfKD7stY6RILhKPiPfePpI9U4?usp=sharing ---------------------------------------------------------------------------------------------------------------------------

We have transformed the “99 names of ALLAH” into a font. That means each key on your keyboard represents 1 of the 99 names of ALLAH Aaza Wajal. The fonts work with both the English and Arabic Keyboards. We call this Calligraphy "Attached" because the "alef" and "lam" are attached together. The first "Alef" has a "fatha", this indicates to pronounce the first letter. So instead of saying "R-RAHMAAN" you say "AR-RAHMAAN" (in the zip file you will find a pdf file explaining the differences in the "harakat", pronunciation & spelling according to the Holy Quran). You will also notice that the decorative letters in this font are bigger than usual, we also used the traditional "soukoun" instead of the "Quranic soukoun" & we were a little bit more generous than usual with the decorative symbols. Decorative letters used in this calligraphy: "Mim, Aain, Sin, HHe, He, Kaf, Alef, Tah & Saad". Purpose & use: - Writers: Highlight the names in your texts in beautiful Islamic calligraphy. - Editors: Use with kinetic typography templates (AE) & editing software. - Designers: The very small details in the names does not affect the quality. Rest assured it is flawless. The MOST IMPORTANT THING about this list is that all the names are 100% Error Free, and you can use them with your eyes closed. All the “Tachkilat” are 100% Error Free, all the "Spelling" is 100% Error Free, and they all have been written in accordance with the Holy Quran. No names are missing and no names are duplicated. The list is complete "99 names +1". The +1 is the name “ALLAH” 'Aza wajal. Another important thing is how we use the decorative letters. In every font you will see small decorative letters, these letters are used only in accordance with their respective letters to indicate pronunciation & we don't include them randomly. That means "mim" on top or below the letter "mim", "sin" on top or below the letter "sin", and so on and so forth. Included: Pdf file telling you which key is associated with which name. In that same file we have included the transliteration and explication of all 99 names. Pdf file explaining the differences in the harakat and pronunciation according to the Holy Quran. --------------------------------------------------------------------------------------------------------------------------- Here is a link to all the extra files you will need: https://drive.google.com/drive/folders/1Xj2Q8hhmfKD7stY6RILhKPiPfePpI9U4?usp=sharing ---------------------------------------------------------------------------------------------------------------------------

The Bunken Tech Sans superfamily: A reminiscence of constructed fonts of the modern age designed with considerably cleaner forms. Bunken Tech Sans follows in the best tradition of the straight-lined and somewhat angular structures of its predecessors while offering a much more open and mild design. The shapes of the letters are therefore reduced to the most essential elements: The spurs on a, b, n and other lower case letters occur just as little as decorative or style details, the lightly rounded inside edges are more pleasing to the eye than certain historic role models and make for a harmonic, flowing style. Use In particular Bunken Tech Sans stands out as an easy, distinctive headline font with its straight-lined, technical design. Open counters and large x-height make it equally suited for use in shorter texts. It is also perfectly complemented by Bunken Sans or Bunken Slab in longer texts (available soon). Features Available in 10 styles with widths ranging from Light to ExtraBold with associated Italics. All of the styles are very extensive: Support for at least 58 languages, Small Capitals, 9 number sets (e.g. Lining, Oldstyle, Tabular and Small Cap Figures), ligatures, alternate characters, numerous Opentype functions, and lots of other small features that make it more pleasant to work with the font on a daily basis as well as fulfilling typographic desires. Each style contains more than 870 characters! Each style is available in a professional (Pro) and standard (Std) edition with a reduced range of functions. (Language support, OpenType features and number of glyphs). Details can be found on the respective pages. Bunken Tech Sans is part of the Bunken Tech superfamily and is available in Condensed, Normal and Wide. Also of interest: The slab serif variation Bunken Tech Slab Features in Detail: 12 Weights: -Light -Book -Medium -SemiBold -Bold -ExtraBold and corresponding Italics 3 Widths: -Condensed -Normal -Wide Alternate Characters: A, E, F, L, S, e, f, t, s, y, etc. Small Capitals 5 Sets of Figures: -Lining Figures -Old Style Figures -Tabfigures -Old Style Tabfigures -Small Cap Figures Automatic Ordinals Automatic Fractions Extended Language Support and more...

SIAS opens a new chapter in Irish vernacular typography: the Andron-2-Irish font family. The genes of the insular typographic heritage have been blended with the timeless classical style of the versatile Andron series. Whereas most Irish-style fonts available more or less stick to ancient designs, Andron-2-EIR is different: it’s an entirely new design in which Irishness meets the beauty of a matured Venetian Roman text face. Envision a new horizon for setting Irish text in its own visual mode! Now you can utilize Italics, Semibold and Small capitals for Irish just as you have been doing in other languages for a long time. But the icing on the cake is the fifth font: Andron Irish Middlecase honours the rich medieval tradition of Ireland by a special uncial-style glyph set. It corresponds to the Andron MC series. Last but not least the Irish type connoisseur will relish this font package for it’s unique utilization of Opentype functionality. In Opentype-aware applications, by just ticking a box you can switch to the special insular forms of s and r. By ticking another box you can transform the text from modern-day orthography to the traditional spelling with lenited consonants. This built-in intelligence has never been implemented in any Irish font before. Briefly, the Opentype substitution features are: [Ligatures] – default basic f-ligatures; [Descretionary Ligatures] – more ligatures for typographic reason, mainly t- and long-s-combinations; [Style set 1] – turns all lowercase r and s into their insular glyph variants; [Style set 2] – replaces all consonant-h digraphs by dotted consonants (ḃċḋḟġṁṗṡẛṫ, ḂĊḊḞĠṀṖṠṪ), works for lowercase, uppercase and upper-lowercase alike; [Style set 3] – provides another range of additional special ligatures (for Regular and Italic only); [Oldstyle figures] – turns the default lining figures into proportional oldstyle figures. Andron Irish will also perfectly combine with every other Andron product in mixed settings. For an overview please go to the SIAS main page. For a quick reference go to Andron Latin, Andron Greek, Andron English or Andron MC. For more wonderful new Irish fonts look at Hibernica and Ardagh!

Bradley Texting: a clear, friendly and easily legible calligraphy font, also suited to electronic devices With Bradley Texting, Richard Bradley has published another calligraphic typeface that recalls the style of Bradley Hand and Bradley Type. In this case, however, Bradley has advanced the style with clearer forms for display on electronic instruments and on other formats. Two other font families paved the way to the newly introduced Bradley Texting. In the mid-1990s, Bradley published Bradley Hand, with its rough contours. Since these coarse forms do not cut a good figure in the larger font sizes, Bradley Type followed, with smooth letters. During the development of Bradley Type, the idea for a further font came about ? one in the style of the two other calligraphic typefaces, but with simpler, easily legible forms and suited to electronic devices like mobile phones or tablets. The letters for Bradley Texting began with a marker on paper. Looking back, Bradley describes one of the biggest challenges as having the calm required to draw the relaxed-looking letters repeatedly while still making them fit the general style.The somewhat narrow and dynamically designed letters have round line ends, like those left by a felt-tipped pen. As a hand-written print font, the individual letters are not connected to one another. Nonetheless, they demonstrate the influence of a written font, such as the extended ends and the flowing transitions. Clear forms with open counters and a large x-height guarantee Bradley Texting good legibility in the smaller font sizes. Bradley Texting is also effective under more challenging conditions, such as on mobile phones, e-book readers or tablets; the fonts friendly and lively character comes through. With Regular, Semibold and Bold, Bradley Texting is adequately equipped for use as a headline or text font in various sizes. The selection of characters covers the Western European languages and German typographers will be happy to note the presence of the upper-case ß. Use the dynamic and clear forms of Bradley Texting anywhere you need a friendly character with a personal accent. Bradley Texting is persuasive in the print realm, in advertisements or on posters, as well as on electronic devices.

Buntypes Bunaero™ combines classical and contemporary characteristics to a unique and distinctive font family with extravagant but also harmonious appearance. The characters are clear, open and sometimes bellied. Especially the caps have a very high waistline. Based on this, four main states with different moods have been composed: The original Bunaero™, the more conservative “Classic”, the elegant and curvy “Up” and the matching ”Italic”. All states offer weights from a considerably thin „Hair“ to a real fat „Heavy“, so the family consist of 34 Styles, all with rather narrow width and very good legibility. The font was manually hinted and contains extensive handcrafted kerning tables to ensure flawless appearance in all media. It supports at least 99 languages incl. Vietnamese and provides ligatures, alternative glyphs, special localized forms and even more enjoyable OpenType® features. This Pro version of Bunaero also includes a lot of features for sophisticated users: Lining figures for headline setting; Intermediate linings and oldstyle figures for text setting; Tabular versions of all figures; Superiors, inferiors, numerators, denominators and automated fractions; Language specialities like a capital Eszett for the german language and extra characters with a polish kreska instead an acute; And many more. Further information: Bunaero™ Pro Specimen PDF Bunaero™ Pro OpenType® Quickguide Feature Summary*: -4 Moods: Normal, Classic, Up and Italic -9 weights: Hair, Light, Thin, SemiLight, Regular, SemiBold, Bold, ExtraBold and Heavy -Supports at least 99 Languages incl. eastern european and vietnamese languages -Overall width: Narrow or Space-Saving -Advanced f- ligature set including fb -Discretionary s- and c- ligatures -Alternative Characters: a, e, f, g, i, k, l, t, v, w, y, J, K, Q, R, and more -6 sets of figures: -Capital sized figures, oldstyle figures and intermediate figures, each in proportional and carefully adjusted tabular versions -Superiors, inferiors, numerators and denominators -Circled and negative circled figures -Capital German Eszett -Extra characters with Polish Kreska -Catalan Punt Volat -Extra characters with alternate minmalistic Cedille -Arrows -Automated feature for fractions as well as extended fraction character set -More than 1000 characters per font * Some features may only be available in OpenType®-savvy applications

www.Stat-Type.com Complementary Type Family Stat Text Pro Stat Display Pro is an information design sans serif type family legible in circumstances of low visibility. Its large character set with multiple weights is defined by optimal size ratio, distinctive letter shapes, wide aperture and balanced counters. Stat Display Pro remains legible in unfavorable circumstances of distance, size, movement and similar. It contains nearly 700 glyphs, including diacritics, ligatures, small caps, old–style figures, arrows and more. This enables it to achieve wide language support. It consists of four main (Light, Regular, Medium, Bold) and four secondary, negative weights (Light Negative, Regular Negative, Medium Negative, Bold Negative) which are accompanied by their corresponding obliques. Stat Display Pro type family has higher than average x height (72% of cap height) which is accompanied by matching ascender and descender size ratios. With its distinctive letter shape detail it minimizes the possibility of letter shape confusion, while optimizing legibility with wide aperture and balanced counters. Its main intended use is information design, where it, with its characteristics, meets the requirements of wayfinding, infographics, table setting and much, much more. The development of the type family was based on research in legibility to achieve highly legible letter shapes, while not diminishing their visual character. A detailed description of Stat Pro type family is available at Stat-Type.com where a DEMO font can be downloaded.

Alimentary (adjective): relating to nourishment or sustenance. If you've seen my other fonts, you know I tend to lean into food-based names. This name has to do with food and science combined, so it's double nerdy in the ways I like to be nerdy! I started with Alimentary Medium, which was inspired by my shorter, wider font MacGuffin - I wanted something taller, narrower, with a hip and retro feel. When I finished the Medium weight, I felt like I wanted a Light weight. Then a Heavy weight. Then I figured, "what the heck," and made an outline version of the Medium weight too. In the end, I wound up with four members of the Alimentary family, each with over 700 glyphs! Not only do they all have the basics (A-Z, a-z, 0-9, and tons of punctuation), but they also each have 330 characters for European language support, and a limited selection of Greek, Coptic, and Cyrillic characters. Plus a double handful of alternates and ligatures to add a little variety to your designs! And of course, all of the Alimentary fonts are super-smoothed, with reduced nodes and clean curves, so whether you're cutting them out, printing them, engraving them, or using them in a way I haven't even thought of, these fonts will be sharp and crisp!

Welcome to my hand-drawn garden! Enjoy the sunshine, surrounded by my line illustrations of flowers, leaves, birds, hearts, arrows, snowflakes and various ornaments. Sungarden is a bouquet of about 400 handmade pics and floral ornaments, created to get along well with my collection of 12 playful sans serifs and a cute script. Sungarden Script is packed with ligatures and automatic initial and terminal forms accessed through contextual altrenates. All the fonts have an extended character set to support Western and Central European languages. The Sungarden family is well-suited for nature cosmetics, organic food, handmade-style products, wedding and greeting cards, invitations, labels, packaging, menus, books or apparel. You can download the instruction PDF here.

Do you need that perfectly-imperfect yet highly legible font to pair with a script or supplement a logo? Corinth is a hand drawn geo sans with 4 styles plus ornaments that pairs well with scripts, is readable at small sizes and still achieves the retro, or hand made feel. The classic geometric letterforms in combination with the imperfections of being hand drawn give Corinth a unique personality without sacrificing legibility. Corinth is a small caps family with comprehensive language support, uppercase and lowercase alternates, double-letter ligatures for added realism, and over 100 ornaments and symbols. Corinth's legibility and classic style makes it very handy for any designer's arsenal and comes in useful for almost any subject matter.

Malnor Sans is a normal sans serif family of 18 fonts. With modern style or neo-grotesque, Malnor sans has balanced proportions in every letter, and it's clean, minimal and cool. There are several alternative letters that can be used in both upright and oblique styles. Single story 'a' can give a more geometric impression, even though it is not purely geometric. There is also an alternative double story 'a' with a tail, a double story 'g' and an alternative 'l' that can be applied together via the 'salt' or 'stylistic sets' features for a slightly warmer feel. Malnor Sans currently has around 900 glyphs, including diacritical marks, that support a broad Latin-based language.

Allow me to introduce the Lovely Buttering script, which combines elements of informal, romantic, sweet, beautiful design, and hand-drawn typography design elements. Lovely Buttering script has 1000+ glyphs and 500+ alternative characters, including various language support. You can use this font for your work very easily because there are many features in it. Contains a complete set of upper and lower case letters, punctuation, numbers, and multilingual support. This font also includes several ligatures, alternative stylistic sets for those of you who have software that can work OpenType (Corel Draw / Photoshop / Illustrator / InDesign). Need help? If you need help or advice, please contact me through e-mail. Thank you for your purchase!

Being a geometric sanserif ocr-t comes in eleven weights from ultrawhite to infrablack (brightwhite, white, silver, lightgrey, grey, darkgrey, anthracite, black, jetblack). With more than 600 glyphs it covers all your typographic needs and manages to stay at the same place no matter which width you’re using. Its readability and legibility is more than fine although it needs no kerning. The infrablack is really black, in order to achieve this, the form of letters change from darkgrey to anthracite from upright to some kind of upright italic. This also gives opportunity to mix two weights with same colour but different architecture. Find also stylistic sets, alternate letters, lots of bullets, different arrows, hands and well: kind of hearts.

Margon is a serif font family with a temperate design -- small serifs, moderate contrast, tiny roundings on the corners make it calm and serene. The Margon font family consists of 18 members divided into 4 groups of different proportions marked by indexes 360, 380, 400, 430. These values correspond to densities of sets -- 360 is the widest style, 430 is the most narrow one. The peculiarity of Margon family is a rather small difference in proportions of characters between neighbor groups, it’s less than 10%. Such tiny step gives possibility to select the font that gives the best result in combination of capacity and readability. Margon can be used in book, magazine and newspaper design.

Olivetta—an ironic sans. Its name is inspired by Antique Olive typeface. These two fonts share a few common design features but Olivetta is more in tune with the spontaneous, ironic style of today's typefaces. Olivetta illustrates the power of words as images. The high contrast between thick and thin strokes of the lowercase letterforms gives visual strength to the font. The stroke contrast increases as the weights get heavier. Olivetta comes in 10 weights with matching italics and each style contains more than 400 glyphs which include alternates. The lightest weights work well in subtle headlines while the heaviest ones are perfect for posters, short texts, branding and editorial design. The intermediate weights are ideal for continuous reading.

Departura is a sans-serif family inspired by art deco travel posters in early 20th century, fused with modern & geometric touch. It comes in 18 styles, 9 weights and its matching italics. With those style variatons, Departura offers many possibilities to be applied in many graphic or editorial projects.The modernized retro-look makes this family great to presents any contents related to travel, history & culture in the present/modern way. Also thanks to the extended latin character set so that Departura supports 200+ latin-based languages plus Cyrillic (including the Bulgarian and Serbian characters). P.s.: The Bold Italic & ExtraLight styles are free to download, so you can use them for any projects free of charge.

TG Minagi Sans is a neo-humanist sans serif that takes inspiration from some calligraphy and blackletter letterforms providing sharp details and a little stiffness in some parts of the typeface. By combining these things with the modern form of the sans serif letter, TG Minagi Sans has a forceful and distinct character. Super terrific when used at massive sizes for display purposes and headlines, but reliable enough for small text sizes. TG Minagi Sans comes with 7 weights, 2 axes & 14 Styles, including a variable font file. Has several OpenType features such as various ligatures, lining figures (proportional, old styles, superior, inferior, denominator, numerator & fraction), stylistic styles 01-04 & covered more than 100 languages Latin based.

The inspiration source for Tryst Monogram is a showcard script (capitals only) from the 1912 A Show at Showcards book by Atkinson & Atkinson. What began as 26 referenced script letters became an over 800 character font in order to create its unique cameo effect! Tryst Monogram can create one, two, or three letter monograms as well as a unique two letter cameo monogram style - made by simply typing two lowercase letters in a row (using OpenType Ligatures). Add framing to a cameo monogram by adding a number 0-9 before the two letters. It's that easy! Download and view the Tryst Monogram Guidebook if you would like to learn a little more.

The Wildaloney script is a beautiful, classic calligraphic font in regular and italic, which will add a sweet, elegant, and perfect feel to your design. It’s great for logo projects, wedding invitation cards, branding, home designs, product packaging, and every other design that needs an elegant typeface. This script has more than 400+ glyphs in each style, has two uppercase heights and many alternative lowercase characters, as well as a large selection of stylish devices, allowing you to make your design truly unique. To activate the OpenType Stylistic alternative, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or newer versions.

Lagu Serif blends a geometric inspiration with warm humanist elements, making it the perfect choice for when you need a fresh, contemporary serif typeface. Alessio Laiso has designed Lagu Serif in 18 styles: 9 weights ranging from Thin to Black, with matching, beautiful italics. The companion Lagu Sans makes the Lagu family a real workhorse for any use, including web, digital, print, branding and signage. Lagu Serif has a large x-height and open counterforms, making it easily readable. It comes with powerful OpenType features, including ligatures, alternative glyphs, small caps, fractions, tabular figures, old-style figures, and more. The Lagu family supports 219 languages, covering 100% of the Latin Plus character set.

What do you get when you cross Industrial Revolution with Art Déco? The raw force of steam-powered vessels with the panache of dashing streamliners? A sturdy industrial grotesque with a swanky stylized sans? We don't know, but our Layfort is a strong contender. It's a contrasted sans-serif typeface with old-style proportions: varying letter widths create a more vivid texture than your usual contemporary sans, and the true italics are narrower than the uprights. Layfort is elegant enough for fashion, art, and luxury; yet sufficiently sincere for serious business. And at 16 styles & 750 glyphs, it's ready for complex typographic demands (try the round dots at SS09). Let your designs fly!

The Alamia type family is a sans serif in 20 weights, ranging from Hair Line to Black with matching italics. Each style contains more than 900 glyphs. Alamia comes with an extended coverage of the Latin and Cyrillic Script. All weights of this family are equipped for complex, professional typography with OpenType Features including: Small Caps, Ligatures, Discretionary Ligatures, Superscript, Subscript, Tabular Figures, Old-Style Figures, Circled Figures, Arrows, Matching currency symbols and fraction.The construction of the characters combines clean grotesque style with modern, that gives the font an organic, warm and friendly touch. The Alamia font family is a perfect choice for body text, branding design, web design, editorial design and more.

Woolworth is a modern sans serif font inspired by the grotesque designs of the late 19th century. Each letter has been developed with careful attention towards balance and purity of form, creating a clean, functional and optically correct typeface. These handcrafted details make a warm personality throughout the design without any single character being too overwhelming. It's a contemporary grot typeface fully equipped to tackle a wide variety of text setting scenarios. Woolworth is now available as version 2.0 (2022). Details include six weights and italics, over 600 characters with alternative lowercase a, e, g, and basic punctuation. Open type features include seven variations of numerals, small caps, ligatures, and language support covering Western, South and Central Europe.