Young and vibrant with a brush handwriting style, Youthful Radiance font brings youth spirit to life. Youthful Radiance is perfect for casual types on greeting cards, illustrations, quotes, quaint branding, book covers, children's books, packaging, and more. Features: Total 221 Glyph Uppercase Numerals & Punctuation Alternates and Ligatures Multilanguage Supports 60+ Latin based languages
In mid 2001, P22 was approached by a Daniel Garrison, a Classics scholar at Northwestern University about possibly digitizing a long lost "Garamond" typeface. This font was used by Johannes Herbst (a.k.a. Ioannes Oporinus) in 1543 to publish Andreas Vesalius' "On the Fabric of the Human Body" (De humani corporis fabrica) in Basel. The story of the development of this font takes a few twists and almost becomes forgotten itself over time.Forteen years later it is available to the public.
Rum Sans is designed inside out based on modular counters. Rum Sans is a text & display family suitable for any purpose, any media, any size. A humanistic modular sans serif in five weights containing small caps, italic, swashes, alternative characters, old style, lining, tabular & proportional figures. Design date: 2001-2014 The complete family consists of Sans Serif & Serif in both sharp and soft version + the display fonts Rum Plakat & Rum Silhouette.
64-SRC is a condensed monospace font inspired by 1960s IBM Selectric type seen on HAL’s telemetric displays in 2001: A Space Odyssey. It is characterized by unique "double-space" alternates for the widest characters such as “w” and “m”. These alternates maximize legibility, improve the rhythm of readability and keep typographic color even. As a result 64-SRC is as well suited for extensive copy as it is display type.
An original calligraphic typeface designed for ParaType in 2001 by Zakhar Yaschin. Based on informal handwriting, One of its distinctions is an increased size of ascenders while x-height is moderate. For use in advertising and display typography.
As seen in ELEPHANTMEN and THE RED STAR, his solid headline font is supplied to you with exterior protective armor casing. Rapid Deployment of DropCase from high altitudes is acceptable only in accordance with the directives of the Red Fleet. . Remastered DropCase features improved spacing & kerning and support for 220 languages, including Western & Central Europe.
Rzewab is a mirthful prevenient handwritten typeface apt for headline, editorial, branding, packaging, printed materials and typographic applications. 220+ glyphs including punctuation and numerical.
Rexma is protean convivial mono lineal typeface apt for headline, editorial, branding, packaging, printed materials and typographic applications. 220+ glyphs including punctuation and numerical.
Sworze is a benevolent luscious handwritten typeface apt for headline, editorial, branding, packaging, printed materials and typographic applications. 220+ glyphs including punctuation and numerical.
Ornubs is facultative aspirant mono lineal typeface apt for headline, editorial, branding, packaging, printed materials and typographic applications. 220+ glyphs including punctuation and numerical.
Vakgok is a plenteous leonine unicase typeface apt for headline, editorial, branding, packaging, printed materials and typographic applications. 220+ glyphs including punctuation and numerical.
Gosbry is a serene gregarious handwritten typeface apt for headline, editorial, branding, packaging, printed materials and typographic applications. 220+ glyphs including punctuation and numerical.
Jumpy is dinkum heuristic mono lineal typeface apt for headline, editorial, branding, packaging, printed materials and typographic applications. 220+ glyphs including punctuation and numerical.
Express® is based on the lettershapes of Express typeface designed for Ludwig & Mayer in 1957 by Walter Hoehnisch. A tall, bold script with even inclination. Cyrillic version developed in 2001 by Natalia Vasilyeva. For use in advertising and display typography.
Tondu is a straightforward display typeface inspired by film posters of the early 1900s. Strong upright forms combined with smooth curved details create a clear and bold font ideal for apparel, billboards, books and posters. Tondu is now available as version 2.0 (2021); the remastered version meets higher technical standards that modern-day users demand. Included in the font are over 490 characters, in one heavyweight style. Opentype features consist of digital numerals, lining figures, fractions and language support covering Western, South and Central Europe.
Oxima font family has been designed for Graviton Font Foundry by Pablo Balcells in 2021. It is a technical sans serif typeface with rounded endings that provide a mixture between strong general aesthetics and soft elaborated details. Its strong and industrial, yet legible shapes make it perfect for contemporary and futuristic oriented projects and suitable to be used in any sizes, from headlines to body text and everything in between. Oxima consists of 8 styles, each containing small caps and glyph coverage for several languages.
Earon is an inquisitive gubernatorial mono lineal typeface apt for headline, editorial, branding, packaging, printed materials and typographic applications. 220+ glyphs including punctuation and numerical.
Ornubs is an agile ministerial mono lineal typeface apt for headline, editorial, branding, packaging, printed materials and typographic applications. 220+ glyphs including punctuation and numerical.
Barmo is an enigmatic vociferous mono lineal typeface apt for headline, editorial, branding, packaging, printed materials and typographic applications. 220+ glyphs including punctuation and numerical.
Baregx is an enthralling restorative mono lineal typeface apt for headline, editorial, branding, packaging, printed materials and typographic applications. 220+ glyphs including punctuation and numerical.
Ersota is a jovial Introspective mono lineal typeface apt for headline, editorial, branding, packaging, printed materials and typographic applications. 220+ glyphs including punctuation and numerical.
Osrega is an altruistic momentus mono lineal typeface apt for headline, editorial, branding, packaging, printed materials and typographic applications. 220+ glyphs including punctuation and numerical.
Eva Poshy is an exhilaration rollicking handwritten typeface apt for headline, editorial, branding, packaging, printed materials and typographic applications. 220+ glyphs including punctuation and numerical.
Yekso is a halcyon coltish mono lineal typeface apt for headline, editorial, branding, packaging, printed materials and typographic applications. 220+ glyphs including punctuation and numerical.
Eva Poshy is an inquisitive rhapsodic handwritten typeface apt for headline, editorial, branding, packaging, printed materials and typographic applications. 220+ glyphs including punctuation and numerical.
Spektra is a multi-script type family that combines 5 scripts: Latin, Cyrillic, Arabic, Greek and Hebrew. It is a variable font - ranging from backslant to italic axis. Its condensed and black shapes are combining the same style concept throughout every script. Progressive shapes contribute to expressing statements on bigger mediums. Spektra combines different locations, cultures and ideas as statements around the world and celebrates the differences among them. Awards • Modern Cyrillic 2021
Vicka is a lovely and trendy handwritten font. It is the best choice for creating eye catching logos, branding ans quotes. The font Vicka contains 220 glyphs. Supporting more than 66 languages, from English to Zulu. This font is PUA encoded which means you can access all of the glyphs and swashes with ease! So what's included: Basic Latin A-Z & a-z. Numbers, symbols, and punctuations Ligatures Swashes Multilingual Support. Accented Characters : ÀÁÂÃÄÅÆÇÈÉÊËÌÍÎÏÑÒÓÔÕÖØŒŠÙÚÛÜŸÝŽàáâãäåæçèéêëìíîïñòóôõöøœšùúûüýÿžß Thank You
Atlantis: The Lost Empire is a 2001 I made the alphabet prepared for Atlantis Lost Empire, the first feature-length animated movie of Walt Disney in 2000 years, in 2 versions in accordance with the original. It is suitable for today's use.