Canbera is an old style serif font, its funky, round, hight-contrast and bold shape with a retro touch is perfect for displayed, head text, logotype and many more.

Lilard - Elegant Serif Font Lilard - Elegant Serif Font is a beautiful typeface that exudes sophistication and grace. The font was designed with the idea of creating a classic and elegant look, while still maintaining a modern and clean feel. The result is a font that is versatile and can be used for a variety of projects such as branding, logos, packaging, photography, and more. The design of Lilard font is inspired by the timeless and elegant look of serif fonts, but with a contemporary twist. The designer wanted to create a font that would stand out and be memorable, while also being easy to read and understand. The elegant curves and sharp serifs make Lilard a perfect choice for projects that require a touch of elegance and sophistication. Lilard font is best used for projects that require an elegant and refined look. This font is perfect for use in wedding invitations, business cards, and other high-end print materials. The font works well when paired with other sans-serif fonts, which helps to create a modern and clean feel. Lilard font comes with a variety of features that make it stand out from other fonts. The font includes uppercase and lowercase letters, as well as opentype features such as alternates and ligatures. Additionally, the font includes numbers, punctuation, and symbols, making it a versatile choice for a variety of projects. The font also supports multiple languages, making it a great choice for international projects. If you're looking for a font that is elegant, sophisticated, and versatile, Lilard - Elegant Serif Font is the perfect choice. Its unique design and features make it an ideal choice for a variety of projects. Use this font to add a touch of elegance and refinement to your designs and make them stand out. In summary, Lilard - Elegant Serif Font is a beautiful and elegant font that is perfect for high-end projects. Its unique design, features, and versatility make it a great choice for a variety of projects, including branding, logos, packaging, photography, and more. With its opentype features, multiple language support, and easy-to-use formats, Lilard is sure to become a go-to font for designers looking for an elegant and refined look.

Typographer and graphic designer Pavel Teimer (1935-1970) designed a modern serif roman with italics in 1967. For the drawing of Teimer he found inspiration in the types of Walbaum and Didot, rather than Bodoni. He re-evaluated these archetypes in an individual way, adjusting both height and width proportions and modifying details in the strokes, thus effectively breaking away from the historical models he used as a starting point. Teimer's antiqua has less contrast; the overall construction of the characters is softer and more lively. The proportions of the italics are rather wide, making them stand out by their calm and measured rhythm. This was defined by the purpose of the typeface, as it was to be utilised for two-character matrices. The long serifs are a typical feature noticeable throughout the complete family of fonts. In 1967, a full set of basic glyphs, numerals and diacritics of Teimer's antiqua was submitted to the Czechoslovak Grafotechna type foundry. However, the face was never cast. At the beginning of 2005 we decided to rehabilitate this hidden gem of Czech typography. We used the booklet "Teimer's antiqua - a design of modern type roman and italics", written by Jan Solpera and Kl‡ra Kv’zov‡ in 1992, as a template for digitisation. The specimen contains an elementary set of roman and italics, including numerals and ampersands. After studying the specimen, we decided to make certain adjustments to the construction of the character shapes. We slightly corrected the proportions of the typeface, cut and broadened the serifs, and slightly strengthened the hair strokes. In the upper case we made some significant changes in the end serifs of round strokes in C, G and S, and the J was redrawn from the scratch. The top diagonal arm of the K was made to connect with the vertical stem, while the tail of Q has received a more expressive tail. The stronger hairlines are yet more apparent in the lower case, which is why we needed to further intervene in the construction of the actual character shapes. The drawing of the f is new, with more tension at the top of the character, and the overall shape of the g is better balanced. We also added an ear to the j, and curves in the r have become more fluent. To emphasise the compact character of the family, the lining numerals were thoroughly redrawn, with the finials being replaced by vertical serifs. The original character of the numerals was preserved in the new set of old-style figures. To make the uppercase italics as compact as possible, they were based on the roman cut rather than on the original design. The slope of lowercase italics needed to be harmonised. The actual letter forms are still broader than the characters in the original design, and the changes in construction are more noticeable. The lower case b gained a bottom serif, the f has a more traditional shape as it is no longer constricted by the demands of two-matrice casting, the g was redrawn and is a single storey design now. The serifs on one side of the descenders of the p and q were removed, the r is broader and more open. The construction of s, v, w, x, y, and z is now more compact and better balanced. Because Teimer was designed to make optimal use of the OpenType format, it was deemed necessary to add a significant amount of new glyphs. The present character set of one font comprisess over 780 glyphs, including accented characters for typesetting of common Latin script languages, small caps and a set of ligatures, tabular, proportional, old style and lining, superscript and fraction numerals. It also contains a number of special characters, such as arrows, circles, squares, boxed numerals, and ornaments. Because of its fine and light construction, the original digitised design remained the lightest of the family. Several heavier weights were added, with the family now comprising Light, Light Italic, Medium, Medium Italic, Semibold, Semibold Italic, Bold, and Bold Italic.

Sagebrush JNL was modeled from examples of a vintage French Clarendon wood type in which many of the characters had rounded parts rather than the traditional all-slab serif approach.

Czerny is a display typeface with clean contours and carefully cut-off edges. It combines the classical feel of old serif fonts with the sleek, minimalist aesthetics of contemporary design.

Haeock is very readable, an beautiful slab serif designed by Pedro Alexandre Teixeira. This font family works very well on packagings, branding and editorial design, tiles, books, magazines, corporate design.

Bashan is modern serif font with beautiful contrast. Specially designed for fashion-themed projects, perfectly suitable for creating elegant, chic, lifestyle design such as logos, title, and magazine, and more.

Houseguest is fun, childish, heavyweight offbeat sans serif font with an alternate caps set, and a stylistic alternates to swap in a handful of lowercase styles for a unicase mix.

Introducing Emeralde Chamerions - Stylish Font Duo , Display Serif And Signature Stylish Script inspired by famous logo perfect for the purposes of designing templates, brochures, videos, advertising branding, logos and more.

Moonlander, a modern bold and wide sans serif font.This clean and sharp typeface is inspired from the lively urban lifestyle and can be perfect as a headline, title, logo, branding.

There's nothing too fancy about Pool Deck JNL, which is based on an older typeface design. It's your basic sans serif condensed type style with a few unconventional letter shapes.

Sandy is a handwritten sans serif font, based on shapes made with ink brush. Sandy is a lively and informal typeface with good readability. Most of European languages are supported.

Inspired by a bold serif typeface used popularly in the 1960s, Reprint JNL is perfectly adept for handling any titling needs and will get the point across in short order.

Berona font family is a variable geometric sans serif with a modern display purpose. The dynamic sharp edges makes it ideal to be used in a medium and big scale.

British designer David Quay originally created Titus Light in 1984. A serif design, Titus Light is a wide, curvy, and round typeface that is best used in larger point sizes.

Episodian is a retro-modern san-serif family with a sci-fi, techno edge and contemporary elegance of its own. Episodian now includes regular and bold with corresponding italic fonts.

"Leaner" is uppercase sans-serif typeface. It’s clean and universal. Best for logos and heading. Extended latin glyphs Uppercase letters Thin / Regular / Bold weights + Same italics Numbers & punctuation That's it!

TD Beta is a bold and light sans serif typeface inspired by Futura and Helvetica. It is best used for headlines, titles, display, and even long paragraphs on digital collaterals.

Ragfille is a sans serif typeface in an elegant & modern style with special alternate ligatures and glyphs. Ragfille is ideal for headlines, logos, labels, packaging, postcards, presentations, magazines, invitations, etc.

Possessing a distinctive Russian appearance, Chervonec Uzkj, or Chervonec Condensed, is a hybrid semi-serif designed by Russian designer Oleg Karpinsky. The typeface family includes three weights with drawn italics.

Cheyenne JNL is a classic slab serif wood type with chamfered corners. Its tall, condensed design is perfect for short headlines that emulate the Old West and similar nostalgic themes.

Chillight is a serif typeface that is unique and has character, having a narrow, sharp width and ends. making it effective when used at large sizes for logotypes or headlines.

Retro Sugar Unique& playful serif family with 9 Weights Retro Sugar offers beautiful typographic harmony for a diversity of design projects, including logos & branding, social media posts, advertisements & product designs.

Nanotech is a clean sans-serif font with a strong visual impact. This font is perfect for logos, business cards, magazine layouts, headers, product design, large-scale artwork and more.

Arabic font version of Gumela, still with Gumela latin style, based on rounded sans serif whose edges end with unique shapes, to line up in harmony between Latin and Arabic.

Audrey Mirages is a crooked styled serif that will make your design feels more organic and handmade. This font contains alternates and ligatures. It is also PUA Encoded. Happy Creating!

Ulissia is a hand-drawn slab serif typeface with a strong character. It reminds me of the 50s, 60s and the film noir period or of old Wild West movies.

Miserichordia evolved from photographs taken on a trip to Venice and instigated a sharp turn left into more idiosyncratic and decorative serif fonts. Something of a new direction for Device.

Genesee JNL is a medium-bold sans serif inspired by the letter shapes of Jeff Levine's Paper Stencil JNL, and named for the river valley that traverses Rochester, New York.

Bevelle is a serif font with characters that have beveled corners. It is ideal for headlines, titles, branding, small blocks of text or wherever a clean, fresh look is desired.

In this face designed for Bauer in the twenties, Emil Rudolf Weiss used tiny serifs with many inversions and alternative forms to create the mannered texture peculiar to this form.

Patriciana is an elegant light sans serif typeface. Great for use in the fashion industry, for magazines and advertising. Patriciana supports Latin, Cyrillic scripts, and includes stylistic alternates and ligatures.

Minty March is an adorable handwritten font that is perfect for cards, invites, birthday invitations and more. This condensed, serif also works well when combining it with a script font.

Latino is the work of British designer David Quay, an unusual, condensed, wedge-serif roman typeface. The characters can be set normally or widely spaced. Latino exudes grace and elegance.

This clean sans-serif typeface brings your designs and layouts together in one great looking typeface, uncomplicated and legible large or small. VIRTUS SANS has 4 weights each with italics.

Moftein Sough Is a condensed serif font pairing with playful dingbat to make it satisfying, also suitable for minimalist, chic, branding, packaging and merch design to boost your design exploration.

Valentine Kids is a sweet, tall and thin lettered sans serif font. It works great for children or school projects, or pretty much anything that requires a chic, delicate touch.

Baldufa is a charming typeface with strong personality, which looks very comfortable in text. There is a search to obtain complicated curves and detailed features, which gives the typeface a touch of beauty and elegance. However, this is also a self-conscious design that claims through the rounded serifs and irregular vertical stems appreciation for quirkiness and human imperfection. The letterforms are inspired by the slight distortions and idiosyncrasies that came with old printing methods. It has distinct, features such as rounded serifs, irregular vertical streams, ink traps and extremely thin junctions. In the Italic, serifs have been removed to enhance movement and expressivity. These experiments in form have not come at the cost of legibility: The typeface remains suitable for both small and display text. Baldufa Paneuropean covers Eastern and Western Latin, Greek and Cyrillic Extended.

Introducing Orange Squash - Bold Vintage Serif Font Orange Squash is a classic and elegant font that is perfect for adding a touch of sophistication to any design project. With its bold and prominent serifs, this font stands out and demands attention, making it a great choice for headlines and other large text. The vintage aesthetic gives this font a timeless and nostalgic feel, making it a great choice for projects with a retro or antique theme. Whether you're creating a logo, a website, a poster, or any other design project, the Bold Vintage Serif Font is a versatile and stylish choice. FEATURES - Stylistic Alternates - Ligatures - PUA Encoded - Uppercase and Lowercase letters - Numbering and Punctuations - Multilingual Support - Works on PC or Mac - Simple Installation - Support Adobe Illustrator, Adobe Photoshop, Adobe InDesign, also works on Microsoft Word Hope you Like it. Thanks.