ABC Dotted Tracing Font is a user-friendly typeface designed specifically to aid in early childhood education and handwriting practice. Featuring clear, dotted outlines of each letter, this font serves as a guide for young learners as they trace and familiarize themselves with the alphabet. The dotted lines help children develop fine motor skills and hand-eye coordination while practicing proper letter formation. This font is often utilized in educational materials, worksheets, and apps aimed at supporting kids in mastering the fundamentals of writing in a fun and engaging way.

Aurelac - is a font that was inspired by the cover of the book "Learn to sew" by authors Egorova R. I. and Monastyrnaya V. P. This is a contrasting font that has unusual serifs and combines elegance and brutalism. Many uppercase letters are bold, while lowercase letters are lighter, which gives a more unusual effect to the text and the beginning of the sentence. It is perfect for headlines, posters, logos, banners, covers and much more. If you find errors in the font, kerning, then a huge request to write to the address: bunineugene@gmail.com

India Echo was simply derived from doodling on a whiteboard with a dry erase marker. The aim of the exercise was to create a string of writing that looked foreign enough to be an alien script, angular enough to appear to be futuristic, and familiar enough to be legible.

Monotype Imaging is pleased to present David Hadash (New" David), the full family of typefaces by Ismar David, in its intended authentic form. The Estate of Ismar David has sought to revive this jewel of Twentieth-Century design by granting an exclusive license to Monotype Imaging to implement it in industry-standard format. Never before has the typeface in its full set of sub-styles been made available to the design community. David Hadash consists of three style families, Formal, Script, and Sans. Each of these appears in three weigths: regular, medium, and bold. Originally devised as a companion to the upright Formal style, the Script style has a beauty and grace all its own that allows it to be used for full-page settings also. While it is forward-leaning and dynamic, it does not match any of the existing cursive styles of Hebrew script. Ismar David created an eminently readable hybrid style which is like no other by inclining the forms of the upright while blending in some features of Rashi style softened with gentle curves. One can say that the Script style is the first truly italic, not just oblique, typeface for Hebrew script. Although the proportions of the Sans style are very similar to those of the Formal style, its visual impression is stunningly different. If the Formal style is believably written with a broad-point pen, the Sans is chiseled in stone. Rounded angles turn angular and stark. The end result is an informal style that evokes both ancient and contemporary impressions. David Hadash (Modern) supports the writing conventions of Modern Hebrew (including fully vocalized text) in addition to Yiddish and Ladino. David Hadash Biblical is a version of the Formal style that supports all the complexities of Biblical Hebrew, including vocalization and cantillation marks. "

Monotype Imaging is pleased to present David Hadash (New" David), the full family of typefaces by Ismar David, in its intended authentic form. The Estate of Ismar David has sought to revive this jewel of Twentieth-Century design by granting an exclusive license to Monotype Imaging to implement it in industry-standard format. Never before has the typeface in its full set of sub-styles been made available to the design community. David Hadash consists of three style families, Formal, Script, and Sans. Each of these appears in three weigths: regular, medium, and bold. Originally devised as a companion to the upright Formal style, the Script style has a beauty and grace all its own that allows it to be used for full-page settings also. While it is forward-leaning and dynamic, it does not match any of the existing cursive styles of Hebrew script. Ismar David created an eminently readable hybrid style which is like no other by inclining the forms of the upright while blending in some features of Rashi style softened with gentle curves. One can say that the Script style is the first truly italic, not just oblique, typeface for Hebrew script. Although the proportions of the Sans style are very similar to those of the Formal style, its visual impression is stunningly different. If the Formal style is believably written with a broad-point pen, the Sans is chiseled in stone. Rounded angles turn angular and stark. The end result is an informal style that evokes both ancient and contemporary impressions. David Hadash (Modern) supports the writing conventions of Modern Hebrew (including fully vocalized text) in addition to Yiddish and Ladino. David Hadash Biblical is a version of the Formal style that supports all the complexities of Biblical Hebrew, including vocalization and cantillation marks. "

Monotype Imaging is pleased to present David Hadash (New" David), the full family of typefaces by Ismar David, in its intended authentic form. The Estate of Ismar David has sought to revive this jewel of Twentieth-Century design by granting an exclusive license to Monotype Imaging to implement it in industry-standard format. Never before has the typeface in its full set of sub-styles been made available to the design community. David Hadash consists of three style families, Formal, Script, and Sans. Each of these appears in three weigths: regular, medium, and bold. Originally devised as a companion to the upright Formal style, the Script style has a beauty and grace all its own that allows it to be used for full-page settings also. While it is forward-leaning and dynamic, it does not match any of the existing cursive styles of Hebrew script. Ismar David created an eminently readable hybrid style which is like no other by inclining the forms of the upright while blending in some features of Rashi style softened with gentle curves. One can say that the Script style is the first truly italic, not just oblique, typeface for Hebrew script. Although the proportions of the Sans style are very similar to those of the Formal style, its visual impression is stunningly different. If the Formal style is believably written with a broad-point pen, the Sans is chiseled in stone. Rounded angles turn angular and stark. The end result is an informal style that evokes both ancient and contemporary impressions. David Hadash (Modern) supports the writing conventions of Modern Hebrew (including fully vocalized text) in addition to Yiddish and Ladino. David Hadash Biblical is a version of the Formal style that supports all the complexities of Biblical Hebrew, including vocalization and cantillation marks. "

Monotype Imaging is pleased to present David Hadash (New" David), the full family of typefaces by Ismar David, in its intended authentic form. The Estate of Ismar David has sought to revive this jewel of Twentieth-Century design by granting an exclusive license to Monotype Imaging to implement it in industry-standard format. Never before has the typeface in its full set of sub-styles been made available to the design community. David Hadash consists of three style families, Formal, Script, and Sans. Each of these appears in three weigths: regular, medium, and bold. Originally devised as a companion to the upright Formal style, the Script style has a beauty and grace all its own that allows it to be used for full-page settings also. While it is forward-leaning and dynamic, it does not match any of the existing cursive styles of Hebrew script. Ismar David created an eminently readable hybrid style which is like no other by inclining the forms of the upright while blending in some features of Rashi style softened with gentle curves. One can say that the Script style is the first truly italic, not just oblique, typeface for Hebrew script. Although the proportions of the Sans style are very similar to those of the Formal style, its visual impression is stunningly different. If the Formal style is believably written with a broad-point pen, the Sans is chiseled in stone. Rounded angles turn angular and stark. The end result is an informal style that evokes both ancient and contemporary impressions. David Hadash (Modern) supports the writing conventions of Modern Hebrew (including fully vocalized text) in addition to Yiddish and Ladino. David Hadash Biblical is a version of the Formal style that supports all the complexities of Biblical Hebrew, including vocalization and cantillation marks. "

Blame is a strong font family and sophisticated sans also serif Each font in the family can stand on its own, dynamic and authoritative in their own right. Bison includes ten all-caps fonts: a weight (clean and rough version), two outlines, four italics. - Blame Sans Clean and Rough Regular - Blame Serif Clean and Rough Regular - Blame Sans Clean and Rough Italic - Blame Serif Clean and Rough Italic - Blame Sans Outline Regular and Italic - Blame Serif Outline Regular and Italic FEATURES : a weight / Italics / Outlines / Numbers & Punctuation / Extensive Language Support USE Blame works great in any branding, logos, magazines, films. The different weights give you full range to explore a whole host of applications, while the outlined fonts give a real modern feel to any project. Thanks for having a peek at Blame. I hope you enjoy it and feel free to take it for a spin below! As always, if you have any questions just send me a message! I’m glad to help :) Haksen

Jan Regular combines an experimental, bold, mono-weight geometric sans serif with the Arabic writing system's means of joining letters. Adding in script-like letter connections, a feature that is found in both western cursive and Arabic type, as well as distinctly Arabic-like accents above and below certain letters, Michael Parsons has created a cross cultural typographic statement. Jan Regular is best used for headlines, and small strings of text, in sizes large enough to view and appreciate the unique counter forms within the letters. This font is one of 10 creations from the young Swiss designer Michael Parson included in the Take Type 5 collection, from Linotype GmbH."

Introducing “Venice Serif - Font Family” – a functional serif type system with a sleek structure which gives a strong personality while still maintaining high readability. Developed in three weights with matching obliques. The full set of weights (Light, Regular and Bold) counts more than 350 glyphs. The end result is a family with full multilingual capabilities and a coverage of several languages based on the Latin alphabet. This fashionable font family is the ideal choice for advertising, corporate design, packaging, editorial and branding. Specifications: - Files included: Venice Light, Venice Regular, Venice Bold with corresponding obliques - Multi-language support (Central, Eastern, Western European languages) - OpenType features

Musika" is a serene and elegant display typeface that is inspired by the vibe of soft jazz. Serene, elegant, soothing, somewhat sensual and at the same time feels like a warm hug. This typeface is made with the intention to be used in both titles and body text. The bold weight (even the light weight could also be used as a title card) holds really well as a title while the lighter weights (regular and light) can be used in body text. *This font includes letters, numbers, multi-language, and all essential marks needed. * Three (3) weights are currently available. (Light, Regular and Bold)

About Pastel font family: Pastel font is a simplified Arabic digital Ruqah font, which adopts horizontal formatting characters, The font is available in two styles: Pastel Regular and Pastel Bold. The difference between the two fonts: The Pastel regular font has short ends, The Pastel bold has extended and extended characters. Pastel font for desktop applications Pastel is suitable for large display sizes, especially in the area of advertising, while still functioning well as a text face. The font includes a matching Latin design and support for Arabic, Persian, Kurdish and Urdu. Language families: Arabic, Persian, Urdu, Latin, Kurdish Designer: Sultan Maqtari Design date: 2020

This typeface family is developed with the designer in mind. WBP Nel is a narrow sans serif with lots of options. The Regular consists of UPPERCASE and lowercase glyphs, beautiful kerning and a nice ampersand. All other styles are just uppercase and made to give your designs some extra flair. The Brickbuild is a playful, stencil version and the Dots (freebie) is a dotted typeface. The Light and Heavy version complement the Regular beautifully. These two also come with a display variant, the WBP Nel Stamped and WBP Nel Hypno. So you get lots of options to mix and match while designing awesome prints, posters, logo's, websites or identities.

Philip Bouwsma’s offbeat mind, always working in mysterious ways, brings us one of the unlikeliest syntheses of historical influences in a perfectly fluid, organic, and highly expressive connected script. Tupelo takes its inspirational roots from the handwritings of two of the most influential men in world history: Elvis Presley and Abraham Lincoln. It took a little research and analysis on Bouwsma’s part to reveal that The King’s and Honest Abe’s methods of writing shared a common ancestor: a writing system they had both learned as youths during their early school years. While Tupelo’s lowercase maintains the slant, color, texture, and flourish of Elvis’s handwriting, its uppercase is the embodiment of Lincoln’s well-versed originality. This is the closest a typeface has ever come, in its timeliness and historic relevance, to making a statement about these modern days' fusion of politics and popular culture. Tupelo comes in two main fonts, plus a set of beginning lowercase, a set of ending lowercase, and plenty of alternates and extras. The non-Pro set consists of five fonts, while Tupelo Pro combines the lot in a single font of over 840 characters, which includes programming for push-button swash caps, stylistic alternates, oldstyle figures, beginning and ending letters. Elvis and Abe would be proud!

A set of rounded Art Deco initials set inside circular borders was found amongst the pages of the vintage French lettering book "Modèles de Lettres Modernes par Georges Léculier”. Now made into a digital font called Deco Spot Initials JNL, these classic letter forms are available in both the original white-on-black version and as a black-on-white alternate design.

ITC Dinitials is the work of German designer Helga Joergensen. When I started drawing the first of them, I was very much inspired by dinosaurs, but during the work my fantasy guided me more and more and then became rather fabulous creatures." ITC Dinitials is a capital letter alphabet available in both black on white and white on black weights."

Bowling has letters on bowling pins. On the upper-case keys, the bowling pins are white with black letters and on the lower-case keys the pins are black with white letters. The lower-case letters can be colored and placed behind the upper-case letters to give two-color lettering. (The letters on the pins are from the typeface InsideLetters.)

Rito Regular and Italic is a clean, crisp and modern monospaced font ready to make your work shine. Its distinctive ink-trap inspired chiseled glyphs create a unique flavor that is more pronounced in the italics. Rito is not your typical monospaced boring font - from the outset the goal was to develop an exuberant, dynamic and contemporary mono-spaced font. Ideal for coding, writing and has plenty of attitude to stretch into display formats!

Provisions is a retro sans serif display font that was inspired by classic, hard working blue collar businesses such as mechanics, delis, butchers, pubs and machine shops. This versatile typeface is perfect for capturing that same era in your own branding and logo design, while also working well in apparel designs, labels, packaging & more. The full version of Provisions includes both regular and oblique styles, each with a complete set of multilingual characters.

Introducing Monita Signature font is a classy and elegant script. This font was created to look as close to a natural handwritten script, as possible by including some lowercase alternates, ligature and underlines. Comes with regular and italic. Perfect for any awesome projects that need hand writing taste. This is suitable for logos, watermarks on photography, signatures, branding, advertisement, quotes, invitations, stationery, wedding design,album covers, business cards, clothing, magazines, posters, and more!

Maraka is a handwritten font family, drawn with a paint marker on rough paper, then scanned and turned into vector format. Maraka has a lot of alternative letters and is available in three versions: “Regular”, characterized by an unique look obtained by drawing the letters on a rough sheet, "Solid" and "Serif". Maraka is ideal for large headers, straplines and typographic compositions, but it still gives a great dynamic effect when writing wordy paragraphs.

The hand lettered title on the sheet music for "Gee, But I'd Like to Make You Happy" (from the 1930 MGM motion picture "Good News") presented a conundrum. Some of the lettering was a classic Art Deco "thick and thin" design while the others resembled comic book title lettering. Leaning toward the comic book style, the conflicting letters were revised and the finished result became Funny Business JNL; available in both regular and oblique versions.

A contemporary interpretation of the famous DIN typeface. Regular style suits for long texts, while Light and Bold variations work well in large sizes. The typeface includes 24 styles: 6 upright and 6 normal-width italics, as well as 6 Narrow and 6 Condensed styles. The typeface was designed by Vasily Biryukov and released by Paratype in 2015. The set of Condensed styles was added by Alexander Lubovenko and Isabella Chaeva in 2022.

Nevoa is a typeface inspired by the vernacular calligraphy from the streets of Brazil. While walking in the streets of some small towns, I felt so inspired by those rounded letters painted on the walls. That is what inspired Nevoa. Nevoa is a soft and smooth serif typeface, with dynamic curves. It is available in Condensed, Semi Condensed, Regular, Semi Extended and Extended to adapt to various uses, such as visual identity, magazine, branding, ...

Archipad Pro is a geometric sans and slab font family, The combination of modern geometric elements make it clean and readable with the form and matching oblique. Archipad Pro Consist of 9 weight sans and 9 weight of slab, makes more free choice in writing with 36 font styles. 9 Weights Sans and Slab (Thin, Extralight, Light, Regular, Medium, Semi Bold, Bold, Extra Bold and Black) Oblique font is available Latin Pro

Lodgepole is a hand illustrated font family created by Zach Minard of Tall Trees Design Co. Inspired by timeless legibility and worn National Park signage. Lodgepole Regular and Book are designed to pair perfectly together, while both of these styles are available as Solid (With no internal texture) or Grit. Lodgepole Grit uses the strokes from the original pen-to-paper illustration for all texture, creating an authentic one-of-a-kind texture.

Minik Font Family comes in 2 weights; Regular and Bold. It is completely hand-drawn. While the capital letters have normal sizes, the lowercase letters are smaller than the common form in the vertical axis to have a cute view. The Minik Font Family has a few ornaments and stylistic alternates. With this font family, you can create eye-pleasing and nice works such as posters, printings, t-shirts, adds, magazines etc.

The typeface was baptized as "Caldense" in order to honor the city of Caldas da Rainha, a small city in Portugal, the typography's birth place. It has three weights, Regular, Demi Bold and Bold and it is a sans serif and grotesque. Each character was based on a grid and was built in modules, having round edges and straight finishes. The font can be used in titles and normal text while being easy to read.

The name of this typeface is a hymn to the Stadio Olimpico in Rome. The home arena to the World's most beautiful football club – AS ROMA. A club with many great players through the years. The biggest of them all, is already a living legend… Francesco Totti. The design is a 2-weight family perfect for elegant display work. The regular weight is more even in blackness while the bold weight carry more contrast.

From the mid -17th century, new commercial writing styles emerged which clear showed the influence of pen-crafted calligraphy. A traditional pen-formed flowing script as the “Citix” font, may be suitable for commemorative letters, invitations cards and the most elegant visual communications projects. This font comes with three different kinds of capitals, regular and swashes to choose from, a full set of stylistic alternates, standard and discretional ligatures. Old style numerals, ornaments and tails.

Festiva is based on lettering found on a 1960s kitchen appliance catalog. It evokes ’60s TV and pop culture while still having a contemporary feel. The fun exuberant flavor of this face is perfect for parties and celebrations. The letters dance across the baseline and the lower case wants to be an upper case but just can’t quite make it. P22 Festiva Regular includes a full unicode European Character set (Western, CE, Turkish, Romanian, etc).

Linkpen Primary is a font family for teaching handwriting. It is designed to be used by teachers and parents to help children or adult learners practice their handwriting, at home or at school. Linkpen Primary gives you endless possibilities for creating your own educational resources - worksheets, signs, labels, etc. - to appeal to your learners and get them interested and passionate about learning to write. This versatile font family contains 24 styles, each with special features that support learning to write. For ultimate flexibility, styles are available with and without guide lines, and in regular and italic versions. The styles can each be purchased separately or as a complete family value pack. The letter shapes have been designed to be clear, simple and easy to read. There are 12 print styles designed for beginners or younger children, to allow them to practice writing the letter shapes. The print fonts all come in Regular, Guide, Dotted, Dotted Guide, Outline, and Arrow styles, to give learners different ways to build their confidence creating the letter shapes. There are 12 Join fonts, for when your learners are ready to progress onto joined up handwriting. The Join fonts automatically join up as you type on your computer, tablet, or interactive whiteboard, producing beautiful, neat, clear joined up text for your classroom or home resources. The Join fonts come in Regular and Dotted styles, as well as a special Connect style which highlights the join between letters, to help your learners make the transition from printed writing to joined up. The Join fonts are created with OpenType Contextual Alternate rules, which ensure that the joins are always formed correctly, depending on the context of each letter within a word. Compatible with Microsoft Word and Publisher 2010 onwards (desktop version), SMART Notebook 18 onwards, Pages and Keynote for iOS, TextEdit for macOS, LibreOffice 6, Notepad for Windows, and Promethean ActivInspire Version 2.21 onwards.

Maleha Bold Modern Sans Serif Font Introducing Maleha, a bold and sophisticated modern sans serif font designed to elevate your projects with its confident and sleek aesthetic. Crafted with precision, Maleha embodies a perfect balance between professionalism and contemporary style. With two versatile styles—regular and slant—Maleha offers a dynamic range of possibilities, enabling you to effortlessly convey a sense of authority and modernity in your designs. The bold strokes and clean lines of Maleha's characters exude confidence, making it ideal for headlines, branding, editorial designs, logos, posters, and more. Its versatile nature ensures readability across various mediums while maintaining a strong visual impact. Maleha's boldness is matched by its adaptability; whether for digital or print, its clarity and elegance remain consistent. The regular style presents a crisp, clean appearance, while the slant adds a touch of dynamic flair, perfect for emphasis or adding a contemporary twist to your typography. Features: - Uppercase, Lowercase, Number, and Punctuation - Standard and Special Ligatures and alternates - Works on PC & Mac - Simple installations - Accessible in Adobe Illustrator, Adobe Photoshop, Adobe InDesign, and even works on Microsoft Word - Fully accessible without additional design software - Multilingual Support, ä, ö, ü, Ä, Ö, Ü, ß, ¿, and ¡. Unleash the power of expression and professionalism with Maleha, the bold modern sans serif font that effortlessly commands attention while conveying a sense of sophistication and modernity in every project.

Strings vibrating against wood. Counterpoints. Strong beated rhythms and smooth flexible melodies. Repetitive sequences and syncopations. Sweeps and slides. Folk and tradition. That's how Dobro sounds. Inspired by the spirit of bluegrass music and the aesthetic of its wood type gig posters,this typeface explores certain concepts of rhythm and seeks to translate a piece of this universe into writing. Meant to be used in large sizes, Dobro is a 6-font set designed to work nicely together. It comes in 4 different weights, one color font with miscellaneous and connectors, plus frames and borders that pay tribute to vintage wood type catalogues. As an old company motto used to say: "Dobro means good in any language!" ––––––––––––––––––– IMPORTANT INFO ––––––––––––––––––– When you license Dobro you will download a pack with OpenType fonts but also a Color Font version of Dobro Drunk. (To use color fonts Photoshop CC 2017 /2018, Illustrator CC 2018 or QuarkXpress 2018 is required). If you create outlines in illustrator you can also modify the colors! Dobro Drunk BW OTF font (works like any font but is black & white.) Web files are only black and white until browsers support color fonts.

From a vintage textbook on "modern" lettering circa the 1930s or 1940s comes a simple chamfered sans with oddly irregular shapes. Amateur Lettering JNL is available in both regular and oblique versions.

The letters in the Linotype Aspect Family fonts seem to be experiments in the handcrafting of letters with just a few basic geometric forms. For instance, the bowls of the letters C, D, and G in Linotype Aspect Intro are all made up of narrow half circles. Features like this make Linotype Aspect Intro perfectly suited for headlines and short passages of text. Its quirkiness is sure to lend a smile to the faces of your readers. For shorter headlines with larger point sizes, try setting your text in Linotype Aspect Regular, the second member of the Linotype Aspect family. Linotype Aspect Regular uses the same basic letterforms as Linotype Aspect Intro, but reverses them out in white, and places them over bulbous black shapes. The Linotype Aspect family was developed by German designs Hans-Jürgen Ellenberger in 1999.

In spite of its angular appearance, Origami is composed almost exclusively of curves. Designer Carl Crossgrove derived the typeface from experiments in designing a low resolution type. The resulting face is reminiscent of Eastern European expressionist designers such as Oldrich Menhart and Vojtech Preissig. It is paired with an equally angular chancery italic. Origami works effectively for short blocks of text or at display sizes, while the capitals are especially suitable for titles.

CA Kometo is an oblique headline typeface that consists of two styles, “Regular” (the Shadow) and “Fill”. Kometo has come to save the world. A superhero typeface featuring the super powers “shadow” and “imperfection”. It comes to save you from a world of boredom. Join Kometo and experience the fun of stacking fonts! Write something with “Fill”, copy paste it to another layer and switch to “Regular“. Maybe you will want to give it a little offset? Or you can also try to use the “Fill” style for body text, but do so at your own risk, spacing and kerning is optimized for the use with the “Regular“ style, so don't be too harsh if the results looks more vivid than text normally does. The character set is well built, supporting Western and Central European languages.

If you are looking for a unique typeface with a light and pure elegance, Marlowe will be your choice. Marlowe is the rat pack of fonts: Regular is perfect for headlines and subtitles, while the expressive Escapade, Swirl and Cocktail styles are charming display fonts. All four provide an extended set of capitals, small caps and lower case characters. Please take a close look at the elegant alternate letters for A, E, K, M, N, O, Q, R, W and g – there are even three kinds of ampersands to choose from. Altogether Marlowe offers amazing 25 alternates and 74 discretionary ligatures, while Marlowe Swirl has additional 26 automated ligatures. Make sure you use applications supporting all these lavish OpenType features.

“Moonscape” is a Condensed serif that has 40 Unique Ligatures. Depicted to provide a confident and impressive base headline, while still feeling warm and welcoming. there are 4 different styles that you can apply in your design projects. This typeface is perfect for an book or movie title design, fashion brand, magazine, clothes, lettering, quotes, social media posts and so much more. Moonscape Features: 5 Weights font (Regular,Thin,Italic,Bold,Outline) Uppercase Numerals & Punctuation Accented characters Multilingual Support 40 Ligatures PUA Encoded While using this product, if you encounter any problem or spot something we may have missed, please don't hesitate to drop us a message. We'd love to hear your feedback in order to further fine-tune our products. Thanks and have a wonderful day