›Hi! Please note you are visiting Old Supernett. We decided to upgrade it: more styles, more glyphs, more features, more everything! View New Supernett here: Supernett 2019› Georg from FaceType Supernett – a versatile hand drawn/handmade/handwritten font – is tailored for large font sizes but also impresses with an astounding legibility in small typesettings. Supernett is fairly condensed for space-saving headlines. The extensive character set supports Central and Eastern European as well as Western European languages. Each style contains more than 4700 glyphs to let the font look real hand-made. Three OpenType features are specially created to enhance this impression, with a maximum effect when applied to big type: Alternating Letters For a truly hand-drawn look, letters and numerics alternate randomly between three different variants → activate Contextual Alternates Rotating letters All glyphs rotate randomly and slightly around their own axis → activate OpenType Swashes Varying Baseline Shift Each single glyph moves individually up or down → activate OpenType Titling Alternates More OpenType Features: Case Sensitive Forms This feature shifts various punctuation marks to a position that works better with all caps typography → It is deployed when an app’s all-caps styling is applied Slashed Zero The problem with the numeral 0 is that it can look too much like O in some typefaces. This feature replaces every zero with a slashed zero → activate Zero with a Slash Fractions Substitutes figures separated by a slash by proper fraction glyphs. A date however, written like 10/12/2013 will remain unchanged → activate Fractions Stylistic Set 03 Choose between two different styles of bullet (•) → activate Stylistic Set 03 Stylistic Set 04 Choose between two different styles of Y → activate Stylistic Set 04 View other fonts from Georg Herold-Wildfellner: Sofa Serif | Sofa Sans | Mila Script Pro | Pinto | Supernett | Mr Moustache | Aeronaut | Ivory | Weingut

Heller Sans JNL is based on the main letterforms of an experimental alphabet designed by Steven Heller; noted author of over 170 books on design and visual culture. Some modifications were made in turning his design into a digital font. In his own words, here is the background to this typeface: “I recently recovered this from the junk heap. It is a yellowing photostat of my first and only typeface design (1969-70). Total folly! At the time I was smitten by Art Moderne lettering. I called it “Klaus Boobala Bold” because I liked the K and B. I’ve lost the letters S through Z, which were made. The letters were drawn with compass, Techno pen (that frequently clogged). as well as a triangle and T-square. The inline and outline made no real logical sense. I based the design, in part, on Kabel, Avant Garde and it was a product of whatever I could accomplish with those tools. The caps-only alphabet was photographed and produced as a film negative that was cut in foot-long strips and spliced to fit on a Typositor reel. Sadly, the negatives made for the font were too brittle and the splice snapped apart in the Typositor. I worked on it for well over a month and used the face only once. I realized with this attempt, like so many other times I attempted different challenges, that type design — indeed mechanical drawing — was not my strong suit.” Heller Sans JNL is available in both regular and oblique versions.

Wood Type Grotesk JNL was re-drawn from a set of vintage wood type purchased from a closed rubber stamp shop. Although the style of lettering is referred to in old type catalogs as a "grotesk" face, in truth the lettering has charm and effectively gets the printed point across to the reader. This typeface is available in both regular and oblique versions.

Office Stamps JNL is a collection of twenty-six images recreating the familiar 'stock' rubber stamps used in offices for decades before self-inking stamps and desktop printing made them relics of the past. Modeled from vintage sources, all of the images have been re-drawn by Jeff Levine to have a crisper look than simply utilizing scanned imprints of old marking devices.

William Caslon established the first major English typefoundry, re-creating earlier Dutch designs with excellent craftsmanship, color and rhythm. Caslon Old Face is one of many faithful revivals; the original matrices (from many hands; the lowercase of the 48 point is Moxon’s 1669 Great Canon) survive at Stephenson Blake. George Ostrochulski adapted this design for photocomposition at Mergenthaler with skill and understanding.

Hailing its roots from the much-prized Modern Didot and Bodoni families of the late 19th century, Pyes Pa re-introduces the intuition of calligraphic script while utilizing the contrast available to contemporary digital fonts to produce a highly refined alternative for those of us who are bloody serious about our Bodoni Poster Italics. Pyes Pa features automatic OpenType ligatures and contextual alternatives.

profonts Oxford was originally designed by Christine Lord in 1960 and digitally re-mastered by profonts in 2009. The font contains lower case characters only. It is a multi-line display design with a continuous connecting horizontal line that combines all characters. This combination makes it special and very sporty. profonts Oxford is ideal for any design of sporting character.

Cabriolet is a connected geometric script re-interpretation inspired by old chromo emblems of Chevy truck Apache of 1960. With three weight variables, it can be used in logos, games and graphic related to cars, automotive, American, Detroit, Art Deco, 1940, 1950, 1960, vintage, retro, classic and old machines. Can be expandable using underscore for connect words or expanding between letters space.

A short-lived TV game show from 1977 called “Second Chance” has its logo lettered in a bold, block type style with slightly chamfered corners. This inspired Chancy JNL, which is available in both regular and oblique versions. While “Second Chance” only lasted one season, the show was re-tooled - and debuted in 1983 as “Press Your Luck” – which ran until 1986.

Letterpress Extras JNL gathers more re-drawn images from the rich trove of vintage letterpress cuts. There's plenty of pointing hands and decorative ornaments, a few cartoons and some assorted miscellany. Also included are images of dip pen nibs from an old catalog and a decorative border set. To access the pen points, use the shift key and type any numeral key.

We are very happy to announce the release of our first collaboration with master calligrapher, designer and illustrator Gabriel Martínez Meave from México. The first in the series of new designs is Wordless Script, an emotional calligraphic typeface published by Sudtipos. Speechless. Breathless. Wordless. There are letters that transcend simple functionality and sheer legibility, to be recognized instead by their style, their charm, their emotion. It’s like when we don’t remember the exact sentences, but we recall the tone of the voice of a loved one: it just doesn’t matter WHAT he or she said, but HOW he or she said it. Wordless Script is the font of choice for writing those things that go beyond words. Based on the connected-scripts of late 18th-century England, this typeface preserves the irregular finish and gestural strokes of the pointed nib. It is, so to speak, a personal rendition of the English roundhand as originally executed with the bird’s quill. Imbued with a Rococo, neoclassical, romantic spirit, Wordless radiates the gallantry of a time when the celebrated «douceur de vivre» that Talleyrand was so fond of was still alive and well; echoes of which still haunt us in our eclectic 21st-century, which has once again come to appreciate these magnificent styles of old. Wordless features alternate variants of most letters, ligatures and multiple calligraphic endings, ideal for elegant labels, high-end packaging and personalized stationery, as well as compositions for selected brands, exquisite titlings, verses, letters and short texts, like those meant to be read with the eyes only or intended for whispering into someone’s ear.

Sardines is a project by Jacques Le Bailly aka Baron von Fonthausen. This original version is the one that saw the light as a monospaced font student project and which would eventually grow into Vette Letters’ largest font family (see VLNL Neue Sardines). Sardines is an eclectic mash of classic curves and mathematical measurements, leaving a very distinct typographic flavor. While most of our type is market-fresh, this one comes out of the can, but it’s delicious nonetheless. And it’s great for adventurous BBQ-ing!

Blackletter is the classic “German” printing type. Starting in the 16th century and lasting well into the 20th century, most works in Germany were printed using blackletter types. Today, blackletter fonts are mainly used decoratively. If you want to communicate a feeling of old-world quality or nostalgia, blackletter fonts are the preferred choice – use them on signs, in brochures or on invitation cards. Barock 1720 is a classic blackletter font of its epoch which inspires you to create vintage-looking designs with ease.

A Toverheks in Dutch means 'witch' - well, actually it means 'magic witch' (it doesn't translate well). The reason for this kind of weird name is the nature of the font: it reminded me of a book of spells - the kind witches use. Toverheks is a didone-ish style font with some jagged edges and curly curls. It would be ideal for books (about witches, say) or posters or even postcards! Toverheks will leave you spellbound and bewitched. Comes with a kettle full of diacritics.

Wonderful Day – is a Romantic Script font with a natural handwritten feel. It has sweety swash that are perfect for any creative design. This handmade font will make your design has a beautiful natural touch for each details. It is perfect for any design project as Invitation,logo, book cover, craft or any design purposes. This font is PUA encoded which means you can access all of the magical glyphs and swashes with ease! It also features a wealth of special features including alternate glyphs and ligatures.

Blackletter is the classic “German” printing type. Starting in the 16th century and lasting well into the 20th century, most works in Germany were printed using blackletter types. Today, blackletter fonts are mainly used decoratively. If you want to communicate a feeling of old-world quality or nostalgia, blackletter fonts are the preferred choice – use them on signs, in brochures or on invitation cards. Albrecht Duerer Fraktur Pro is a classic blackletter font of its epoch which inspires you to create vintage-looking designs with ease.

Monallesia is a sweet, soft hand-lettered font and monogram. Fall in love with its authentic feel and use it to create gorgeous wedding invitations, beautiful stationary art, eye-catching social media posts, Logo, Brand, and cute greeting cards. This display font is the perfect choice for making original and outstanding designs. This font is PUA encoded which means you can access all of the heart-themed glyphs and swashes with ease! It also features a wealth of special features including alternate glyphs and ligatures.

Blackletter is the classic “German” printing type. Starting in the 16th century and lasting well into the 20th century, most works in Germany were printed using blackletter types. Today, blackletter fonts are mainly used decoratively. If you want to communicate a feeling of old-world quality or nostalgia, blackletter fonts are the preferred choice – use them on signs, in brochures or on invitation cards. “Innsbruck Initials” is a classic blackletter font of its epoch which inspires you to create vintage-looking designs with ease.

Hayes Preston is a bold script which is purposely made for logotype. This type of font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. This font is PUA encoded which means you can access all of the outstanding glyphs and swashes with ease! It also features a wealth of special features including alternate glyphs and ligatures.

Blackletter is the classic “German” printing type. Starting in the 16th century and lasting well into the 20th century, most works in Germany were printed using blackletter types. Today, blackletter fonts are mainly used decoratively. If you want to communicate a feeling of old-world quality or nostalgia, blackletter fonts are the preferred choice – use them on signs, in brochures or on invitation cards. “Wilde Fraktur Pro” is a classic blackletter font of its epoch which inspires you to create vintage-looking designs with ease.

Introducing Seven Moon: A Retro-Inspired Font with Bold and Cheerful Charm. Seven Moon's cheerful charm shines through every character, evoking a sense of nostalgia and excitement. Its bold strokes and unique shape give it a strong presence, while its playful nature adds a touch of warmth and approachability. This font is designed to command attention and leave a lasting impression. Its distinct style ensures that your message will be conveyed with impact, making it an excellent choice for branding, advertising, social media graphics, and more.

In Holland we eat pancakes with black syrup and I always thought that this ‘suikerstroop’ was the same as molasses. Turns out that’s not the case; syrup is made from sugar, but molasses is a by-product of the sugar refining industry. To celebrate the fact that I learned something new, I named this font family Black Molasses. Black Molasses was made using various cheap brushes and Chinese Ink. It comes in a ‘fat’ version and a ‘light’ version that work together really well.

Rosegrace is a Modern Handwritten Script Font. Rosegrace feels equally charming and elegant. It looks stunning on wedding invitations, thank you cards, quotes, greeting cards, logos, business cards and every other design which needs a customized touch. This font is PUA encoded which means you can access all of the glyphs and swashes with ease! This font includes - also multilingual support - Uppercase Beginning Swash - Lowercase Beginning & Ending Swash Enjoy the font, feel free to comment or feedback, send me PM or email. Thank you!

Airwhite is the font have natural hand brushed strokes to give your project that ultra-realistic and natural look. Perfect for wall displays, branding project, megazine, social media post logos, advertisements, product designs, labels, photography and more. This font is PUA encoded which means you can access all of the glyphs and swashes with ease! Displayed fonts: Uppercase, Lowercase, Numbers, Symbols, Accents, Styles, Swashes and Ligatures also Multilingual Support Enjoy the font, feel free to comment or feedback, send me a PM or email. Thank You!

Introducing Azorath, a groundbreaking typeface that marries the bold, unyielding lines of brutalist architecture with graceful fluidity and gentle curves. Azorath's unique design defies convention, capturing attention with its juxtaposition of strength and elegance. Each glyph, meticulously crafted, tells a story of innovation and versatility, making it perfect for both powerful headlines and delicate text. Azorath is your canvas for creating captivating narratives that leave a lasting impression. Elevate your projects with Azorath, where raw power meets graceful finesse in the world of typography.

Blackletter is the classic “German” printing type. Starting in the 16th century and lasting well into the 20th century, most works in Germany were printed using blackletter types. Today, blackletter fonts are mainly used decoratively. If you want to communicate a feeling of old-world quality or nostalgia, blackletter fonts are the preferred choice – use them on signs, in brochures or on invitation cards. ‘‘Renaissance Fraktur Pro’’ is a classic blackletter font of its epoch which inspires you to create vintage-looking designs with ease.

Bugilo - Modern Bold Font Bugilo feels playfully nostalgic and delivers an incredible vintage aesthetic. Use this serif font to add that special retro touch to any design idea you can think of! Masterfully designed to become a true favorite, this font has the potential to bring each of your creative ideas to the highest level! This font is PUA encoded which means you can access all of the glyphs and swashes with ease! Features : uppercase & lowercase numbers and punctuation multilingual ligatures alternates PUA encoded Enjoy!

Sweet Husky is an original and cute display font. The unique style makes it incredibly fitting to a large pool of designs that will take your crafting projects to the next level! Your imagination and this font will make a perfect combination. Get inspired by its unique charm and create amazing greeting cards, apparel, book, logos, stationery, and much more! This font is PUA encoded which means you can access all of the cute glyphs with ease! It also features a wealth of including ligatures.

Crypick is a Modern Serif Font, created with unique design. the parts of the font is simply watery looks inspired by ocean wave. this font comes with some ligatures and alternates, and already PUA encoded for easily accessed into optional Glyphs. Crypick Font is simply designed to ease any design project such as invitational card, logo tagline, attentional flyer, magazine header, and much more Features : Complete standard glyphs ligatures and alternates PUA encoded Numeral and Punctuation Multilingual Support Thankyou for your attention, Regard : Grontype

Blackletter is the classic “German” printing type. Starting in the 16th century and lasting well into the 20th century, most works in Germany were printed using blackletter types. Today, blackletter fonts are mainly used decoratively. If you want to communicate a feeling of old-world quality or nostalgia, blackletter fonts are the preferred choice – use them on signs, in brochures or on invitation cards. “Walbaum Fraktur No2 Pro” is a classic blackletter font of its epoch which inspires you to create vintage-looking designs with ease.

Blackletter is the classic “German” printing type. Starting in the 16th century and lasting well into the 20th century, most works in Germany were printed using blackletter types. Today, blackletter fonts are mainly used decoratively. If you want to communicate a feeling of old-world quality or nostalgia, blackletter fonts are the preferred choice – use them on signs, in brochures or on invitation cards. “Offenbacher Kanzlei Pro” is a classic blackletter font of its epoch which inspires you to create vintage-looking designs with ease.

Beautimy – Lovely Script font with a natural handwritten feel. It has sweety swash that are perfect for any creative design. This handmade font will make your design has a beautiful natural touch for each details. It is perfect for any design project as Invitation,logo, book cover, craft or any design purposes. This font is PUA encoded which means you can access all of the magical glyphs and swashes with ease! It also features a wealth of special features including alternate glyphs and ligatures.

Osaca is a sans serif font family inspired by nature and it is composed of 6 weights, from extra light to heavy, including the matching italics. Osaca is a typeface that doesn't go unnoticed due to its particular design: its curves and lines mirror the typical motif of leaves. Osaca is ideal for large and medium headers and titles, but also perfectly suitable for short or large paragraphs as it creates an effect that is quite different from the classic sans-serif and definitely unique.

Blackletter is the classic “German” printing type. Starting in the 16th century and lasting well into the 20th century, most works in Germany were printed using blackletter types. Today, blackletter fonts are mainly used decoratively. If you want to communicate a feeling of old-world quality or nostalgia, blackletter fonts are the preferred choice – use them on signs, in brochures or on invitation cards. Diamant Gotisch Pro is a classic blackletter font of its epoch which inspires you to create vintage-looking designs with ease.

Jellahy is a thin lettered and graceful script font. Fall for its ravishing style and use it to create gorgeous wedding invitations, beautiful stationary art, eye-catching social media posts, and much more! This font is PUA encoded which means you can access all of the glyphs and swashes with ease! What's Included : Uppercase, Lowercase, Numerals & Punctuations Ligature & Alternate Works on PC & Mac Simple installations Multilingual support PUA Encoded Compatible with Silhouette Studio, Cricut Design Space, Scan N Cut, Adobe Illustrator and other cutting and design programs.

Miss Christine is a beautiful script font with lots of authenticities!. It has beautiful and well-balanced characters and as a result, it matches a wide pool of designs. It will turn any design project into a true stand-out. Add it to your most creative ideas and notice how it makes them come alive! This font is PUA encoded which means you can access all of the amazing glyphs and swashes with ease! It also features a wealth of special features including alternate glyphs and ligatures.

Blackletter is the classic “German” printing type. Starting in the 16th century and lasting well into the 20th century, most works in Germany were printed using blackletter types. Today, blackletter fonts are mainly used decoratively. If you want to communicate a feeling of old-world quality or nostalgia, blackletter fonts are the preferred choice – use them on signs, in brochures or on invitation cards. Coburg No1 is a classic blackletter font of its epoch which inspires you to create vintage-looking designs with ease.

BMF Objects Pi is part of the BMF Symbols Collection, a gorgeous, versatile and highly original family of symbols (drawings, icons, pictograms). Unlike the other fonts in the Symbols Collection, Objects Pi doesn’t have a specific theme: it covers various aspects of ou day-to-day activities, such as cooking, eating, working, playing and getting sick. When you buy BMF Objects Pi (which, of course, you’re highly recommended to do today) you will have access to all of these activities on you very own computer keyboard!

Blackletter is the classic “German” printing type. Starting in the 16th century and lasting well into the 20th century, most works in Germany were printed using blackletter types. Today, blackletter fonts are mainly used decoratively. If you want to communicate a feeling of old-world quality or nostalgia, blackletter fonts are the preferred choice – use them on signs, in brochures or on invitation cards. Fraktur No3 Pro is a classic blackletter font of its epoch which inspires you to create vintage-looking designs with ease.

Roshage is an elegant, stylish and assertive serif font. This font is PUA encoded which means you can access all glyphs and swashes with ease! The elegant modern font serif creates a unique design and is sure to steal the eye of the design target audience. Besides being unique, the Roshage font also has a luxury simple character that makes the design charming and luxurious. Grogie excels in display settings such as headlines, titles, branding projects, Logo design, packaging, magazine headings, advertising, YOU GET: Multilanguange. Thank you!