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  1. OT Puppy by Overtype, $35.00
    OT Puppy is a decorative and fun brush font. Include Latin 2 and Cyrillic 1 language set. Good for postcards, packaging and posters.
  2. Daily Tabloid JNL by Jeff Levine, $29.00
    Daily Tabloid JNL was redrawn from a set of wood type that was popularly used for newspaper headlines, posters, broadsides and the like.
  3. Unique Wood by Solotype, $19.95
    Wood type maker W. H. Page designed this in 1870. Caps, figures and points only. A great decorative for old-timey poster work.
  4. Plz Print Brush by Outside the Line, $19.00
    Plz Print Brush is a good solid font for posters, headlines and accent words like - SALE! It gives the slightly irregular look of handlettering.
  5. Regato by La Boîte Graphique, $39.00
    Regato is a hand made font ideal for your graphic project. Usage recommendations : Title, short text, children's book, poster, book cover, brochure, label, magazine
  6. Gallatin Light by Wooden Type Fonts, $15.00
    A light weight slab serif font, useful for posters and large ads, based as it is on wooden fonts designed in the 19th century.
  7. Steletto by Jonahfonts, $42.00
    Condensed Gothic. Great for tight-fitting headlines and other condensed titling situations such as headlines, ads, invitations, captions, packaging, bulletins, posters, and greeting cards.
  8. Hitormis by Forberas Club, $16.00
    Hitormis is handwritten font with uppercase style. Recommended to use for wall art, children theme, funny theme, comics, cartoon, simple write, poster and display.
  9. Ankle by VType, $8.00
    An elegant sans serif typeface with style. Fashionable, classy but still modern! Designed and shared by Vikers | RerdSystems. Perfect for logos, posters and more.
  10. PR Arco by PR Fonts, $10.00
    Arcs for framing curved lines of text, in a style common on Victorian posters and almanac covers, and still seen on modern food packaging.
  11. Yahukimo by ErlosDesign, $17.00
    Yahukimo is a serif font with a modern style, perfect for posters, web design, magazine covers, album covers, branding, and many other creative ideas.
  12. Water by La Boîte Graphique, $25.00
    Water is a rounded hand-printed font ideal for graphic project. Usage recommendations : Title, short text, children’s book, poster, book cover, brochure, label, magazine
  13. Catacumbes by studiocharlie, $24.00
    Catacumbes is a collection of skulls and bones designed in different styles. It is useful for different applications such as signs or graphic posters.
  14. Bloena by Fype Co, $14.00
    Introducing Bloena casual handwritten script. Great for magazine layouts, crafting, branding, posters, websites, social media, greeting cards, invitations, mugs, frames, and so much more.
  15. Big Duck by Doffdog, $14.00
    Big Duck is a decorative, metal and punk rock music inspired font. It is perfect for: Logos Posters Headlines Apparel Music covers & more Enjoy!
  16. Steletto Neue by Jonahfonts, $42.00
    Condensed Gothic. Great for tight-fitting headlines and other condensed titling situations such as headlines, ads, invitations, captions, packaging, bulletins, posters, and greeting cards.
  17. ALT Ayame by ALT, $-
    Ayame is a display font which looks great on posters, logos, and titles. Ayame is a 6-weight family with a heavy retro look.
  18. Constância Script by Pedro Teixeira, $20.00
    Constância Script, classic and elegant calligraphy. This unique, stylish and legible script is handy for logo, poster, headlines, invitations, cards and all display needs.
  19. Subytro by Subtitude, $39.00
    Subytro! Use this font for sweet bold titles. It adds personality and an handmade feeling. Old Style font based on posters of the fifties.
  20. Witches Crow by Forberas Club, $16.00
    Witches Crow is a Halloween Treat by our team. It's perfectly matches for any invitation type, and children theme, cartoon, poster, display, and comics.
  21. Manbokun by ahweproject, $10.00
    Introducing Manbokun – a typeface that has a unique letterform inspired by Japanese kanji typography. Suitable for headlines, titles, logos, logotypes, posters, brochures, and more!
  22. Cornerstone Flair by Jonahfonts, $35.00
    Condensed Gothic, great for tight-fitting headlines and other condensed titling situations. Applications include Headlines, ads, invitations, captions, packaging, bulletins, posters, and greeting cards.
  23. Steletto Oldstyle by Jonahfonts, $42.00
    Condensed Gothic. Great for tight-fitting headlines and other condensed titling situations such as headlines, ads, invitations, captions, packaging, bulletins, posters, and greeting cards.
  24. Swing Bill by Monotype, $29.99
    The Swing Bill font was designed as a display face for sport material or pop music posters, but has also been seen on TV.
  25. Chit Chat by Jonahfonts, $29.95
    A brush font that keeps its legibility without sacrificing its free-spirit. Usage recommendations: Captions, packaging, cards, posters, ads, book jackets, manuals, and menus.
  26. Ruman by Juraj Chrastina, $29.00
    Ruman is a display typeface suitable for logotypes and posters. It’s a very simple origami font and short words look almost like abstract pictures.
  27. Rany by Haiku Monkey, $10.00
    Rany is a fun, legible handwriting font with a childlike twist. Great for posters, packaging, logos, or anywhere a fun font is called for.
  28. Cornerstone by Jonahfonts, $35.00
    Condensed Gothic, great for tight-fitting headlines and other condensed titling situations. Applications include Headlines, ads, invitations, captions, packaging, bulletins, posters, and greeting cards.
  29. Kids Scratch by Struggle Studio, $12.00
    Kids Csrattch is a font made with children's handwriting.great for cafe websites, restaurant menus, children's books, art exhibition posters and anything else you fancy.
  30. Avney Gad MF by Masterfont, $59.00
    Geometric forms make this elegant font family a great companion for invitations signs, indoor and outdoor. Useful when you design book jackets, posters etc.
  31. The font "It Lives In The Swamp BRK" by Ænigma is an evocative typeface that seems to drip with the mysterious and primeval essence of swamplands. Designed with a distinct flair that channels the unt...
  32. The font named Blaster, crafted by dustBUSt Fonts, embodies a distinctive flair that transports its audience to the realms of science fiction and fantasy. It's not just a font; it's an experience tha...
  33. The font named TRUEblood, created by the designer known as SpideRaY, carries with it a level of artistry and inventiveness that makes it stand out in the world of typography. This font draws inspirat...
  34. Bleeding Freaks is a font that resonates with the essence of horror, suspense, and a touch of macabre artistry. It's a font that belongs to the decorative or display category, crafted with the intent...
  35. Dorset by Positype, $49.00
    Dorset marks Léon Hugues first script typeface and first release with the Positype Flourish label. Built crosscurrent to a strict revival or calligraphic digitization, Dorset’s aim was to understand how a font could interact with various calligraphic influences in a single execution and how that interpretation by Léon would lead to new, exclusive design choices. The design purposely chose to connect various gestures from Spencerian handwriting and copperplate calligraphy and meld that with his initial experiments with fine, flat nibs. The result is wholly unique and useful when clear, open, and legible script typography is desired. OpenType features included in this typeface allow the user to seamlessly move from an italic to connected script, while the various stylistic sets can lead you to variations of texture and rhythm, allowing for a more personal and exact expression.
  36. Xunga by Huy!Fonts, $17.00
    Xunga is a cheerful display typeface. My goal was to design a font able to fit any layout with boldness and playfulness, mixing a sign painter taste in the uppercase and some of my crappy calligraphic reverse contrast explorations with the flat brush for the lowercase. I designed several of widths to fit the page, and though about a different way of expanding the family shifting the horizontal stress axis to move the letter weight in different heights, making a 15 fonts family, suitable for making bold layouts. Xunga has an extended character set for European languages as well as Vietnamese, and shows all its potential with OpenType-savvy applications. Every font includes ligatures, catchwords in discretional ligatures, contextual alternates to avoid conflictive glyph pairs and localized forms to avoid problems with several glyphs and languages.
  37. Tee Franklin by Suomi, $19.00
    The British Vogue commissioned this typeface for their magazine re-design in 2001. After studying the originals of Morris Fuller Benton and the existing versions, this font was designed with all new thin weights. Just when the family was finished, Vogue informed that they had decided to use American Typewriter instead. Bastards. But here is a true classic typeface with a facelift. The pun intended. Tee Franklin has seven weights with obliques, the Heavy being just slightly heavier than the existing versions from Adobe and ITC, and moving down to totally new Ultra Light, using Luc(as) de Groot's formula to keep the weights optically correct. The glyphs are the same as the Morris Fuller Benton's original from 1902, except for the upper case Q, which was re-designed with a loop in the counter for added differentiation.
  38. Graffiti Classic by Robert Arnow, $25.00
    Graffiti Classic is a graffiti font that blends the improvisational urban quality of graffiti with the smoothness and regularity of a typeface. Growing up in Brooklyn, graffiti appeared to me as an explosion of expression and color in a sea of concrete. Inspired, I became a graffiti artist and practiced in both notebooks and subway tunnels. While I moved on to somewhat more traditional art forms in future years, with Graffiti Classic I pay homage to my artistic roots in a calligraphy marker/tag font. Like my other fonts, the entire Graffiti Classic font is spaced letter to individual letter so that the spacing will work smoothly, in spite of the expressiveness and irregularity of the forms. The Graffiti Classic family also includes an ornaments font, “Taglets,” which has clouds, underlines, arrows, crowns, halos and more to add flavor to your designs.
  39. ITC Motter Sparta by ITC, $29.99
    ITC Motter Sparta is the work of Austrian designer Othmar Motter and for its inspiration, he turned to car design. As we all know, trends in car design affect many other fields of design in a way that shapes tastes." At the end of the 1990s, Motter saw the trend moving away from soft lines and toward a tighter, tenser look: "In this latest trend, sharp clearly-defined edges meet broadly-drawn, dynamic curves and cut them off sharply." And so too is ITC Motter Sparta, with each character form distinct, which also creates a typeface instantly recognizable from a single character. "The sharp straight strokes, cut off almost at right angles, and the strong cross-stroke curves, ending in points, form a charged contrast to the vertical and horizontal straight strokes that give Motter sparta its taut framework.""
  40. Sapphire Script by Design by Laney, $32.00
    Sapphire Script is a hand-lettered modern calligraphy font based on the signature script of Design by Laney. Made with wedding invitations in mind, this font with over 500 playful, romantic characters is perfect for branding, stationery, packaging, social media templates, magazine layouts, artist prints, and more! With 3 or more characters for each uppercase letter and 35 stunning standard ligatures, you'll be able to create that perfectly imperfect calligraphy style. Sapphire Script contains over 500 unique, coded features for a realistic, handwritten look: 35 standard ligatures, full Western European language support, over 100 stylistic alternates, ordinals (1st, 2nd, 3rd, etc.), 2 alternate number sets including 1-10 Roman Numerals, and a few word glyphs (for, to, from, and). Sapphire Script was named for the street where Design by Laney began, and where I moved in downstairs from my future husband!
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