A fun, goemetric, rounded new look.

Best selling baseball script, Distinctive brush stroke inspired by retro 20th century’s movie.

Mulhouse is a city in Northern France. It has a nice historical center and a car museum. Mulhouse font is a ‘movie poster font’: it was modeled after old movie posters from the 50’s. It comes with swashes for the upper case glyphs and a generous sprinkling of diacritics.

Oscan Expanded - Display Sans Serif Font Oscan Expanded is A special display sans serif font with expanded style and lowercase included. This font also contains some alternates to make your design cooler. The oscan expanded font is perfect for headline titles, fashion, magazines, logos, branding, photography, invitations, poster, movie title, quotes, blog headers, advertisements, postcards, book covers, websites, branding, etc. Features; – 3 Styles; Regular, Rounded and Outline – Uppercase, Lowercase, Number, and Punctuation – Special Alternates – Works on PC & Mac – Simple installations – Accessible in Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even work on Microsoft Word – Fully accessible without additional design software. - Mültîlíñgúãl Sùppört for; ä ö ü Ä Ö Ü ß ¿ ¡ Hope you enjoy our font and this font is useful for your projects!

Rounded sans-serif with a clean design.

Funny rounded font. Extended latin character set.

AHAMONO is a simple rounded monospaced typeface.

Unusual sans serif with some rounded portions.

Terrified AOE was inspired by vintage horror movie poster titling from the 1960's. It is a Capitals and smallcaps typeface, that really feels like a mix of three typefaces in one. While the Capitals and Smallcaps typesetting works to the effect of the original inspirations, each case also works well amongst itself independently, and having very different vibes. I've always been a huge fan of horror movies, and some of the lettering from vintage horror movie posters are so cool and alive, I only wish there were more of them recreated as display fonts.

A splattery grunge font with ink blobs suitable for horror movies or Halloween use

Boochie is a fun font, created as a homage to 1960's movie posters.

This rough and dirty font is just perfect for your next horror movie poster.

Street Punks: Graffiti Inspired Marker Pen and Paint Brush Font A hand-drawn font inspired by graffiti and skate culture that comes in two pen and paint styles. Plus a shed-load of alternatives for designs that come straight off the pen (or brush). What happens when you combine graffiti, skate culture and 80s movies? You get Street Punks; a gritty, no-nonsense design that's equally at home on a ripped t-shirt or opening a horror movie (with ninjas!) Choose the slick look of marker pens or the textured roughness of paint brushes. Mix them up, play around and have fun. It's up to you! Street Punks comes with a complete set of alternatives and underlines with each style, so you’ll never have to repeat an E or an I; the tale-tell signs that give away other hand-made fonts. It also features all-caps uppercase and lowercase characters, along with numerals, punctuation and language support. It's a font that gives you tools to create some truly unique designs with just a little bit of work. The perfect choice for t-shirts, posters, stickers, movie titles, YouTubers and more! Street Punks: Marker and Paint Marker Regular Marker Alternative Marker Underlines* Paint Regular Paint Alternative Paint Underlines* *Underlines are assigned to keys: ABCDEFGHIJKLMNOP Find more from The Video Store Collection at Wingsart Studio

Jt Gilboys Inspired by bold and rounded typefaces.Very characterful, fat and rounded , it is the best choice for editorial, You can use glyphs to create a different appearance for your design. world name or brand design, charismatic shape,

Brumder is a condensed sans serif typeface. Inspired by Industrial style. Comes in several styles namely regular, round, rounded, rough, and stamp, with matching oblique, making it 10 styles. Brumder is perfect for branding, headlines, and many more.

Finocchio (yes, we know — wink) has the playful, round shapes of a French Ronde with the sharp angles of Italian Futurism. It's a bold, fun, excellent branding face — wherever you need some gusto or brio or forza! Finocchio comes with a large number of ligatures for fluidity. It also comes with a solid, readable set of non-script small caps, so all you need for that sign is one coordinated font! It also comes with loads of fun alternates! Finocchio is made with love in The Ampersand Forest.

Welcome Amica Pro, a workhorse sans designed to give your branding a friendly, approachable look. What is it that makes a typeface friendly? Eclectotype undertook extensive research* in this and the results are in! To cut a long story short, friendliness in sans serif fonts can be summed up in two words – short and fat. Basically, think Danny DeVito in letter form. The shortness in Amica Pro is achieved (somewhat counterintuitively) by pushing up the x-height. This, coupled with short ascenders and descenders, gives the text a squat appearance. For the fatness, that's easy in the bolder weights, but how to carry this through to the lights? Here, the fatness equates to roundness, so the letterforms, even if the stroke weight is light, have a rotund appearance from the wideness and roundness of the circular glyphs. When thinking about friendliness, we think about inclusiveness. To this end, Amica Pro supports a super wide range of latin-based languages, as it uses Underware's Latin Plus character set, as well as extra support for Vietnamese. Amica Pro is best used for branding, logos, infographics etc. It will give your UI a friendlier feel, but that doesn't mean it's not serious. There are many useful typographic features, including alternates, numerous figure styles, automatic fractions and case-sensitive forms. The italics are carefully optically corrected "sloped romans" and as such they are the same width as their upright equivalent, so changing your copy to italics will not mess around with the spacing. *I looked at a few fonts and drew some lazy conclusions.

Sortemun is a modernist display font based on heavy metal band graphics with a touch of horror movies from the 70/80’s. Bold, mysterious and vampiric it’s suitable for use in various projects such as rock/metal albums, scary games, horror movie titles, swag graphics, headlines, book covers, Halloween based parties etc.

Legal Obligation - Serif Version A dedicated compressed Serif font for movie poster credit blocks and cinematic title designs. A workmanlike tool for adding extensive cast and crew information to movie posters without dominating the overall layout. Supplied with lowercase characters and three weights. Contents: - Legal Obligation (Serif Version) - Light, Regular and Bold Weights

Round script typeface, perfect for headlines and logos.

Fresh round strokes look so childish and happy.

a round sans serif with optical art effects

Deadspace is a sci fi display typeface suitable video games, movie posters, logos and headlines.

Cumbre is a slanted display type with unorthodox anatomy, a dynamic rhythmic structure, movement expression, and intense visual language. An eccentric rebel with ribbon-like moves, a balanced extrovert that makes meticulous use of ink traps. Both the name and design got inspiration from mountain peaks. "Cumbre" in Spanish means summit, and that's the motive for the spiked design and the angular serrated structure. Cumbre is built by balancing sharp angles and venturous curves. The stems are spiky, and they vary in width. Cumbre is slanted and unicase. It has condensed proportions, moderate weight contrast, spacious counters, pointy terminals, and square ink traps. Cumbre is meant for large display settings to make the most out of the precise outlines and the clean intersections. The font styles: 'Sharp' has straight paths and precise intersections. 'Round' has the same outlines but with round corners. 'Stamp' has irregular wavy contours and heavy swelling at intersections.

A 1938 issue of the Spanish language movie fan magazine Cine-Mundial (Movie World) had an article entitled "Lo Que Visten Las Estrellas" ("What Stars Wear"). The headline of the article was hand lettered in a lovely Art Deco monoline sans serif, which is now available as Wardrobe JNL in both regular and oblique versions.

MayPole is a contemporary, 21st century, sans serif font, that contains an eclectic mix of elements from the 20th century. It combines gentle curves with base and caps-line transgressions but is substantially more rounded than in most commercial-style sans serif faces. Terminal strokes are slightly rounded and occasional elements are strongly rounded. MayPole is readable and can be successfully used for presentations, magazines etc, and for display use in newspapers, advertising and promotions.

Now here's a font with an unusual backstory. You may recall that a while ago we discovered that Tim Burton was using an outdated version of one of our fonts for the interior titles in his The Corpse Bride. Well, our quest to get hold of him didn't bear any immediate fruit, but in a totally unrelated event we were contacted by the graphic arts company working with the overseas distributors for The Corpse Bride and it turned out that they needed a font based on the main title of the movie so they could keep the same style when they retitled it into other languages. The original title was either hand lettered or a heavily modified font, bearing some resemblance to our Ligeia and Tuscarora fonts, so we had to create a whole font more or less from scratch and extrapolate most of the letters from the very limited sample in the original title by identifying certain consistent characteristics and building new characters around them. It was a lot of work, but the good news is that they didn't want exclusivity, so we've got the font to add to our collection. We ended up calling it Beynkales which means 'Bone Bride' in Yiddish, which makes sense given the context of the movie. So here it is, in all its tattered glory, and bound to end up in our Halloween font selection later this year as well. Beynkales Alternate is a companion font that includes a full set of alternative upper and lower case characters which can be used on their own or in combination with the characters from Beynkales to create a more varied and handwritten look.

Introducing Baedar – Bold Rounded Sans Serif Font Baedar – Bold Rounded Sans Serif, a font designed to captivate your attention, is both inviting and approachable. Its rounded corners create a warm and friendly vibe that instantly draws in readers. Eye-Catching Appeal Baedar’s boldness immediately grabs your eye, making it perfect for headlines and attention-grabbing text. Whether it’s a poster, website, or marketing material, this font ensures your message unequivocally stands out. Versatile Usage Furthermore, with its rounded edges, Baedar exudes friendliness. Consequently, it suits a wide range of projects, from branding to social media posts, adding a touch of approachability to your content. Readability and Impact Moreover, Baedar combines readability with visual impact, making it ideal for conveying important messages with flair. Its boldness ensures crystal-clear clarity, while the rounded corners gently soften the overall look. In Conclusion Baedar – Bold Rounded Sans Serif Font strikes the perfect balance between eye-catching design and friendliness, making it an excellent choice for various creative endeavors. Therefore, seize your audience’s attention and convey your message effectively with this versatile font.

Aromática—designed by Sofia Mohr—is a rounded typeface with a simple and clean look that reminds us of those strokes found in handwriting while providing functionality and readability. Aromática consists of 7 fonts: a monolinear Script, a Sans-serif of 5 weights, ranging from Extra Light to Bold, and a Patterns font, inspired by aromatic herbs and spices, which is the perfect companion to the Script and Sans faces. Aromática was specially designed for branding and packaging, but it may also be used for headlines, publishing and advertising. The family comes with a character set that supports 207 different languages.

Informal does not have to mean aggressively modern or casual. Helenium is inspired by some hand drawn capitals that I found added to a 19th century map. It's a great font for informal titles and headings that still keep an air or regularity and ever so slightly period elegance. It manages to be formal and casual all at once, as well as classical and modern. Helenium's range of different weights and drop shadow effects make it useful for hierarchical titles and headings. Helenium miniscule adds greater flexibility by extending the family with a fun range of rounded lower case forms.

I seem to be in my comic book font fase. It's not that I have tons of comics lying around (I actually have none), but when I was a kid, I used to read them all the time. Laser Eyes is a handmade comic book font. It is a little rounded, a little fat and very useful. You don't really have to put it to work in an actual comic book; it will feel at home just about anywhere. Laser Vision comes with two sets of alternate glyphs that cycle as you type, plus extensive language support, including Cyrillic and Vietnamese.

Tautier is a display font based on the specimen of Enge Mediaeval-Antigua, published in 1900 from the Bauer Type Foundry. It is intentionally redrawn to keep its overall narrow proportions. Based on the existing basic alphabets, Tautier is redrawn to appear more classical and friendly, as you can notice in the rounded corners around the beaks, as well as the lachrymal terminals in lowercases. Tautier is a display typeface suitable for large applications, for example, headlines for editorial design, branding, webpages, and environmental design. It currently comes as a single-styled typeface disposed to extend with an italic version.

Ballasticus is a controversial bold grotesque for logos, big headlines, posters, signage, gyms, and bodybuilders. The outer contour of the beech is rounded, while the inner space is square. The font contains two barbell icons that can be immediately inserted into your company logo. The character of Ballasticus is honest, stable, open, grounded like a weight. Ballasticus contains extended Latin, Cyrillic, ligatures, barbell and peace sign, as well as alternatives for some letters, the total number of glyphs is more than 700. It contains OpenType functions: liga, numr, dnom, calt, ss01. The font is also case sensitive, has fractions, currency signs, and arrows.

Hammer & Tongs works great for all kinds of branding projects, advertising, websites, packaging, and posters – essentially anywhere you need bold, strong communication. Inspired by the lettering found on military vehicles, this font works great for headlines and is effective for short blocks of body copy. H&T also has a strong retro industrial/athletic vibe and works well for modern-vintage style designs. This font is available in two styles: a Hard version with sharp, crisp edges and a Soft version with rounded corners. Both styles include a complete set of numbers, punctuation marks, and extended characters.

On occasion, one type design's influence can result in a completely different end result. Take the hand lettering found on a 1920s piece of sheet music for the song "Let Me Call You Sweetheart". The simple sans with a few Art Nouveau-inspired characters started out as the basic design of Concierge JNL, but shortly after beginning the project, the lettering took on more of an Art Deco flavor. Add to this the many rounded-edge characters that have a bit of a techno look to it and the typeface takes on many different design characteristics.

Interceptor should be used on cherry-red jacked up Ferraris and brainless summer blockbuster action movies.

Vemanem is dynamic sans serif display fonts, you can use it for advertising, movie, titles & more.

Cinematic English is a decorative font inspired by modern movie logotypes and classical black letter typefaces.

Velvet is a heavy rounded block retro face inspired by the typeset album cover of the protopunk rock band The Velvet Underground’s debut. Stylistically, Velvet’s extreme angled terminals exude a sense of tension and irreverance, contrasting the smooth rounded block letter forms.