King George is a chaotic, bouncy, flyer display font that harkens back to Chank's roots as a grunge alphabetician. It also has a ransom note feel that reflects the stresses and randomness of this American life. Pure rebellion!

Big Vibe - Display Font is a graffiti display font . Big Vibe is a free-style font that has the characteristics of street art that shows freedom and is filled with unique characters to make your projects stand out.

Great Dunker Graffiti Font is a free style font that has the characteristics of street art that shows freedom and is filled with unique characters Features : • Character Set A-Z • Numerals & Punctuations (OpenType Standard) • Accents (Multilingual characters) Outline

Bookish A little bit bookish, but quietly elegant and well-proportioned, FS Sally is a graceful font family. It’s a refreshingly uncomplicated design that brings sophistication to text and display type, and a distinctive aplomb to both large and small volumes of text. Hidden talents There’s more to FS Sally than meets the eye. Choose Standard for the Latin alphabet or Pro if you work with Cyrillic and Greek typography. There’s a large range of special features, including elegant small caps and a set of discretionary ligatures to add a traditional flavour to figures and fraction sets. Rhythmic There’s a rhythm and flow to FS Sally – the result of the classic but asymmetric design of its serifed feet and shoulders. The inward curve of the serif at the shoulder and the outward curve at the foot subliminally guide the eye through each letterform, and the flicked feet of the “a”, “d” and “u” add an extra kick of energy to the rhythm. The italic forms have their own flow, too, with a pen-like fluency that retains the formal discipline required for a text type. Regular to heavy FS Sally’s five weights, all with italics, cover every kind of print application. The regular weight is elegant in display and an easy read in longer texts. A subtle step up from the regular is the medium, which was created to deliver a stronger colour and finish in poorer printing conditions. The semibold offers a strong alternative to the regular at smaller sizes, and its intermediate feel suits it to sub-headings, title pages and calmer designs. The bold works excellently in book and title headings, and FS Sally Heavy lends weight and punch to poster headlines and logotypes.

Bookish A little bit bookish, but quietly elegant and well-proportioned, FS Sally is a graceful font family. It’s a refreshingly uncomplicated design that brings sophistication to text and display type, and a distinctive aplomb to both large and small volumes of text. Hidden talents There’s more to FS Sally than meets the eye. Choose Standard for the Latin alphabet or Pro if you work with Cyrillic and Greek typography. There’s a large range of special features, including elegant small caps and a set of discretionary ligatures to add a traditional flavour to figures and fraction sets. Rhythmic There’s a rhythm and flow to FS Sally – the result of the classic but asymmetric design of its serifed feet and shoulders. The inward curve of the serif at the shoulder and the outward curve at the foot subliminally guide the eye through each letterform, and the flicked feet of the “a”, “d” and “u” add an extra kick of energy to the rhythm. The italic forms have their own flow, too, with a pen-like fluency that retains the formal discipline required for a text type. Regular to heavy FS Sally’s five weights, all with italics, cover every kind of print application. The regular weight is elegant in display and an easy read in longer texts. A subtle step up from the regular is the medium, which was created to deliver a stronger colour and finish in poorer printing conditions. The semibold offers a strong alternative to the regular at smaller sizes, and its intermediate feel suits it to sub-headings, title pages and calmer designs. The bold works excellently in book and title headings, and FS Sally Heavy lends weight and punch to poster headlines and logotypes.

Looking for a font that give you an electrifying feeling? Circuito is a fun display font that can be used in your projects to give some character and style to your design. Inspired by the visual representation of electrical circuits, Circuito is the font that is energetic, happy and daring.

The original Avenir typeface was designed by Adrian Frutiger in 1988, after years of having an interest in sans serif typefaces. The word Avenir means “future” in French and hints that the typeface owes some of its interpretation to Futura. But unlike Futura, Avenir is not purely geometric; it has vertical strokes that are thicker than the horizontals, an “o” that is not a perfect circle, and shortened ascenders. These nuances aid in legibility and give Avenir a harmonious and sensible appearance for both texts and headlines. In 2012, Akira Kobayashi worked alongside Avenir’s esteemed creator Adrian Frutiger to bring Avenir Next to life, as a new take on the classic Avenir. The goal of the project was to take a beautifully designed sans and update it so that its technical standards surpass the status quo, leaving us with a truly superior sans family. Since then, Monotype expanded the typeface to accommodate more languages. Akira’s deep familiarity with existing iterations of the Frutiger designs, along with his understanding of the design philosophy of the man himself, made him uniquely suited to lead the creation of different language fonts. Avenir Next World family, the most recent release from Monotype, is an expansive family of fonts that offers support for more than 150 languages and scripts that include Latin, Cyrillic, Greek, Hebrew, Arabic, Georgian, Armenian and Thai. Avenir Next World contains 10 weights, from UltraLight to Heavy. The respective 10 Italic styles do not support Arabic, Georgian and Thai, since Italic styles are unfamiliar in these scripts/languages. Separate Non-Latin products to support just the Arabic, Cyrillic, Georgian, Hebrew and Thai script are also available for those who do not need the full language support.

The original Avenir typeface was designed by Adrian Frutiger in 1988, after years of having an interest in sans serif typefaces. The word Avenir means “future” in French and hints that the typeface owes some of its interpretation to Futura. But unlike Futura, Avenir is not purely geometric; it has vertical strokes that are thicker than the horizontals, an “o” that is not a perfect circle, and shortened ascenders. These nuances aid in legibility and give Avenir a harmonious and sensible appearance for both texts and headlines. In 2012, Akira Kobayashi worked alongside Avenir’s esteemed creator Adrian Frutiger to bring Avenir Next to life, as a new take on the classic Avenir. The goal of the project was to take a beautifully designed sans and update it so that its technical standards surpass the status quo, leaving us with a truly superior sans family. Since then, Monotype expanded the typeface to accommodate more languages. Akira’s deep familiarity with existing iterations of the Frutiger designs, along with his understanding of the design philosophy of the man himself, made him uniquely suited to lead the creation of different language fonts. Avenir Next World family, the most recent release from Monotype, is an expansive family of fonts that offers support for more than 150 languages and scripts that include Latin, Cyrillic, Greek, Hebrew, Arabic, Georgian, Armenian and Thai. Avenir Next World contains 10 weights, from UltraLight to Heavy. The respective 10 Italic styles do not support Arabic, Georgian and Thai, since Italic styles are unfamiliar in these scripts/languages. Separate Non-Latin products to support just the Arabic, Cyrillic, Georgian, Hebrew and Thai script are also available for those who do not need the full language support.

The original Avenir typeface was designed by Adrian Frutiger in 1988, after years of having an interest in sans serif typefaces. The word Avenir means “future” in French and hints that the typeface owes some of its interpretation to Futura. But unlike Futura, Avenir is not purely geometric; it has vertical strokes that are thicker than the horizontals, an “o” that is not a perfect circle, and shortened ascenders. These nuances aid in legibility and give Avenir a harmonious and sensible appearance for both texts and headlines. In 2012, Akira Kobayashi worked alongside Avenir’s esteemed creator Adrian Frutiger to bring Avenir Next to life, as a new take on the classic Avenir. The goal of the project was to take a beautifully designed sans and update it so that its technical standards surpass the status quo, leaving us with a truly superior sans family. Since then, Monotype expanded the typeface to accommodate more languages. Akira’s deep familiarity with existing iterations of the Frutiger designs, along with his understanding of the design philosophy of the man himself, made him uniquely suited to lead the creation of different language fonts. Avenir Next World family, the most recent release from Monotype, is an expansive family of fonts that offers support for more than 150 languages and scripts that include Latin, Cyrillic, Greek, Hebrew, Arabic, Georgian, Armenian and Thai. Avenir Next World contains 10 weights, from UltraLight to Heavy. The respective 10 Italic styles do not support Arabic, Georgian and Thai, since Italic styles are unfamiliar in these scripts/languages. Separate Non-Latin products to support just the Arabic, Cyrillic, Georgian, Hebrew and Thai script are also available for those who do not need the full language support.

Marzano is a geometric sans serif font that's ideal for headlines, logos, text and advertising, the name comes from the ever so sweet and wonderful San Marzano plum tomato grown in Italy. Marzano includes stylistic alternates, small caps, swash caps, case sensitive forms, old style figures, tabular figures, small caps figures, small caps old style figures, small caps question mark and exclamation point. Since a lot of people today like to type in code using the copyright and trademark symbols in place of a C or R we've decided, the first time to offer two registered trademark symbols, one that's the same size as the copyright symbol and an alternate version that's reduced in size and sits at the caps height. Marzano Slant is set at 6 degrees and is perfect for when you want the look of an italic but don't have the horizontal space in your page design for a full 12 degree italic. At FontMesa all of our italic fonts are cleaned up placing all nodes at extremas.

Introducing The Hepcat - 2 Style Display Font, a font that effortlessly embodies boldness, retro vibes, vintage charm, and a touch of playfulness. Its rounded letterforms and unique alternative characters add an extra layer of distinction to your designs.

Apla Clare comes from the love of my wife.. She's 'Simply' Clare. It's a straihght forward sans, but with a little bit of play, and a friendliness that ensures it moves away from sterile, serious sans. PLease enjoy!

Take a bit of Brooklyn attitude, add a dash of hand-lettered appeal and mix in a slightly Art Deco flair... Your result is Canarsie JNL; a bold sans serif face that would make any New Yorker proud!

Inspired by the clarity of signage fonts, Objet Sans is a modern geometric typeface with a friendly rounded touch. It containts many OpenType features and an extensive character set that make it suitable for a variety of uses.

Discover Wintery Christmas, a font that embodies the spirit of the season with its sweet and approachable handwritten style. Its versatility ensures it's a perfect fit for a diverse range of design projects, limited only by your imagination.

Table Fortu JNL is a revival of an Art Deco font that has all the classic nuances of the period. Re-drawn from scratch by Jeff Levine, it contains additional characters and accents not found in the original.

Mixed Messages JNL brings back a favorite old theme... mixing up various letters and numbers from different fonts to create a printed message that resembles a ransom note or a collage of type with many styles of lettering.

Barollo is a boisterous, lively, display family of two typefaces, offered in regular and shaded form. It’s ideal for eye-catching banners and posters that call for clear and forceful type, with a sense of fun and life.

Karnchang is a versatile sans-serif typeface that offers a range of 90 styles, spanning from thin to black in weight and condensed to expanded in width. Its adaptability makes it well-suited for a variety of purposes.

A lined variant of Kallisto, suggestive of scan lines, speed and display screens. Kallisto weds a rational, machine-made aesthetic with a certain warmth that derives from more familiar letter shapes found on diestamped or embossed boilerplate signs.

Águila design is based on the combination of straight lines, curves and triangular shapes as well as on Didone typefaces. The font also has semi serifs— a notable characteristic that gives it a singular appearance. Águila was specially designed to be used as a display font for editorial design, packaging, branding, broadcasting purposes and for any project that requires a clean, modern font with a strong character. Águila comes with a set of more than 400 characters that support over 200 Latin-based languages.

Introducing Parteys – Brush Script Dynamic and Captivating: Parteys – Brush Script is a font that exudes dynamism with its varied stroke widths, making it perfect for creating eye-catching displays. Expressive Brush Strokes: This font boasts expressive brush strokes that give your text a lively and energetic appearance, making it ideal for projects that demand a touch of excitement. Versatile Design Possibilities: Parteys – Brush Script offers versatility in design, suitable for a wide range of creative applications, from posters and invitations to branding and social media graphics.

Like traditional athletic block typefaces, Crafton is built with chiseled corners and a rigid skeleton. However, an underlying formula of fervor and functionality emerges in execution. The typeface features traditional block tendencies that are challenged by expressive angles and deviations in line weight that harken to penmanship. Uniquely tapered terminals seen in letters like a, c, and s demonstrate a strong visual energy while increasing legibility. The legs of angled letterforms like the A, v, and y are cropped in a way that further reinforces this motif.

Courtold Shadow is another of our June 2017 ‘Wood Type’ collection. There is something alive and energetic about these ‘rushing’ oblique letter forms with their diagonal shadow. Ideal for signage and poster work.

Maferic is a combination font consisting of luxury three fonts. Which has uniqueness in each letter and helps you to make your design work look more special. This font is perfect for your designs such as logos, branding, fashion, business cards, social media, and of course many more. Maferic font ready with: Any options to get creative variations (combination of Regular, Italic, and Signature) 3 files format already: .otf .ttf . woff Preview as an inspiration that you can do with Maferic Signature font Ready with Lowercase and Uppercase characters Language Support; All three fonts support English, French, Italian, Spanish, Portuguese, German, Swedish, Norwegian, Danish, Dutch, Finnish, Indonesian, Malay, Hungarian, Polish, Turkish, Icelandic, Slovenian. That's it! I hope you enjoy it, and please don't hesitate to drop me a message if you have any issues or queries. Oh, and come and say hello over on Instagram! www.instagram.com/sealoungfonts

The M XiangHe Hei Traditional Chinese typeface merges traditional brush strokes with modern letterforms to carefully balance traditional calligraphy with humanist design. Named for the smooth movements of a flying crane, the M XiangHe Hei typeface is designed to glide across the page, and features strokes that are partly derived from the Kaishu calligraphic style – an everyday script which dates back hundreds of years. M XiangHe Hei TC features Neue Frutiger for its Latin glyphs, and works harmoniously Neue Frutiger World and Monotype’s CJK typefaces: Tazugane Gothic (Japanese) and Seol Sans (Korean). M XiangHe Hei TC is a great choice for global brands using sans serif Latin typefaces looking to maintain their visual identity, and communicate with a consistent tone of voice with Traditional Chinese. The M XiangHe Hei TC fonts have over 19,000 glyphs, and support the BIG5/HKHCS and CP950 character sets for Traditional Chinese.

Dignus was inspired in two clever and famous typefaces: Bank Gothic and Microgramma. Bank Gothic designed by Morris Fuller Benton for ATF in 1930. Microgramma typeface designed by Alessandro Butti and Aldo Novarese for Nebiolo in 1952. Those typefaces were based on a stable rectangular shape with rounded corners, denoting the constructivist heritage and technological spirit of '50. We'd intended to review that typographic scenery with our contemporary point of view, aiming to obtain the formal synthesis of the signs and increase its legibility. Dignus fonts support Central, Eastern and Western European languages. Each font comes with full OpenType features like: standard and discretional ligatures, swashes, stylistic alternates, old style numerals, Tabular figures, numerators, denominators, scientific superior - inferiors, Case sensitive forms and vectors. The Dignus fonts include 7 weights, from Thin to ExtraBlack. The family is completed with condensed and expanded version all with their corresponding italics.

There's an appealing quirkiness about Amrys, which offers a confidently unusual alternative to more conventional designs. Its charm lies in its tapering tips, flexing stems, and unexpected notches, which combine to suggest something of the chiseller's tool at work. As a modulated serif, its letter shapes live between serif and sans serif, lending the design a sense of pleasing irregularity – something that's really highlighted at larger sizes. However this is also a typeface that works for text, injecting rhythm and texture into reading. “It's distinctive, idiosyncratic, and weird,” says its designer, Ben Jones. He started designing Amrys while studying an MA at Reading University, creating it in response to a brief for a magazine typeface. Amrys features an extensive and impressive character set. In addition to Latin, Amrys covers several scripts including Cyrillic, Greek, Arabic and Armenian. The family consists of 8 weights, from Light to Black, with matching italics.

The M XiangHe Hei Simplified Chinese typeface merges traditional brush strokes with modern letterforms to carefully balance traditional calligraphy with humanist design. Named for the smooth movements of a flying crane, the M XiangHe Hei typeface is designed to glide across the page, and features strokes that are partly derived from the Kaishu calligraphic style – an everyday script which dates back hundreds of years. M XiangHe Hei SC features Neue Frutiger for its Latin glyphs, and works harmoniously Neue Frutiger World and Monotype’s CJK typefaces: Tazugane Gothic (Japanese) and Seol Sans (Korean). M XiangHe Hei SC is a great choice for global brands using sans serif Latin typefaces looking to maintain their visual identity, and communicate with a consistent tone of voice with Simplified Chinese. The M XiangHe Hei SC Std fonts have over 8,000 glyphs, and support the GB2312 character set for Simplified Chinese.

An elegant serif with contrasting lines and balanced curves. A lot of stylish alternates will give you many useful variations for use. Try to play with the compositions of curves / alternate letters. This font may be conservative and classic, but also may be more playful and modern. It is good for theater or art posters and for modern music, web-pictures or vinyl covers. Of course it also will be good for coffee shops, cafe's, restaurants, magazine's headers, signs or gift/post cards and weddings. Try to use it in your beauty or travel blogs, you will see how many options you will have with stylish Kristopher.

Round Rope - Playful Display Font Round Rope - Playful Display Font is a fun and colorful typeface that is perfect for adding a playful touch to any design. This font was inspired by the idea of creating a font that is both playful and whimsical, perfect for children's books, branding, packaging, posters, and any design that requires a fun and lighthearted touch. The font is designed with a playful, rounded appearance and features a hand-drawn feel that adds to its charm. Round Rope is a versatile typeface that can be used for a variety of design projects. Its playful and whimsical appearance makes it perfect for use in children's books, cartoons, and other designs that require a fun and lighthearted touch. It's also great for branding, packaging, and posters, where its unique style can help your designs stand out. This font comes with a range of features that make it a versatile and functional typeface. It includes uppercase and lowercase letters, as well as Opentype features such as alternates and ligatures, which allow you to create unique designs and add even more character to your text. It also includes support for multilingual characters, making it easy to use in designs that require different languages. In the font package, you will receive three file formats: Round Rope otf, Round Rope ttf, and Round Rope woff. These formats make it easy to use the font across different platforms and devices, ensuring that your designs look great no matter where they are viewed. Round Rope is a fun and playful font that is sure to bring a smile to your face. Its unique style and playful appearance make it a great choice for a wide range of design projects. Whether you're designing for children or adults, this font is sure to add a touch of whimsy and playfulness to your work. In summary, Round Rope - Playful Display Font is a fun and colorful typeface that is perfect for adding a playful touch to any design. Its unique style and playful appearance make it a great choice for a wide range of design projects, including branding, packaging, posters, and children's books. With its range of features and file formats, it's also a versatile and functional typeface that can be used across different platforms and devices.

Filler is a display variable font that allows you to flexibly change the width ratio of font characters from extra narrow to extremely wide shapes. The typeface includes complete Latin language support with contrasting drawing of accents and punctuation. The character set includes special symbols, such as a set of emoticons or arrows that support OpenType features. In addition to the variable font, Filler also offers five width styles – Compressed, Condensed, Medium, Extended, Expanded. The font is intended primarily for strong display use in large proportions.

Outedis is a unique, cute, and charming handwritten font. you can use it for designs with various kinds of creations that require a touch of beauty, this font is the right choice for your elegant project. This font is designed with a natural touch of handwriting refined to create portions and compositions that suit your needs. So this font is perfect for crafts, kids writing, adventure posters, banner titles, wedding invitations, product packaging logos, quotes, social media page covers, furniture banner titles, book covers, and more.

P22 Zaner is based on ornamental penmanship from the turn of the 20th century. The Zaner font set includes four unique fonts that complement the other fonts in the set. Each font is available in PostScript and TrueType formats as well as OpenType which offers even more characters, options and overall functionality. Set options include PostScript and TrueType with a bonus set of extras and a “super” pro set containing over 3,000 characters. Zaner is perfect for wedding invitations and documents that require a touch of elegance.

Aluniea is a classic modern serif typeface that effortlessly marries timeless elegance with contemporary design sensibilities. With its balanced letterforms, graceful strokes, and refined details, Aluniea exudes sophistication and versatility, making it a quintessential choice for a wide range of design applications. The typeface’s subtly flared serifs and harmonious proportions lend it a sense of balance and readability, while its clean lines and distinct character variations provide a distinctive, yet approachable, aesthetic that is perfect for conveying a sense of tradition and refinement in a modern context.

The design for Titulata was based on the need for a titles of extreme weight, dynamics and soft morphology. Strong and clear, it takes graceful form in the line and is legible even in small bodies. The script variable is softer and features some punch-line touches, providing another vision and incorporating traits of manual writing. One important feature is that both styles have the same rendering in text box, reason why signs can be combined without other alteration that the form of the printed word.

By the time that the 13th edition of the Speedball Text Book appeared in 1938, silent movies were a thing of the past; nonetheless, intrepid author Ross F. George included this typeface, originally intended for title cards, in the volume. Elegant and inviting, the occasionally quirky letterforms feature subtle diamond-shaped accents that add just the right touch of sparkle. The PC Postscript, Truetype and Opentype versions contain the complete Latin language character set (Unicode 1252) plus Central European (Unicode 1250) languages as well.

P22 Zaner is based on ornamental penmanship from the turn of the 20th century. The Zaner font set includes four unique fonts that complement the other fonts in the set. Each font is available in PostScript and TrueType formats as well as OpenType which offers even more characters, options and overall functionality. Set options include PostScript and TrueType with a bonus set of extras and a “super” pro set containing over 3,000 characters. Zaner is perfect for wedding invitations and documents that require a touch of elegance.

Modern Sans this is a font family that includes 9 weights from thin to black and two styles basic and oblique. In this font you will find a classic and universal grotesque that will perfectly cope with a variety of tasks and will always look stylish and modern, as well as many alternates for Upper and Lowercase, with which you can play and find the most incredible and stunning option. This universal font covers a huge range of possibilities for the design and creation of your project.