The inspiration source for Pantomime Monogram is an unusual Art Deco design from a vintage embroidery publication which combines both sans-serif and flare serif styles to create a diamond monogram format. This monogram, which evokes visions of it etched into bakelite, was originally intended to adorn handkerchiefs and towels, but it has so many other possibilities. It is one of many monogram designs from the early 1900’s which fall into a two letter format that is either adorned or interwoven with framing styles. Pantomime Monogram is only capable to two letter monograms due to its unique design. Download and view the MFC Pantomime Monogram Guidebook if you would like to learn a little more.

Every element in this typeface shouts tall and narrow, slender and provocative. With wispy delicate serifs attached to elevator-style vertical stems, Stratosphere’s only goal seems to be getting to the top in style. And no matter how you describe it - ultra thin or ultra condensed - this typeface is best for short headlines and titles. Use only in large display sizes and use sparingly. Stratosphere Light is also available in the OpenType Std format. Some new characters have been added to this OpenType version. Advanced features currently work in Adobe Creative Suite InDesign, Creative Suite Illustrator, and Quark XPress 7. Check for OpenType advanced feature support in other applications as it gradually becomes available with upgrades.

Bosca this is an elegant serif font family which includes 4 weights. It is multi-purpose and can be used for a variety of tasks. It can look either conservative and restrained or modern and elegant thanks to ligatures and alternative substitutes, they will add variety to your project and make it more attractive and give many options for creating your design. Heavier weights are great for headlines, logos, and other important things. light will look elegant and more discharged. The regular weight is perfect for text tasks, it has a balanced dynamics and is easy to read. This font is easy to use has OpenType features, and all characters in this font have PUA encoding.

Introducing Neufreit, the younger brother of Creo but softer and finer proportion with sharper apex & vertex. It comes in 9 weights with matching italic styles, starting from ExtraLight to Heavy as the heaviest weight. This family is equipped with useful OpenType features such as Ordinals, Superiors, Stylistic Sets, Tabular Figures, Standard Ligatures, Fractions, Numerators & Denominators. Each font has 500+ glyphs which covers Western & Eastern Europe, and other Latin based languages – over 200 languages supported! Neufreit will be suitable for many creative projects. This distinctive typeface that will be perfect for logos, packaging, greeting cards, presentations, headlines, lettering, posters, branding, quotes, titles, magazines, headings, web layouts, mobile applications, art quotes, advertising, invitations, packaging design, books, book title, and more.

The hand lettered words “Pere Noel” under a vintage French magazine’s photo of Santa with two bikini-clad beauties inspired the digital version of this quirky, condensed type style. Unusually Deco JNL is available in both regular and oblique versions From Wikipedia: “Père Noël “Papi Christmas”, sometimes called ‘Papa Noël’ (“Daddy Christmas”), is a legendary gift-bringer at Christmas in France and other French-speaking areas, identified with the Father Christmas and/or Santa Claus of English-speaking territories. Though they were traditionally different, all of them are now the same character, with different names, and the shared characteristics of a red outfit, workshop at the North Pole/Lapland, and a team of reindeer.”

A calligraphic roman sans-serif, with large x-height, the Vershen font is available in four weights, plus a series with small capitals and old-style figures, also in four weights, and finally, a four-weight set of universal fraction generators. The fonts are thoroughly pair-kerned, including all accented characters and letter pairs not commonly found in English, but frequent in other western European languages. Each font package includes both TrueType and PostScript versions, and is avialable in either PC/Win or Macintosh format. Numerals and currency symbols in the standard font set are monospaced for orderly columns; but a narrower numeral '1' is also provided, along with an alternate lowercase 'g' and ampersand.

Merrivale is an ideal example of the benefits of keeping ones eyes open- it was inspired by the gilt-finished raised lettering on a late Victorian shopsign in Melbourne, Australia. The family of seven faces include upper and lower case forms, small capitals, all capital forms, and flamboyant display forms. Extensive Opentype features are incorporated. All faces are offered in incised forms inspired by the original lettering as well as in solid black filled forms. Thsee typefaces are wonderful for signage where either a period air or a dignified but legible feel are required. They also lend themselves to other display uses such as posters, book covers and so forth and are ideal for the title lines of certificates.

MAGIC WORLD is embodied in fun and joyfulness. It is a bold and thick lettered display font. This font is perfect for children-themed designs, especially when combined with bright colors. No matter the topic, this font will be an incredible asset to your fonts’ library, as it has the potential to elevate any creation. Get creative with its childlike playfulness, and use it to brighten up any kids and school project! Use this font for any crafting project that requires a personalized look! What’s Included : - Works on PC & Mac - Easy to use ( Installations ) - Compatibility Windows, Apple, Linux, Cricut, Silhouette, and Other cutting machines Thank you for purchasing this font. Please appreciate it, if you like this. ENJOY it :)

Cygnito Mono is the first modular font from ATK Studio. Inspired by modernism and industrial graphic design. This is a solid industrial monospaced font with octagon angles (±45°) and octagon structure. Determine the grid and create a complete set of cohesive characters (A-Z) and multi-language characters (latin based) in either lowercase or uppercase, with consideration for scale, proportion, and balance between the letterform. Contains 506 glyphs and support for ±130 languages. Develop a visual presentation that complements the style and personality of the new typeface. Brings a fresh sensitivity to boring old existing monospaced fonts. Perfect for any purposes such as typographic design, coding, tabular layout, sign, sticker, logos, poster design, magazine, website, and others.

Mensrea is a versatile display and text superfamily combining 32 different styles into a urban, street, themed design bundle. Based on a functional and condensed sans serif, Mensrea equally includes a large range of complimentary weights that can either be used as stand alone styles or then combined with other weights to create layered design. Two Graffiti styles add a further style contrast with a handwritten and fluid dynamic to contrast the main weights, the Bubble style equally features three extra layers for styling. And lastly, a small set of pictograms have equally been included and feature symbols from office icons to themed police iconography in relation to the overall Mensrea theme.

This is a cute story about a mother and her son. :) About a decade ago my own mother got very interested in my work. She used to say my letters had so many swirls and dazzling swashes, and suggested my job seemed to be very fun. She wondered if she could ever try to make her own alphabet... Well, she is a civil engineer and a maths teacher, and appeared to be a little tired of exact sciences... I remember answering this, while she was listening with her typical tender look: -"Mamá... While type-design may be a really enjoyable thing to do, it also involves having a great eye and knowledge about the history of letters: nice curves and shapes require a meticulous study and, like it happens in many fields, practice makes perfect"-. Well, she raised her eyebrows at me. -"and so what?"- She didn't have any experience neither in the field of art nor in the field of graphic design so, I told her that if she really wanted to get into this she should borrow some of my calligraphic books from my beloved shelves in my office. So... she did. Some weeks after that, she came to me with many sketches made with pencils and markers: some letters where very nice and unique while others naturally needed some work. I remember she added ball terminals to all of her letters (even if they didn't need them) because that was one of the rules she imposed. After some back and forth, we had the basis for what would be today, ten years later, the seed of this lovely font Girasol. Her proposal was nice, something I was not accustomed to do, that’s why many years later I decided to watch it with fresh new eyes and finished it. While she was in charge of making the lowercase letters, I helped with the uppercase and also added my hallmark in the alternates, already seen in others of my expressive fonts. The result is an upright decorative font that follows the behavior of the copperplate nib with a naive touch that makes it really cute and useful for a wide range of products. Many alternates per glyph make Girasol a very fun to use font which will delight you. Above posters are a proof of that! This font is a gift for my mother, Susana, who, in spite of her exacts academic background, taught me that beauty can also be found in the imperfect. 1 NOTES (1) In my fonts I'm always in seek of the perfect curve. When I designed Erotica and Dream Script, I read about Fibonacci’s spirals!

A beautiful serif font with calligraphic touch. Great for your documents, book printing, and other designs.

DIXIE is a font inspired by handwritting. Perfect for displaying Headlines, poster, logos, flyer, and other.

Georgie— A script font. The designers choice for greeting cards and a host of other applications.

These two typefaces contain elaborate star patterns. XSarsAndStripesOne and XStarsAndStripesTwo are mirror images of each other.

A playful calligraphic style, Lovers Quarrel is great for scrapbooking, cards, invitations and other fun things.

A dingbat set with close combat weapons, guns, baseball bats, knives and other tools of violence.

Some typefaces need time to ripen; Burian and Scaglione made the first sketches for Ebony back in 2008, but it took a few years of maturing in a drawer to be developed into a multi-functional type family. While keeping in tune with TypeTogether’s focus on complex typographic structures needed for magazine, newspapers and books —whether printed or digital—, Ebony goes far beyond editorial use and promises great performance in branding and advertising. The range of dark weights with taut and powerful curves can boost any headline, while the lighter styles create an approachable and clean feel in blocks of continuous text. Ebony does not fall short on aiding legibility either; letterforms have a distinct direction of ductus and features like the top serif on ‘l’ help making them clearly distinguishable from each other. It is a type family that cleverly seeks a balance between the openness and legibility of humanist sans serifs and the striking and more regularised character of grotesques. The letter-shapes feature generous counters and open terminals with crisp angles, and daringly grow both in colour and width as the fonts get bolder. Infused with this strength, Ebony also shows a quirky side in some of her shapes; the vertical fractions, the at-symbol, the old-style numbers, … The predominantly slanted style of the italics is broken up in some letterforms, such as ‘a e f l’, that are more in line with a classic cursive appearance. This, together with a forceful italic angle, ensure a change in texture within a block of text, despite sharing the same letter weight and width with the uprights. With 18 styles, tending towards the heavier part of the weight-spectrum, this face has a powerful quality!

Displays the appearance of a serif font that has a spooky impression but with elegant characteristics that make this horror-themed font different from other horror fonts, with the addition of sharp alternative letters that make the impression even more gripping so it is perfect for movie titles, posters, logotypes and many others. Thank you for seeing

Alika is beautiful and lovely script font with many alternative style, ligatures, swash and multilingual glyphs. Alika can be used for wide ranges of application, such as wedding design, logo, invitations, social media posts, and others. Features: +PUA-Encoded +Can be used in any software, like Adobe Photoshop, Illustrator, even Microsoft Word, PowerPoint and others +Multilingual glyphs.

Schuss News Poster ist the very heavy headline font (titling/display/poster) of Schuss News. (No italic, no additional figures, no tabular figures, no small Caps, slyghtly different heights as the other font of the Schuss superfamily (Sans, Slab, News and Serif). The character set is different to the other styles. It is not developed for small text sizes.)

Lemonado is a type family drawn with a dry brush pen. It includes upright and italic scripts and all caps fonts with brush texture or with smooth edges. Lemonado Script is playful and slightly bouncing connecting script. It includes two sets of lower cases to increase the hand writing effect. By enabling Contextual Alternates from OpenType panel you can cycle these two sets and achieve variation. Lemonado Script also includes set of lowercases without connecting stroke, you can use those in the middle of words or automatically add them at the end of words by enabling Stylistic Set 1 at the OpenType panel. There are also set of lower cases with end swashes, you can automatically add these swashes to end of words by enabling Stylistic Set 2 at the OpenType panel. Also other alternate characters and underlines are included to give you even more possibilities to play with. Lemonado Caps has two sets of upper case letters, high and low ones. You can achieve this fun looking bouncing effect by varying them. Just enable Contextual Alternates from OpenType panel and those two sets will cycle.

Coil feels comfortable like a well-worn pair of shoes. It could easily pass for an assertive industrial European sans serif of the early 1960s with its slight reverse contrast, monotonous proportions, and squared-off curves, if not for its less predictable side. What appears initially as ellipses upon closer inspection turns out to be irregular shapes, closer to an inverted egg than an oval. The s looks topsy-turvy with its higher curve that is larger than the lower. Some terminal strokes overhang the bowl (as in the a), others open flat (as in the Q, the f, the j, and the t). The resulting effect shakes up this seemingly “retro” face just to make it new. Our midcentury recollections are slightly distorted and reinterpreted by this ironic typeface making it fresh while deceptively cozy and familiar. Coil’s high x-height and even texture make it readable even in small sizes despite its tight apertures. Available in four weights with their italics, with two sets of figures, fractions, and alternates for Extended Latin and Cyrillic scripts. Designed by Vyacheslav Kirilenko and Gayaneh Bagdasaryan, 2020-21.

PF Bague Slab Pro draws its inspiration from early 20th century slabs and was designed as a companion to Bague Sans, a versatile monoline typeface with a distinct and eye-catching personality. Following its predecessor’s design guidelines, it overcomes the monotonous and mechanical rigidity of early geometrics by introducing subtle variations in stroke width and semi-wedge serifs rather than square slabs. These striking serifs, along with a mixture of attractive letterforms, exude a strong, modern and energetic personality at display sizes. On the other hand, at small sizes these distinct characteristics become subtle and the simplistic geometric personality of the typeface comes in place to offer a highly readable text. Bague Slab Pro is a very clean and legible typeface with a warm and well-balanced texture which is ideal for editorial design, branding and corporate identity. This superfamily includes 18 weights from Hairline to Ultra Black with a consistent and well-refined structure. The italics are slightly narrower than the romans with cursive characteristics. Each style consists of 718 glyphs with 13 opentype features and an extended set of characters which supports simultaneously Latin, Cyrillic and Greek. PDF Specimen Bague Slab Pro on Behance

Muisca, that in its early edition was named as «Muisca Sans», was developed in mid-1997 and based on the graphic concept of pre-Columbian characteristics figures within some of the very few visual elements recovered from the Muisca culture. This ancient pre-Columbian tribe disappeared since the arrival of the Spanish 500 years ago, in what is now the center of Colombia. In fact, the name of the capital Bogotá goes back to Bacatá as primary or village downtown of what was once the imperial capital of the Muisca tribe. This typographic project was submitted as my work for the degree in Graphic Design, obtained in September of that year (at the Universidad Nacional de Colombia), under the creative concept of vindicating the ancient culture and identity through a functional typeface, into a fact without precedent in the country. Muisca was recently edited, arranged and completed, including multilingual diacritic glyphs to be versatile in several languages. Related and inspired by Latin America, Ethnic, Native, Tribal, Mysthical, Handmade, Aboriginal, Pre-Hispanic, Pre-Columbian, Textured, Fantasy. Ideal to be used in logos, display text & titles, games and other design applications that reminds of the Pre-Hispanic art.

Introducing the new font Automobile Contest - Handbrush, the new version of Qillsey Einstein Font, a type of script that has a natural scratch texture. I made by using a brush pen that makes the impression seem natural. My font is complete with two StylisticSet which will make the writing more beautiful and charming. This typeface is suitable for use in a variety of design fields, such as event advertisements, product promotions, book titles, activity titles, logos, adventure, and others. This font can when paired with serif font types will make your design project more beautiful and perfect. I highly recommend using a program that supports OpenType featuresand Glyphs panels such as Adobe Illustrator, Adobe Photoshop CC, Adobe InDesign, or CorelDraw, so you can see and access all Glyph variations. This font is encoded with Unicode PUA, which allows full access toall additional characters without having special design software. Mac users can use Font Book, and Windows users can use Character Map to view and copy one of the extra characters to paste into your favorite text editor / application. I hope you enjoy the font, thank you.

Argo Supernova is a sans serif font, inspired by science fiction titles. Delicate on the thinest weights, strong on the thickest ones, it is perfect for modern branding and logo design, editorial design, web design, packaging and various other projects. Argo Supernova has a geometric and open structure, with shapes that create a solid texture on the page. Its large x-height produces good reading in long texts and its peculiarities, such as curved bars and endings, generate a strong presence in titles. The Argo Supernova family consists of 8 weights with matching italics, with Extended Latin character set. The italics makes use of more curves and smoothness, creating an interesting variation in design. • 16 styles: 8 weights + 8 italics; • 602 glyphs in each weight; • Special SS02 feature: "bend" alternates for majority of caps characters with curved details; • OpenType features: Access All Alternates, Stylistic Alternates, Standard Ligatures, Discretionary Ligatures, Numerators, Denominators, Fractions, Superior and Inferior Numbers, Kerning, Localized Forms, Lining Figures, Oldstyle Figures, Proportional Figures, Tabular Figures, Slashed Zero, Stylistic Set 1 to 6. • Supporting 219 latin based languages, which are spoken in different 212 countries.

Presenting Relost Brush! An All-caps Brush Font with Texture. This font made with the perfect combination of each character. You can combine with Extra to get a unique combination. It looks original and can be used for all your project needs. Each glyph has its own uniqueness and when meeting with others will provide dynamic and pleasing proximity. This font can be used at any time and in any project. You can see in the presentation picture above, Relost Brush looks strong and wild on design projects. So, Relost Brush Font can't wait to give its touch to all your design projects such as quotes, Adventure themes, poster design, personal branding, promotional materials, website, logotype, product packaging, etc. WHAT'S INCLUDED? Relost Brush • It comes with uppercase, lowercase (All-caps), ligatures, numeral, punctuation, symbols, Alternates, and Standard Latin Multilingual Support (Afrikaans, Albanian, Catalan, Danish, Dutch, English, French, German, Icelandic, Indonesian, Italian, Malay, Norwegian, Portuguese, Spanisch, Swedish, Zulu, and More). Extra Swashes • Included 9 Underline Swashes. You can feature all with typing c_1 until c_9 (Opentype Feature) or using Characters Map. A Million Thanks Colllab Studio

Get ready for a modern spin on your typographic projects with the Typical Pro Sans Serif Font 9 Weight. This font offers a clean, grotesk feel that is perfect for any technical or heading design. Its contemporary design makes a perfect choice for projects with a modern flair. With clean lines, tight letter spacing, and a classic sans serif style, this font is sure to bring a unique edge to any project. Enjoy the perfect mix of texture and proportion with this modern font. Get ready to take your typography to the next level with Typical Pro Sans Serif Font 9 Weight. Typical Pro Sans Serif Font is a grotesk typeface of modern design, with technical precision and a clean finish. Its 9 weight offers clear and refined letters that provide perfect legibility for headlines and other text styles. Its line height is consistent and balanced, making it suitable for producing high-impact visual messages. Its modern, straightforward letterforms give projects an air of sophistication, while retaining a firm technical backbone. With nine different weights, it is the perfect choice for any heading or label that requires a strong, contemporary look.

Introducing the new font Qillsey Einstein, a type of script that has a natural scratch texture. I made Qillsey Einstein by using a Japanese calligraphy pen that makes the impression seem natural. My font is complete with 3 Stylistic Sets which will make the writing more beautiful and charming. This typeface is suitable for use in a variety of design fields, such as event advertisements, product promotions, book titles, activity titles, logos, adventure, and others. This font can when paired with serif font types will make your design project more beautiful and perfect. I highly recommend using a program that supports OpenType features and Glyphs panels such as Adobe Illustrator, Adobe Photoshop CC, Adobe InDesign, or CorelDraw, so you can see and access all Glyph variations. This font is encoded with Unicode PUA, which allows full access to all additional characters without having special design software. Mac users can use Font Book, and Windows users can use Character Map to view and copy one of the extra characters to paste into your favorite text editor / application. Thank you if you are interested in purchase and using my font. I hope you enjoy the font, thank you.

Ruthen Back - a Stylish Font, offering a different feel than my other fonts. A script font with a taste like signature fonts because all characters are based on the stylish signature, always catchy and elegant if you use it for personal name branding or logotype in your business. This font also looks outstanding in other projects such as greeting cards, tittle book/magazine, poster, neon light logo and etc. What's featured? - Uppercase and lowercase - numeral and punctuations - Multilingual support - PUA encoded Thanks for using this font. For other questions about this font please contact me at java.indonesian@yahoo.com. Have a nice day!

Demoise is a sans serif font family with 2 versions, a display version (Demoise Play) and a sans serif version (Demoise) containing 14 for each version and complete with italics. This font is styled unique enough to collaborate with the retro style, when you stick it on your designs such as posters, brochures, magazines, business cards or any other shape you will find something interesting and unique. This font is equipped with a multilingual system and various languages such as: Baltic, Basic Latin, Central European, Dutch, Euro, Romanian, Turkish, Western European and others. al European, Dutch, Euro, Romanian, Turkish, Western European and others.

Binlay - Freestyle Script Font. This font inspired by freestyles that are trending at the moment such as urban style and several other styles. This font is perfect for professional touch makes this font more elegant and suitable for all types of projects you are working on. But this font is also suitable for logos, branding, greeting cards, invitation cards, advertisements, titles, healines, book titles, stickers, packaging, quotes, posters, t-shirts/apparel, billboards and others. This font can be used and supported in various programs and OS, such as procreate, cricut, windows, macOS and others. This font is also support multi language.

Budare is a geometric font family that rebelled to find its own identity within an ocean of other typefaces of the same style. Its design is based on the shape of the wrought iron plate used in Venezuela and other countries to make arepas and other foods. Its appearance is strongly defined by basic geometric shapes such as the circle and its upright style is accompanied by rotated italics "rotalics" that complement its rebellious spirit. Because of its strong display characteristics, its best uses are focused on posters, branding, titles and anything that needs a strong graphic emphasis.

Amherst is a family of blackletter-inspired typefaces. This family, created by British designer Richard Yeend in 2002, is unique in that it mains the feel of blackletter/medieval type without relying directly on historical forms. Amherst is split into two different sub-families, Amherst and Amherst Gothic. Amherst is very geometric interpretation of Fraktur. Fraktur was a style of German type very popular in central Europe from 1517 until the early 20th Century. Its letters appear "broken" at certain angles and joints. Still, we recommend using it primarily for display purposes. Amherst is available in three weights: Regular, Bold, and Heavy. Amherst Gothic is very loosely inspired by late medieval letterforms, often called Texturas or Gothics. However, the letterforms of Amherst Gothic seem just as inspired by the Art Deco movements of the 1920s and by contemporary sans serif type design as anything else. Nevertheless, certain letters in this typeface do appear more "gothic" than others, especially A, D, M, Y, d, r, and x. Amherst Gothic is made up of three fonts, Amherst Gothic Split, Amherst Gothic Split Alternate, and Amherst Gothic Italic. Amherst Gothic Split has in-lined characters, and appears very ornamented. The alternate characters in Amherst Gothic Split Alternate are quite medieval in their appearance. Amherst Gothic Italic is the least medieval-looking of the set; its characters are very round, and more geometric. All six styles of the Amherst Family are OpenType format fonts, and include old style figures.

Ela is the typeface I originally designed for the business of my second wife and mother of my two sons, her name is ­ of course ­ Michaela. Ela the typeface is suitable for magazines, newspapers, posters, advertiments, books, text, documentation/business reports, business correspondence, multimedia, and corporate design.

The design process of OkayPaint began as hand-painted letters on paper. Thus, a variety of distressed paint effects can still be seen in the details, from splatters to dry-brush. This makes for a textured, artistic look. Use OkayPaint to create eye catching designs - perfect for grunge, surf, any casual cool setting. OkayPaint is extended, containing the West European diacritics & ligatures, making it also suitable for multilingual environments & publications.

Starting this month, we present our newest font, Murisa Bazka. Murisa Bazka is a blend of regular fonts with a distinctive texture on the body. This is unique considering that this is an additional value for you designers to display artistic design work. The Murisa Bazka font is made with a wide scope for everyone. Murisa Bazka, can be your first choice to be used in your designs and products.