Sherbet BF is a robust, bouncy handwritten-style script with an enthusiastic voice. A number of Automatic Ligatures and Contextual Alternates, are included in the font, along with Stylistic Alternates for lowercase letters g, and y. Enable these features in OpenType-savvy programs (such as InDesign CS+, Illustrator CS+ and QuarkXpress 7 and later) to enhance your typography. As with most scripts, it is not recommended that word settings be in all uppercase, but rather in settings of initial capitals together with lowercase letters.

Loppemarked is Flea market in danish, and that’s where I got the inspiration to do these fonts from! Headline - chunky serifs here and there, and some are missing! No attempt to get it right…anywhere! Text - The letters are scribbled quickly, leaving not much attention to accuracy. Sans - With this font, there has been some effort to hit the same width of strokes, but it is still off here and there. All in all, the sweet innocence in these letters…I love it! <3</p>

heartberry is a lovely romantic script font with lots of authenticities!. It has beautiful and well-balanced characters and as a result, it matches a wide pool of designs. It will turn any design project into a true stand-out. Add it to your most creative ideas and notice how it makes them come alive! This font is PUA encoded which means you can access all of the amazing glyphs and swashes with ease! It also features a wealth of special features including alternate glyphs and ligatures.

XRoomingHouse is a typeface of pictures that I did many years ago. Most of the pictures are border elements, and within a set they can be combined to make borders or frames. There is no real style consistency in the font—it is an eclectic collection of elements. (Minor corrections and additions were made in 2018 to improve sets that can form frames. For a more ambitious attempt at a font that can form frames, see Framealot). As for the name, boarders stay in a rooming house.

Blackletter is the classic “German” printing type. Starting in the 16th century and lasting well into the 20th century, most works in Germany were printed using blackletter types. Today, blackletter fonts are mainly used decoratively. If you want to communicate a feeling of old-world quality or nostalgia, blackletter fonts are the preferred choice – use them on signs, in brochures or on invitation cards. Fleischmann Gotisch Pro is a classic blackletter font of its epoch which inspires you to create vintage-looking designs with ease.

Modern Sans this is a font family that includes 9 weights from thin to black and two styles basic and oblique. In this font you will find a classic and universal grotesque that will perfectly cope with a variety of tasks and will always look stylish and modern, as well as many alternates for Upper and Lowercase, with which you can play and find the most incredible and stunning option. This universal font covers a huge range of possibilities for the design and creation of your project.

Dylan is a Sans typeface in the best American tradition. In order to keep corners open and to make the font more readable in small sizes it has deep cuts where curves join straights. I designed 8 finely tuned weights with fitting italic sets. The fonts includes full smallcaps, language support for most European languages plus Turkish, many fractions, nominator and denominators, Greek mathematical signs and many currency symbols. It is a versatile font that is well suited for many occasions, even for signage.

Zipper is a striking font designed in 1970 by Phillip Kelly for the Letraset dry transfer sheets and it shows itself as a true child of the 1970s. The most distinguishing characteristic is the markedly robust horizontal stroke, heavier by far than the verticals. In a line of text, the figures present a close, stripe-like line, strongly dominated by the horizontal. Zipper is meant exclusively as a headline font and should be used in larger point sizes to highlight its unique, eye-catching characteristics.

Hello Girly is the perfect font for all your fun designs. The main font file is equipped with ordinary characters (A-Z, a-z, 0-9, ligature), as well as more than 300+ glyphs to support most Latin-based languages. So you can be sure they will work well together with other fonts! It is suitable for you to use in making t-shirt designs, quotes, labels, packaging, logo type, or long writing. Because we have compiled kerning and matrices that are tailored to your needs.

Matt Desmond (MADType, Pufficlaude BT) would like you to meet Mesotone BT. This computer typeface design is monoweight and somewhat monowidth. The squarish unicase glyph forms feature eased corners and rounded terminal ends, which takes some of the edge off its techi look. Yet Mesotone still inspires one to explore the outer limits of the design universe. So, don’t tone it down; Mess with the fringes. Get Mesotone. Available in PostScript OpenType format, Mesotone’s extended glyph set covers the Western and Central European, Baltic and Turkish languages.

Saffron Walden is a small market town in Essex, England. When I created my first ever connected script font, I decided that a 'flowery' name would be best (since that seems to be the most popular choice for connected fonts….). Saffron Walden is a fattish, inky brush font, with a slight tilt to the right. It would be perfect for book covers, magazines, headlines and posters, but could also be used for packaging. Comes with a bunch of ligatures and a heap of diacritics.

Blackletter is the classic “German” printing type. Starting in the 16th century and lasting well into the 20th century, most works in Germany were printed using blackletter types. Today, blackletter fonts are mainly used decoratively. If you want to communicate a feeling of old-world quality or nostalgia, blackletter fonts are the preferred choice – use them on signs, in brochures or on invitation cards. Coburg No2 is a classic blackletter font of its epoch which inspires you to create vintage-looking designs with ease.

Calima is a humanist sans serif typeface available in six weights. The idea behind this family was simply to try to bring the spontaneity of an italic to an upright roman typeface. The result is a fresh and dynamic sans with clean shapes, well suited for short texts and display use. The fonts, available in Opentype format, include diacritics for most European languages and a variety of Opentype features: oldstyle and tabular figures, subscript and superscript, fractions, case-sensitive forms, localized forms and more.

Abakadabra is a headline typeface inspired by sans-serifs of the first half of the twentieth century, as well as by the tricks of fakirs, illusionists and charmers. The gently playful manner of the font can be exaggerated to a more pretentious and grimacing one, or can alternatively be calmed to a neutral appearance. Abrakadabra supports most European languages and has thematic emoji symbols. The text can be customized by using stylistic sets or the Swashes and the Stylistic Alternates buttons in the OpenType panel.

Initially started as an extension to Praline MCL, Roca transformed into a new font family - influenced by the same fonts as Praline - Windsor and Cooper Black - the hits of 60s and 70s – with a hint of Bookman. Created in 2 styles and 6 weights that can be mixed and match, it contains 24 fonts including alternates and true italics . It is full of OpenType features – stylistic alternates and ligatures. This multilingual font family supports most of the European languages as well as Cyrillic ones (Russian and Ukrainian).

JollyGood Sans Condensed is another member of the JollyGood family. This is a narrower comic font that allows you to fit a lot of text, while still being fun & legible. It is a complete complete family with 4 weights in regular and italic (8 fonts in total). It has an amazing character set, with support for most european languages, as well as alternates and ligatures. JollyGood Sans Condensed is suitable for packaging, children’s books, greeting cards or wherever you need a fun touch in your text.

Greetings, friend. I created this font for personal use on a YouTube themed channel about old things. The comments often ask what font I use, so I decided to share it with the community. You can use it in your commercial projects and for personal use. The font is great for creating a vintage text feel. The font is perfectly readable and scalable because I chose the most comfortable DPI for scaling when creating it. I wish you good luck and enjoy using this font!

Brass Rail JNL is a novelty font, with its name derived from two key components of the source material. It was modeled from examples of vintage small letters stamped out of brass with "rails" above and below each character to fit within a slot. The most likely use of these letters would have been for either decorative initials or small merchandising signs (similar examples of both have been seen in the past). From these few examples comes a typeface with numerals, punctuation and an extended character set.

Blackletter is the classic “German” printing type. Starting in the 16th century and lasting well into the 20th century, most works in Germany were printed using blackletter types. Today, blackletter fonts are mainly used decoratively. If you want to communicate a feeling of old-world quality or nostalgia, blackletter fonts are the preferred choice – use them on signs, in brochures or on invitation cards. “Gutenberg Textura Pro” is a classic blackletter font of its epoch which inspires you to create vintage-looking designs with ease.

Eleven out of ten typographers have confirmed that Tabac Big Slab can be used both on the facades of majestic villas and on the most ordinary typesetting of labels and medication package inserts, where it saves both space and tired eyes. Even width compression doesn’t take away from the typeface’s well-distinguished characters, while its huge x-height optically enlarges typesetting in small sizes. Aside from the lightest weights, we can recommend Tabac Big Slab for all applications where there is a lack of space or paper.

Blackletter is the classic “German” printing type. Starting in the 16th century and lasting well into the 20th century, most works in Germany were printed using blackletter types. Today, blackletter fonts are mainly used decoratively. If you want to communicate a feeling of old-world quality or nostalgia, blackletter fonts are the preferred choice – use them on signs, in brochures or on invitation cards. “Wallau No2 Pro” is a classic blackletter font of its epoch which inspires you to create vintage-looking designs with ease.

Despite what some might say, you can’t just always go for that most ubiquitous font in the world, can you? Avion font family channels those cool modernist vibes yet brings something new to the table. With a slightly more rectangular approach and some clever detailing, Avion has a distinct look of its own, yet provokes a calming familiarity of neutrality and objectiveness. As goes without saying, it’s also equipped with a sensible amount of features that make it a true, versatile workhorse. Get on board.

Blackletter is the classic “German” printing type. Starting in the 16th century and lasting well into the 20th century, most works in Germany were printed using blackletter types. Today, blackletter fonts are mainly used decoratively. If you want to communicate a feeling of old-world quality or nostalgia, blackletter fonts are the preferred choice – use them on signs, in brochures or on invitation cards. “Fraktur No4” is a classic blackletter font of its epoch which inspires you to create vintage-looking designs with ease.

Blackletter is the classic “German” printing type. Starting in the 16th century and lasting well into the 20th century, most works in Germany were printed using blackletter types. Today, blackletter fonts are mainly used decoratively. If you want to communicate a feeling of old-world quality or nostalgia, blackletter fonts are the preferred choice – use them on signs, in brochures or on invitation cards. “Schwere Fraktur Pro” is a classic blackletter font of its epoch which inspires you to create vintage-looking designs with ease.

Fresh new type from the Netherlands. An original, lively, eclectic semi-slab serif intended for general use. Quirky yet seriously usable, the family features enough weights to fit any design situation and all fonts are suitable for screen and print. Full Latin-script language support, including Maltese, Turkish, Vietnamese, Greenlandic, Azerbaijani, Afrikaans and localized Polish and Romanian. Download the Quick Start Cheat Sheet here to help you get the most out of Ipsum Semi. For requests or remarks, feel free to get in touch.

Blackletter is the classic “German” printing type. Starting in the 16th century and lasting well into the 20th century, most works in Germany were printed using blackletter types. Today, blackletter fonts are mainly used decoratively. If you want to communicate a feeling of old-world quality or nostalgia, blackletter fonts are the preferred choice – use them on signs, in brochures or on invitation cards. “Lincoln Text Pro” is a classic blackletter font of its epoch which inspires you to create vintage-looking designs with ease.

Blackletter is the classic “German” printing type. Starting in the 16th century and lasting well into the 20th century, most works in Germany were printed using blackletter types. Today, blackletter fonts are mainly used decoratively. If you want to communicate a feeling of old-world quality or nostalgia, blackletter fonts are the preferred choice – use them on signs, in brochures or on invitation cards. “Wilhelm Gotisch Pro” is a classic blackletter font of its epoch which inspires you to create vintage-looking designs with ease.

Blackletter is the classic “German” printing type. Starting in the 16th century and lasting well into the 20th century, most works in Germany were printed using blackletter types. Today, blackletter fonts are mainly used decoratively. If you want to communicate a feeling of old-world quality or nostalgia, blackletter fonts are the preferred choice – use them on signs, in brochures or on invitation cards. “Rundgotisch No2 Pro” is a classic blackletter font of its epoch which inspires you to create vintage-looking designs with ease.

»Dylan« is a Sans typeface in the best American tradition. In order to keep corners open and to make the font more readable in small sizes it has deep cuts where curves join straights. I designed 7 finely tuned weights with fitting italic sets. The fonts includes full smallcaps, language support for most European languages plus Turkish, many fractions, nominator and denominators, Greek mathematical signs and many currency symbols. It is a versatile font that is well suited for many occasions, even for signage.

Blackletter is the classic “German” printing type. Starting in the 16th century and lasting well into the 20th century, most works in Germany were printed using blackletter types. Today, blackletter fonts are mainly used decoratively. If you want to communicate a feeling of old-world quality or nostalgia, blackletter fonts are the preferred choice – use them on signs, in brochures or on invitation cards. “Schwarzwald Pro” is a classic blackletter font of its epoch which inspires you to create vintage-looking designs with ease.

TAN - THE LAUNDRY ROOM is a fun display serif. Wonky yet composed and retains the legibility. *the italic font used in the display is TAN - ANGLETON (italic) — Our fonts are supported by most design software, please make sure it can read the OpenType fonts to be able to access all ligatures. Please be informed that while our font works well in Canva, but Canva itself doesn’t support advance opentype features such as special characters. For support, please don’t hesitate to contact us at tantypeco@gmail.com.

Hoppa is a clean geometric typeface with a fun twist. It was carefully designed to the modern standards like big x-height and short descenders. With its smooth curves and loop-alike shapes, Hoppa will add a fresh and lively feel to your designs. Although it has been created to be used as a display face, it performs well in longer texts. Thanks to alternate glyphs, font gets more legible, neutral look. Hoppa supports most of Latin and Cyrillic languages and includes range of OT features.

Franklin Gothic was designed between 1903 and 1912 by Morris Fuller Benton for the American Type Founders Company. The font serves as the American Grotesk prototype. It was named after Benjamin Franklin. Even today, Franklin Gothic remains one of the most widely used sans serif typefaces. The robust character of the font gives text a modern feel. It is widely used in newspapers and advertising and is frequently seen in posters, placards and other material where space is restricted. Featured in: Best Fonts for Tattoos

Gayle Sato, longtime friend of MVB Fonts, has amazing handwriting. It’s a natural, simple hand, with perfect rhythm. Devoid of flourishes, it doesn’t try to be beautiful. It’s just genuine, quick, and clean — the handwriting we all wish we had. The digitization by Mark van Bronkhorst captures these qualities. Retaining the roughness of a felt pen, MVB Calliope is a handwriting typeface that feels much more authentic than most, highly legible but still raw. The Regular was released in 2005, with the other weights shortly thereafter.

Blackletter is the classic “German” printing type. Starting in the 16th century and lasting well into the 20th century, most works in Germany were printed using blackletter types. Today, blackletter fonts are mainly used decoratively. If you want to communicate a feeling of old-world quality or nostalgia, blackletter fonts are the preferred choice – use them on signs, in brochures or on invitation cards. Fraktur No2 Pro is a classic blackletter font of its epoch which inspires you to create vintage-looking designs with ease.

Blackletter is the classic “German” printing type. Starting in the 16th century and lasting well into the 20th century, most works in Germany were printed using blackletter types. Today, blackletter fonts are mainly used decoratively. If you want to communicate a feeling of old-world quality or nostalgia, blackletter fonts are the preferred choice – use them on signs, in brochures or on invitation cards. “Hohenstein Gotisch Pro” is a classic blackletter font of its epoch which inspires you to create vintage-looking designs with ease.

ASV Codar is a modern Arabic text typeface with two weights: ASV Codar Light and ASV Codar Bold. Both of the fonts include Latin glyphs (Palatino Roman and Palatino Bold), allowing a single font to set text in both most Western European and Arabic languages. The two ASV Codar fonts include the Basic Latin character set and the Arabic character set, which supports Arabic, Persian, and Urdu. They include tabular and proportional Arabic, Persian, and Urdu numerals, as well as a set of tabular European (Latin) numerals.

Open Sans Soft is the warm and friendly cousin of the web’s 2nd-most viewed font family – Open Sans designed by Steve Matteson. Open Sans Soft tones down your communications by adding organic-looking curvature to the corners of letters. A similar effect is found in such popular fonts as Microsoft’s Calibri and Linotype’s DIN Next. Open Sans Soft approximates the same, proven letterforms and letter spacing as Open Sans making it a wonderful companion for any application – correspondence, headlines, branding, packaging or interface design.

Hi! I am Black Square! Probably the most famous square in the world. Thanks to my godfather Kazimir Malevich, who created me in 1915, this year I am celebrating 100th anniversary. Let me tell you what a great gift I just got! It`s a family of almost 300 letters and symbols suprematic as suprematic can be - shapes, form attacks, booms and even hashtags! All under the name of Malevich Font. Isn`t it a great present for my anniversary? Thank You BBDO Ukraine

This unique typeface is a great addition to a graphics designer collection. Great for pixel artists who want a unique text style for their works, album artwork and much more. This font contains over 400+ unique glyphs to accommodate for English, Latin languages, most symbols and much more. All characters feature the same size disc surrounding letters utilising negative space through the design. Created by Kole Cook for Ech000 Foundry. The font is inspired by computer text and command line with a unique twist.