Frigga is a typeface that settles its roots in the Baroque Dutch tradition of text typefaces and northern european type forms. Carefully crafted for an optimum balance between its solid historic structure and a refreshing repertoire of organic forms, where blossoms its contemporary spirit and natural beauty. In the page, spread on long text settings a feeling of comfort and closeness, while in headlines and display use, it reveals itself more exuberant and plentiful of details. Is beautiful, timeless, lush, elegant and smooth like nordic mead. Fully equipped to realize your wildest editorial dreams, Frigga came in 20 styles, with more than a 1000 glyphs per style, alternates, ornaments and borders, old style and tabular figures, small caps and plenty of OpenType features to fulfill any type of editorial need. Named after the nordic goddess Frigga (also called Frejya), taking as a reference the romantic mythos of its cultural representation, the solemn presence and her warm, gentle embrace.

Al Veshion is a floral luxury font. It's a fashionable, elegant, decorative font. Floral ornament letters are ideal for your wedding monograms and logos, fashion product, herb, back to nature vibe, organic vibe, and many more. Use this font for wedding invitations, branding, packaging, magazines, florist shops, social media, restaurant menus, greeting cards, headers and many more. This typeface features 190+ characters with some language adaption that is guaranteed to give your project a competitive edge. Al Veshion features: OpenType support, Multilingual support (15 languages) and is PUA Encoded. Easy to use alternates. It's OpenType support but you can easily call alternates character using special combination like A.2 B.2 a.2 v.2 so you don't need special software. Thanks for checking out Al Veshion. I really hope you enjoy using it! If you have any questions I'd be more than happy to answer them, just send me a message!

Looking like gifted jelly and falling in between cushions and cat food, this plump and inviting letter mixes simplicity with organic style for a wide range of uses. Jellybrush's compact cursive forms and robust friendliness draw on artbrush scripts, blending brush effects with synthetic forms. A versatile workhorse suitable for: * Dairy & beverage * Sweets & soft drink * Five minute food & sauces * Pet food & accessories * Bathroom & kitchen * Cushions, pillows, rubber & swimming pool, etc. Jellybrush is designed to take squishing and outline treatments and still look good. Squish it down in your application of choice, the letter proportions withstand horizontal compression easily. Jellybrush italic is a subtly-slanted fully cursive variant with the character width, counter size and hanging figures required for good text performance. Designed for supplementary text for packaging and advertising comps and any application requiring readable text matching the main font. The font packages contain two (2) formats of Jellybrush, in OpenType & TrueType flavors.

Shopping Script is designed after and inspired by my handwritten shopping list that was originally a lot less stylish, I have written each words multiple times to achieve the organic and natural flow with a bit spaced out style. This font is an existing work of mine that came in only one weight. Now I added multiple weights I as well as expanded and condensed instances, along with a weight and width variable font file that can be set to anything in between Thin Condensed to Heavy expanded. There are standard ligatures for it, jt, ll and tt, stylistic alternates for uppercase "A" and lowercase "e". For lowercase r and s there are contextual/initial variants when they are first letter of a word. A guide of open type features and how to activate them is available at https://drive.google.com/file/d/1q4j4X8ZntqgEUB8gUmflUNtmlX4IVQBq/view?usp=sharing Most latin based languages are covered from Western European to Eastern.

Envisage is a distinctive new grotesk design by Alex Kaczun. Characterized by distinct details throughout as particularly visable in the capitals A, H and N. There is a more organic and natural feel to the overall design as in the sutle curves introduced in many of the lower case letter forms, specifically the a, h, m and n. And, especially evident in the warm overall curves within the l‘case g. In addition, incorporating flexibility in form and function, Alex has also included alternate letter forms in this OpenType font; allowing the graphic designer a choice in the overall look and feel. Envisage has impact and zeal. It's a wonderful choice for a distinctively unique headline treatment, and works equally well in text in a large range of point sizes. Use this friendlier sans serif as an alternate to Futura and Gill Sans. We think you will like what you see. The large Pro font character set supports most Central European and many Eastern European languages.

Greek Signature Font Talonica The Greek Signature Font Talonica is a signature decorative font with which you can achieve a hand-lettering style. Talonica is a multilingual lettering font with Greek (of course), Latin characters, and diacritics. Supports all European languages. This signature style is perfect if you want to achieve a modern-looking graphic design project. In addition, this font has a really nice flow so you can also use it in a larger body of text. It can also be used on social media content, for branding or packaging applications. Also, this is the ideal typeface for organic product wine branding and packaging. You can use it to create logotypes with character and natural flow. Additionally, you can use its romantic vibes for wedding invitation designs. Especially if you are looking for a handwritten font for Instagram quote posts or any other social media content, this signature typeface is for you!

Geometric/Technical style logotypes have been developed for car chrome labels since the early 1980’s, but automobile companies don't monopolize the style by any means. During the 80’s and 90’s, a lot of these logos leaned towards the geometric sans styles and the swiss styling of fonts like Handel Gothic, while playing with varying degrees of squared rounds and varying expanded widths per logotype. Mercurial has this flavor, but it wasn’t derived from logotypes. Instead, it began as a digitization of a film typeface from LetterGraphics in the early 70's known as "Sam". It visual ties to this genre of automotive logotypes and fonts like Handel Gothic lend a familiarity to it, yet it has an identity all its own. As with so many automotive logotypes, this singular style film typeface, lacked an expansive family which shows off all potential the logotypes have and what they "could" be and do. And that's where we come in. What originally began as this family’s Regular Width - Bold Style has been expanded into a collection of 3 Width Families, each containing 5 Weights. Here’s what’s included with the Mercurial Complete bundle: 396 glyphs per style - including Capitals, Lowercase, Numerals, Punctuation and an extensive character set that covers multilingual support of latin based languages. (see the final poster graphics for a preview of the characters included) 3 widths in the collection: Narrow, Regular, & Wide 5 weights in each width family: Light, Book, Regular, Medium & Bold. Here’s why the Mercurial Family is for you: - You’re in need of stylish sans font family with a range of widths and weights. - You’re love those 80’s automotive logos, but want more range of use. - You’re looking for an alternative to Handel Gothic. - You’re looking for a clean techno typeface for your rave poster designs. - You just like to collect quality fonts to add to your design arsenal.

Linotype Textra is a clever twist on the sans serif genre, designed by Jochen Schuss and Jörg Herz in 2002. Schuss says this about Linotype Textra: "Two in one! The same Linotype Textra, which is so neutral and practical for long text passages turns into an eye-catching headline type when used in larger point sizes. The trick? It's all in the details. The type's clear, robust forms give it a high degree of legibility when used in smaller point sizes for texts. When used in larger sizes, the angular, slightly irregular forms that give the type its strong character become apparent. Hence the name Linotype Textra: pure text with a little something extra!" With 15 weights, the Linotype Textra family provides graphic designers with a good basis for almost any type of work. The five regular weights have matching true italics and old style figures, and the five small cap weights include tabular figures.

Arsis Regular Font was designed by Gerry Powell in 1937. It is a Serif (Antiqua) Modern Style font. Arsis Regular font attributes include roman serif, Didone, elegant, formal, modern style, feminine.

Ravelion is a sans serif all caps display font. Available in reguler and line style. Ravelion is made for futuristic font display. Ravelion is a funky, future-forward typeface set up perfectly any sci-fi space thriller. If you're a fan of futuristic fonts, this one is for you! Ideal for contemporary, sci-fi and space designs, you can also apply this on adventure, branding, or music themes. Try different styles and experiment with kerning for best results.

This set of initial decorated letters was inspired by a font in use in the beginning of 1500s in Paris. Exactly, we have used the set that Barthélémy Verand employed for the printing of Triumphus translatez de langage Tuscan en François, (from “Triumph” of Petrarque) in the year 1514. Some letters, lacked, have been reconstructed to propose a complete alphabet. It appears that the printer used some letters to replace others, as V, turned over to make a A, or D to make a Q. The original font’s letters were drawn in white on a black background only, but it was tempting to propose a negative version in black on white. It is used as variously as web-site titles, posters and flyers design, publishing texts looking like ancient ones, or greeting cards, all various sorts of presentations, as a very decorative, elegant and luxurious additional font. This font supports strong enlargements remaining very smart and fine. It’s original medieval hight is about one inch equivalent to about four lines of characters. This font may be used with all blackletter fonts, but works particularly well with 1543 Humane Jenson, 1557 Italic and 1742 Civilite, without any anachronism.

This is Ekamai, named after the district of Bangkok I lived in. It is based on Quinella, and was supposed to be a quick and easy reworking of that font into a "tight-not-touching" (rather than overlapping) version. As is often the case with quick and easy things, it turned out to be neither, and the vast majority of glyphs needed to be completely overhauled to fit the new system. This face is deliciously plump face, with lovingly rendered curves and just the right amount of cuteness; perfect for food packaging (of the sweeter variety probably!), logos, magazine headlines and the like. It performs admirably in all caps settings. The numerals are expressive hybrid figures (somewhere between lining and oldstyle). The overall feel is friendly and soft, without being overtly saccharine. Ekamai is equipped with subtle contextual alternates (which I'd recommend leaving on) to help with the tight fit, a handful of discretionary ligatures if that's your thing, and a case feature for all caps settings. The stylistic alternates and stylistic set 1 features simply change the # glyph to an attractive numero. Automatic fractions are included along with wide-ranging language support.

Sienna is a soft serif typeface designed for both text and display purposes. Its soft and sharp structure creates an unusual, yet pleasing appearance. This leads to a comfortable reading experience with enough personality to create impactful titles and headlines, and Sienna will really shine in your branding projects. Variable versions of the fonts are available allowing you to fine tune the weight to your exact liking. Small Caps are included (along with their matching diacritics) – adding another layer of versatility to this typeface. Proportional Lining figures are an option if you prefer them to the default Old Style figures. A number of swash alternates enhance Sienna, giving you the opportunity to add more flair and personality to your title and branding designs. Simply activate Stylistic Sets to start adding flourishes to your typography. There are 14 fonts altogether, with 7 weights in roman and italic from Thin to Black styles. Sienna has an extensive character set (800+ glyphs) that covers every Latin European language. Key features: 7 weights in both roman and italic Variable fonts included with full family 59 Alternates 8 Ligatures Small Caps Full European character set (Latin only) 800+ glyphs per font.

Watford is a textured brush font, a contemporary approach to design, handmade with irregular base lines. Suitable for use in title designs such as clothing, invitations, booklets, stationery designs, quotes, branding, logos, greeting cards, t-shirts, packaging designs, posters and more. Watford includes a complete set of upper and lower case letters, as well as multi-language support, numbers, punctuation, binders, alternatives and additional swash. If you have questions, feel free to contact me via email: madjack.font@gmail, com Thank you very much for finding and enjoying it! Muhammad Zaki

Lasting Impression JNL was rendered from scans of a 1930s rubber stamp printing set. At small sizes it has the look of hand-stamped lettering. At larger sizes, the user will see jagged and angular lines giving the font a kind of retro-grunge look. This typeface was the model for the more cleanly-drawn Casual Friday JNL, also by Jeff Levine. There is a limited character set, and both the spacing and kerning have been intentionally omitted so that the results will more closely resemble the uneven letter spacing of rubber stamps on paper.

Madden is a bold, single weight typeface designed for use in titles, editorial design, branding or any other setting that requires capturing attention. With a bold, rugged stroke, inspired by the wide brush used in hand made protest signs, this typeface exploits Opentype features to randomly replace letters set in a line of text, thereby simulating the erratic and irregular letterforms that could be create by a manual writing. Madden is designed to give you an expressive and impactful typeface that will grab attention and shout your message.

A blackletter font tending towards the gothic which was released by Klingspor, Offenbach am Main, in 1937. Claudius can be used for clerical as well as for secular purposes and shows a strong character of its own. The original esthetic atrocities of placing the dieresis within the letters A and O - due to former German industry standards - were abolished. Allow the font's beauty spread by giving it enough leading between the lines. This font contains various useful ligatures, and by activating the Ordinals feature and typing 'N', 'o' and period you get an oldstyle numbersign.

The wind howled, the night grew long, and British type designer and lettering artist Tim Donaldson created the typeface Banshee. This dramatic display face is modeled after one of Donaldson�s handwritten lettering styles. Banshee began as letters rapidly written by Donaldson with one of his homemade ruling" pens. The letterforms are firmly rooted in the tradition of classical chancery italics. With its ragged lines and counters, Banshee realistically captures the irregularity of pen and ink on paper, lending an immediacy to packaging, advertisements, posters, and invitations that few digital typefaces can match."

Muthea is a very interesting, brushed texture font and includes several ligatures, alternatives and extra swashes. It is contemporary approach to design, with a natural and irregular base lines. It is suitable for use in title designs, clothing, logos, greeting cards, t-shirts, packaging designs, invitations, book titles, stationery designs, quotes, branding, posters and more. Muthea includes a complete set of uppercase and lowercase letters, as well as multi-language support, numbers, punctuation, ligatures, and alternatives. Thank you very much for buying and letting me know if you have any questions.

HU Hikiki KR is a handwritten font that embodies the desire to become an adult as a child and imitate adults. It is a unique typeface with a large initial consonant and a sense of rhythm. This font contains Korean.

BatangChe™ font features a mincho (serif) stroke style with half-width Latin characters. This BatangChe font file is 6.9 MB in size. BatangChe is a trademark of the Microsoft Corporation. BatangChe Character Set: Latin 1, Korean code page 949

Claycozoa is a versatile, bold and unique display font. Was inspired by Psychedelic and Art Nouveau style, Claycozoa has a unique style with stylistic, alternates, ligatures and supports multilingual languages. The organic feel of Claycozoa evokes a psychedelic vibe which you can use to take your designs to a new level. The font is great for posters, flyers, apparel, quotes, greeting cards, product packaging, album covers, movies, and more.

Introducing Gosthel, a dry Brush typeface, carefully hand-brushed. Comes with natural and organic flowing brush pen, make the letters look cool and classy. Gosthel has a unique style and charming characteristics from the brush texture. Gosthel is a good choice for many different projects such as logos & branding, invitation, stationery, wedding designs, social media posts, advertisements, product packaging, product designs, label, photography, watermark, special events or anything.

Radiance Autumn is organic hand drawn with stylish style. This type of font perfectly made to be applied especially in cartoon or child theme which is need a standout font, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : Uppercase & lowercase Numbers and punctuation Alternates & Ligatures Multilingual PUA encoded

PaperCutPeach is unique in that it is a paper cut font but also a SCRIPT FONT. With PaperCutPeach you can create extraordinary lettering that looks effortless, casual and handmade. Each and every glyph is based on a paper letter cut by hand with a pair of scissors by me in my studio. Ideal for packaging for organic products, illustrated goods, book covers, editorial illustrations and other freestyle projects.

Banteng is a cool brushed handwritten font, organic and interesting looking. Masterfully designed to become a true favorite, this font has the potential to bring each of your creative ideas to the highest level. Include OpenType alternates and common ligatures. Ideal for logos, name tag, handwritten quotes, product packaging, merchandise, social media & greeting cards. Try the alternates and ligatures to give your designs looks good, fresh, casual, stylish, and modern.

Liferdas is a mix of Old Style Roman Serif styles. The glyphs are formed in extended width, smooth strokes, moderate stem contrast, and soft edges to pursuing clarity, quick recognizable text, and a warm personality. The italics style is 13 degrees low slanted with redrawn lowercase which has shown in more organic and flowy forms. This font contains 9 weights with more than 245 glyphs that support extended multilingual.

Arkit is a ‘constructivist’ sans with a humanistic taste. Its geometric look hides an organic soul that can be felt rather than seen, as for instance in the strokes that are slightly tapered. Arkit features a big x-height and is suitable for signage and for many display applications, but it also performs well as a book face both in body copy and in captions and small-size texts.

Salty Feathers includes full set of uppercase and lowercase letters, multilingual symbols, numerals, punctuation, alternates, swash and ligatures. The font has organic smooth wet ink texture with Modern Elegant Style this is perfect for branding, logos, invitation, masterheads and more. Salty Feathers Features : Multilanguange Ligatures Alternates Swash PUA Encoded Language Support: All fonts support English, French, Italian, Spanish, Portuguese, German, Swedish, Norwegian, Danish, Dutch, Finnish, Indonesian, Malay, Hungarian, Polish, Turkish, Slovenian.

For decades - until the advent of affordable computer-generated signage - die-cut display letters were used for many applications. Stores, theaters, schools, charities and religious organizations would have their local sign shop design attractive posters and show cards utilizing these sturdy cardboard letters and numbers, giving a three-dimensional effect to the message. Sign Department JNL recreates one of the many styles of letters available at the time.

Inspired by the splatters that come from a heavily inked architectural ruling pen gliding along the surface of a highly textured watercolor page—Splash. Just as droplets of water splash the ocean’s shore, little control can be predicted and no two splashes are exactly alike. The result is wonderfully organic and natural surprises. This display font touts flowing design potential. All glyphs are PUA encoded for ease of use.

Panforte Serif is the basic ingredient for any tasty visual feast: a prime-cut font family, deliciously readable online and offline, space-saving and organic, appealing to hipster consumers and seasoned gluttons. Hand drawn in easy big strokes, its a very condensed typeface that allows you to typeset easily long texts. Lovers of world cuisine will be delighted to discover that it supports over 190 languages using the latin alphabet.

Fiery Sun is a fun and bold display font. Carefully handcrafted to fit most of your projects, this font is going to become your favorite in no time! Its organic-style is suitable for creating any branding, product packaging, quote, t-shirt, label, poster, logo that you wish to develop. Fiery Sun contains 194 glyphs. Supporting more than 66 languages, from English to Zulu. I hope you enjoy it. Thanks

One of my favorite signature fonts is Megastina. It features a contemporary, natural, and fresh handwritten style that will give your ideal designs a special touch. This typeface is ideal for branding since it has a variety of choices that let you create a logo that is both feminine and masculine. It also includes a few markings that lend stiffness to the signature, emphasizing the organic feel of the handwriting.