A very light, elegant, condensed typeface, which must be used very large (at least 100 points).

Regina is a calligraphic-influenced hybrid light-face Tuscan-serif roman with a companion swash italic.

Light and intuitive handwriting, makes this rhythmic font create that comics feeling, as well as romantic.

Curbdog is a bold, playful display face with light horizontals and curved terminals in the italics.

Cack-handed was created by writing with my left hand even though I am right handed.

Display font for pixel lovers - mad for right angles and hard edges? Constructivists ate my bitmaps.

CA Saygon Text is the logic consequence of CA Saygon. It is much calmer and therefore also suitable for reading texts and everyday’s editorial tasks. Basic shapes and proportions were adopted from Saygon and continued in such a way that a font family from Thin to Extrabold resulted. A fundamental inspiration were early static grotesque typefaces such as Akzidenz Grotesk. Nevertheless, the typeface was by no means intended to have a historical look. Thus, a relatively high x-height was chosen, which makes the typeface quite economical in type-setting, since the letters appear visually larger. A relatively small line spacing with good legibility can be achieved due to the small ascenders and the low cap height. Letters like f and t, which otherwise tend to end in curves, were given right angles, which on the one hand meets certain design elements of the original Saygon, but on the other hand also refers to contemporary trends in typeface design. A special feature are the five styles in which CA Saygon Text can be used. The default setting is the Helvetica style, with two-storey a and g. The Futura style has a single-storey a and a two-storey g accordingly. The third style with two-storey a and three-storey g is called the Franklin style. But the real highlight is the Cape style with single-storey a and three-storey g – a real rarity up to now. Let yourself be inspired by this unusual typeface. If you like it even more progressive, you should try the flat style, which continues the right angles in a, g, and y as well. Thanks to the Cyrillic and Latin Extended character sets, a huge linguistic area is covered that even extends to Vietnam! Even the exotic German capital-double-s is available and appears automatically when typed between other capital letters. Numerous OpenType features make life easier for the professional typographer: there are fractions, superscript and subscript numbers, as well as proportional and tabular capitals.

A classic, narrow and clean sans serif family with seven weights, Roman and Italic, all with Old Style Numerals and Small Caps, for both headlines and body text use.

First designed in 2003, Plexes now becomes PlexesPro, an OpenType font available in four weights with italics. Includes plenty of features like small caps, alternates, ligatures, swashes and Greek.

Entrée is a versatile sans serif font that works well in a variety of sizes and applications. It has a friendly, laid back personality and comes in six weights.

A strong powerful face that really works well for any application requiring a distinguished, clean look. Headlines, subheads, and text; anything goes. Vinchenso also has a matching Bold weight.

Stazin is a display high-contrasted font comes with single-weight. Stazin supports many Latin based languages and Arabic language with almost 900 glyphs that covers many OpenType features.

WalcomeOne simulates sloppy, messy hand printing. Despite being irregular and childlike, it is quite legible even at small sizes. It comes in four weights, each with an oblique style.

Beatster is handmade modern vintage textured display typefaces. It includes Regular, Outline, Grunge, Rough (with complete uppercase, lowercase, and numerals), and Letterpress (uppercase only). All weights have multilingual characters.

Modernist sans serif with a "big" look and lots of weights. Compact, elegant and strong, Sense commands any kind of page -- from the largest headline to the smallest text.