Contra Flare is the organic design of my Contra family of fonts. It has beautiful curved endings – not serifs – that make it look like it was made out of flowers leafs. But still the font has an elegant look to it. Enjoy!

Hi, presenting a bold vintage font - Grand Label. It's an old-school typeface with decorative elements, included as a separate font file for more convenient manipulating and recoloring. Grand Label font supports most of Latin European languages (check out the screenshots with available characters).

LeftheriaPRO has its structure projected from the capitals of the Greek columns of Ionian order, it is a typography condensed with vertical emphasis composed by 5 weights (light, regular, medium, semibold, bold) including ligatures, alternates, smal caps, old styles figures, fractions, superiors, inferiors. | Download Specimen

Aneba Neue is refreshed version of my old type family. It's a geometric sans serif typeface with a clean feel. The low contrast and high x height is perfect for headlines and display purposes. Aneba Neue contains 5 weights in two different styles - Bold & Slanted.

The mono-spaced Vivala Code is designed specifically for programming. Each day developers spend hours looking at a screen. Vivala Code is aligned to their needs. It has a clear distinction between similar characters and owns an optimized punctuation, especially for source code. It's suitable for light text on a dark background at small sizes.

'Suddenly --' just isn't 'Soon...' enough for some people, and 'Later...' isn't quite 'The Next Day...' 'Meanwhile...' lies inbetween 'Seconds pass...' and 'That Night...' and was designed by Comicraft's John 'With Just a few minutes to Go...' Roshell in order to tell the tales of Marvel's AVENGERS and FANTASTIC FOUR. 'And now, back to the action...'

Paper Cube font family is the first font I've created. I unconciously started to draw letterforms with straight horizontal and vertical lines contained in a square. Soon this experiment became a 3d outlined display family of 3 weights, each one of them gaining depth and articulating into planes. Designed in Cuenca (Spain) in 2011.

Inspired by monospaced letters, Britonix is ​​designed with normal spacing but seems mono. Uppercase Britonix can be used for headlines or displays giving it a minimalist, professional yet modern look. Britonix also carries 20 weights including italic style, minimalistic lowercase letters can also work well for long sentences or paragraphs. happy exploring with Britonix.

When the conditions are met, a heart is attached to the capital letter. It feels soft and lovely. It goes well with wedding cards, invitations, elegant brochures, web images, and promotional materials. If you do not apply the open type feature, the letters without hearts are applied, so you can use it in two moods.

Hand lettering from the 1958 movie poster for “Vertigo” (designed by Saul Bass) was the inspiration for the digital font Sinister Undertones JNL, which is available in both regular and oblique versions. The quirkiness of this irregular, squared-edge sans – despite its simplicity – perfectly captured the mood and drama of Alfred Hitchcock’s film production.

Evening Edition JNL pays tribute to the ever-decreasing line of daily newspapers in this country by emulating the "wood type" look of the headlines. Way before the Internet took over as a popular information source, it was the morning, afternoon or evening edition of a paper that presented the big story of the day.

“Blue Sky” is a playful handwriting font special for summer display, that puts a smile on your project and will inspire you to create something fun and memorable. “Blue Sky” will help you to create special and touching typographical design for vacation projects, for every day or the happiest day in life, happy birthday cards, baby shower, greeting card, headings, flyer, product packaging, book cover, printed quotes, logos, and many more. It is really universal and modern font. The owner of endless possibilities!

“Ending Scene” is a playful handwriting font special for summer display, that puts a smile on your project and will inspire you to create something fun and memorable. “Ending Scene” will help you to create special and touching typographical design for vacation projects, for every day or the happiest day in life, happy birthday cards, baby shower, greeting card, headings, flyer, product packaging, book cover, printed quotes, logos, and many more. It is really universal and modern font. The owner of endless possibilities!

“After Story” is a playful handwriting font special for summer display,that puts a smile on your project and will inspire you to create something fun and memorable. “After Story” will help you to create special and touching typographical design for vacation projects, for every day or the happiest day in life, happy birthday cards, baby shower, greeting card, headings, flyer, product packaging, book cover, printed quotes, logos, and many more. It is really universal and modern font. The owner of endless possibilities!

The problem with scripts in general, and brush scripts in particular, is that the majority of them cannot be set in all-caps words or sentences. So as a rule of thumb most designers try to avoid brush scripts when they know they will be entering an all-cap zone. But here comes Bruschetta, so you won’t need to reduce your design options. Bruschetta is a great flowing brush script that can be attractively used in upper-lower, lower-lower, or upper-upper settings. Bruschetta also has so much variety in its design features – original, funny, natural, friendly, legible, and even somewhat psychedelic – it just may be the most versatile brush script ever made. Bruschetta also has an historical value as the revival of the Helmut Matheis’ Contact design from 1963. Why it hasn’t been digitized until this point is beyond us! So we digitized it from original specimen, expanded the character set to completion, and even added a few built-in alternates. Bruschetta’s versatility allows it to be used in a variety of applications. It is great for signage, posters, product labels, menus, book covers, and pretty much anywhere where a friendly bold brush type is needed. Get yourself a copy and show your friends and clients why the overused Choc and Cooper aren’t the last word in cool!

The Greek font started from an experiment with designing fonts based on a geometric grid. I joined the points on the grid with straight lines to form the various characters and found that this resulted in a font that closely resembled Greek writing (derived from inscriptions carved in stone) of ancient times. I continued to develop this theme but I now accentuated the look and feel of Greek writing. The three styles shown are the results of this development. I did not kern or letterspace the individual letters since this would have been out of character with the orignal Greek writing. This means that the font is mono-spaced. At a later stage I may produce more refined and "modern" versions of these fonts. Surprisingly, the Greek SCF styles are very readable. The font is fully professional in terms of its character set. It contains over 235 characters - (upper and lower case characters, punctuation, numerals, symbols and accented characters are present). In fact, it has all the accented characters used in the major European languages.

Novel Sans Pro is the humanist grotesque typeface family within the largely extended award winning Novel Collection, containing Novel Pro, Novel Sans Pro, Novel Sans Hair Pro, Novel Sans Condensed Pro, Novel Mono Pro, Novel Sans Rounded Pro and Novel Sans Office Pro. Novel Sans Pro has a carefully attuned character design and a well balanced weight contrast. Classic proportions and the almost upright italic makes Novel Sans Pro being a modern humanist with the calligraphic warmth of a real italic. Many similarities with the other typeface families within the Novel Collection enable designers to combine the families and reach highest quality in typography. Novel Sans Pro [1020 glyphs] comes in 6 weights and contains small caps, an extra set of alternate glyphs, many ligatures, lining figures [proportionally spaced and monospaced], hanging figures [proportionally spaced and monospaced], small caps figures [proportionally spaced and monospaced], positive and negative circled figures for upper and lower case, superior and inferior figures, fractions, extensive language support, arrows for uppercase and lowercase and many more OpenType™ features.

Novel Sans Rounded Pro is the humanist grotesque typeface family within the largely extended award winning Novel Collection], also containing Novel Pro, Novel Sans Pro, Novel Sans Hair Pro, Novel Sans Condensed Pro, Novel Mono Pro, Novel Sans Rounded Pro and Novel Sans Office Pro. Novel Sans Rounded Pro has a carefully attuned character design and a well balanced weight contrast. Classic proportions and the almost upright italic makes Novel Sans Pro being a modern humanist. Many similarities with the other typeface families within the Novel Collection enable designers to combine the families and reach highest quality in typography. Novel Sans Rounded Pro [1020 glyphs] comes in 6 styles and contains small caps, an extra set of alternate glyphs, many ligatures, lining figures [proportionally spaced and monospaced], hanging figures [proportionally spaced and monospaced], small caps figures [proportionally spaced and monospaced], positive and negative circled figures for upper and lower case, superior and inferior figures, fractions, extensive language support, arrows for uppercase and lowercase and many more OpenType™ features.

Novel Sans Condensed Pro is the humanist grotesque typeface family within the largely extended award winning Novel Collection, containing Novel Pro, Novel Sans Pro, Novel Sans Hair Pro, Novel Sans Condensed Pro, Novel Mono Pro, Novel Sans Rounded Pro and Novel Sans Office Pro. Novel Sans Condensed Pro has a carefully attuned character design and a well balanced weight contrast. Classic proportions and the almost upright italic makes Novel Sans Condensed Pro being a space saving, modern humanist with the calligraphic warmth of a real italic. Many similarities with the other typeface families within the Novel Collection enable designers to combine the families and reach highest quality in typography. Novel Sans Condensed Pro [1020 glyphs] comes in 6 weights and contains small caps, an extra set of alternate glyphs, many ligatures, lining figures [proportionally spaced and monospaced], hanging figures [proportionally spaced and monospaced], small caps figures [proportionally spaced and monospaced], positive and negative circled figures for upper and lower case, superior and inferior figures, fractions, extensive language support, arrows for uppercase and lowercase and many more OpenType™ features.

Novel Sans Office Pro is the humanist grotesque typeface family optimized for office environments within the largely extended award winning Novel Collection, also containing Novel Pro, Novel Sans Pro, Novel Sans Condensed Pro, Novel Mono Pro and Novel Sans Rounded Pro. Novel Sans Office Pro has a carefully attuned character design and a well balanced weight contrast. Classic proportions and the almost upright italic makes Novel Sans Office Pro being a modern humanist with the calligraphic warmth of a real italic. Many similarities with the other typeface families within the Novel Collection enable designers to combine the families and reach highest quality in typography. Novel Sans Office Pro [1020 glyphs] comes in 6 weights and contains small caps, an extra set of alternate glyphs, many ligatures, lining figures [proportionally spaced and monospaced], hanging figures [proportionally spaced and monospaced], small caps figures [proportionally spaced and monospaced], positive and negative circled figures for upper and lower case, superior and inferior figures, fractions, extensive language support, arrows for uppercase and lowercase and many more OpenType™ features.

Inspired by the « lettres bastardes », Arthas is a modern interpretation of ancient letterforms dating far back, before type even existed. It has been subtly adapted for better readability in 2020. The sharpness of the design creates an elegant contrast between old and new, ancient and futuristic, and will add an ominous, regal mood to your graphic design projects. This typeface is meant mostly for display use, but we can’t wait to receive a picture of someone using it for introductory text, at the start of a book…. Maybe that’s you? As all of our releases, it will be updated at time goes on. Those updates will always be free for people having already purchased the font(s).

ThePuncher typeface is made exactly for the book, poster, flyer or any type of titles, and for customers who wants to have bold and eye-catching final product. It can be used as a single letter for a logo or for numbering of anything you want. It is not made for long sentences. ThePuncher typeface purpose is to make big bang from your short and specific messages you want to share with the world.

Say hello to the new modern blackletter font, SMORENS Smorens is a unique modern blackletter font. With an elegant modern style, it adds a bold touch to your projects and will inspire you to create something unique and modern. Besides that, this font is also equipped with alternative characters, ligatures and multi-language support. Smorens is ideal for headings, flyers, greeting cards, product packaging, book covers, printed quotes, logotype, apparel designs, and album covers.

Clab is meant for branding. The initial characters were build in bold and chunky personality, yet the thin strokes and flowy italics gives it a versatile and unique set of family. The glyphs crafted in low contrast strokes, short ascenders and descenders and low caps. Clab consist of 9 weight from Hairline to Black with each matching italics. Contain more than 400 glyphs with some OpenType features e.g, standard and discretionary ligature, fraction, e.t.c.

Light and flexible, slightly retro, casual and readable, Hoofer combines 28 brush script, mono line script and sans-serif styles with ornaments into one Mega-Family. The different styles of the Hoofer Mega-family have been chosen to work together and to harmonize in a pleasing way. The Hoofer Mega-Family of fonts can be divided into three sub-families: Hoofer BRUSH subfamily: An eclectic group of five fonts. These are mainly joined scripts. Hoofer LINE subfamily: Seven mono-line scripts with joined letters in a number of weights, widths and styles. Hoofer SANS subfamily: Sixteen casual, Sans-Serif fonts. They are very readable and in a variety of weights & styles The mood of the Hoofer mega-family is light and flexible, slightly retro, casual and readable. It combines script and many sans-serif styles with ornaments into one Mega-Family. The different styles of the Hoofer Mega-family have been chosen to work together and to harmonize in a pleasing way. The Brush Sub-Family is designed for titling, packaging and display purposes, The Line Sub-Family can also be used for titling, packaging and display, however, it is less “showy”, and conveys an air of informality. The Sans Sub-Family is designed to shine as sub-heads and as body text. The wide range of Hoofline styles gives you, the designer, great flexibility in creating just the mood or impression that you want. Most of the fonts can use one or more OpenType Features. These can be accessed in a number of ways. The reason for this is that the major software producers provide different (and often conflicting) ways of accessing OpenType Features. In some cases such software manufacturers provide NO way of accessing certain OpenType Features. We have tried to remedy this by providing a highly flexible family of fonts. OPENTYPE (these OpenType features are only available in the “otf” fonts and not in the “ttf” fonts.) OpenType features that Hoofer makes use of are: Swashes (Word-Begin and Word-End Features); Alternate Numerals; and True Small Caps. ORNAMENTS In addition the Hoofer family has a font containing 94 ornaments. ALTERNATE NUMERALS You can access two sets of figures (numbers) in Hoofer Sans fonts. Both sets are tabular and lining but they differ in the height (but not the width) of the figures. The height of the alternate figures has been chosen so that they are compatible with the small caps. However, these alternate figures are available in ALL Hoofer Sans fonts, whether they feature small cap fonts or not. Hoofer has all the features usually included in a fully professional font. Language support includes all European character sets, Greek symbols and all punctuation. Opentype features include automatic replacement of some characters and discretionary replacement of stylistic alternatives.

Cinemas from the early 20th century are called “Lichtspiele” in Germany. “Lichtspiele” transports you back to a time where neon lights and marquee letters decorated cinema façades. Of the five styles, three have two versions of italics — the left-leaning italic evokes looking up from lower-left, the right-leaning italic is as if we are looking from lower-right. Display is the basic style, while Neon is inspired by the old neon letters found outside cinemas. Try placing Neon Outline on top of Display or Neon to add another layer to your artwork. Neon 3D is a extruded version of Neon. The Screen Credits style is based on the notes — producers, cast, crew and so on — on movie posters. Get more out of life, go out to a movie.

Distinctive with a sense of humor, Laughing Gull is a fun interlocking font that will fill your project with swirling energy, but won’t snatch your lunch. Handsome straight up, or switch on discretionary ligatures to find a fresh array of interlocks. Most of the ligatures are for lower case, some for upper/lower, and a few are for all-caps. Play around by turning some on and others off and feel free to mix up upper/lower whenever you need a laugh. Laughing Gull posters also feature Atlantic Fonts' Digby and Atlantic Doodles.

When merely “extended” just would not do, here is Paragraph Stretch™: a super extended or elongated geometric display typeface. It is a typeface with an unicase effect: the capitals and lower case fit the same height and a similar width, so they are interchangeable: fancy a round “W” in all caps? Use the lower case. Want a straight “x” in lower case? Use the cap. And so on. Designed for use at larger sizes for logotypes, short titles or headings. It supports Western plus Nordic, Eastern European and Turkish languages.

A rugged angular display typeface, with variations in the upper and lower case characters.

This typeface design was influenced by the British Rail corporate type introduced in an old lettering instruction book published in Japan. Of course, the only clue to this typeface is the lettering instruction book at hand. Therefore, this typeface is based on the British Rail corporate type introduced in an old lettering instruction book published in Japan, and I have expanded the design variations. I started with the Bold design first. Then I designed Light, Regular, and Black in that order. Light and Regular are intended to be used as the text type, while Bold and Black are intended to be used as the base for logotypes, headlines, and other eye-catchers.

Sextan serif is a Cyrillic typeface family with 10 styles designed for editorial, corporate, advertising or web use. The excellent readability allows the use in long texts, the coherence of forms make these fonts have a great personality. The fonts have an extra set of lower case letters accessible through the Discretional Ligatures. Also support for Open Type Functions such as Old Style Number, Superiors, Inferiors, Dynamic Fractions, etc. Includes the Bitcoin symbol: b #

Last year I spent some time exploring the city of Bath in England. Its claim to fame are the Roman Baths in the city center, which are well worth a visit. Kingsmead is an electoral ward within Bath and I thought it was an apt name for this rather stylish - if old fashioned - font. Kingsmead Script is a handmade font. It comes with diacritics and some discretionary ligatures for double lower case letter combinations.

PT Orden™ was designed by Oleg Karpinsky in 2000-2001 and licensed by ParaType. Orden is a genuine Cyrillic typeface, it contains antique Cyrillic letter forms such as d, z, N with a diagonal stroke, symmetrical Y ,× and Ù, rare in modern typography. Another specialties: one alphabet and old style figures. Lower case consists of upper case letters except for some alternative variants of the capitals. For use in advertising and display typography.

This is a stylized sans serif font family that is very high-waisted and sleek. The stroke is only slightly modulated. The letterforms are higher, with a more open aperture, and sprinkled with breaks to add light and sparkle. This an attempt at a readable sans serif for text. It has many OpenType features and 465 characters per font: Caps, lower case, small caps, old style figures, numerators, denominators, accents characters and so on.

Sextan serif is a typographic family with 10 styles designed for editorial, corporate, advertising or web use. The excellent readability allows the use in long texts, the coherence of forms make these fonts have a great personality. The fonts have an extra set of lower case letters accessible through the Discretional Ligatures. Also support for Open Type Functions such as Old Style Number, Superiors, Inferiors, Dynamic Fractions, etc. Includes the Bitcoin symbol: b #