Allnoob Typeface is one of the elegant decorative fonts neatly arranged and cool, you can also use it for business, clothing, movie titles, and more

Adolescent is a cute and playful handwritten font. Use this font to add that special cool touch to any design idea you can think of!

Hakaze is a font that symbolizes strength and is trendy, this font is depicted in a Japanese style with a modern, cool, and contemporary touch.

Redmoon is a cute and playful handwritten font. Use this font to add that special cool touch to any design idea you can think of!

If John Baskerville had been born in Seattle in the 1960s his type would have looked like Nirvanium: a wide, extended body with chunky Dr. Martin serifs, an assertive inelegance and a sense of rebelliousness. It�s a display face, too big, too chunky and too rambunctious for text, but always friendly.

The Rosalita font is a cute and playful font. This font was born for crafter, you can use it as T-Shirt Design, merchandise, greeting card, invitation card, cricut design, decorative, or making some artwork. Lighter weights are well-suited for body text while heavier ones are ideal for high impact headlines.

Patient was born in the modern era which was inspired by the letters found in various print and digital media. Comes with a modern and futuristic style that will rock your great design! It is suitable for you to use in logotype designs, posters, typography, t-shirts, tickets, and other modern designs.

Goddard is based on some very unsual lettering by Art Nouveau period calligrapher Samuel Welo. It offers a full normal character set, plus mutliple alternate versions of every lower case character and selected upper case characters as well, plus very fancy over-and-under kerning to produce a really unique look, like nothing we've ever done before.

Melancholy is designed to be a rough and blotchy typeface that replicates ink from a typewriter. The letters themselves are meant to be imperfect with a nice flow. The typeface can act as a more natural sans-serif, and provide relief from reading normal perfect sans-serif typefaces. Melancholy comes in three different styles; regular, delusional and glitch.

Qwatick is a decorative serifed family with three weights, each with an italic style. It is squarish and has small serifs. The bold style has high contrast and the regular style remains readable even at small point sizes. The family originated as a reworking of the odd display font Quidic, moving it toward normality and greater legibility.

Dex Gothic is another sort of stencil type. Instead of the "normal" routine of blocked-out horizontal or vertical areas, Dex Gothic creates its stencil appearance through the unique placement of diagonals. The result is a technical-like appearance, which bears some resemblance to 1980s technology products. Dex Gothic should be used large in headlines or logos.

Shaunte is eye-catching display bold typeface that comes in four styles: normal, inktraps, rounded, inktraps rounded. a display sans-serif with an inverted or reverse contrast. Its imperfections keep it casual while still providing legibility. Shaunte is a powerful option at large sizes for use on headings, posters, billboards, magazines, advertisements, from casual to hipster. etc.

Rohyt is a contemporary Sans-serif typeface made up of 32 fonts across 8 weights with normal and slim options. It’s a unique and modern sans typeface, which is well suited for a variety of typographic applications such as headlines and small texts. The Brilk font family supports multiple languages and is available as both webfont and desktop font.

Balig Script is signature pen script, available in 2 fonts with 2 styles ( Normal & Bold ), and includes Swashes. It's perfect for signatures, logo type, weddings, posters, brochure or any display use. Balig Script comes with more OpenType features like Stylistic Alternates, Initial Forms, Terminal Forms, and also Standard Ligatures make this font more natural and letter nicely.

Germalt is a geometric typeface made up of 32 fonts across 8 weights with normal and alternate options. It’s a unique and modern sans typeface, which is well suited for a variety of typographic applications such as headlines and small texts. The Germalt font family supports multiple languages and is available as both webfont and desktop font.

Nordt is a wide sans serif typeface made up of 40 fonts across 10 weights with normal and slim options. It’s a unique and modern sans typeface, which is well suited for a variety of typographic applications such as headlines and small texts. The Nordt font family supports multiple languages and is available as both webfont and desktop font.

Media Blackout is a handmade font with rugged good looks. The Media Blackout Family consists of three fonts: Normal, Italic & Marker. Media Blackout Marker takes the handcrafted look one step further by adding heavy hand etched lines for a truly unique look. For an even more handmade look, switch between uppercase and lowercase for a change of etching.

Inspired by handlettering used on many WPA posters of the 1930s, this monocase display font has stylish lines and graceful curves that will add period charm to any project they grace. Available and normal and bold weights. The Opentype versions of these fonts support Unicode 1250 (Central European) languages, as well as Unicode 1252 (Latin) languages.

Bold Bavarian is a heavy version of my Royal Bavarian that was commissioned by King Ludwig 1st of Bavaria about 1834. I always thought, that I should design a really bold version and now finally I did. But I think it should not be mixed together with the normal version. Your lover of Blackletter typefaces, Gert Wiescher

Hypothesis is a typeface inspired in tattoo letters, chicano culture and calligraffiti. It works well with normal size text, but it works even better for large displays, short words, or even just to incorporate a few or single characters in a design. Suitable for many creative products & tattoo designs, like posters, t-shirt, street wear, logo, signage, headlines, etc.

Gulfs Display Inspired by the 90's playful cartoon & comic books. This playful font comes in six widths; condensed, semi condensed, normal, semi expanded, expanded and extra expanded. This font can be used for modern and vintage designs, also can be easily paired with some graphic elements (Illustration, Photography) this font perfect for, Logotype, Branding, Title, and Packaging.

Artegra Slab is the latest addition to the Artegra superfamily. It contains 54 fonts with over 1000 glyphs per font in condensed, normal and extended widths. With Cyrillic and Greek sets it supports more than a hundred languages. It’s based on the perfectionist geometric shapes of Artegra Sans, which makes it beautiful to look at and easy to read.

Grold is a post-geometric typeface made up of 40 fonts across 10 weights with normal and slim options. It’s a unique and modern sans typeface, which is well suited for a variety of typographic applications such as headlines and small texts. The Grold font family supports multiple languages and is available as both webfont and desktop font.

Sturdy is designed to be as black as possible yet still legible. As an OpenType Pro font it has my normal complement of around 500 characters. New to this font I have added what I call ordinals: first through tenth in addition to Caps, lowercase, small caps, lining, oldstyle, and small caps figures, ligatures, and so on.

Skie is a simple gothic sans serif with normal, condensed, and wide widths. Its distinguishing characteristics are the small x-height with tall ascenders and a minimal amount of contrast, while the apertures are semi-open to help in readability. The simple design keeps the appearance fairly neutral and presents a blend of modern and vintage qualities.

Bagor is a sans-serif typeface with a heavy touch. The concept is a big x-height and small ascender. Comes with 3 widths, namely: normal, wide, and expanded. And also a round version, making it 6 styles. Complete with ligature, alternative glyphs become an attractive choice. Bagor is perfect for branding, titling, headline, and more.

Prayuth is a contemporary sans-serif typeface made up of 32 fonts across 8 weights with normal and slim options. It’s a unique and modern sans typeface, which is well suited for a variety of typographic applications such as headlines and small texts. The Prayuth font family supports multiple languages and is available as both webfont and desktop font.

This narrow neoclassical revival is based upon a font released by the Haenel Foundry, Berlin, in the 19th century. By typing [alt] + p respectively [alt] + b you have access to a framing element as it can be seen on the posters. By using the OT feature stylistic alternative you can change the normal numbersign into an oldstyle numero sign.

Scriptissimo-Forte is the bold version of Scriptissimo. When using the normal cut of Scriptissimo I sometimes had the feeling that I could well use a bolder cut to make a bigger impression, so I simply made that cut for myself. I think you can use it too; try it out. Yours very bold scriptissimo, Gert Wiescher

Ramston is a humanist sans serif typeface of 20 fonts in total — a normal and a condensed width in 5 weights with matching italics. The condensed version is designed for space-saving typography but with high legibility in mind. Ramston is an ideal font family for display, print, corporate identity, mobile devices, magazine cover, signage, and web design creation.

Motiraw is contemporary sans-serif typeface made up of 28 fonts across 7 weights with normal and alternate options. It’s a unique and modern sans typeface, which is well suited for a variety of typographic applications such as headlines and small texts. Motiraw font family supports multiple languages and is available as both webfont and desktop font.

The Adelle family continues its stylistic expansion with the release of Adelle Mono and Adelle Mono Flex by Veronika Burian and José Scaglione. Monospaced typefaces are the default choice for developers and programmers and are also an aesthetic choice for many designers and communicators. The Adelle Mono font family has two widths to serve both breeds and a variable font for the flexible spectrum in between. Monospaced typefaces are born of necessity rather than purely aesthetic values. Each glyph is constrained to a strict box, making the naturally smaller ones the same width as the naturally wider ones. While this serves the functional purpose of keeping text aligned in vertical and horizontal rows, it is completely unnatural in terms of readability. A monospaced ‘l, i’ are overblown compromises while ‘m, w’ become compressed mutations. The Adelle Mono family was therefore designed with both the developer and the aesthete in mind. Adelle Mono respects its necessary constraints while still being visually appealing and easily read. Activate it for use in Sublime, Swift, Terminal, or your IDE of choice and see how well it performs. Clarity will lead to less developer mistakes, and its aesthetic appeal will make your work enjoyable. Adelle Mono Flex is the proportional width version that works for any kind of normal text reading or a design intended to invoke “system or information aesthetics”. Opposite the demands of the monospace family, Flex is reader friendly and intended for branding, annual reports, paragraphs, UI, logos, posters, screens, tables, captions, and more. Employ the Mono version where monospace is needed and the Flex version where reading or coherence is priority. Adelle Mono’s experimental 20-style design explores the space between proportional and monospaced types. It boosts creativity and coherence by providing flexible options in the same family, including italics and the variable font format with an axis of weight and a spectrum axis between multi-width and monospaced characters. Combining Adelle Mono with either Adelle or Adelle Sans adds more layers and adaptability to your work.

Motopica was born when I watched a show, namely "the pickers". At that time I realized that there were still many communities or people who really loved Western culture (Cowboy), Vintage Style in the 40s - 60s era and Classic Motorbike style (Caferacer). So I intend to combine these three concepts into a single font, and Motopica was born, which brings the spirit of the three styles, namely Western Cowboy, Vintage, Beer and motorbike. Motopica can be used as a Vintage Poster, Vintage Signage, Vintage badge What's Included Motopica Reguler Motopica Italic Motopica College Motopica Bold How to install your new font This font can be used with all software that can read standard fonts. Check out my instagram for update: https://www.instagram.com/anomalikreatif/ Thanks so much for checking out my shop! All the best, Krisna

The Klutz AOE Pro Family was inspired by the plethora of naive hand drawn lettering becoming commonplace in modern advertising. What I hadn't seen was a family of hand drawn typefaces, in a range of widths and weights, with both alternate capitals as well as small caps character sets...and so Klutz Pro was born. The letterforms started with a few letters my daughter had drawn which I expanded on from there. Pulling from inspirations in retro cartoon titling and modern hand lettering playfulness, the full font was born, with weights and width to follow. Quirky, eclectic, and just a bit ridiculous, it lends itself to a range of design typesetting - although I must confess, even though it all began with the Regular width, the Extra Condensed styles are my personal favorites. What's your favorite?

»Supra Demiserif« is the demi serif addition to the Supra family. I am no fan of slab serif fonts, so I designed this one with half serifs, that makes the serifs less important. Then I found, that the italic does not look nice with slab serifs, so I did only one italic cut for the normal weight. The light and normal weights and the dominant x-height with its high ascenders make for easy reading of long copy. The heavy and x-light weights are great for elegant headlines. Supra is an OpenType family for professional typography with an extended character set of over 700 glyphs. It supports more than 40 Central- and Eastern-European as well as many Western languages. Ligatures, different figures, fractions, currency symbols and smallcaps can be found in all cuts. with each other.

Brilliant Fighter is a gorgeous and unique sans serif font. With its neat and beautiful arrangement of letters, this typeface will look outstanding in both formal and non-formal designs. This font was created with care and given a lot of features to make it look very attractive. Its features will look particularly adept when used in logos, branding, packaging design, and much more. This masterfully designed font is a true must-have. This font is PUA encoded which means you can access all of the glyphs.

Bulgattie is actually a unique font, I build it with the spontaneity of my relaxed hands. designing a formal font but having a classic element, which makes it particularly suitable for wedding media, book covers, greeting cards, logos, branding, business cards and certificates, in fact for any design work that requires a clasik, formal or luxury look. Try Bulgattie, enjoy its wealth of OpenType features and let its vigorous yet elegant exuberance delight you and enhance your creativity! You can use this font very easily.

Out of a lifelong inner struggle, Philip Bouwsma unleashes a masterpiece that reconciles classic calligraphy with type in a way never before attempted. Maestro takes its cue from the Italian chancery cursive of the early sixteenth century. By this time type ruled the publishing world, but official court documents were still presented in calligraphy, in a new formal style of the high Renaissance that was integrated with Roman letters and matched the refined order of type. The copybooks of Arrighi and others, printed from engraved wood blocks, spread the Italian cancellaresca across Europe, but the medium was too clumsy and the size too small to show what was really happening in the stroke. Arrighi and others also made metal fonts that pushed type in the direction of calligraphy, but again the medium did not support the superb artistry of these masters or sustain the vitality in their work. As the elegant sensitive moving stroke of the broad pen was reduced to a static outline, the human quality, the variety and the excitement of a living act were lost. Because the high level of skill could not be reproduced, the broad pen was largely replaced by the pointed tool. The modern italic handwriting revival is based on a simplified model and does not approach the level of this formal calligraphy with its relationship to the Roman forms. Maestro is the font that Arrighi and his colleagues would have made if they had had digital technology. Like the calligraphic system of the papal chancery on which it is modelled, it was not drawn as a single finished alphabet, but evolved from a confluence of script and Roman; the script is formalized by the Roman to stand proudly in a world of type. Maestro came together on screen over the course of several years, through many versions ranging widely in style, formality, width, slant, weight and other parameters. On one end of the spectrum, looking back to tradition it embodies the formal harmony of the Roman capitals and the minuscule which became the lower case. On the other it is a flowing script letter drawing on the spirit of later pointed pen and engravers scripts. As its original designers intended, it works with simple Roman capitals and serifs or swash capitals and baroque flourishes. The broad pen supplies weight and substance to the stroke which carries energy through tension in balanced s-curves. Above all it is meant to convey the life and motion of formal calligraphy as a worthy counterbalance to the stolid gravity of metal type. The Maestro family consists of forty fonts distributed over two weights. The OpenType version compresses the family considerably down to two fonts, regular and bold, each containing the entire character set of twenty fonts, for a total of more than 3350 characters per font. These include a wide variety of stylistic alternates, ligatures, beginning and ending letters, flourishes, borders, rules, and other extras. The Pro version also includes extended linguistic support for Latin-based scripts (Western, Central and Eastern European, Baltic, Turkish, Welsh/Celtic, Maltese) as well as Greek. For more thoughts on Maestro, its background and character sets, please read the PDF accompanying the family.