7,910 search results (0.021 seconds)
  1. Western Adventure JNL by Jeff Levine, $29.00
    Western Adventure JNL is based on a classic lettering stencil of the 1950s. Part of a growing series of such stencil fonts by Jeff Levine, it's a perfect complement to Buckdance JNL.
  2. Alya Hand by Konst.ru, $19.00
    Handwritten font for a romantic and lovely messages, funny texts and happy postcards. This font is based on the Alya's handwriting for friendly messages. Also maybe use for menu, headlines, logos etc.
  3. Bike Tag JNL by Jeff Levine, $29.00
    The simple, chamfered lettering of Bike Tag JNL was based on a 1950s-era metal bicycle tag with self-adhesive letters that kids could customize with their name or any short words.
  4. Profiterole by CounterPoint Type Studio, $29.99
    A light handwritten script font that is feminine and informal. Will lend a casual yet elegant feel to any design. Contains language support for both Latin-based and most Eastern European languages.
  5. Hebrew Le Be Std by Samtype, $59.00
    This typeface is based on Guillaume I Le Bé typeface. This font has all diacritic accents including the chanting diacritic (trop) and modern Nikud (Holam Chaser, Shevana, Kamatz Katan and Dagesh Hazak).
  6. Solfont by Enrich Design, $24.95
    A new Enrich Design font based on the handwriting of Jeff Solak. It was designed to stay as true to the original style as possible. This font features an extended character set.
  7. Renelemon by URW Type Foundry, $39.99
    RenéLemon is a design where the basic design idea is part of its name – Lemon. Every glyph is derived from the form of a lemon, splashing and dashing – a typographic vitamin pill!
  8. Nindia by Phoenix Group, $13.00
    Nindia font is a font that was created based on the idea of beauty and elegance, with a modern and millimistic form, making Nindia font suitable for use in feminine design types.
  9. Serifa by Linotype, $29.99
    This slab serif font of Adrian Frutiger is extremely legible and robust, making it suitable for most any use. Based on the forms of Univers, Serifa makes a harmonious and timeless impression.
  10. Outrage by AVP, $19.00
    Outrage is highly disfigured to the verge of illegibility. The base font is Fiendstar Bold Condensed and the distress pattern is derived from a series of semi-abstract paintings. The result screams.
  11. Rounded Sans Wood JNL by Jeff Levine, $29.00
    Examples of a wood type alphabet for letterpress are the basis for Rounded Sans Wood JNL. Clean and bold, the rounded ends give a softer, more informal look to any display copy.
  12. Cattle Drive JNL by Jeff Levine, $29.00
    Cattle Drive JNL is based on some examples of a classic condensed wood type. Lettering of this period lends itself well to themes of Western life, carnivals, circuses or classic broadside posters.
  13. Overnight JNL by Jeff Levine, $29.00
    Hand lettering on the cover of the 1932 sheet music for "Sleep, Come On and Take Me" was the basis for Overnight JNL, which is available in both regular and oblique versions.
  14. JH Haroun by JH Fonts, $120.00
    JH Haroun is based on the calligraphic Thuluth script; It includes over two thousand glyphs and smart Kashidas to simulate the actual calligraphy. It is ideal for titles, book covers, greeting cards .........
  15. In the whimsical world of typography, where letters are not just letters but characters bursting with personality, the font Misirlou Day by Ray Larabie performs a vibrant hula dance, beckoning the su...
  16. Mak by Tkachenko design, $21.00
    Mak is a display font with a Ukrainian feeling inspired by Ukrainian music. This is a big update of the first free two styles of Mak (SemiBold High & Black High) that were created in 2019 and become widespread among free display fonts. The big update wasn't been only adding more weights and contrasts but also changing a lot of glyphs and adding new ones. Now Mak supports all Latin-based languages and European Cyrillic. Experiments with historical forms, contrasts, and daring shapes to create a new image of Ukrainian Cyrillic and Latin based on it.
  17. Foundry Dat by The Foundry, $50.00
    Foundry Dat is created with a common horizontal dash grid structure for accurate layering when characters are superimposed. Foundry Dat’s integrated background aligns vertically and horizontally, when set solid, forming a continuous pattern. Foundry Dat’s companion family Foundry Dit functions as a legible correspondence font, with a ‘typewriter’ feel. Each family contains: light, regular, medium and bold weights. Foundry Dat comes with a series of dashes to extend the background grid. Characters can also be offset to make different patterns – in the process becoming images – a graphic language with total integration of form and function.
  18. Handbills And Posters JNL by Jeff Levine, $29.00
    At first glance, Handbills and Posters JNL bears a strong resemblance to Classroom JNL. True, they both share the visual qualities that are based on Franklin Bold Condensed, but this is where the similarity ends. Handbills and Posters JNL is a refined re-draw of the classic design, based largely on vintage typographic examples. There are also some character variances. Classroom JNL is a rougher alphabet with varying curves and lines, and resembles such letters traced and cut out of construction paper for a bulletin board display at school.
  19. Newgrange by Scriptorium, $24.00
    Newgrange is a distinctive Celtic-style font designed as a companion to our Stonecross font. It has the same size and weight as Stonecross and the same carved/chipped style, but rather than being based on traditional insular minuscule letter forms, it's based on a squared uncial style similar to our Lindisfarne font. The result is unusual and rather more modern looking than we expected, but it's great for stylized titles. The name comes from the giant prehistoric stone tomb at Newgrange which some have called Ireland's answer to Stonehenge.
  20. Orgovan by Suitcase Type Foundry, $39.00
    Orgovan is based on calligraphic script models lettered with a flat brush, which have been a mainstay in the sign makers' and display artists' handbooks since the beginning of the 1960s. Careful adjustments to the construction of the character shapes made the glyphs more open. This ensures that the face is well legible in small sizes, making it suitable for more demanding typographic applications. The Punk and Rounded variations of the base model offer an even broader range of possible applications, while the Fat Cap, Flower Power and Hairy cuts are contemporary decorative alternatives.
  21. Bon Mot NF by Nick's Fonts, $10.00
    What’s the good word? This elegant, stylish typeface, based on an early twentieth-century Barnhart Brothers & Spindler release, named simply "Engravers Upright Script". Based on French ronde letterforms, this version is bolder—which makes it suitable for text settings, even at smaller sizes—and has more pronounced stroke contrast—which makes it suitable for headlines. Versatile, handsome and charming, this typeface is an invaluable addition to any type repertoire. Both versions of the font contain the complete Unicode 1252 (Latin) and Unicode 1250 (Central European) character sets, with localization for Romanian and Moldovan.
  22. Califunkia by CounterPoint Type Studio, $29.99
    A heavy, cartoonish and fun font based on a hand lettered 1960s advertisement. The hand-lettered original gave me the idea to expand this into an OpenType font with multiple interlocking ligatures. There are over 260 alternate ligatures found the in the "Discretionary Ligatures" OpenType Feature, which will lend the font a hand drawn look. The ligature glyphs can also be accessed via the glyph palette. Great for any design that requires a fun and light-hearted mood. Contains language support for both Latin-based and most Eastern European languages.
  23. Architype Bayer Type by The Foundry, $99.00
    Architype Universal is a collection of avant-garde typefaces deriving mainly from the work of artists/designers of the inter-war years, whose ideals underpin the design philosophies of the modernist movement in Europe. Their ‘universal’, ‘single alphabet’ theory limits the character sets. Architype Bayer-type is based upon Herbert Bayer’s 1931 universal, modern serifed alphabet. Although the ‘modern’ style appears to be a radical departure from his first sans single alphabet of 1925, the structure of this later serifed style is still grid based and geometrically constructed.
  24. Kondolarge by TypeK, $39.00
    Kondolarge is a slab serif typeface developed from our successful Kondolar in 2011. Based on a simple skeleton, straight sides, gently curved horizontals and sturdy serifs, Kondolarge is a bit more geometric than the prior. It is suitable for both text and display. With a well-built character set including small caps and several numeral styles. The font comes in 9 styles, ranging from a delicate Thin to Black, with matching italics, resulting in a total of 18 weights. Kondolarge contains a set of 800 characters that support over 200 Latin-based languages.
  25. VerticalFlipJJ by Ingrimayne Type, $9.95
    Many years ago I created two upside-down typefaces, UpsidedownJJ and UpsidedownTOC. They were based on monospaced or typewriter fonts, and were rotated 180 degrees, which is the same as a vertical flip followed by a horizontal flip. Recently I was reminded that this way of creating an upside-down typeface is not the only way to create an upside-down typeface--a simple vertical flip creates a different one. That is what this typeface is, a simple vertical flip. The original typeface on which this one is based is JetJaneMono.
  26. Informational Gothic JNL by Jeff Levine, $29.00
    The Wood-Regan Instruments Company (Wrico) of New Jersey manufactured for decades a line of lettering kits called the Wrico Sign Maker. With only special ink pens, plastic templates and a template guide anyone could letter clean, clear signs, posters and notices. Based on the same principles of architectural templates, the lettering was [for the most part] utilitarian and functional. Few templates were of stylized or decorative lettering. Informational Gothic JNL and its oblique version are based on the four inch high lettering templates from one of those kits.
  27. LeopardSkin by Scholtz Fonts, $19.00
    LeopardSkin is an exciting, contemporary display font, incorporating the distinctive markings of one of Africa’s most famous “big cats”. Two versions are available: LeopardSkin Aarde, based on the Aarde Black font, is best used in conjunction with Aarde Black or Aarde Outline. LeopardSkin Umkhonto is based on the best-selling Umkhonto font, and may be used in conjunction with the Umkhonto font collection. The popularity of the “animal skin” look in contmporary clothing and soft furnishing design make LeopardSkin a must for artists on the creative edge of contemporary design.
  28. Young Finesse by Doyald Young, $50.00
    Young Finesse is a light, two-weight, announcement face with a large x-height whose characters contain only a few straight lines. It is based on the titling font that I designed for the dust jacket of my book Fonts & Logos. Its inspiration comes from Hermann Zapf’s Optima, a serifless roman text face, based on Renaissance inscriptions.Young Finesse italic has a set of elaborate swash caps that reference 16th-century writing hands. Both Young Finesse and Home Run include Richard Isbell’s “interrabang,” appropriately used for statements that are both interrogative and exclamatory.
  29. Paintlay by Melvastype, $35.00
    Paintlay is a casual and laid-back brush script font. Bouncy baseline, upright strokes and soft forms are the main characteristic of Paintlay. What sets this font apart from others is the layers that include Base layer, two different highlight layers and two shadow layers. You can either use the Base layer as a regular font. It works nicely like that. Or you can add a little depth to your designs by using the highlight layers and shadow layers. Lay some paint with Paintlay. Just pick and mix the layers and have some fun!
  30. Acerola by Gestu, $50.00
    Acerola is a contemporary script font based on calligraphy with the pointed brush. The letterforms have a touch of chancery with a fresh look, full of details and offering great readability. It contains a various OpenType features and supports most Latin-based languages. Over 1200 glyphs make up this display font that can be used for all manner of applications. Acerola includes alternate characters, swashed capitals, terminal forms, ligatures, stylistic sets and small caps. Acerola stands out in any typographic composition and certainly will make your design looks like unique and handmade.
  31. HWT Aetna by Hamilton Wood Type Collection, $24.95
    HWT Aetna is a revival of the sturdy Roman style of wood type most often called simply Aetna. This new digital version by Aaron Bell features four widths all based on the various widths commonly offered by 19th Century wood type manufacturers. In addition, there is a four-layer all-caps version Aetna based on the the famous Wm. Page Chromatic Types, that allows the user the ability to easily create these chromatic streamer and shadow effects. Both the multiple width Aetnas and Streamer component fonts support full Western and Eastern European languages.
  32. Emperator by Latinotype, $35.00
    Marcelo's new typeface Emperator —based on his knowledge gained from instruction by master calligraphers— provides a fresh perspective on classic typefaces. Emperator comes in 3 variants that make your designs look elegant, legible and expressive. This font is perfectly suitable for a wide range of applications such as titles, wedding invitations, short text, logos, labels, book covers, posters, packaging, etc. Emperator's character set includes small caps (letters, figures and symbols), fractions, stylistic alternates, ligatures, mathematical symbols, etc.— more than 750 glyphs in all, supporting over 200 Latin-based languages.
  33. Monotype Century Schoolbook by Monotype, $40.99
    Monotype Century Schoolbook is another member of the Century family based on the Century Expanded typeface. The Monotype Century Schoolbook family was designed to fulfill the need for a solid, legible face for printing schoolbooks. It is wider and heavier than Century Expanded, there is also less contrast between thick and thin strokes. First cut by Monotype in 1934 and based on versions from ATF and Lanston Monotype, the sturdy nature of Monotype Century Schoolbook, coupled with its inherent legibility, has made it a popular choice for setting books, newspapers and magazines.
  34. Trečiokas by Rokas Cicenas, $9.00
    I present you Trečiokas typeface. This two font family is based on written letters that were sketched by using paint markers and afterwards pollished digitally. Glyphs mostly are connected, leaving some separate, as a contrast to round and soft letter shapes. It includes extended latin character set. In 2013 I made the Aerofont project, which included custom music instruments that were made based on Trečiokas Normal letter shapes. The main idea was to connect music and typography, by making sound emitting letters. You can watch the project video here.
  35. Mr Chalk by Thinkdust, $10.00
    Mr Chalk has a simple goal: being Mr Chalk. This font sets out to occupy a form indistinguishable from the real thing, and comes as close as ink will get. Looking at this font you can hear the scrabble of writing on a chalkboard, though the character is more of a mischievous child than a strict teacher. Round and free, Mr Chalk is a light and fluffy font ideal for an impersonal and friendly tone. If you're looking for another Chalk based font check out Lippy, a typeface for both lipstick and chalk based finishes!
  36. Germania by Wiescher Design, $29.50
    Germania is a Sans font based on classic roman proportions and forms based on my Imperia font. But I added that distinct, rigid, no-nonsense German touch. This monoline font with its classic proportions and personality is good for lots of occasions. And – I designed three »real« italic typefaces – not just slanting the straight ones. I corrected the stroke thicknesses and changed the lowercase a, e, f, g and q. I put in a collection of very interesting uppercase ligatures for free. Your classical type designer - Gert Wiescher
  37. Juana by Latinotype, $29.00
    Juana is the result of a journey to self-discovery and part of a continuous exploration process. The font, based on Jazmín https://www.myfonts.com/fonts/latinotype/jazmin/ typeface, features a more developed design while still maintaining the essence of the original version. The extreme contrast between thick and thin strokes gives Juana a harmonic and stylish look. It comes in 8 weights with matching italics and includes an alternate version. The whole character set supports over 200 Latin-based languages. Juana is perfectly suited for editorial design, branding, magazines, logos, headings and more.
  38. Chula by Colmena, $2.00
    Colmena studio presents Chula, a geometric typeface 100% original, traced in the beginning by hand, chula is not based in any other typeface, each glyph was drawn in base of circles and rectangles, the tail of certain glyphs gives to the typeface and designs fluency and movement. Chula is fresh and modern but with a little touch of vintage, ideal for big texts and formats, but also legible in small size. You can use it in 3 versions, regular, medium full and full. It works perfectly in logos, monograms and patterns.
  39. PR Cauldron by PR Fonts, $9.02
    Whether your subject is scary, or just ancient, this font can help get the right feeling across. PR-Cauldron has capitals based on Uncials, and lowercase based on Celtic Minuscule. “Potion” has a rough finish, and “Curse” has the same letters dripping with gore, suitable for Halloween. Letters are size matched in both fonts, so you can put in as much, or as little messiness as you like. Combines well with: PR Bramble Wood 1, PR Bramble Wood 2, PR Hallow Doodles 01, PR Hallow Doodles 02, PR Swirlies 01, PR Swirlies 05
  40. Triole 21 by KaiserType, $40.00
    "Triole 21" is the name of a gothic script font designed by Bertram Kaiser. The forms of this so called "Rotunda" script are based on the manuscripts of italian calligraphers of the late 14th century. Inspiration for this project also comes from the calligrapher Lisa Beck. The glyphs were first written with a broad-nib and then digitized. The Open-Type font is equiped with multilingual (Latin-based) alternates, ligatures and oldstyle figures for various typographical purposes. It can be used for headlines and also stays legible in smaller textsizes for longer textpassages.
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