JH Lea cursive is a school kids typeface; it is designed based on cursive handwriting , typical for children books, first hand calligraphy experience.

Shabby-chic calligraphic script based on hand-drawn characters. Will work well in boutique and vintage environments, conveying a romantic, hand-made touch.

Desk Jockey JNL features the same font found in Jeff's Levine's Mailbox Letters JNL (based on self-adhesive lettering), but without the rectangles.

Train OnTime and Train Delayed are based on the text used to display the destination info on the front and rear of trains.

AntsyPantsy, BuggyFont, and MousyFont are based on the same design; only the building blocks—ants, bugs, and a stylized mouse—have been changed.

Washington Heights JNL is a sans serif type design based on a vintage hand-made directional sign for the New York subway system.

This font family is based on the letterforms of a fin-de-siècle sans serifs, and comes in two versions - Roman and Shadow.

The Vtg Stencil series of fonts from astype are based on real world stencils. Have a look at the Vtg Stencil Ornaments A .

Blackwood is a sans serif headline face with a woodgrain effect. Based loosely on Grotesk, it has strong, solid forms with distinctive style.

Developed for ParaType (ParaGraph) in 1995 by Alexander Tarbeev, based on letterforms of various screen fonts. For use in advertising and display typography.

Woodlawn JNL is based on an open face wood type. A bold outline sans, this design is excellent for headline and titling applications.

It is the athenian version of the ancient Greek script. Ancient Greek numerals are included. It's not Unicode, it's a Latin based font.

AntsyPantsy, BuggyFont, and MousyFont are based on the same design; only the building blocks—ants, bugs, and a stylized mouse—have been changed.

Manaslu is based on handwriting with a marker. This font is suitable for cartoons, advertising or anything with need of a personal tone.

Designed as the main header text for the online, interactive, horror novel, DEAD ENDS. Based on historical documents of colonial-era New England.

Introducing Zalderdash! The wackiest, most uproarious font on the farm. This isn’t your average typeface—oh no, this is a zany slab-serif, and it’s so thick you could milk it. Our font farmers have been hard at work breeding this baby to make sure it’s as silly as can be. Zalderdash isn’t just any old font, it’s a campy Clarendon that’s sure to make all your graphic design dreams come true! With its automatic character substitution, your text will jump off the page like a herd of wild cows! You’ll be mooooved by the boisterous and bouncy impression it makes! And don’t worry about perfect alignment because Zalderdash loves to get cockeyed! It’ll take your design from boring to barn-raising in no time. So, whether you’re designing a farm-fresh logo or a hilarious invitation to your next hoedown, Zalderdash is the font for you. It’s fun, it’s goofy, and it’s the freshest thing to hit the typography scene since sliced hay! Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

A light weight slab serif font, useful for posters and large ads, based as it is on wooden fonts designed in the 19th century.

Exablock is a display typeface based on a 6x6 grid, highly modular and geometric. Diacritics appear as negative space cut into the glyph form.

Roncesvalles is based on samples of medieval calligraphy. It features a traditional lower case character set with unique decorative capital letters featuring unusual flourishes.

JH Mars is a modern style typeface; it is designed based on old Koufi, Maghribi & Diwani scripts, typical for corporate identity, headlines, branding & signage...

Ashby is a Spencerian based handwritten script, with elegant capital letters. Written with a flexible nib, which results in some beautiful line width variation.

Eroded, skeletal and gaunt, Obsessed was one of Zang-O-Fonts first typefaces, and is loosely based on a couple of Art Deco faces.

Based on the original design by Robert Hunter Middleton. Digitally engineered by Steve Jackaman and Ashley Muir from the Ludlow drawings, circa 1931–1942.

Developed for ParaType (ParaGraph) in 1997 by Alexander Tarbeev, based on PT Pragmatica, 1989, by Vladimir Yefimov. For use in advertising and display typography.

An inline gothic display font based in mid-twentieth century showcard and signpainting styles. All caps with some alternates in lower case keyboard positions.

Pukupuku is a cute round font. This font is designed based on the shape of clouds and beans, which looks somewhat like handwritten letters.

Designed at ParaType in 1995 by Tagir Safayev. Based on informal handwriting. Formerly known as PT Tagir. For use in advertising and display typography.

The design for the font “sketchimpact” is based upon the typeface Impact. The font family consists of three different versions: solid, outline and lines.

The hand lettered titling on a vintage piece of sheet music for the song "Sweet Siamese" is the basis for Port of Call JNL.

Sheet Music JNL was based on lettering found on an old piece of 1930s-era sheet music being sold at a local rummage sale.

Subytro! Use this font for sweet bold titles. It adds personality and an handmade feeling. Old Style font based on posters of the fifties.

The Vtg Stencil series of fonts from astype are based on real world stencils. All styles offering an extended Latin character set. » pdf specimen «

The cast credits for the 1954 film "Hell's Half Acre" (Wendell Corey, Evelyn Keyes and Elsa Lanchester) provided the basis for Mystic East JNL.

The Limine family was designed to give a 3D effect; to look like engraved letters. Those letters are based on the roman capital design.

Corradine Handwriting is based in the handwriting of Manuel Corradine. Its numerous ligatures and stylistic alternatives give to the text a realistic handwriting appearance.

JH Dima is a modern style font; it is designed based on Koufi style & latin geometric fonts classification, typical for corporate identity, branding & signage...

Based on a rounded square, ER9 is a very versatile futuristic feeling typeface. Its monoline design allows for easy customization for headlines and logos.

This font is based on 17th - 19th century woodcuts. It has many varied alternate characters and over 25 ornaments that make this font unique.