A captivating and futuristic font inspired by the iconic worlds of The Matrix, Terminator, and Blade Runner. Embrace the enigmatic allure of the future as each character pulsates with neon energy, unleashing possibilities for cybernetic titles, gaming interfaces, logos, and more. Step into the neon-laden realms of ND Raster Neon and ignite your designs with a touch of cybernetic mystique.

Havoc Rage Font is a dynamic and expressive typeface that captures the raw energy of hand-brushed strokes. With its natural, organic flow, this font exudes a sense of controlled chaos, making it perfect for designs that demand a bold and impactful statement. The brush strokes create an authentic, handmade feel, adding a touch of unruly creativity to your projects.

Caraphic Script marries the crisp elegance of script typefaces with the beauty of Middle Eastern design. Its strokes, bold and assertive, dance with a weightiness that commands attention, yet it retains a sharp clarity that ensures readability. Its unique character emerges from its seamless support for both Latin and Arabic scripts, bridging worlds and cultures in a single, harmonious typeface.

Monesta® is a confident smooth serif font family. Designed by Aulia Rahman, Monesta® it creates a sense of softness and expressiveness. the concept into usability focused direction, to work as a bold tool and beautiful communicator. Monesta variable allows design across 9 weights, major Latin based languages, and Cyrillic. Monesta® bringing energy and making it suitable for modern design.

Raeling is a display font inspired by a visit to Luxembourg, capturing shadows falling intricately from park railings appearing as broken-script lettering. A mixture of manmade / natural, traditional / new, ugly / beautiful reflecting the paradox and contradictions of the city. A single curve and stroke developed into a grid block from which characters emerged and broke free of their barriers and conformity.

Be a Star font brings the universe into your creative designs. Use this font for posters, vinyl creations, logos, t-shirts, and many more projects. It’s written in the stars to make your design unique and fun! Use glow-in-the-dark vinyl or paper to make these letters stand out- of this world. There are 286 glyphs. These include upper and lower case letters, numbers, punctuation glyphs, latin extension, constellations, astrology signs, and letter alternates for upper case letters.

Gilmore Sans Extra Bold Extra Condensed Titling is a sans serif typeface that was inspired from early designs by the renowned English typographer Eric Gill. It was designed in 1992 by A. Pat Hickson (P&P Hickson) and Steve Jackaman (ITF) exclusively for the Red Rooster Collection. It has a clean, fresh, sturdy feel that is exceptionally powerful at display size. The typeface lends itself well to a variety of projects, including everything from packaging to signage to high-profile advertising campaigns.

The BD Roylac typeface has its roots in some lowercase glyphs drawn by Jacques Loison in 1972. Some of these characters are included in the use of stylistic alternates. Filed under a retro-futuristic design the font separates two filled shapes by a thin and curvy line; sometimes following to the path leaning readability and sometimes interfere with it. The font is dedicated to the BD fanboy Monsieur «Eric de Broche des Combes» aka «Roy La Combe» to his fiftieth anniversary.

Kakadu is a squarish sans serif, designed to work equally well on paper and on screen. The angular curves in this typeface create a firm and dependable appearance. The square-like forms also provide an inward openness and allow large and open letterforms, adapting perfectly to the orthogonal pixel grid of the monitor. Kakadu works well in small sizes while, it appears strong and distinguished in larger ones. Play the classic snake game and see the Kakadu fonts in action here.

Rasteroids Monospace is a typographic flashback to computing of the mid 1980s, when 9-pin dot-matrix printers were the state of the art, and most home computer displays were TVs hooked up to RF modulators. Rasteroids not only captures the dot-matrix printer look, but recreates the rasterized appearance of text on those lower-resolution monitors. Because of its fixed character width, Rasteroids Monospace is intended for use in accents or small areas of copy rather than long documents.

The term “Surf Bum” was a slang phrase used to casually describe anyone who spent as much of their time as possible at the beach catching waves in the 1960s. The Revell Company was a well-established maker of plastic model kits such as military airplanes, monsters from Universal horror films and other such items when it hooked up with custom car designer Ed “Big Daddy” Roth to develop a model kit line capitalizing on the surfing fad that was sweeping the West Coast at the time. A number of crazy-looking hot rods, dune buggies and what-have-you were turned out, and one such kit (“Surfite”, with Figure) featured a futuristic one-person dune buggy. It was on the box for the model that the words “with Figure” appear in a casual, brush design type face. Those few letters were the inspiration for creating a new retro type face entitled Surf Bum JNL, which is available in both regular and oblique versions.

I just visited my good friend Jakob Fischer from Pizzadude.dk in Denmark. As always we talked fonts, drank coffee and walked endlessly through Copenhagen, the city where he lives. We thought it would be a fun idea to each create a font from a handmade sign we saw in the city. We only had like 7 glyphs to work with, so the rest was up to our imagination. We also thought it would be nice to give the fonts a similar name. Mundbind means mask in Danish. When you Google translate it, it will give you the wrong translation (it will say 'mouth piece'), so trust me on this one! My font is called Mundbind NL - where the NL stands for Netherlands. Jakob will hopefully call his finished font Mundbind DK - where the DK stands for Denmark. Mundbind NL comes with a monster load of diacritics (including Vietnamese) and two alternate glyphs for the lower case letters that will cycle as you type.

Suprala is a contemporary delicate humanist serif typeface, with beautifully balanced forms, perfect for branding and communications projects. Suprala’s round, elegant, and classically elegant design, supports all major Latin-based languages in twelve styles. True italics advance the aesthetics, bringing energy and making it suitable for modern applications. The Suprala character set incorporates numerous OpenType features - additional symbols, stylistic alternates, and unique ligatures both standard and discretionary.

This font will sparks childish energy which is cheerful and playful, but it still usable to any kind of design because its familiarity. Arcane Land is a neat casual handwritten. Despite its neatness, this font is still looked handmade because the stroke and the asymmetrical shape. Suitable for posters, logos, branding, and all designs that need natural text writing. Go get your ticket to the Arcane Land!

An exuberant typeface named "African Queen", designed by Dave West for Photolettering in the 1960s, provided the inspiration for this exercise in typographic minimalism. The result is stark and somewhat raw, with a unique muscular energy...a natural choice for headlines that will attract attention. Both versions of the font include 1252 Latin and 1250 CE (with localization for Romanian and Moldovan) character sets.

Cuisine originated from a how-to lettering book from the 1950s. It suggests the script style found on food and beverage labels in the early 20th century. This creamy font does for food advertising what Bodoni does for haute couture. Its simmering, hand-scribed charm captures the complexity of wine and the robust energy of coffee. It shines on luxe food packaging or high-end menus

Kickrush is a font with the edgy characters and Positive energy for modern hand-lettered designs. It suitable for poster, logo, branding, t-shirt, packaging, book cover, hipster design, cards, and any brush lettering needs and more. Kickrush also includes full set of uppercase and lowercase letters, multilingual symbols, numerals, punctuation. What Included this font : PUA Encoded Characters Fully accessible without additional design software. Simple installations

Named after the German Renaissance astronomer, Kepler is a contemporary type family designed by Robert Slimbach in the tradition of classic modern 18th century typefaces. Modern typefaces are known for their cool intellectual quality, but Slimbach's Kepler multiple master captures the modern style in a humanistic manner. It is elegant and refined with a hint of Oldstyle proportion and calligraphic detailing that lends it warmth and energy.

Introducing the Stencil PTx font family. We created two styles, sprayed, to be used in display giving the idea of graffiti on the wall and the clean, to possibly be used in print. This is the idea We have of an old school stenciled typeface/look. This typographic masterpiece brings the raw energy and urban flair of stencil graffiti art to your fingertips. The Stencil PTx font family is tailored for designers seeking to infuse their projects with the rebellious spirit and visual impact of street art. Whether you're designing for urban-themed events, streetwear branding, social media graphics, or edgy advertising campaigns, this font family adds an authentic urban edge to your creations. At Pedro Teixeira Foundry we're passionate about bringing the raw and vibrant energy of street art into the realm of typography. Explore the Stencil PTx font family to unleash the bold, gritty, and dynamic essence of stencil graffiti, elevating your designs with an urban attitude that commands attention and amplifies your message.

For Vega antikva, too, 16th and 17th century typefaces stood models. I made a free interpretation of them, with a nice result, if I am allowed to express myself. Vega antikva makes a beautiful impression in books, but even as a web typeface it behaves well. The name Vega can be traced down to a constellation, a mathematician, a writer, a movie character, or a research ship, as you like. Now there is a typeface with that name, too. Vega antikva was released in 1994.

Qiproko is a typeface with semi-modular and geometric shapes. The squared curves remind the shape of the cathode ray tube monitor, giving a retro feel to the characters. It’s unusual stencil version makes a direct reference to the electronic circuit, which gives a very technological aspect. Each font includes OpenType Features such as Tabular Figures and Capital alignement. The fonts have an extended characters set to support Central, Eastern and Western European languages. Qiproko is perfectly suitable for headlines or epigraphs, but works in text too.

ITC Minska is the work of Carl Crossgrove, who used a combination of upper and lower case shapes together to create new letter forms. Crossgrove created unconventional yet immediately recognizable variations in two different alphabets, which cannot quite be classifed as upper and lower case in themselves. With opulant curves and sharp angles, ITC Minska projects an unorthodox energy which is ideal for unusual effects and display settings.

Kelpie is a hand-drawn typeface based on informal writing and includes 2 styles: regular and monoline. It is a full of energy font with the irregular look and slightly scrawled letterforms with long ascenders and descenders. Kelpie can look casual, open and friendly or even add an eerie undertone to your text. It is recommended to use for display titles and small amount of text, words or short phrases.

Impulsive Marker is a spontaneous and quick handwritten marker font, inspired by fun and fluid expressive energy of mankind. It will elevate a wide range of design projects to the highest level. You can use this font for many design ideas such as stickers, t-shirt designs, amazing logo designs, magazine or book covers, comics, cartoon drawings, and many more. This font will add a super cool touch to your designs!

Empires is a supercharged, street-wise brush font bursting with energy, Empires is ideal for logos, apparel,T-shirt,Hoodie, quotes, product packaging, or anything which needs a typographic turbo-boost. Empires Swash - Need a cool drip on your text or a splash of paint? This font set has you covered. Type any letter a-z using this font, and you'll get a unique swash to accompany the font

Ephemera Shoemakers is a bold font with spurred serif & medium contrasted, vintage inspiration with letters in all caps. Traditionally this type of decorative font that emerged in Italy, France & England in the nineteenth century were used in large headlines and posters that were closely related to circus shows, carnival or environments of the Far West American. Perfect for signs, posters, handbills and other large format advertising. Ephemera Shoemakers Pdf Specimens

Comicoon is a vibrant and playful comic-style font that bursts with fun and liveliness. Inspired by the bold and dynamic lettering found in classic comic books, Comicoon captures the essence of joyful storytelling. Each letter is adorned with expressive details, reminiscent of hand-drawn illustrations. It brings a sense of energy and excitement to any design, making it a perfect choice for comic books, graphic novels, and playful branding.

ND Gogo is a bold and playful sans serif font that combines the clean lines of modernist typography with the raw energy of brutalism. With its monolinear stroke and lack of ornamentation, this font is all about simple geometric shapes and bold visual impact. But don't be fooled by its simplicity – ND Gogo also has a quirky side that comes through in its idiosyncratic letterforms and playful details.

Introducing Brightsun. This font was created to help you designing logotype or lettering style logo for your Brand or your clients, and you also can use it for designing all of the graphic stuff such as badge, sign, packaging, headline, title, T-shirt/apparel, Poster, etc. Brightsun was designed for personal characters such as strong, confidence, dynamic, readable, energic, dynamic, etc. Strengthen Typeface containing 443 Glyphs with 241 alternative characters to help you create an authentic lettering style. You can get all the glyphs by The Glyphs Panel. Available for: - Adobe Illustrator, - Adobe InDesign, - Adobe Photoshop CC (latest version) Support: If you have any question, don't hesitate to contact support@jrohcreative.com Thanks for loving our items :)

Introducing our new brush exploration, Rashavine. A freestyle brush font made with the high attention of the brush details. This font has the feel of energic, which challenges you to create a powerful design and fast! Rashavine complete with alternates characters, ligatures, and swashes which you can apply on T-shirt, label, title, books, hoodie, logos, sticker, website, and many more! Rashavine is an all-caps font that you can mix and match from different letterforms. Accented characters available for many different languages. Also, you can access the swashes with ease, by simply type 'underscore' and 1 to 0' from the middle of your word. That's all, folks! Thank you for watching and keep it up!

Seven superb scripts, to be freely mixed with one another. Alone, each of them flows nicely, but combined they reach ultimate vitality and grace. The Pleiades are one of the most beautiful constellations in the sky, and in Greek mythology they were seven divine sisters. Luxurious freedom of choice and excellent readability make Pleiad the perfect face for a variety of projects, from stylish invitations to magazine ads, from poetry books to restaurant logos. Sometimes calm, sometimes flittering – but always fair and graceful – this sublime calligraphic type family will hold an everlasting fascination.

If you've had too much coffee but not enough of Too Much Coffee Man you can now indulge in an excess of characters created by the hand of Too Much Coffee Man's creator, Mister Shannon Wheeler. Don't worry, in our efforts to ensure clean and confident lettering samples, we kept Shannon on decaf until he was done. Dip this font in your system folder and your hard drive will get a caffeine and sugar rush guaranteed to increase its memory partition and bring the images on your monitor into sharper focus.

Rasteroids is a typographic flashback to computing of the mid 1980s, when 9-pin dot-matrix printers were the state of the art, and most home computer displays were TVs hooked up to RF modulators. Rasteroids not only captures the dot-matrix printer look, but recreates the rasterized appearance of text on those lower-resolution monitors. Unlike that dot matrix type of yore, Rasteroids does have some variation in character width, and is legible in small blocks of copy. Still, it is best used sparingly, or as a special effect.

Appleyard is a transitional serif font family that combines the elements of a modern serif and old-style typefaces. It is loosely based on an old Monotype design called ‘Prumyslava.’ Appleyard was designed by A. Pat Hickson (P&P Hickson) exclusively for the Red Rooster Collection and produced by Steve Jackaman (ITF) in 1992. The typeface’s rounded serifs give it a sophisticated, warm, and friendly feel; it excels in projects that need a delicate touch. Appleyard was designed with legibility in mind, and is ideal in children’s books and for young readers.

Verge exploratory information transmitter Verge type family operates at the very edge of art and technology in the typographic constellation. Its fairing is designed with a new technique that adds better stability to the curvature. It is prepared for all environments and communicates with minimized latency. The letters of this contemporary slab serif are compact, clear and rather simple. It is suitable for branding, longer texts, information graphics and signalization. The typeface’s x-height is a little above 70% of its capitals. The italics are designed at a 7° angle.

Claremont is a serif font family designed by Les Usherwood (Typsettra). Usherwood originally created four weights – a light, extra bold, light italic, and extra bold italic. Paul Hickson (P&P Hickson) and Steve Jackaman (ITF) digitized the family and created eight new weights, and it was released exclusively for the Red Rooster Collection in 1993. Claremont shares similarities to Bookman Old Style, but also shares properties with slab serif Egyptian-style typefaces. Like all Usherwood typefaces, the family was engineered with great care for maximum legibility and aesthetics. ©1993. International TypeFounders, Inc.

Alghera Pro is a casual script font family.  It was digitally engineered in 1996 by Pat Hickson of P+P Hickson and Steve Jackaman of International TypeFounders, Inc. (ITF).  Jackaman revamped the family in 2017 and added wider language support to include Western, Central, and Eastern European languages. Alghera Pro has a hand-written, antique feel, and was inspired by an old label on a bottle of Portuguese wine.  As with all the Red Rooster “Pro” versions, the family contains a 40% larger glyph set and improved designs.

Designed by Les Usherwood. Chelsea is a ‘modern’ Old Style serif font family designed by Les Usherwood (Typsettra) in the early 1980’s. Steve Jackaman (ITF) digitally engineered the family exclusively for ITF’s Red Rooster Collection in 1993. Usherwood drew influence from Frederic Goudy’s 1911 creation ‘Kennerley Old Style’ when designing Chelsea; Chelsea, however, tends to be wider with a taller x-height. Chelsea has the clean and upscale feel that is present in all Usherwood creations, and its legible design lends itself to projects of any size.

Dungeon is a glyphic font family that combines elements of both sans serif and spur serif typefaces. It was designed exclusively for the Red Rooster Collection in 1998 by Steve Jackaman (ITF). The family is loosely based on Dick Jensen’s famous design “Serpentine,” which was created for the Visual Graphics Corporation (VGC) in 1972. Dungeon is available in four weights, each of which is optimized for legibility at any size. The family’s masculine feel has helped it to turn up in a variety of projects, ranging from brand identity to advertising.

Designed by Les Usherwood. Argus is a flared serif font family. Its analog form was designed by Les Usherwood (Typsettra) in the 1980’s, and Paul Hickson (P&P Hickson) and Steve Jackaman (ITF) designed the digital version exclusively for the Red Rooster Collection in 1992. Argus is an expressive, graceful typeface that was inspired by Baroque typography. Its diamond-shaped punctuation shares similarities with other glyphic typefaces, such as Arthur Baker’s ‘Baker Signet.’ The font family gives a beautiful gravitas to any project, whether it be packaging, motion picture, or magazines.