Sistina is a trademark of Heidelberger Druckmaschinen AG, which may be registered in certain jurisdictions, exclusively licensed through Linotype Library GmbH, a wholly owned subsidiary of Heidelberger Druckmaschinen AG.

Eckmann is a trademark of Heidelberger Druckmaschinen AG, which may be registered in certain jurisdictions, exclusively licensed through Linotype Library GmbH, a wholly owned subsidiary of Heidelberger Druckmaschinen AG.

Alcuin is a trademark of Heidelberger Druckmaschinen AG, which may be registered in certain jurisdictions, exclusively licensed through Linotype Library GmbH, a wholly owned subsidiary of Heidelberger Druckmaschinen AG.

Canbera is an old style serif font, its funky, round, hight-contrast and bold shape with a retro touch is perfect for displayed, head text, logotype and many more.

"Relation Between Typology and Type Design" 'PRISTINE'; this font is—neither beautiful nor ugly, neither vigorous nor weak, neither traditional nor modern, neither serif nor sans serif, neither script nor printable, neither a text font nor a display font—it is rather all of the above, which makes it a more versatile typographic tool—[handwritten] characters that are well-suited for a wide variety of applications—from editorial design, [friendly] greeting cards... to branding, advertising, publicity and digital. Each glyph design combines its unique shapes and stylish ink-traps with parabolic curves. Each glyph design has been treated as an 'individual character'—the way I would treat a breathing, living, vulnerable and courteous human being; looking after each and every character as if it was my only child — bringing to light the authenticity and uniqueness of each individual, as well as my objective to bring about peace and harmony between them all as a whole. Designed with the intention of harmonizing between four scripts — Latin, Cyrillic, Greek and Hebrew; the whole family has a comprehensive set of characters—in addition to the Latin letters, the Phone typeface also has a full set of characters for Vietnamese, partially extended Cyrillic, Greek and Hebrew (sold separately). The t_t ligature is something unique to Phone, as well as the t_z ligature, among others and extras. A distinctive trait of the Phone typeface, is a high x-height combined with relatively short ascenders. The Phone typeface is in a way evoking the feeling of some Gaelic font and of the [Egyptian] Papyrus font (by Chris Costello, though, not being based on neither of those), having an exotic and an exquisite look, under the category of "Soft Fonts & Friendly Faces". Copyright Tamar Fonts/Hillel Glueck 2021 ALL RIGHTS RESERVED Any unauthorized distribution of my work is strictly prohibited, and will be prosecuted; do the right thing, and do not participate in the piracy of my typefaces; if you appreciate my work, then please pay for it and help me prosper — thank you!

Note: the 'Phone Pro Hebrew' typeface, includes just the Hebrew characters of the comprehensive "Phone Pro" family font, sold separately [on this MyFonts site], so they are economical for those interested just in the Hebrew Characters. And regarding the “Phone Pro” project in general, this is what I wrote: 'PRISTINE'; this font is—neither beautiful nor ugly, neither vigorous nor weak, neither traditional nor modern, neither serif nor sans serif, neither script nor printable, neither a text font nor a display font—it is rather all of the above, which makes it a more versatile typographic tool—[handwritten] characters that are well-suited for a wide variety of applications—from editorial design, [friendly] greeting cards... to branding, advertising, publicity and digital. Each glyph design combines its unique shapes and stylish ink-traps with parabolic curves. Each glyph design has been treated as an 'individual character'—the way I would treat a breathing, living, vulnerable and courteous human being; looking after each and every character as if it was my only child — bringing to light the authenticity and uniqueness of each individual, as well as my objective to bring about peace and harmony between them all as a whole. Designed with the intention of harmonizing between four scripts — Latin, Cyrillic, Greek and Hebrew; the whole family has a comprehensive set of characters—in addition to the Latin letters, the Phone typeface also has a full set of characters for Vietnamese, partially extended Cyrillic, Greek and Hebrew (sold separately). The t_t ligature is something unique to Phone, as well as the t_z ligature, among others and extras. A distinctive trait of the Phone typeface, is a high x-height combined with relatively short ascenders. The Phone typeface is in a way evoking the feeling of some Gaelic font and of the [Egyptian] Papyrus font (by Chris Costello, though, not being based on neither of those), having an exotic and an exquisite look, under the category of "Soft Fonts & Friendly Faces".

For over 30 years, Tomás Vellvé created beautiful graphics and distinctive typefaces in his native homeland of Spain. First drawn as a phototype display design in 1971, Vellvé’s only typeface in digital form is an uncommon solution to the problem of creating a new sans serif design. The end result, which bears his name, is a design that stands out from the crowd of other sans serif typefaces. The phototype version was only available in a single, light weight. With the release of the digital fonts, however, three additional weights as well as a companion italic for the light weight were created.The typeface designs were originally drawn for Agfa Monotype (now Monotype Imaging) in 1996 as part of the company’s “Creative Alliance” initiative. Through an exclusive licensing arrangement, the Vellvé™ family has now been added to the ITC Typeface Library.ITC Vellvé is a wide design with strong calligraphic overtones. This is no “anonymous” design like so many modern sans. Letters like the `R, `e and `s clearly show the hand of Tomás Vellvé in the design process. Vellvé provides a fresh choice between geometric sans serifs such as Helvetica® and industrial sans serifs like Futura®.

Neue Frutiger Tamil was created by Pria Ravichandran and a team of designers and font engineers from the Monotype Studio, under the direction of Monotype type director Akira Kobayashi. The family is available in 5 weights from Light to Bold to support the Tamil script. The typographic forms of Neue Frutiger Tamil are familiar and friendly. The Tamil shows traces of elements that is reminiscent of the calligraphic influences found in the 20th-century designs. Reflecting the modern typographic needs of the Tamil script, this type family is in the upright style. These two factors ensure that the two scripts, Tamil, and Latin pair elegantly. The result, Neue Frutiger Tamil, is an eclectic contemporary type family that bridges the past and the present. Neue Frutiger Tamil embodies the same warmth and clarity as Adrian Frutiger's original design, but allows brands to maintain their visual identity, and communicate with a consistent tone of voice, regardless of the language. It is part of the Neue Frutiger World collection, offering linguistic versatility across environments – suited to branding and corporate identity, advertising, signage, wayfinding, print, and digital environments.

Love River is a thick lettered, flowing handwritten font. It looks stunning on wedding invitations, thank you cards, quotes, greeting cards, logos, business cards and every other design which needs a handwritten touch.

Chalkboy – Handwritten Chalk Font is a fun and casual display font suited for kids, playground, or school theme. Whether you’re using it for crafting, digital designing, presentations, or greeting card making, it’s perfect!

Modjola is an elegant brushed handwritten font. It looks beautiful on a variety of designs requiring a personalized style, such as wedding invitations, thank you cards, weddings, greeting cards, logos and so on.

Lost Brush is a new, interesting brushed font, containing ligatures and swash. It is perfect for projects like brands, logos, product packaging, posters, invitations, greeting cards, news, blogs, and everything needing personal charm.

Hand Boys Is a typeface signature font that is inspired from Boys handwriting style. Suitable for making Greeting Cards, invites, quotes, book content, T-shirt, child magazine contents, short story, poster label etc.

My Beloved is a delicate and flowing handwritten font. It looks stunning on wedding invitations, thank you cards, quotes, greeting cards, logos, business cards and every other design which needs a handwritten touch.

Happy Pumpkin is a fancy hand drawn font. Aimed for printing greeting cards, especially for quotes with humor. Can also be used on t-shirts design and other print products. Happy Pumpkin season!

SDGlitch is a futuristic cyber-style font. You can use this font for logos, quotes, invitations, greeting cards, journals, posters, clothing, and more. This font will infuse your designs with playfulness and fun!

Qundeasy is a sloppy and cute handwritten font. First of all, it is suitable for handmade style design. Сan create interesting logos, posters, banners, social media creatives, postcards and greetings with this font.

Veilan is a playful yet elegant thin serif font in two styles with alternates. It looks stunning on wedding invitations, headlines, quotes, greeting cards, logos, every other design which needs a unique touch.

Honey Bee is sweet. It’s loopy, playful, and hand drawn with a lively set of double letter ligatures. Use it for baby announcements, party invitations, greeting cards, children’s books, packaging, or anything creative.

Chevin Eco is a whimsical display variation on the original Chevin typeface with knocked-out circular holes producing a glitzy neon effect that saves toner when printed. Simultaneously glamorous, green and good fun.

Use Fancy Flourishes to add formal or shabby chic accents to your scrapbook layouts, handmade greeting cards and other creative lettering projects. Each letter on the keyboard corresponds to its own unique flourish.

Add some personality to scrapbooks, greeting cards, invitations, announcements, signs, menus, restaurant themes, and more. The thick, brush-stroked lines of Menu Item lend unique character to the letters of this cool font.

Kayane is a splendid script font that can be used for branding, greeting cards, wedding invitations, and many other projects. It will add luxury to any design project that you wish to create.

Gruffly is a new font brushed very interesting, also provided some ligatures. It is perfect for projects for brands, logos, product packaging, posters, invitations, greeting cards, news, blogs, everything including personal charm etc.

Renitta! It allows you to create stunning and easy hand-lettering designs in an instant. Ideal for logos, quotes, wedding, product label/packaging, fashion, letter, advertising, invitations, posters, merchandise, greeting cards, and more.

Gardenisa is a stylish and incredibly distinct script font. It looks stunning on wedding invitations, thank you cards, quotes, greeting cards, logos, business cards and every other design which needs a handwritten touch.

Ali Ana- Heart Font feels equally charming and elegant. It looks stunning on wedding invitations, thank you cards, quotes, greeting cards, logos, business cards, and every other design which needs a handwritten touch.

Graby Bold Script Font feels equally charming and elegant. It looks stunning on wedding invitations, thank you cards, quotes, greeting cards, logos, business cards, and every other design which needs a handwritten touch.

This display font is perfect choice for the whole variety of New Year greeting cards, advertisements, posters and banners. It has alternative graphic symbols, that fills any word or line with holiday spirit.

Designed for global branding and supporting 93 languages, the SST® typefaces blend the organic readability and controlled structure of modern sans serif designs. In combining these attributes, the SST family is understated, versatile – and sure to be a timeless design. The SST Japanese Pro family has 6 fonts in total. It spans four weights from ultra light to bold, and has two condensed weights to further expand the family’s vast range of uses. SST’s subtle design traits provide a quietly handsome and consistently friendly typographic presence that can be used for just about any typographic application. Broad range branding applicability, combined with coverage for almost a hundred languages, makes SST one of the most widely accessible and usable typefaces available. Originally designed in partnership with the global consumer brand, Sony, the SST family is one of the most comprehensive type families available. Since extensive multi-lingual support was a critical design goal from the beginning, Akira Kobayashi, Monotype type director and primary designer on the project, turned to a network of local designers around the world for their individual language expertise. As a result, the details – which could be as subtle as stroke curvature and width – are consistent across Latin, Greek, Cyrillic, Arabic and multiple Asian languages. SST performs equally well in print and on-screen and the designs can be used at very small sizes in packaging and catalogs; while massive print headlines – even complicated wayfinding projects — pose no stumbling blocks to the family’s typographic dexterity.

Helixa is a neo-grotesque typeface with a clean & modern design and an enduring appearance. This is a perfect choice for creating logotypes, branding, headlines, corporate identities, and marketing materials for web, digital & print alike. The typeface will be a great option for branding, logo/logotype design projects, marketing graphics, banners, posters, signage, corporate identities and editorial design. Adding extra letter spacing will make this font the perfect choice for minimal headlines and logotypes, as shown in the promo designs attached. Handcrafted and designed with powerful OpenType features in mind, each weight includes extended language support with Western European, Central European and South Eastern European sets. A total of 300 glyphs are available. Helixa typeface includes 12 fonts in total, with seven upright weights (Thin / Light / Book / Regular / Bold / Heavy) and Italic equivalents of all six weights.

Font with hexagonal dots for small texts, names, logotypes, titles, headers, topics etc. Big size of this font can be used for texts on posters, t-shirts and other surfaces.

Illumini is a thin and rounded neoish sans-serif suitable for everything from logotypes to large text blocks. It contains several of the traditional ligatures normally found in serif fonts.

techno, fancy, racing, super, movie, race, superhero, tech, film, automotive, calendar, font, motor, running, typography, futuristic, speed, drive, display, fast, power, action, game, branding, logotype, rally, sport, modern, car, esport

Introducing Outlast - A competitive sports font with three distinct and unique styles. Outlast was designed for creating powerful logotypes, sports branding, posters, apparel design, magazines headlines, labels and much more.

At the inauguration of a new suburb, the local authorities needed a poster typefont, but wanted a modern, trendy type. The Logoform font is commonly used in logotypes and trademarks.

OVERLORD is a bold style font. This font is made in all capital letters. This font is very suitable for branding, logos, logotype and others. Overlord Features : Multilanguange PUA Encoded

Chillight is a serif typeface that is unique and has character, having a narrow, sharp width and ends. making it effective when used at large sizes for logotypes or headlines.

TA Regresso PRO graphic presentation at Behance TA Regresso PRO font is inspired by Didon and Bodoni fonts. A combination of a little Bodoni and a little Didon elements and a unique style and Text, Display, Subhead and about 80 styles, it is a font that gives the user a choice. TA Regresso font supports Greek, Hebrew, Cyrillic and Latin alphabets. After starting work on the font since February of last year, the font is ready today with constant revisions. Being open to learning, I sought help from experienced designers. I must mention that Yulia Gonina, the founder of Schrifteria Foundry, also helped me a lot to make Regresso good. With her knowledge and advice, the flaws in the font were eliminated. By the way, Viktor Baltus also helped me with his valuable advices. I did some research about the alphabets of the supported languages so that Regresso is good. I paid a lot of attention to the correct design of the letters. I will fix the problems I missed in the next updates of the font. I would be happy if you send me your work when you use my font. I'm very interested in where you use my font. TA Regresso PRO contains 200+ Latin and Cyrillic, Greek, Hebrew languages. TAFT produce retail typefaces, create custom fonts and even do Greek, Hebrew and Cyrillization. Our mission is to create and distribute only carefully drawn, thoroughly tested, and perfectly optimized typefaces which are available to a wide range of customers. If you're looking for a type or logo → t@taft.work