Introducing Polyglot Typeface. The unique and fashionable font with tons of ligatures uppercase and lowercase. and supports multilingual languages. the straight lines combined with a slight curve make polyglot look minimalist and elegant. Create unique & elegant logotype, use it as an elegant for your next project headlines, logotype designs, posters or t-shirts, business cards. Thanks!

Inspired from geometric curves and circles, an audacious lower case display face with some alternate characters in Upper and Lower case glyphs. Great for Logos and Logotypes, headlines and larger text. Works well with smaller strap lines as well.

Jambo ('hello' in Swahili) is a cute and bouncy typeface. I guess you can say that it is didone-ish in nature, but comic would also be an apt description. Jambo has generous curves, swirls and curls and comes with a jumbo amount of diacritics.

Bertolessi is a Roman face made fun, with a healthy dose of filigree curves thrown into the mix. It's an ideal compliment to our extensive Bertoni family, but can be used anywhere a bit of humour and flair is required. Get with the curls!

Hurley 1967 is a bold script, with clean lines and smooth curve combined with beautiful features! Simply amazing fonts, comes with 7 styles. Hurley 1967 has a bunch of styles as a families to designed lettering style logotype using the fonts.

Pomponianus comes from a 4th century inscription found in North Africa. It is an attractive example of early uncial lettering. Uncial inscriptions are quite uncommon, because although the style was well suited for writing on vellum, the curved letters made it more difficult to carve in stone.

Introducing Polyglot Neue Typeface Redesign previous typeface, It’s Polyglot and “Neue” it’s means New. The unique and fashionable font with tons of ligatures uppercase and lowercase. and supports multilingual languages. the straight lines combined with a slight curve make polyglot look minimalist and elegant. Create unique & elegant logotype, use it as an elegant for your next project headlines, logotype designs, posters or t-shirts, business cards. Thanks!

Introducing Nihilism, a meticulously crafted script font that strikes the perfect balance between graceful curves and distinctive personality. Ideal for crafting logotypes that leave a lasting impression, designing captivating posters, and so much more. Let Nihilism infuse your designs with a touch of charm and style.

The Rayters is a Modern bold script. Rayters is handcrafted Carefully with smooth curves so this font is great for Branding, Logo Design, Lettering, Logotype, Clothing, Poster, magazine, and other design project. The Rayters Character Set : to see more of our work visit our website: skillyasstudio.com

Falstaff first appeared with Monotype in 1931, an alphabet in the style of a wide, bold antiqua that was especially popular in the first third of the 19th century. Such typefaces distinguished themselves through their consistent basis in the transitional antiqua style. They are characterized by their extremely fine unflexed serifs with no curve connecting them to the thick strokes. The numerals with their generous curves and ball-like stroke endings and beginnings are particularly decorative. The vertical strokes are dominant and give lines of this typeface a column-like and therefore static look. Falstaff is today often used for book titling, especially for mystery novels. It is best used sparingly in middle and larger point sizes.

Monotype Hei3 HK is a modulated and transitional Chinese design with structure, diǎn, piē and nà carry Song style, while horizontal & vertical strokes are relatively simple. This mix of ancient and modern elements with low contrast is something that you can find in wood carving: rigid while balanced with softness.

Monotype Hei3 PRC is a modulated and transitional Chinese design with structure, diǎn, piē and nà carry Song style, while horizontal & vertical strokes are relatively simple. This mix of ancient and modern elements with low contrast is something that you can find in wood carving: rigid while balanced with softness

Zanardini it’s a bold serif display font with a high contrast between the stem width and between sharp and curvy terminals and slab / egyptian serifs. All the glyphs was freehand drawn so the curves are strong and they create more interesting shapes in the negative space between the letters. Use it irresponsibly!

Aloyesia is a condensed serif display font that has beautiful curves. This unique font is perfect for creating beautiful logotypes, stunning magazine designs and more. Aloyesia provides a collection of glyphs with unique shapes. With alternative styles and ligature features, this font is perfect for complementing various projects.

Kodaro font is an unique and quirky display typeface with unique curves and a dreamy flow. It loops and swoops in a delicate dance that is never boring. Use this dainty serif as a memorable logotype or header and pair it with something contrasting and clean. ( My suggestions: Futura/Lato/Montserrat )

Avantgarde fonts Batory and Batoswash are monoline sansserifs designed by Bo Berndal. The futuristic Batory (think Bladerunner and Total Recall) and the spicier relative Batoswash come in three versions: Narrow, Middle and Wide. The font family is available in Truetype and Postscript for Mac and PC. Bo Berndal, born 1924, has been designing typefaces over 56 years, for Monotype, Linotype and other foundries. "Batory is a monoline reaction to my many calligraphic fonts", says Bo Berndal. "That is also the reason I did several widths instead of weights. Batory has short stems and high x-height. Batoswash is a Batory gone wild!" The successful Batory has already been used for logotypes, vignettes in magazines and as headline type.

Avantgarde fonts Batory and Batoswash are monoline sansserifs designed by Bo Berndal. The futuristic Batory (think Bladerunner and Total Recall) and the spicier relative Batoswash come in three versions: Narrow, Middle and Wide. The font family is available in Truetype and Postscript for Mac and PC. Bo Berndal, born 1924, has been designing typefaces over 56 years, for Monotype, Linotype and other foundries. “Batory is a monoline reaction to my many calligraphic fonts”, says Bo Berndal. "That is also the reason I did several widths instead of weights. Batory has short stems and high x-height. Batoswash is a Batory gone wild!" The successful Batory has already been used for logotypes, vignettes in magazines and as headline type.

Dragon Scribble Graffiti is a display font with Curved graffiti style. It will elevate a wide range of design projects to the highest level, be it branding, headings, wedding designs, tittle, signatures, logos, labels, movie, video, magazine, logotype, crafting, packaging, advertising and much more! thank you very much, and have a nice day.

This simple design keeps its elegance through slight curves like satin draped over skin. Satin is tall and sleek. The curves are not completely symmetrical. The curves are perfectly balanced with long curves on the bottom half and shorter more dramatic curves in the ascenders.

Brotherline is a connected script built from a single bold mono-line, inspired by hand-lettering style and various calligraphy letterforms.The first idea with this font is to create a font for Logotypes. Curves are smooth and flow with very nice circle shapes. This font is great for logos, logotypes, packaging, and store-front or signboard. NOTE: To access the alternate glyphs, you will need a program that supports OpenType Features. Activate the Ligature (liga) and Contextual Alternates (calt) for better experience.

Owl is an amusing, childish, ornamental font whose features include spontaneity of thick, curved and smooth strokes with sharp edges. This font includes lowercase and uppercase capital letters. Character map contains all Latin and Cyrillic glyphs of European languages. It is suitable for various headings designed for children: logotypes, books, packages, leaflets, posters, T-shirts, television, advertisements.

Nokio is a clean, minimalist Sans Serif typeface designed in 2013 by TypeUnion. Nokio uses clean lines and curves matched with smooth, rounded terminals to produce a structured typeface with a subtle playfulness. Nokio is made up of 5 weights, and is built for multiple uses, from digital applications such as Apps and Websites to logotypes and print applications.

Inspired by midcentury motorsports, technology, and business, Turismo CF is designed for stunning logotypes and gripping headlines. Constructed from strong rectangles with sloping, elongated curves and a confident, affable stance. Turismo CF is a display typeface pairs well with mellow, text-friendly serifs that won't compete visually, like Artifex CF, or humanist typefaces like Artifex Hand CF.

Elaya Script is a formal and flowing script typeface. Silky and smooth curves, but with a straight and rigid backbone. Perfect for logotypes and titles of a project to emit friendly earnestness. The font contains OpenType functions such as alternates and ligatures. It supports all European Latin-based languages and has all necessary punctuation and symbols.

The Cochin font is based on the work of eighteenth-century punchcutter, Cochin. Charles Peignot commissioned the revival of this strong typeface in 1912. The capitals are squarish. The lowercase has long ascenders and sharp serifs, giving Cochin an unusual elegance. The curved ascender in the italic lowercase d is a major characteristic and the p and q lack foot serifs. Cochins overall vivacity derives from the engravings on copper, produced in France in the eighteenth century. Cochin is a trademark of Linotype Corp. registered in the U.S. Patent and Trademark Office and may be registered in certain other jurisdictions in the name of Linotype Corp. or its licensee Linotype GmbH.

German designer Jürgen Weltin designed Linotype Finnegan, a modern text design with roots in the humanist letterforms of the Renaissance. As the recognizable direction of movement in writing runs from upper left to lower right, Weltin mimicked this in his design: Linotype Finnegan's up and down strokes end in residual serifs. All of the thick strokes have a taper; horizontal strokes and curves are noticeably thinner than the verticals. This dynamic nature lends a combination of individualness and energy, along with a high degree of variety, to Linotype Finnegan. Linotype Finnegan is a wholly new and unique typeface. It distinguishes itself through its extreme legibility, originality, and formal excellence. Linotype Finnegan makes fun to read longer texts non-stop. However, the typeface never distracts the attention from the text's content by forcing itself too much into the foreground.