Black Finger is a allcaps hand brushed font, with natural authentic brush, and also provided some alternate, ligatures and Swashes Extra. Brand new stylish textured fonts and Make it easy for made logotype Handlettering Style. It will be great for Logotypes, Posters, Digital Lettering Arts, Clean Design, Branding Design, Sign, Merchandise and Social Media Posts. This font contain of Uppercase, Lowercase, Number, Symbol, Punctuation, also support multilingual and already PUA encoded.

In 1927 Albert Auspurg cut Trocadero for the Trennert foundry in Hamburg. This new version is not a mere digitalization, but many letterforms were altered and updated, and missing links in the complete alphabet had been drawn afresh. Out came a beautiful cursive font with a certain charm of its own which covers beside the West European languages also those of Central Europe and Turkish.

Foundry Origin has an elemental quality hinting at its ‘Egyptian’ roots. Developed out of the desire to create a serif typeface with a difference, Foundry Origin's elegant design and versatile family of weights, with lyrical cursive italic, generous x-height and classical proportions, make it ideal for editorial and information design. A quiet design with a big presence, tipped to become a modern classic.

The pattern for this delightful little font was originally released as Bernhard Heavy Antique Cursive by the Bauersche Geißerei of Frankfurt am Main and designed, of course, by Lucien Bernhard. Dippy, trippy, under the radar and over the top. The Postscript and Truetype versions contain a complete Latin language character set (Unicode 1252); in addition, the Opentype version supports Unicode 1250 (Central European) languages as well.

Merkén is a typeface inspired in the Slab Serif fonts designed by Vincent Figgins in the early 20th century: his famous designs; Antique and Egiziano, were the main references when developing this project. The typeface is perfect for headlines, medium length texts, branding and advertising. His original set is strong and spicy but it also has an alternative set which is cursive and kind.

Calligraphic font born from mixing chancery cursive strokes with some copperplate gestures. Kyrenia is the italic counterpart of Agony TTW. You can combine Kyrenia’s four different styles to create the illusion of handmade, along with a lot of ligatures and some alternate endings. This four styles are Quill (the basic one), Broad (taller and stiffer), Swash (ornamental and romantic) and Monster (a hypnotic strange blend).

Samsara is a cursive typeface inspired by calligraphy tools. Its shapes and gestures convey an organic-modern style which generates the texture of a brush tip. Samsara not only has a great versatility, but also is suitably to create short texts such as branding and short messages. It comes with OpenType features, stylistic sets, special ligatures, and swashes, which were designed specially to let your imagination fly.

“My goal in creating the Cardamon family,” says Brigitte Schuster of her first design, “was to make an unobtrusive serif typeface which, at the same time, has a determined and straightforward demeanor.” “I wanted to design a typeface with sharp edges and corners,” explains Schuster. “I was influenced by the angularities in Vojtěch Preissig‘s “Antiqua” and “Cursive” in addition to Oldřich Menhart‘s “Menhart” typeface.”

Ottocento is an elegant chancery cursive, derived from XIXth century Italian calligraphy. Slightly inclined and with a fast and marked ductus, this font is well balanced between thick and thin strokes and shows marked ascendings and descendings.
 Ottocento is rich in stylistic variations with its elaborated upper cases, and stylistically different in traits and different ligatures are considered to make the most of the many OpenType features.

Warm and human, yet reliable and precise. Catchfire blends humanist proportions and geometric features. The result is a sans serif typeface with strong personality traits, but that can fulfil everyday needs. It is very legible due to its open counters. It boasts a large character-set, OpenType features, circled numbers, wide range of weights, cursive italics : everything needed to become your new companion for years to come!

A bold engraver type style with a Wall Street look.

Savage Adventure, a bold, modern and informal font with personality.

A bold-face font with interesting lower case letter forms.

Bullterrier is a bold type of font that has a unique character than other bold fonts, Bullterrier has a strong but soft character, with an elegant and fresh theme, Bullterrier is provide your something different unique bold font . Its weight excels in logos, posters, social media, magazine titles, clothing, large print formats – and anywhere you want to see it. Inspired by the design styles that are currently popular, let’s make your imagination come true with Bullterrier.

Regon is a modern sans serif typeface/font family (18 fonts) designed with carefully handcrafted. This perfectly made to be applied in logo or branding, stationery, books, packaging, fashion, magazines, t-shirt, novels, labels and many advertising purposes. Styles: Thin, Extra Light, Light, Regular, Medium, Semi Bold, Bold, Extra Bold, Black (All with Italic). Features: Uppercase, Lowercase, Number, Punctuation, Symbol, Multilingual. All the pictures used in the preview are not included. They are intended only for illustration purpose.

Hello, let me introduce my font called de Floras - 5 Fonts Family. de Floras is a lovely and beautiful script typeface that designs manually by hand and love. de Floras comes with 5 weight, light, regular, semi bold, bold and extra bold. de Floras comes with a beautiful start and end swash that made who look for the first time is falling in love. Very suitable for designing wedding cards, birthday cards, invitation, greeting, and many more.

Introducing Bryson, A bold sans serif ligature typeface. The Bryson typeface is characterized by simple but distinctive shapes. The typeface is very eye catching, its tight kerning and bold shapes makes it great for retro designs. You can use it for a wide range of projects, including print and web. If you are looking for something bold and retro for you next project, Bryson is the typeface for you. I hope you enjoy using the Bryson typeface.

Central Vintage - Display Font is a striking font that seamlessly blends the boldness of a display style with the groovy charm of vintage aesthetics. This font exudes a perfect balance of retro nostalgia and modern appeal, making it a versatile choice for a variety of design projects. With its bold and groovy serif style, Central Vintage is ideal for logos, quotes, posters, titles, product branding, invitation cards, printing materials, and any design that requires a bold and impactful font.

Avilock is powerful bold display font Perfect for typography purposes that require a strong but subtle identity. Avaialble in all caps character, works great in any branding, logos, magazines and films. Features : - 6 Variant of Avilock Display (Included : Regular, Italic, Bold, Bold Italic, Rounded, Outline) - Multilingual Support and Punctuations Character. Feel free to message me if you have any questions or any requests. I will be happy to help you as much as possible, Thank You.

Sheko is a creative headline pixel font that looks great on any retro design. Sheko is designed to be very eye catching, it’s tight kerning and bold letters makes it great for bold headline vintage designs. You can use Sheko for a wide range of projects, including print and web. If you are looking for something bold and retro for you next project, Sheko is the font for you. I hope you enjoy using the Sheko font.

Turia is a casual script font with a lot of OpenType features, which let you create your own design logo or lettering artwork.  This font contain 768 glyphs: discretional and standard ligatures, stylistic and contextual alternates, small caps, titling, swashes, old style figures, ornaments and support CE languages. The Turia font has been thought especially for an expressive and dynamic design. Its glyphs are carefully drawn without loosing readability for use in a large text.  This font could be used in a advertising, booklets, children books, labels, packaging, logotypes, cards or whatever your imagination wants to fly.

Bionik is a squarish serif, especially designed for contemporary typography on print and screen. The super ellipse-based forms and high x-height allow large and open letterforms, perfectly adapted to the pixel grid on screen. With light rounded corners Bionik provides a soft and friendly atmosphere. The font contains 6 weights from ExtraLight to ExtraBold plus true italics. 944 glyphs include 218 ligatures, small caps, tabular, old style, fractions …, and a wide range of flexibility for latin language support for every typographical needs. Bionik is a contemporary serif typeface, special for logotypes, brands, magazines and editorial.

Burma perfectly represents vintage aesthetics sans serif display typefaces. This project is inspired by beautiful lettering on old label. It come with 4 style (regular, soft, rough and outline). Some letters contain beautiful stylistic alternates characters (ss01 - ss04) and feature ligatures. Burma can be applied in designs such as logotypes, posters, packaging, branding, quotes, badge and more custom design. It features uppercase, lowercase, numeral, punctuation & symbol, ligatures, alternates, multilingual support, and is PUA encoded (fully accessible without additional design software). How to get access alternate glyphs with designing software to open type fonts check this link: http://adobe.ly/1m1fn4Y

Albertson is strong retro font. Made with vintage references like an old school automotive, signage, cowboy, lumberjack, woodwork, and DIY handicraft. The modern western font that you can apply for your classic design such as the logo, logotype, label, packaging, signage, and more! Albertson is an all-caps font with a strong design, equipped with 4 sets of alternates characters that you can mix and match to get the more solid typographic looks! Also complete with multilingual, packed in total 350+ glyphs. Fonts featured : Uppercase Smallcaps Numbers & Punctuation Stylistic set 01-04 Accented characters Thank you for your support!

Bestline is my new elegant serif font that will give your projects a touch of luxury and style. It’s perfect for logotypes, branding, monograms and wedding invitations, blog headlines, and more. Browse through all the previews and get as inspired as I was when creating this font. what will you have: Uppercase and lowercase letters Numbers and punctuation Multilingual support PUA encoded fonts Alternative styles and ligatures Supported Languages: Armenian, Baltic, Central/Eastern Europe, Cyrillic, Elymaic, English, Ethiopic, Georgian, Old Hungarian, Romanian, Southeast Asia, Western Europe Please contact us if you have any questions, we are happy to help you!

Rogmans is a display font which looks great for modern theme but still has classy feel. Very suitable for for headline, logotype, apparel, invitation, branding, packaging, advertising etc with old school / vintage as well as modern theme. It comes in uppercase, lowercase, punctuations, symbols & numerals, stylistic set alternate, ligatures, etc also support multilingual and already PUA encoded. Features : - uppercase and lowercase - numbers and punctuation - multilingual - alternates and ligatures - PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.

Quador is a squarish serif, especially designed for contemporary typography on print and screen. The superellipse-based forms and high x-height allow large and open letterforms, perfectly adapted to the pixel grid on screen. With rounded serifs Quador provides a soft and friendly atmosphere. The font contains 6 weights from light to ultrabold plus true italics. 1.115 glyphs include 187 ligatures, small caps, tabular, old style, fractions …, and a wide range of flexibility for latin language and cyrillic support for every typographical needs. Quador is a contemporary serif typeface, special for logotypes, brands, magazines and editorial.

Introducing, Lunette Typeface. It's strong and classy with an elegant touch of typeface. A unique modern font that is a mix of old and new. Lunette boasts 3 stunning styles, with beautiful upper and lower case letters, numbers, and punctuation marks. Lunette Typeface is perfectly suitable for a layout design for quotes or body copy, best used as a display for headings, logos, branding, magazines, product packaging, invitations: logotypes, and much more. Don't wait to add this font to your collection and explore the uniqueness of this typeface! Features : All Uppercase and Lowercase Number & Symbol Supported Languages Ligatures PUA Encoded

RiptCure is a futuristic, but usable typeface for everything from logotypes to magazine headlines. Several weights are included, including an interesting Ultra Light.

This font is perfect for many projects, such as brands, quotes, invitations, cards, product packaging, headers, logotypes, posters, apparel designs, movies, and etc.

Kerb is a contemporary sans serif font created with wide letterforms and subtle bowed vertical strokes. Fantastic font for logotype and headline use.

Diskus is a trademark of Linotype GmbH registered in the U.S. Patent and Trademark Office and may be registered in certain other jurisdictions.

Birch Beer JNL comes from lettering spotted on a European business sign found in some stock footage that was used for an old black and white film about World War II. The name is derived from a popular root beer-like soda sold by the Royal Castle Restaurants that were popular in Florida from the 1930s through the 1970s.

Best Choice is a family of next-generation monospaced fonts for developing, programming, coding, and table layout. Some desirable features in monospaced fonts are listed below. 1.Easy to distinguish 2.Easy to identify 3.Easy to read Best Choice has very distinguishing letterforms for confusable letters such as Zero&Oh, One&I, and Two&Z. A lot of ingenuity makes this family very distinguishable. Italics have a very large inclination angle to be distinguished from their Roman. For the same reason, Italics are slightly lighter than Romans. Italic is not cursive Italic. It is near the slanted Roman. This is an intentional design to identify Italic letters. Cursive is not suitable for programming font. Very clean and natural letterform is good for reading. Common curvature for tails and hooks makes harmony and a sense of unity. Best Choice supports almost all Latin including Vietnamese and Cyrillic. Try this all-new experiment.

Choosing fonts for design projects can be an endless task to do because there’s thousands of fonts out there all that you could use. Wait no more, we will give you the best choice. Reverse Vintage-A Display Font The Reverse Vintage aims to bring out a modern and stylish view. This font is made specifically designed to fit a variety of different content needs and projects. Everything’s well with cursive! The curvature of the Reverse Vintage was fully thought out to easily meld inside your designs. These fonts make a good foundation of what you want it to be. Show your opulence and decadence with this fancy font and blow your audience’s mind away as you put these cursive letters in your projects. Reverse Vintage includes Multilingual Support to make your branding reach a global audience. Features: Ligature Stylistic Alternates Swashes PUA Encoded Numerals and Punctuation Thank you for downloading premium fonts from Din Studio

The Mutamathil Taqlidi type family is the largest size member of the Mutamathil type style. It has one glyph for every basic Arabic Unicode character or letter and one additional, final-position, glyph for each Arabic letter that is normally connected with other letters from both sides in traditional cursive Arabic strings. With each glyph being slightly symmetrical around its vertical axis, this family is only suitable for right to left ordering. The Mutamathil Taqlidi family includes all required Lam-Alif ligatures and uses final position glyph substitutions, ligature substitutions, and marks positioning. Text strings composed using types of this family are non-cursive with stand alone isolated glyphs. The Mutamathil Taqlidi family includes both Arabic and Arabic-Indic numerals, all required diacritic marks, in addition to all standard English keyboard punctuations and major currency symbols. The fonts in this family support the following scripts: Arabic, Persian, Urdu, Pashtu, Kurdish, Baluchi, Kashmiri, Kazakh, Sindhi, Uyghur, Turkic, and all extended Arabic scripts.

Looking like gifted jelly and falling in between cushions and cat food, this plump and inviting letter mixes simplicity with organic style for a wide range of uses. Jellybrush's compact cursive forms and robust friendliness draw on artbrush scripts, blending brush effects with synthetic forms. A versatile workhorse suitable for: * Dairy & beverage * Sweets & soft drink * Five minute food & sauces * Pet food & accessories * Bathroom & kitchen * Cushions, pillows, rubber & swimming pool, etc. Jellybrush is designed to take squishing and outline treatments and still look good. Squish it down in your application of choice, the letter proportions withstand horizontal compression easily. Jellybrush italic is a subtly-slanted fully cursive variant with the character width, counter size and hanging figures required for good text performance. Designed for supplementary text for packaging and advertising comps and any application requiring readable text matching the main font. The font packages contain two (2) formats of Jellybrush, in OpenType & TrueType flavors.

Handsome was the first digital typeface to resemble nice, ordinary, fully cursive handwriting. Or neon. In 2005, Handsome Pro was one of the first script typefaces to utilize the OpenType format to simulate the natural quality of writing, by automatically substituting alternate contextual glyphs. The effect follows the conventional “joining rules” of calligraphy, which are a formalization of the way in which letter forms are modified in cursive handwriting for the sake of speed and efficiency—and also perhaps to make life more interesting. For the look of real handwriting, Handsome is most convincing at around 15 pts. At much smaller or larger sizes it works differently. At display size, the feel of the non-nib styles is very slick, more like a speedball Kauffman, owing to the smoothness of the finish. As script fonts go, Handsome has a relatively large x-height, which can be useful if you don't want the “writing” to look too small.