Cynosure Soft is a rounded, friendly version of Cynosur, a humanist sans with a subtle thick/thin stress. This gives it a clean, sharp elegance and precision that can be missing in some more familiar monoline sans faces. The wide range of weights and the matching reweighed italics make it a versatile solution where a consistent appearance across a broad range of applications is required. Its clear and inarguable design make it suitable for a wide variety of uses, from corporate to entertainment, text to headline, signage, logotypes, magazines and reports. The italics retain the design of the upright across all characters, again ensuring consistency. Includes tabular, lining and old-style numerals.

The slick and sexy letterforms of Ace ACTION COMICS artist, Pascual Ferry, are the latest to join our MASTERS OF COMIC BOOK ART font line. Pascual's work on the SUPERGIRLS storyline in ACTION made us want to lick each page -- but, y'know, not when anyone was looking... we know they're just comic book characters, they're not REAL and we don't fancy them or anything -- Uhhh... so we were delighted when Pascual invited us to create this stylin' sans souciant family of fonts for him. All we asked for in return was this smokin' alternate cover for the next issue of HIP FLASK... Hey, don't lick your monitor, you might get an electric shock...

Nothing Matter - Stylish Handwritten Font. Simple but stylish handwritten monoline font. Equipped with ligatures and alternatives characters make it more natural. Suitable for wedding invitation designs, quotes, logos and branding. Features: Uppercase, Lowercase, Numeral, Punctuation, Multilingual, Alternates, Ligatures & PUA Encoded. Multilingual contained: Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Breton, Catalan, Chiga, Cornish, Danish, Dutch, English, Estonian, Filipino, Finnish, French, Friulian, Galician, German, Gusii, Indonesian, Irish, Italian, Kabuverdianu, Kalenjin, Kinyarwanda, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Manx, Morisyen, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Portuguese, Quechua, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Shambala, Shona, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Uzbek (Latin), Volapük, Vunjo, Zulu. Thanks!

Introducing, Krostenia - a monoline script with a touch of vintage look and feel. You will also get 12 detailed hand drawn objects ready to use. This type of font perfectly made to be applied especially in logo, headline, signage and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : uppercase & lowercase numbers and punctuation multilingual alternates / swashes and ligatures PUA encoded 12 hand drawn objects We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.

Discórdia is a type-family of contrasting contrasts. Each of the four members of the family has a different contrast type. Regular has broad-nib contrast, Bold has horizontal contrast, the Italic is monoline, which means it has no apparent contrast, and Bold Italic is... Well, it’s probably best if see for yourself. These different design structures were fine-tuned to work well together in the same line, creating emphasis and hierarchy through a mini-super-family that groups a wedge-serif Regular, a slab-serif Bold, a sans-serif-ish Italic and a twisted Bold Italic. Naipe teamed up with Ben Nathan of Hafontia to extend Discórdia and give full Hebrew Support. Coming soon!

There are thousands of pieces of vintage sheet music available for collectors and curiosity seekers. Prior to the 1930s, a large percentage of them had wonderfully hand-lettered titles on the covers, but gradually there was a shift by music publishers to utilizing metal type for the bulk of their output. Normally set in an all-caps format, certain type faces reappeared in growing frequency and familiarity. Composer JNL is one such example of a “workhorse” font, and has been re-drawn and reinterpreted by Jeff Levine Fonts in both regular and oblique versions. It is based on the design "Glamour", released by Lanston Monotype in 1948; which in turn was based on "Corvinus", designed by Imre Reiner.

Falstaff first appeared with Monotype in 1931, an alphabet in the style of a wide, bold antiqua that was especially popular in the first third of the 19th century. Such typefaces distinguished themselves through their consistent basis in the transitional antiqua style. They are characterized by their extremely fine unflexed serifs with no curve connecting them to the thick strokes. The numerals with their generous curves and ball-like stroke endings and beginnings are particularly decorative. The vertical strokes are dominant and give lines of this typeface a column-like and therefore static look. Falstaff is today often used for book titling, especially for mystery novels. It is best used sparingly in middle and larger point sizes.

Setting Fires is a beautiful, sweet font, a vintage monoline with movement and grace. This is a unique script for you. This font contain ligatures, many stylistic alternate, swashes. It is also support multi language. Setting Fires has an elegant and stunning effect as display font which makes it perfect for branding projects, logos, wedding designs, social media posts, advertisements, product packaging, product designs, labels, photography, watermark, invitation, stationery and any projects that needs a handwriting touch. What's Included? - More than 100 of glyphs - Ligatures & Stylistic Alternate - Works on PC & Mac - Simple Installations - Accessible in the Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even work on Microsoft Word. - PUA Encoded Characters - Fully accessible without additional design software. - Multilingual Support

Introducing Guthers, a monoline script font. It's perfect for logotype, headline, apparel, quotes, posters, and labels to create a vintage look. Whats Included? 1. Uppercase and lowercase characters 2. Supports international languages 3. Features: Uppercase, Lowercase, numeral & punctuation, multilanguage, stylistic alternates, and ligatures 4. Accessible in the Adobe Illustrator Glyphs panel, or under Stylistic Alternates in the Adobe Photoshop OpenType menu, Adobe InDesign, Corel Draw, even work on Microsoft Word. 5. OTF files PUA Encoded Characters - Fully accessible without additional design software. Thanks for looking, and I hope you enjoy it! Please don't hesitate to drop me a message if you have any issues or queries. Best Regads, Ibnu Utomo e-mail: ibnu.blawong2@gmail.com

Nimrod was released by Monotype in 1980. Designed for current newspaper technology, the Nimrod font family evolved as a result of extensive examination of newspaper industry needs. Nimrod retains many of the features of the traditional newspaper Ionics, but some of the fussier detailing has been replaced by the more sober forms of the old styles, such as Plantin. A highly legible font family, especially in smaller sizes, its clear unambiguous character shapes make easily readable blocks of text. Nimrod also withstands the degradation encountered in newspaper production and printing. First used for body text in the Leicester Mercury newspaper, the Nimrod font family has subsequently become a popular choice in newspapers for text and headlines.

In researching historic decorative material offered by Lanston Monotype as well as other metal foundries such as Barnhart Brothers and Spindler, there were occasionally ornaments that defied description. Perhaps it was a Victorian sense of humor or someone really thought these were a good idea or perhaps popular taste has just changed so much over the last hundred years, or our forbearers were completely insane. In any case, LTC is somewhat proud to present a collection of the most bizarre, disturbing and baffling printers ornaments we could find. Along with mutant fowl-children and frolicsome amphibians, there are also Masonic and other secret fraternal symbols that may not be creepy to everyone, but just enough to be moderately disturbing.

Arial was designed for Monotype in 1982 by Robin Nicholas and Patricia Saunders. A contemporary sans serif design, Arial contains more humanist characteristics than many of its predecessors and as such is more in tune with the mood of the last decades of the twentieth century. The overall treatment of curves is softer and fuller than in most industrial style sans serif faces. Terminal strokes are cut on the diagonal which helps to give the face a less mechanical appearance. Arial is an extremely versatile family of typefaces which can be used with equal success for text setting in reports, presentations, magazines etc, and for display use in newspapers, advertising and promotions.

Introducing, The Randi - A monoline handwritten script with classy look. This type of font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : uppercase & lowercase numbers and punctuation multilingual swash and ligature alternates PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations. How to access opentype feature : letterhend.com/tutorials/using-opentype-feature-in-any-software/ Email us to letterhend@gmail.com if you need something! Happy Designing!

Loncherita is a typeface created by Fabio Eduardo Godoy Angel and has 5 files: Fill, Fill Outline, Shadow 1, Shadow 2 and dingbats variables. Its purpose is to serve as a childish fantasy modular typography useful in logo design and merchandising. It is also recommended to compose expressive titles that need the option in which letters can be colored by layers. In that sense Loncherita is a typeface with logic italic vertical logical and its amount of contrast between thick and thin strokes is monoline, its antlers are mullets and rounded ends. It is also important to note that ii has 26 Dingbats designed to be point of attention and illustrate countless children and playful issues.

The Dountyland is a bold monoline script with a touch of vintage look and feel. This type of font perfectly made to be applied especially in logo, headline, signage and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : uppercase & lowercase numbers and punctuation multilingual alternates / swashes and ligatures PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations. How to access opentype feature : letterhend.com/tutorials/using-opentype-feature-in-any-software/

Introducing the monoline calligraphy script font, Castley is a beautiful and elegant script font designed for signature logos, wedding invitations, custom branding, websites, social media and is perfect for a couple's name or anything that needs a soft and romantic touch. Italic versions are included for a more organic analog handwriting feel. To enable the OpenType Stylistic alternative, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or a later version. There are additional ways to access the swashes, using the Character Map (Windows), Nexus Fonts (Windows), Font Books (Mac) or a software program such as PopChar (for Windows and Mac).

Torus Variations are an addition to the original monoline Torus family from 2017. The four new styles are Biline, Outline, Inline and Notched. The Torus family has been designed specifically for use in logo design, headlines and for branding purposes. While the default character sets are distinctive in their own right, graphic designers will love playing with the numerous alternate glyphs that will help them create unique wordmarks and logo designs. Torus’ simplistic forms and soft terminals make this a lovely, warm typeface perfect for a multitude of typographic applications. Key features: • 4 styles • 6 weights • 49 Alternates (via 2 Stylistic Sets) • Full European character set (Latin only) • 550+ glyphs per font.

Heliopride A Monoline Script Font was fully thought out to easily meld inside your designs. An excellent choice to add the right amount of elegance. This custom-made font was specifically designed to fit whatever you need. Perfect for social media posts and ads, printed quotes, t-shirt designs, packaging, or even as a modern text overlay to any background image. Heliopride Handwriting Font multilingual support: Afrikaans, Albanian, Catalan, Danish, Dutch, English, Estonian, French, Finnish, German, Icelandic, Indonesian, Italian, Malay, Norwegian, Portuguese, Spanish, Swedish, Zulu, and many more. What’s Included : Standard & Multilingual glyphs Ligature Works on PC & Mac Simple installations Accessible in Adobe Illustrator, Adobe Photoshop, Adobe InDesign, and even work on Microsoft Word. Hope you enjoy our font!

Las Palmas is a vintage type collection with print texture. • Brush - Two weights of a connected Brush Script with Contextual and Swash Alternates • Pen - A connected monoline Script with Contextual and Swash Alternates • Slab - Two weights of a chunky Slab Serif with rounded corners, Bold has the same proportions but fuller texture. • Condensed - A bold and tight condensed Sans Serif with rounded corners. Las Palmas fonts are designed to work together - in pairs or more. Las Palmas is great for branding, posters or any display use. If you need a clean version of Las Palmas try Steak And Cheese by Fenotype. All fonts are PUA encoded and have a wide language support.

Bowline Script is a classic monoline cursive script font. This family of 3 fonts has 2 weight options and a Vintage version. Bowline Script is inspired by classic cursive handwriting, the great thing about Bowline Script is its versatile use, it can be used in a retro way or a more modern, clean approach. Anchor script was created with the designer in mind by including some useful stylistic alternates and some swash elements that compliment the font. Use Bowline Script in a range of items like packaging, posters, logotypes, branding, book covers, magazines, wedding stationery and much more. You have the options to keep it clean and modern or take it back to a vintage era.

Arial was designed for Monotype in 1982 by Robin Nicholas and Patricia Saunders. A contemporary sans serif design, Arial contains more humanist characteristics than many of its predecessors and as such is more in tune with the mood of the last decades of the twentieth century. The overall treatment of curves is softer and fuller than in most industrial style sans serif faces. Terminal strokes are cut on the diagonal which helps to give the face a less mechanical appearance. Arial is an extremely versatile family of typefaces which can be used with equal success for text setting in reports, presentations, magazines etc, and for display use in newspapers, advertising and promotions.

The ITC Blair™ typeface is a revival and reimaging of an early 20th century metal typeface of the same name. Even though only available as single weights of extended and condensed proportions, metal fonts of the face were sold well into the 1950s. In 1997, Jim Spiece resurrected the original extended design for digital imaging and, in the process, added two new weights. Almost 20 years later, he collaborated with Monotype type designers to extend the basic family again. The result was a new suite of three condensed designs and italic complements for all the roman weights. The family also benefits from a large set of alternative glyphs and many OpenType® features.

Arial was designed for Monotype in 1982 by Robin Nicholas and Patricia Saunders. A contemporary sans serif design, Arial contains more humanist characteristics than many of its predecessors and as such is more in tune with the mood of the last decades of the twentieth century. The overall treatment of curves is softer and fuller than in most industrial style sans serif faces. Terminal strokes are cut on the diagonal which helps to give the face a less mechanical appearance. Arial is an extremely versatile family of typefaces which can be used with equal success for text setting in reports, presentations, magazines etc, and for display use in newspapers, advertising and promotions.

Arista Pro is the definitive version of the successful Arista typeface, designed by Francesco Canovaro, first released in 2007 as Arista Z and then reissued as Arista 2.0 in 2010. The pro version of Arista features the geometric and soft approach of the original typeface but comes in a full range of weights and two alternate versions (Arista Pro Regular and Arista Pro alternate version). The typeface has been expanded with the inclusion of Greek and Cyrillic alphabets as well as an extended range of latin characters. A companion icon typeface, Arista Pro Icon, has been developed, allowing for variable-width monoline icons that can be used to faultlessly match the typeface line width, up to semibold weight.

Curwen Sans is a monoline sans-serif dating from the early twentieth century. Though contemporary with Johnston’s Underground and Gill Sans, and emerging from the same artistic milieu, Curwen Sans was created solely for in-house use at the Curwen Press in London so never achieved a wide audience or recognition. The original face was cut only in a Medium weight, but the new digital family consists of four weights, each with an optically corrected Oblique, and all containing a full complement of Latin Extended-A characters. K-Type Curwen Sans comprises three packages: • Basic Family (Regular, Oblique, Bold, and Bold Oblique) • Light (Light and Light Oblique) • Medium (Medium and Medium Oblique)

Monolinear Vintage Elegance The Gimbel Script typeface was inspired by a monoline, semi-connected script from a 1930's holiday greeting card. From its ascenders and descenders that stretch high and low to its gentle curviness Gimbel Script exudes the elegance of a bygone era while standing on a thin line between formal and casual lettering styles. See the 5th graphic for a comprehensive character map preview. Gimbel Script Opentype features include: - Swash Alternates for an alternate M and N. - Stylistic Alternates & SS01-SS06 Stylesets for 151 varying forms. - 219 Ligatures for a smoother typesetting experience, along with 181 initial, middle and final forms. - Full set of Inferiors and Superiors for Limitless Fractions. - Proportional, Tabular and Oldstyle figure sets.

Hi...Thank for your visit :) Jaroslaw a monoline bold script font is a unique script font with many swash. It features swash characters that will take your projects to the next level! This font is PUA code which means you can easily access all the glyphs and swashes that are full of unique! It also features many special features including glyphs. font designs that are made for various vector designs, printing such as digital wedding blogs, online shops, social media, while printing can be used in the field of product clothing, accessories, bags, pins, logos, business cards, watermarks and many others ... so it can make your product look cute and attractive, and also Multilingual support!!! Happy design ...

Daily Sweety is a carefully crafted script monoline font by Objectype Studio. This font features Ligature and Alternative features, allowing you to customize your designs with unique and attractive character variations. This font is specifically designed for a market seeking feminine, minimalist, beautiful, and unique designs. With its smooth lines and elegant shapes, Daily Sweety can bring a touch of elegance and beauty to any of your designs. Daily Sweety is perfect for various types of designs such as logos, invitations, greeting cards, branding products, posters, and much more. With its wide adaptability, this font can help you create standout and memorable designs. Get Daily Sweety today and start creating amazing designs!

Get ready to transcend to a world of magic, laughter, and butterflies. Your projects will spark delight and engage everyone who sees it! Wait no more, we will give you the best choice. Vintage Bridge-A Monoline Script Font Vintage Bridge is a handcrafted font, made to bring out a slice of retro vibes. Every hand-drawn stroke and curve will delight and add brightness and fun to wherever it’s placed. Ideal to create amazing headings, logos, menus, and social media graphics. Vintage Bridges includes Multilingual Support to make your branding reach a global audience. Features: Alternates Ligatures Stylistic Set Bonus Ornament PUA Encoded Numerals and Punctuation Thank you for downloading premium fonts from Nathatype

DETAILS Tropical Thunder! A monoline script font with 2 styles, clean and stamped. Tropical Thunder font is perfect for branding, logotype, apparel, T-shirt, Hoodie, product packaging, quotes, flyer, poster, etc. Whats Include? 1. Uppercase and lowercase characters 2. Supports international languages 3. Numerals, punctuations, titling, stylistic alternates, and ligarures 4. Accessible in the Adobe Illustrator Glyphs panel, or under Stylistic Alternates in the Adobe Photoshop OpenType menu, Adobe InDesign, Corel Draw, even work on Microsoft Word. Please message me if you're unsure of any language support. Thanks for looking, and I hope you enjoy it! Please don't hesitate to drop me a message if you have any issues or queries. Omotu

Introducing a new script typeface. Who is he “Mockine”. Monoline script font with natural hand strokes. It is perfect for your design projects such as logos, branding or social media posts. Features: Uppercase, Lowercase, Numeral, Punctuation, Multilingual, Ligatures & PUA Encoded. Multilingual contained: Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Breton, Catalan, Chiga, Cornish, Danish, Dutch, English, Estonian, Filipino, Finnish, French, Friulian, Galician, German, Gusii, Indonesian, Irish, Italian, Kabuverdianu, Kalenjin, Kinyarwanda, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Manx, Morisyen, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Portuguese, Quechua, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Shambala, Shona, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Uzbek (Latin), Volapük, Vunjo, Zulu. Thanks!

Catfish is a monoline geometric script with a touch of classic and vintage and can be used for various purposes such as logos, badges, t-shirt design, signage, labels, book cover design, posters etc... The font is best used in an OpenType-aware software such as Adobe Illustrator, InDesign, MSWord etc. Please note that OpenType capabilities differ from one application to another. Underline feature was tested in Illustrator, InDesign, Photoshop and MSWord and works perfectly. The package contains a how-to pdf explaining how to use the underline feature. If you are working in Adobe Photoshop, to get an access to all glyphs you may need an additional software (for example, PopChar http://www.ergonis.com/products/popcharx/).

Haarlemmer is a recreation of a never-produced Jan Van Krimpen typeface that goes one step beyond authentic: it shows how he wanted it to be designed in the first place. The original, drawn in the late 1930s, was created for the Dutch Society for the Art of Printing and Books and was to be used to set a new edition of the Bible, using Monotype typesetting. Hence the problem: fonts for metal typesetting machines like the Linotype and Monotype had to be created within a crude system of predetermined character width values. Every letter had to fit within and have its spacing determined by a grid of only 18 units. Often, the italic characters had to share the same widths as those in the roman design. Van Krimpen believed this severely impaired the design process. The invasion of Holland in World War II halted all work on the Bible project, and the original Haarlemmer never went into production. Flash forward about sixty years. Frank E. Blokland, of The Dutch Type Library, wanted to revive the original Haarlemmer, but this time as Van Krimpen would have intended. Blokland reinterpreted the original drawings and created a typeface that matched, as much as possible, Van Krimpen's initial concept. While Van Krimpen's hand could no longer be on the tiller, a thorough study of his work made up for his absence. The result is an exceptional text family of three weights, with complementary italic designs and a full suite of small caps and old style figures. Van Krimpen would be proud.

At the turn of the 20th century monolinear alphabets were often despised for their dullness. Typographers, therefore, took great pains to breathe some kind of individuality into the monotonous sans-serif scheme. They started with subtle differentiation in the thickness of vertical and horizontal strokes and finished by improving details. By this they arrived at a more decorative appearance of the type face which thus became more regardful of the eye of the bourgeoisie. Ideal Gothic is no exception. It is characterized by a correct stiffness which will improve the morals of every idea printed by this type face. The awkward curves of the italics are a little suggestive of openwork iron products or the bent iron of the decorative little railings in a Prague park. The so-called "hidden" and, furthermore, curved serifs complete the inconspicuous "charm" of this type face. All its above-mentioned features, however, suddenly turn into advantages when we need to design a magazine, a brochure or an annual report, in short whenever illustrations dominate. It is not by accident that the basic design of "Ideal Gothic" has such a light tonal value - it competes neither with fine pencil sketches, nor with sentimental landscapes. It is very suitable for business cards and corporate identity graphics.

Antapani is a grotesk sans style with some stylistic style to some letter. Designed for readability but can also function as a display text. Come with 9 style from Thin to Black so you can choose which style you want. Designed with opentype features in mind. Each weight includes extended language support (+ Cyrillic), fractions, tabular figures, arrows, ligatures and more. Perfectly suited for graphic design and any display use. It could easily work for web, signage, corporate as well as for editorial design. Designed by Abdurrahman Hanif, a young Jakartans Graphic Designer who fell in love into type design after his graduation. Published by Monoco Type

Happy Tuesday it's a monoline script font with a signature style look. It's very recommended for you who want to make some designs with natural handwriting with signature style. Happy Tuesday is perfect for any occasion's design such as name card design, invitation design, wedding design, poster, packaging, book cover title, quote, label, landing page, birthday card, logos, social media post, etc. Just open your Opentype features ( Minimum Compatible with Adobe Photoshop CS 6 and Adobe Illustrator CS 6 ) while using the script font to use the ligatures and swashes. As you type, your text will look like a natural signature or handwriting. So, enjoy the Happy Tuesday and the happiness side of this font and make some cool stuff!

Say hello to Hello Radio font, the perfect font to add a touch of vintage charm to your designs! With its monoline stroke script style, this font brings back the good old days with a fun and quirky twist. The best part? It supports multilingual characters, so you can spread the retro vibes in any language you desire. Every character in Hello Radio font has a delightful imperfect shape, giving your designs a natural and handcrafted feel. It's like having your vintage radio station right at your fingertips! This font is a true team player, cooperating effortlessly with other elements in your design. Whether you're creating traditional-style logos, labels, package designs, or awesome lettering for t-shirts, Hello Radio Font has got you covered.

Despite being drawn digitally, Angeletta is a typeface in the hand-lettering tradition. It draws on designer Rob Leuschke's three decades of experience with pen and ink, including his time creating scripts for Hallmark Cards. Spontaneous and energetic, Angeletta is satisfyingly inky – with strokes almost spilling into one another. Its quirky personality and titling version makes it a good choice for packaging and social expression, while its distinctive character could work well in branding, perhaps paired with a more sedate sans serif. The Angeletta typeface is a calligraphic script designed by Robert E. Leuschke exclusively for Monotype. It is available in OpenType OTF and TTF fonts formats. Angeletta has 900 glyphs with OpenType typographic features like contextual and stylistic alternatives, swashes, ligatures and fractions.

Clean and Glam is a sweet handwritten font duo that has a sassy modern style to create the most beautiful design projects. ❤️ Includes a light monoline script font that is so chic and clean, and it combines perfectly with the uppercase sans to create amazing text combinations. Works great for Logos & branding, product packaging, product design, labelling, wedding design, social media posts, advertisement, editorial design, etc. Includes: Clean and Glam: A light modern script font. Includes numerals, uppercase and lowercase characters, punctuation and some cute hearts. Clean and Glam Sans: A modern uppercase sans font that is the perfect match of the script, great for descriptions, taglines, ingredients, etc. Includes numerals, uppercase and lowercase characters, punctuation and more cute hearts. Language support