Rosengarten is a condensed, bold typeface inspired by the work of Lucien Bernhard and the Plakatstil mouvement. With bold, rounded serifs, this typeface was created for use in headlines and larger point sizes. A complimentary sans serif style was integrated as a secondary weight with accompanying italics to allow a combination of styles to be set in layouts. This typeface includes an extended Latin and Cyrillic language support.

We've all seen the informational markings on commercial driveways or roadways instructing us which way to turn, where to park, etc. They are usually in stencil lettering 16 inches or taller, with compressed letters that make the horizontal strokes look slightly thicker than the vertical ones. By condensing the lettering in Narrow Stencil JNL by 20 percent, the result is Driveway Stencil JNL - a digital emulation of those painted road markings.

Put on your climbing boots and go on an adventure! Climbing Nevis is a modern condensed display font which comes in 3 exciting styles. With big, bold characters, Climbing Nevis is a perfect choice for headings, branding, signage, advertising, magazine layouts and much more! Working on an adventure themed project? Try Climbing Nevis Rough for a rugged, outdoor look. FEATURES Uppercase and lowercase letters Numbers, punctuation and symbols Multilingual support

Prosto Sans - this font family for any occasion. You can use these fonts almost everywhere. The modern open grotesque forms and classic font family formula: Thin, Light, Regular, Bold, Black and Italics. Prosto Sans is the assistant to work for any projects. Optimized for the websites, mobile applications, and printing materials. We offer you to have a look at this font’s narrow version, which is called TT Prosto Sans Condensed.

Designed for ParaType in 2002 by Tagir Safayev. Inspired by the letterforms of Antique No. 8 typeface and other similar fonts of the 19th century (Latin Antique, Wide Latin, Etienne Condensed, Wide Renaissance). A face of so-called Latin type has stout triangular serifs and rather unusual curls on several letters in the lower case. Nevertheless it is eminently suitable for a wide variety of settings in advertising and display typography.

In Adrian Frutiger, the discipline of a mathematically exact mind is joined with an unmistakable artistic sense. His independent work possesses the controllable language of letterforms. Personal and intensive, this work is the manifestation of his expressive will. Frutiger's precise sense of outline reveals itself two- or three-dimensionally in wood, stone, or bronze, on printing plates and in the form of reliefs. However, even his independent work can be understood as objectivized signs; in their symbolism, they are embedded in the fundamental questions of human existance. They might have developed in the spirit of playfulness, but their nature is always conceptual, directed towards a complex, yet harmonic, whole. Following function, form also necessarily follows the content of the language. The entire spiritual world becomes readable through letters. Essentially, Adrian Frutiger attempts to fathom the basic, central truth which defines our lives: change, growth, division - beginning and end. In a virtual synthesis, he seems to close the circle in which the world reflects itself in symbolic forms. Frutiger Stones is for Adrian Frutiger the example of his formal artistic sensibility par excellence. Searching for the fundamental elements in nature, he has discovered the pebble, rounded and polished over innumerable years by gently flowing water. And out of this, he has created his complete system, a ruralistic typeface of letters and symbols. It depicts animals and plants, as well as astrological and mythical signs. Because of its unique aura, Frutiger Stones is particularly well-suited to different purposes - in headlines and prominent pictograms, as symbol faces, illustrations, and more. Frutiger Symbols is a symbol font of plants, animals and stars as well as religious and mythological symbols. Together with Frutiger Stones this typeface builds a complete design system, which offers endless possibilities. It can be used for illustrations or a symbol type with its distinctive pictograms. Frutiger Symbols is available in the weights regular, positive and negative.

Introducing Galderglynn 1884, a font family that transports you back to the nineteenth century. With its refined expansion from the intentionally rustic Galderglynn Esquire, this typeface oozes old-world charm and sophistication. The condensed fonts are expertly squared off, paying homage to the typical condensed newspaper headline type of the era. Their weight and spacing are deliberately unrefined, just like the pre-twentieth century grotesques that inspired Galderglynn Esquire. Meanwhile, the extra-condensed “squeeze” fonts are completely flat-sided, reminiscent of the old wooden poster types and tight metal newspaper headline fonts. If you’re looking for a practical workhorse font family, Galderglynn 1884 is the perfect choice. It combines the pastoral design of Galderglynn Esquire with a polished finish that makes it easy to read and use. And if you’re after something extra special, you’ll love the three special effect fonts: all-capitals shadow, and engraved regular and condensed styles. Access tabular and lowercase (old-style) numerals with ease, thanks to the OpenType features available in this font family. Galderglynn 1884 is the perfect way to add a touch of old-fashioned charm to your designs. Try it today and transport your audience to a bygone era! Most Latin-based European, and some Cyrillic-based writing systems are supported, including the following languages. A Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Bulgarian, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Komi-Permyak, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Macedonian, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Russian, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Ukrainian, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

An ultra light thins all caps Victorian design with a slight stroke contrast. Elongated Roman requires subjective display kerning and compensation.

As a stand-alone version of our original Sablon, Sablon B delivers a bold expression without any distracting moments. The completely redesigned letters and numerals are available in four weights and are complemented by a vintage stylistic set based on lower horizontal lines. Wide language support including a complete set of Cyrillic characters.

Imagine a hot summer day with a cool breeze, watching the sun set over the beach, ice cold lemonade in your hand and some of your favorite music playing in the background. A perfect postcard moment! Use Barbary Pirates to make awesome type designs for logos, posters, album covers, packaging, Instagram posts...

Christmas calligraphy is a dazzling formal calligraphy font that exudes sophistication and elegance. Fall in love with its ravishing style and use it to create beautiful designs. This will make the Christmas moment more classy and glamorous. This font is PUA encoded which means you can access all the glyphs and sweeps easily!

The ITC Franklin™ typeface design marks the next phase in the evolution of one of the most important American gothic typefaces. Morris Fuller Benton drew the original design in 1902 for American Type Founders (ATF); it was the first significant modernization of a nineteenth-century grotesque. Named in honor of Benjamin Franklin, the design not only became a best seller, it also served as a model for several other sans serif typefaces that followed it. Originally issued in just one weight, the ATF Franklin Gothic family was expanded over several years to include an italic, a condensed, a condensed shaded, an extra condensed and, finally, a wide. No light or intermediate weights were ever created for the metal type family. In 1980, under license from American Type Founders, ITC commissioned Victor Caruso to create four new weights in roman and italic - book, medium, demi and heavy - while preserving the characteristics of the original ATF design. This series was followed in 1991 by a suite of twelve condensed and compressed designs drawn by David Berlow. ITC Franklin Gothic was originally released as two designs: one for display type and one for text. However, in early digital interpretations, a combined text and display solution meant the same fonts were used to set type in any size, from tiny six-point text to billboard-size letters. The problem was that the typeface design was almost always compromised and this hampered its performance at any size. David Berlow, president of Font Bureau, approached ITC with a proposal to solve this problem that would be mutually beneficial. Font Bureau would rework the ITC Franklin Gothic family, enlarge and separate it into distinct text and display designs, then offer it as part of its library as well. ITC saw the obvious value in the collaboration, and work began in early 2004. The project was supposed to end with the release of new text and display designs the following year. But, like so many design projects, the ITC Franklin venture became more extensive, more complicated and more time consuming than originally intended. The 22-font ITC Franklin Gothic family has now grown to 48 designs and is called simply ITC Franklin. The new designs range from the very willowy Thin to the robust Ultra -- with Light, Medium, Bold and Black weights in between. Each weight is also available in Narrow, Condensed and Compressed variants, and each design has a complementary Italic. In addition to a suite of new biform characters (lowercase characters drawn with the height and weight of capitals), the new ITC Franklin Pro fonts also offer an extended character set that supports most Central European and many Eastern European languages. ITC Franklin Text is currently under development.

Composed of compositional groups, with optical adjustments in the curves, Disco Display has been designed with special attention to kerning and tracking, allowing its use in both large and medium sizes, starring in large titles or filling entire covers with color. Inspired by the hippie movement, Disco Display provides sensuality, visual richness and compositional splendor, giving rise to the use of multiple colors or patterns in its forms, or rediscovering its counterforms.

Hello Everyone, introduce our new product Font Voodo Dolls This Is Horror Display Typeface .This is a Textured Natural Style and Strong style with a Cool style and dramatic movement. This font Voodo Dolls is great for your next creative project such as logos, printed quotes, invitations, cards, product packaging, headers, Logotype, Letterhead, Poster, and perfect for logos & branding, events or anything that need handwritting taste. You can activate 8 Ligatures glyphs OpenType panel.

Austten is a bold connected script font with a clear style and dramatic movement this font is great for your next creative project such as logos, printed quotes, invitations, cards, product packaging, headers, Logotype, Letterhead, Poster, Apparel Design, Label, and etc. Austten comes with uppercase, lowercase, numerals, accents (Multilingual characters), punctuations and so many variations on each characters include opentype alternates, common ligatures and also additional swash to let you customise your designs.

Hello Everyone, introduce our new product Font Easy Calm is a Thin Display Typeface.This is a Textured Natural Style and classy style with a clear style and dramatic movement. This font Easy Calm is great for your next creative project such as logos, printed quotes, invitations, cards, product packaging, headers, Logotype, Letterhead, Poster, Design this font is great for your creative projects such as watermark on photography, and perfect for logos & branding, invitation,advertisements.

Sunny Sam is a fun handwritten typeface. It was drawn and created by Måns Grebäck during 2019 and 2020. The movements of this happy script font represents optimism and vivacity. Sunny Sam comes in three high-quality styles: Thin, Medium and Bold. The three weights works great as complements to one another. It has an extensive lingual support, covering European Latin scripts. Sunny Sam contains all characters you'll ever need, including all punctuation and numbers.

Love Rysma is a stylish brush font with natural movement that looks casual, stylish, and colorful. This font is perfect for kids designs, easter, baby branding, diapers, watermarks, social media posts, product design, labels, stationery, advertisements, logos & branding, designs, product packaging, special events, or anything else. requires a handwritten feel. What's Included: - Glyphs - Works on PC & Mac - Simple installation - Can be accessed in Adobe Illustrator, Adobe Photoshop, Affinity Design. - Fonts include multilingual support.

Introducing our latest display typeface called Roadstore unique Fonts with vintage taste can make your logotype become more interesting. Best Vintage font with special alternative glyphs, and multilingual support. inspired by the decorative arts and architecture movement. Roadstore fonts is perfect for your project and allows you to create designs, headlines, posters, logos, badges, t-shirts and many more that are beautiful. It is also best used for posts, logos, posters, certificates, labels and more.

Ivan Bilibin was one of the best artists and designers of the Russian folk art movement of the early 1900s. His posters and his illustrative work are exceptional, and like many of the artists of the period he did a lot of hand lettering in various old-fashioned and modernistic interpretations of traditional Russian folk calligraphy. Our first Bilibin font is based on his lettering from an illustrated folk story by Alexander Pushkin.

Hello Everyone, introduce our new product Font MOIRA is a Fun Display Typeface .This is a Textured Natural Style and classy style with a clear style and dramatic movement. This font MOIRA is great for your next creative project such as logos, printed quotes, invitations, cards, product packaging, headers, Logotype, Letterhead, Poster. That is has charming, authentic and relaxed characteristic more natural look to your text You can activate Alternate OpenType panel.

Linotype Atomatic is part of the Take Type Library, selected from the contestants of Linotype’s International Digital Type Design Contests of 1994 and 1997. German artist Johannes Plass designed his font in one strongly-crafted weight. Linotype Atomatic seems to mirror the fast pace and technology of modern times. The slight lean to the right gives an impression of speed and movement. Linotype Atomatic is intended exclusively for headlines in larger point sizes.

The Saxo family is based on the typefaces of the twenties and thirties, where through the Art Deco and Futurism were built the foundations of the modern movement. Designed from basic geometric shapes (triangle, circle and square). This font transmits his solid character and modern spirit, through 470 glyphs, including Opentype features like ligatures, stylistic alternates and borders based on the geometry of the typeface. All Saxo fonts come with CE languages support.

Estylle Madison is classy, elegant and super stylish modern calligraphy with natural handwritten movement. Estylle Madison font is perfect for many different project such as logos & branding, invitations, stationery, wedding designs, social media posts, advertisements, product packaging, product designs, labels, photography, watermarks, special events and more. Estylle Madison comes with uppercase, lowercase, numerals, punctuation and many variations on each character, including OpenType alternates and common ligatures to let you customize your designs.

Slipstream font was developed by Letraset Type Studio in response to the growing need to convey competence and speed through typography. It is based on an italic sans serif letterform and its horizontal lines look like streaks left behind letters speeding to the right. Characters can be slightly overlapped for small spaces without losing this feeling of movement. Slipstream font is ideal for service-oriented advertisements, especially where efficiency and quick service should be emphasized.

Monograph conjures ancient typewriters, telephone switchboards, vintage office machines past visions of the future. As though it were drawn with the rounded nib a of a Speedball "B" style pen, the soft curves and rounded serifs speak of a gentler less complicated time. It is nuanced with traces of the Arts and Crafts movement at the turn of the 20th Century which stressed craftsmanship and preserving and emphasizing the qualities of construction and materials.

Hello Everyone, introduce our new product Font Byassa it is Quick Brush Font.This is a Textured Natural Style and classy style with a clear style and dramatic movement. This font Byassa is great for your next creative project such as logos, printed quotes, invitations, cards, product packaging, headers, Logotype, That is has charming, authentic and relaxed characteristic more natural look to your text. You can activate 4 Ligatures glyphs and 9 Alternates glyphs OpenType panel.

Kirkly - A Slightly Serif Font. My first font release is an imaginative hybrid font family that is a mix between a sans serif and serif design. Kirkly is a clean, stylish, design that conveys strength, movement and creativity. Kirkly is a distinctive, easy-to-read font family consists of 14 styles. It’s an Adobe Latin 3 Character Set containing 300 glyphs per style. Kirkly works great in long form typesetting and headlines.

Beauty Script is a modern interpretation of the classic formal script style. You could notice in it a special feeling due its subtle wavy rhythm to mimic the natural movement of handwritten calligraphy. Because its strong contrast and the fluidity of its traces Beauty Script is ideal to be used as headline in any media related to fashion, beauty, nature, food, pleasure, travel, luxury or wherever you required to express formality and elegance.

RainCity is a beautiful contemporary sans-serif font with delicate curves. Inspired by the movement of raindrops on the street, we created this font to evoke the excitement of a rainy day in Paris. Using this font will give you an elegant, dynamic, and unique image. RainCity is suitable for a variety of design work such as branding, poster design, and editorial design. It is a display font available in two weights, Regular and Bold.

Inspired by Henry W. Troy, BLAQ is a new version of Trojan Text not available as font. Is an ornamental blackletter alphabet. Works great in headlines and other ‘masculine’ like design settings. The Victorian Gothic or Neo-Gothic is an architectural movement that began in the 1740s in England. Its popularity grew rapidly in the early nineteenth century. The revived Gothic style was not limited to architecture. We recommend to combine Blaq with: Turquoise Nautica

Stickley Decorations contains 26 classic images from the pages of "The Craftsman," the foremost journal of the American Arts & Crafts Movement of the early 20th Century. These are graphic elements that can be used in many ways and for all occasions, whether creating a custom greeting card or designing and producing unique personal stationery. They can be used exactly as intended, as "decorations" on a printed page, or they can be combined into unusual borders.