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  1. PresidentGas - Unknown license
  2. Boron - Unknown license
  3. Johnny Fever - Unknown license
  4. Betsy Flanagan - Unknown license
  5. Pop Up Fontio - Unknown license
  6. Mold Papa - Unknown license
  7. No Clocks - Unknown license
  8. New Brilliant - Unknown license
  9. Plasmatic - Unknown license
  10. Po Beef - Unknown license
  11. Outright - Unknown license
  12. Subpear - Unknown license
  13. 6809 Chargen - Unknown license
  14. Biting My Nails - Unknown license
  15. Horsepower - Unknown license
  16. World of Water - Unknown license
  17. Failed Attempt - Unknown license
  18. Numberpile Reversed - Unknown license
  19. Strenuous 3D - Unknown license
  20. Guanine - Unknown license
  21. Octoville - Unknown license
  22. Terylene Top - Unknown license
  23. Pirulen - Unknown license
  24. Counterscraps - Unknown license
  25. Lunasol - Unknown license
  26. Snidely - Unknown license
  27. Screengem - Unknown license
  28. 1980 Portable - Unknown license
  29. Skeletor Stance - Unknown license
  30. Vibrocentric - Unknown license
  31. Cranberry Gin - Unknown license
  32. Dignity Of Labour - Unknown license
  33. Zodillin - Unknown license
  34. Univers Next Arabic by Linotype, $99.00
    Univers Next Arabic is designed by Lebanese designer Nadine Chahine as a companion to the Latin typeface Univers Next and with the consulting of Adrian Frutiger. It is a modern Kufi design with large open counters and low contrast. It is mainly designed to work in titles and short runs of text. Its contemporary look makes it perfect for corporate branding as well as for advertising work. It is also well suited for user interfaces and low resolution display devices. The font includes the basic Latin part of Univers Next and support for Arabic, Persian, and Urdu. It also includes proportional and tabular numerals for the supported languages.
  35. Quick Tracer by Keristyper Studio, $14.00
    introduce Quick Tracer font with sporty modern cutouts and dynamic tilt. Ideal for fast car racing sports titles, running matches, cycling, automotive, and other modern dynamic monograms or texts. This font is good for logo design, Social media, Movie Titles, Books Titles, short text even long text letters, and good for your secondary text font with sans or serif. **Featured:** * Standard Uppercase & Lowercase * Numeral & Punctuation * Multilingual : ä ö ü Ä Ö Ü ß ¿ ¡ * Alternate & Ligature * PUA encoded We recommend programs that support the OpenType feature and the Glyphs panel such as Adobe applications or Corel Draw. so you can use all the variations of the glyphs. Hope you enjoy our fonts!
  36. Soutumi by MYSTERIAN, $9.00
    SOUTUMI Features: 6 Ampersand options per weight Extended Latin characters 2 Pi symbols Capital and lowercase 'sharp S' Loathing the time it took me to complete the family for my personal freelance identity, Multipolar (& the first font I ever authored myself), I vowed to take the challenge of working within considerable record time. Soutumi was conceived of this challenge; it's vain purpose as such is more meaningful than the forms or any other semiotics that make up itself. Whereas Multipolar took me 9 months to complete, Soutumi was finished within the span of 3, and also sports three times more ampersand alternatives (as that theme was a running joke in Multipolar).
  37. Berkmire AOE by Astigmatic, $19.95
    1970’s Techno-typography finds its rebirth in Berkmire AOE. From its beefy weight to its narrow and sometimes unusual counter cuts, Berkmire AOE started as a digitization of a film typeface called Belden by LetterGraphics. This bulky techno typeface was taken from its limited character set and fleshed out to include an expanded language glyph set. The Capital letterforms seem to push the edge of readability, while the lowercase falls more in line. The letterforms of Berkmire AOE are easy to convert to paths and extend various stems, making this revival something you can really let your imagination run wild with for your designs.
  38. Monocto by Lafonts, $29.00
    Monocto is an upright italic, clearly evidenced by the lowercase letters a, e, f, g, i, k, l, v, w, x, y and several capitals. On one hand, the design is inspired by an historical German running hand written with a pen angle of 45°, and on the other, by rational, utilitarian monospace types, similar to those designed for the mechanical typewriter during the Industrial Revolution. As the writing tool touches the paper, a double-square with broken corners is produced, which then, according to ductus, transforms itself into letter components that are either 90°-verticals or 45°-diagonals. The systematic geometry of Monocto offers unexpected design possibilites.
  39. Sinah by Linotype, $29.99
    Linotype Sinah is part of the Take Type Library, selected from the contestants of Linotype’s International Type Design Contests of 1994 and 1997. Designed by the German artist Peter Huschka, Linotype Sinah is a rounded, ornamental font with many strokes ending in teardrop forms. The letters of this wide-running font do not share a common base line. The capital S and the lower case l both drop under it although neither have descenders. Overall, Linotype Sinah has an almost Asian or Indian feel. The font must be used with generous line spacing and is intended exclusively for headlines or shorter texts in point sizes of 12 or larger.
  40. Charlies BarBQ JNL by Jeff Levine, $29.00
    If one were to be visiting Dania Beach in South Florida, they would find on the West side of US 1 just North of Sheridan Street a Bar-B-Q joint located smack dab between a McDonald’s and an all-you-can-eat buffet that took over a closed down Pizza Hut. Charlie’s BarBQ JNL is Jeff Levine’s homage to some great Texas Bar-B-Q - cooked by a Cuban immigrant - served in South Florida... A true American success story, but with a sad ending. Charlie's closed because the landlord wanted the property. for his own use. Charlie now resides in Leon, Nicaragua and runs some successful business ventures there.
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