Bronzion is a blackletter typeface rooted in medieval aesthetics. With its dark ages inspiration, Bronzion is a captivating blend of calligraphy and heavy metal undertones. The typeface captures the ornamental beauty of middle ages manuscripts while catering to modern design needs. Its heavy, intricate design makes it perfect for projects that require a touch of medieval grandeur. Use characters 🌲🌳🎠🐂🐅🐆🐈🐉🐎🐕🐦🐯🐲🐺👑👸🗡🤴🦁🦅🦇🦌🦎🦓🦖 to create heraldry-like logos and symbols. Example: Magic🐉Empire

ROHS Simplicity is a handwritten font. It's perfect for , branding, stationery design, social media, packaging, magazine layout, prints, and more.

Camerota is a relaxed handwritten font. It’s perfect for branding, stationery design, social media, packaging, magazine layout, prints, and more.

Life Mission is a stylish handwritten script font. It is suitable for logo, branding, packaging, apparel, social media, and more.

Livercool is a bold and playful handwritten script font. It is suitable for logo, branding, apparel, social media, and more.

The Lastwinter comes from hand scratches to get natural and natural writing. With the main vintage theme it will be very interesting if added with various kinds of Alternates (Uppercase) and also 8 kinds of Stylistic Sets in Lowercase. Lastwinter is very suitable for use in various media such as; packaging, logo, label, poster, shirt design, quote of wisdom, handlettering, typography and many other media.

Mechacore is a variable modern sans serif display typeface designed by Takoliko Studio. It comes with regular and stencil style, it have 5 weights and expanded width. Its inspired by a mecha cyberpunk sub genre. the modern and unique characteristics makes it suitable for attention grabbing design projects such as a engineering, technology, cyber media, army stuff, headlines, posters, social media displays and editorials.

ขอแนะนำฟอนต์ Khonsong ฟอนต์แบบ semi-condensed sans serif ซึ่งผสมผสานความทันสมัยและอนาคตเข้าด้วยกันอย่างกลมกลืน ด้วยรูปลักษณ์ที่โฉบเฉี่ยวและร่วมสมัย ความกว้างแบบ semi-condensed ทำให้มีความสมดุลที่สมบูรณ์แบบระหว่างการประหยัดพื้นที่และความสามารถในการอ่าน ทำให้เป็นตัวเลือกที่เหมาะสำหรับการใช้งานที่หลากหลาย ตั้งแต่สื่อออนไลน์ไปจนถึงสื่อสิ่งพิมพ์ Introducing "Khonsong," a semi-condensed sans serif font that embodies a harmonious blend of modernity and futurism. With its sleek and contemporary appearance, Its semi-condensed proportions strike a perfect balance between space-saving efficiency and legibility, making it an ideal choice for various applications, from online media to print media.

Introducing Celiro medieval sans serif font that is very fresh and unique style handmade. Celiro Typeface is perfectly suited to logo, stationery, poster, apparel, branding, wedding invitation, card, tagline, layout design, and much more !!

psKampen is a contemporary font with a medieval experience. It has no real serifs, but is good to use as a book character. Several characters have a swash variant in addition to the normal versions.

Portculliard is in the finest traditions of 19th century blackletter revival. It's a lively mock medieval face, engraved in the manner of many a 19th century printer's plate ideal for recreating traditional certificates and invitations.

Are you tired of stiff, uptight typefaces cramping your creative style? Introducing Rinse—the vintage t-shirt typeface that’s all about taking it easy. With its rough and ready look, Rinse is based on the classic Goudy Heavyface Italic, but with a far-out twist that’s perfect for all your laid-back messaging needs. The letter pair ligatures add some extra funk to break up the monotony of repeating letters, giving your text a natural and mellow feel. So why settle for boring, uptight fonts when you can let Rinse infuse your message with some classic retro style and fun-loving personality? Whether you’re designing a t-shirt, a poster, or just want to add a little vintage flair to your next project, Rinse is the typeface that will keep it cool. Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

Looking for a typeface that embodies both grit and grandeur? Look no further than Lerku. This crispy font takes its inspiration from the timeless classic Bold Antique by Morris Fuller Benton, but it adds a grungy edge that’s perfect for today’s contemporary designs. With letter pair ligatures that help break up the monotony of repeating characters, Lerku is perfect for OpenType-savvy applications that demand a bit of variation. Whether you’re designing a website, a logo, or a marketing campaign, Lerku will give your message a bold, authoritative voice that’s sure to make an impact. So if you want to add a touch of vintage charm to your design, while still keeping it fresh and modern, Lerku is the perfect choice. Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

Kake’s upper case letters are inspired by a hand-painted sign outside a temple in Ubud, Bali. The rest of the font is made to fit the style. The hand-made aesthetic is increased by the implementation of contextual alternates, which automatically swap glyphs to alternate forms to avoid the monotony of repeating letters. The amount of variations for each glyph is dependent on letter frequency in English; there are more a’s and e’s than q’s and j’s. Even with only two variations of some glyphs, the programming makes sure that no two matching glyphs are ever next to eachother, and for the most part they will rarely be even two letters apart. This all makes for type that looks like it isn't type. The glyphs bounce and subtly change weight with willful abandon. Some of the letters on that original sign are somewhat quirky. If you're not a fan you can engage stylistic alternates or stylistic sets to change the C, G, S, Y, c, s and y glyphs to a less idiosyncratic form. These variations still have variations themselves, so with contextual alternates on, they will look as random as all the rest. Case sensitive forms and automatic fractions are included, as are 98 ornaments, ranging from the useful to the (let’s just say) esoteric. These can be accessed from the glyph palette. I know you've probably never realized you need an anchor, a fuel pump, skull and crossbones and chess symbols in the same font before, but that doesn't mean you don't! Kake is full on display typography. It’s legible for small blocks of copy but don't go setting essays in it. Unless you really want to... in which case, go for it.

Bounce is a unique and dynamic font inspired by molecular structures. Ideal for large format use in medical, science and technology projects.

Star Blossom is a bold and playful handwritten script font. It is suitable for logo, branding, packaging, apparel, social media, and more.

Introducing Qanthura Elegant bold script .With more alternates. Ideal for logos, handwritten quotes, product packaging, header, poster, merchandise, social media & greeting cards.

Make History is a bold and playful handwritten script font. It is suitable for logos, branding, apparel, social media, and much more.

A black weight decorative typeface with an engraved flare. Merchant was designed for all media and requires subjective display kerning and compensation.

Crozone is a relaxed handwritten font. It’s perfect for branding, quotes, stationery design, social media, packaging, watermark, magazine layout, prints, and more!

Introducing the Canger staong font which has a unique looking design. This font has curved joints like pipes. You can use Canger staong in modern and contemporary designs, and are suitable for use in various media such as stickers, posters, covers, typography and other digital media. -Uppercase. -Foreign Support, Numbers and Punctuation. -Alternates & ligatures -Simple installation. -Accessible in Adobe Illustrator, Adobe Photoshop. Adobe InDesign, it even works in Microsoft Word.

Molliquam font starts from a brush stroke with a script style and also follows the times. Molliquam is very suitable for use in various media such as; packaging, logos, labels, posters, shirt design, quote of wisdom, hand-lettering, typography and many other media. - Ligature - Natural brush touch - PUA Encoded open - Support for MAC or PC - Simple installation for Adobe Illustrator, Corel Draw, Photoshop, or other software design Thanks Garisman Studio

Collibryums is a modern signature font inspired by social media advertising and product titles. It has Opentype features Ligatures. Collibryums support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with sans or serif. Make a stunning work with Collibryums signature font. Cheers, MaulanaCreative

Ginsburg it's a modern display all-caps font-family based on geometric forms and abstract wavy lines with an old school constructivism look. Inspired by Moses Ginsburg architecture projects. Playful, modern, suitable for many typography projects as headers, logos, block texts, etc. You may be more strict in your typography or you may be more groovy or playful with alternates characters. Use this family in vintage spirit for TV series, Podcasts titles, exhibition posters or design a modern extreme sport brochure, . Flexible, Catchy and Brazen — it's all about Ginsburg! Six widths: Thin / Light / Normal / Medium / Semi Bold / Bold. Opentype Features as Stylistic alternates, Oldstyle figures / Fractions. Multilingual

Toma Sans is a sans serif type family of seven weights plus matching italics. Influenced by the geometric-style sans serif faces that were popular during the 1920s and 30s, the fonts are based on geometric forms that have been optically corrected for better legibility. Toma Sans has a functional look with a friendly open touch. While the ExtraLight and the black weights are great performers in display sizes the light, regular and medium weights are well suited to longer texts. The small x-height and the restrained forms lend it a distinctive elegance. The typeface has an extended character set to support most European languages.

Vanio is a wedge serif font family that crafted with precision, focused on both aesthetic and legibility. The letterforms and other typographic elements are made in a way to achieve optical recognition and fit for various typesetting. Its have a strong serif and spacious width letterforms on the upright styles. Its shown a medium contrast and caligraphic strokes. Its have a moderate vertical heights either at the x-height, caps, ascender or descender. Vanio consist of 10 styles from regular to extrabold with each matching italics. Its contain more than 460 glyphs which support broad latin languages. Also contain several opentype features; Ligature, oldstyle figures, fraction, and other variation of figures.

Marista is a bit of an unusual design, a cursive monospaced font inspired by the classic cursive typewriter fonts used in the 1960s-70s. It is designed to feel 'real', and captures some of the light irregularities in line weight which characterise real typewritten text rather than their computer equivalents. Marista is distinctive but easily readable, even in block text where some monospaced fonts suffer. Marista is best used at small to medium sizes, and at a uniform size throughout a document or design to capture the typewritten feel. The italic is more similar to authentic typewriter cursive fonts. Try it for your next letter or invitation!

M Kai is a design inspired by the popular Kaiti developed in contemporary China. MKai adopts many features of Kaishu, one of the many Chinese writing scripts and calligraphic style. Yet writing style and constructions have been well-unified to meet quality as typeface. Its strokes has relatively heavier stroke beginning and finishing, as well as thinner middle part. It is catered for fine print with little conglutination. Its medium weight makes it more visible at distance and pretty versatile in use. Zhonggong are tightly built with ample character spacing for good individual character recognition. It is best suited for formal body text, set upright (non-slanted), non-condensed.

Diaria Sans Pro is a sans-serif counterpart of Diaria Pro. With its extensive 9 weights and corresponding italics, extensive language support, and various OpenType features it is meant to build visual heirarchies of any detail and complexity in editorial design. This modern sans-serif typeface designed as a universally legible medium for both titles and paragraph text. Its large x-height and static exteriors allow comfortable reading in printed narrow columns as well as in screen graphics. Some of the styles of Diaria Sans Pro can be found in Mint Type Editorial Bundle together with other fonts which make some great pairs. Check it out!

Kigara was Elena’s first attempt at designing a text typeface. The result is not exactly a conventional book face. Strongly influenced by handwriting, Kigara is best suited for short texts set at medium to large sizes. However, its open letter shapes and subtle serifs make it a very readable face in smaller sizes as well. Kigara will also make headlines as a modest, light-hearted display typeface. Kigara is named after an African mushroom - hence the mushroom vignettes and African ornaments in the OpenType version and the ‘B’ set. Both the sets also include small caps, alternate figures, special ligatures and other expert glyphs.

Crake is a contemporary high-contrast serif typeface with a distinctive look. It combines organic details with strong geometry shapes. The typeface comes in 5 weights from Light to Bold. Crake has rounded counters of uppercase letters A, B, E, F, P and R which creates an unique and organic character. With different stylistic sets you can change the feel of your design from more organic to more standard. The typeface also offers many discretionary and standard ligatures. Crake is a display typeface with large x-height which works best for headlines or short to medium-length texts. It’s a perfect typeface for branding, editorial design and much more.

BOnuts is a modern rounded sans built in 8 styles and crafted for you by BOtype. It's clean and minimal and modern rounded design gives you a wide array of uses such as branding, editorial & print, and also makes it perfect for UI & digital applications. We designed Bonuts to have the most legibility to give you a very versatile font family you use for any use you want. It includes Alternate Characters, Ligatures, Tabular Figures, Fractions, Numerators, Denominators, Superiors and Inferiors. It supports Central and Eastern European languages, basic Cyrillic and Greek. The type family consists of 8 weights (Thin, Light, Normal, Regular, Medium, Bold, Black and Heavy).

“Aeternus”, a new geometric Sans Serif typeface, with matching italics. The combination of several weights, provides versatility in any text usage. Developed in a range of nine weights from thin to heavy, with a matching set of italics, Aeternus has been designed to optimize the space and preserve the legibility in any text size. Use effortlessly this typeface for titling, contemporary branding, web design, UI/ UX design, clothing, large print formats. Specifications. - Files included: Aeternus Thin, Aeternus ExtraLight, Aeternus Light, Aeternus Regular, Aeternus Medium, Aeternus SemiBold, Aeternus Bold, Aeternus ExtraBold, Aeternus Heavy with corresponding italics - Formats:.otf - Multi language support (Central, Eastern, Western European Languages)