HT Profumeria is a monoline and connected font with a thin line and a unique tail. Its simple and retro look is the best script for branding and packaging, but it may also be useful for headlines, publishing and advertising. Holiday Type Project offers retro hand drawing scripts. Inspired by retro script on shopfront lettering, wall paint advertisements in Italy around 1950s. Check out the script fonts from Holiday Type!

Rustling Trees - Script Textured Fonts Brand new stylish textured fonts ! In collaborating with Albion Room. Fresh from the oven as inspired to create easy digital lettering for you. Flowing texture makes this fonts has a unique characteristic, also give you alternate characters lowercase and uppercase, alternate for the initial and terminal forms. It will be great for Logotypes, Posters, Digital Lettering Arts, Clean design, Branding Design, Sign, etc. Multiple Language available just check it out :) Features : Stylistic Alternates (up to 10 style in some letters) Initial & Terminal (also comes with alternate initial and terminal glyphs) Refined All caps (No more tail or swash when type in all caps)

Citix Two Condensed is a new font derived from Citix Regular –a traditional pen-formed flowing script–, but containing a complete new set of capital letters, titling, ligatures and swashes. This font may be a good option to combine with Citix Regular, specially in fine tune and accurate works, suitable for commemorative letters, invitations cards, lettering, logotype design and the most elegant visual communications projects. This font comes with five different kinds of capitals, Contain full OpenType features to work with: a full set of swashes, stylistic alternates, standard and discretional ligatures. Small caps, Central European Languages, Case sensitive forms, Old style numerals, ornaments and tails.

The hand lettered title on the 1911 sheet music for “That Railroad Rag” was designed in a block style letter with spurred serifs. This simple typographic layout evokes the imagery of early rail transportation although the song itself is was a ‘modern’ composition of then-popular ragtime music. Railway Station JNL is available in both regular and oblique versions.

Let me introduce you, Happy Panda, is a font that combines tall uppercase letters and mini lowercase letters, both of which have their own uniqueness when used, especially when combined, they produce a unique font combination. This font is very suitable for designing quotes, magazine covers, and others. If you have any questions, don't hesitate to contact us

The front page of a late-1940s sales catalog for the [now defunct] Duro Decal Company of Chicago had its company name hand-lettered in a tall, condensed chamfered sans serif type design. Although chamfered lettering had been popular for decades, the way the "R" was shaped gave the letters a bit of an Art Deco influence, and this influence was carried through in the creation of Durable JNL.

Guttie Display Typeface says something about graphics and usability. People tell stories for a reason. We want to convey certain information, change a reader's opinion or make them feel something; Guttie Display Typeface helps you to do all this easily. --- It's all about visuals and functionality. For example, people will use words to convey information, convince readers of something specific, or share emotions they are feeling right now. --- - Fonts can be read from a much larger distance than regular fonts - Elegant letters give the impression of luxury - Smooth curves for elegant typography

Highrise is a sans serif typeface inspired by tall industrial structures. Works great as both bodycopy and logotype, as the lowercase is clear and concise, but the statuesque caps letters can grab full attention. Available in Regular, Light and Bold.

“The Secret Library” perfectly encapsulates the vintage scribbled italic while adding a contemporary twist. It intentionally retains inky edges in an effort to convey the feel of antiquity. This font looks great in books, illustrations, posters, and on stationery. All uppercase/lowercase letters have at least one alternative glyph.

The Croisan serif font stands out for its delicate and slender lettering, making it an ideal choice for conveying a sense of subtle luxury and elegant. Perfect logo, branding, invitations, stationery, wedding designs, social media posts, and much more. Complete with ligatures alternates regular hollow icon kerning multilingual support

In Hammered all the letters are made up of hammers and an occasional nail. It is caps only, but the characters on the lower-case keys differ from those on the upper-case keys. It has a large set of accented characters. It is not often that one needs a typeface made of hammers and nails, but if one does, there is a font for that. For related, tool-based typefaces, see Screwged, NailsNStaples, and WrenchedLetters.

With it’s origins in a hand-lettered headline about money managers, Bankster is an alphabet meant to evoke the feelings of currency or financial documents. Multiple styles facilitate the perfectly registered layering of components in a variety of color combinations to enhance impact and provide an enriched dimensional experience. It not be for everyone but, it's a perfect solution for the designer who has no patience for boring type treatments.

Flawless Valentines is a beautiful and light handwritten font. Its unique feel and stunning impact will add a luxury spark to any design project you wish to create! This font is PUA encoded, which means you can access all of the amazing glyphs and ligatures with ease! Each Font Has: Stylish modern handwritten script Beautiful Swash (Ending tail) Beautiful Titling (Beginning tail) Special Ligatures Multilingual Support

Final Destination is a delicate, elegant, and flowing handwritten font. It has beautiful and well balanced characters and as a result, it matches a wide pool of designs. This font is PUA encoded which means you can access all of the glyphs and swashes with ease! Each Font Has: Stylish modern handwritten script Beautiful Swash (Ending tail) Beautiful Titling (Beginning tail) Special Ligatures Multilingual Support

Being a Star is one thing, but being a Twisted one is even better! JWX Twisted Star incorporates your deep desire for stardom into each alpha and numeric glyph, in a bold bordered font. The upper case letters sport a trailing accent, making them shooting twisted stars. This is a single bold typeface, and is intended to be used at a large size in graphics work, adding a not-so-subtle statement to everything from screen printed t-shirts to posters or even embroidery (available at www.janworx.com).

From the mid -17th century, new commercial writing styles emerged which clear showed the influence of pen-crafted calligraphy. A traditional pen-formed flowing script as the “Citix” font, may be suitable for commemorative letters, invitations cards and the most elegant visual communications projects. This font comes with three different kinds of capitals, regular and swashes to choose from, a full set of stylistic alternates, standard and discretional ligatures. Old style numerals, ornaments and tails.

If you've got a secret to tell, or just crave a unique font for cool scrapbook journaling, "Dear Diary" will fit the bill. This true type font looks handwritten with tall uppercase letters, and small, narrower lowercase script. Have some fun with it!

Pietra is a Baroque-inspired, all-majuscule type design, based on the massive five-foot tall mosaic lettering high above the floor in St. Peters in Rome. The font includes two sets of capitals: full sized, proportioned on the actual lettering; and small capitals, scaled vertically to capture the foreshortened effect of viewing the lettering from the floor. It was designed by Garrett Boge in 1996. Pietra is part of the LetterPerfect Baroque Set.

Stovepipe Stencil JNL was not directly designed from a vintage source, but it does draw its influences from classic sans serif lettering of the past. Even its name borrows (somewhat gratuitously) from the "stovepipe" lettering so popular with sign painters. True stovepipe letters tend to be squarer with rounded corners, but the name has also been loosely associated with some tall, condensed type styles. The typeface is available in both regular and oblique versions.

Oh, Brush … beloved script emblem of plumbers, mechanics, bodegas, lunch counters, and other low-rent concerns. Since 1942, you have given faceless apartment buildings a name, brought life to the badges and banners of otherwise tedious trade conventions, and lent excitement to the postcards of middle America’s unsung travel destinations. We have seen so much of you … but not enough! We need more weights: how about five, extending beyond humdrum Medium? We want swash alternates, too, plus lively ligatures and sporty underline tails! Give us cleaner curves and smoother connections, but stay true to your frisky self! Like a nail salon that offers cucumber water, the new ATF Brush is one step classier than the rest.

Keneisha is a calligraphic script font with varying baseline, which is designed to convey elegance and style. It is smoothline, clean and feminine. Works perfectly for logos, magazines, menus, books, invitations, wedding / greeting cards, packaging, labels, t-shirt etc. Including initial and terminal letters, alternates, ligatures and multiple language support.

Giraffe is a wide and bold rounded serif in two styles. Giraffe occupies a large space and is best used as display type to convey a confident look. Giraffe comes with a set of Stylistic Alternates for letters C,G,J,R,S, a, c, f, g, r, s and $.

Sportfield Varsity is a Sport Font Family. It’s perfect for all your athletic and sports-related designs. With its strong and angular letters, this font conveys a sense of power and motion, making it the ideal choice for logos, headlines, and other graphic elements that need to make a big impact.

A stylish cartoon sans reminiscent of lettering by Harvey Kurtzman on early issues of Mad, or other casual mid-century types. The three widths give full versatility for expressive, customised headlines and layouts, while the lighter weights can be used for text. Conveys an approachable, light touch with style and finesse.

Just Animals… is just really cute. 34 animals – monkey, frog, bear, sheep, tiger, leopard, lion, cat, dog, horse, cow, penguin, birds, ducks, snake, bunny, ladybug, dragonfly, fish, shark, turtle, pig, mouse, hippo, elephant, giraffe and a deer. Think scrapbooking or kid’s party invitations. Lots of cuteness, lots of uses.

Winterante is a beautiful and light handwritten font with a unique feel and a stunning impact. It will add a luxury spark to any design project that you wish to create! This font is PUA encoded which means you can access all of the amazing glyphs and ligatures with ease! Each Font Has: Stylish modern handwritten script Beautiful Swash (Ending tail) Beautiful Titling (Beginning tail) Special Ligatures Multilingual Support

Little Apple is a cute and tall sans serif font. It is both friendly and fun and can be used for various creations that require a neat touch. You can combine the uppercase and lowercase to get more natural lettering. Little Apple support multi language.

Stencil Octoid JNL was inspired by a set of twelve inch tall stencil letters and numbers made by Duro Art Industries in Chicago. The bold type style with angled rather than rounded corners gives the font a strong feel of industry or military usage.

Your purchases include the Hello Darling Script, conjunctive handwritten script, and printed, handwritten, and printed script fonts. Hello Darling is made side by side to work together. All lowercase letters are placed to receive a connecting tail from Hello Darling. You can mix and match the same words to your heart's content! Hello Darling is also made with the crafter in mind: there are no closed counters on either type, meaning they can easily be used for stencils and electronic cutters such as the Cricut line and the Silhouette. The Hello Darling package includes: - More than 300 glyphs in the Hello Darling font, designed to work together! - No closed counters - useful for stencils and vinyls! - More than 200 accented characters in each font. - Double letter binder staggered for a hand drawn look! - PUA-encoded for easy character map access! Enjoy and thank you.

Introducing Disforia Inersia! Your purchase includes Disforia Inersia Script, conjunctive handwritten script, and Print, handwritten, printed script typeface. Disforia Inersia created side by side to work together. All lowercase letters are placed to receive a connecting tail from Disforia Inersia. You can mix and match in the same word to your heart's content! Disforia Inersia was also created with the crafter in mind: there are no closed counters in either type, meaning they can easily be used for stencils and electronic cutters such as the Cricut line and the Silhouette. Disforia Inersia Package includes: - Nearly 300+ glyphs in Inertia Dysphoria font, designed to work together! - No closed counters - useful for stencils and vinyls! - More than 200 accented characters in each font. - Double letter staggered ligatures for a hand-drawn look! - PUA-encoded for easy character map access! Enjoy and thank you. Skinny Type

Introducing Maldives – The Epitome of Luxury and Elegant Impression in Typography. With a captivating and assertive grace, this sans-serif font exudes unparalleled beauty in all caps. Each letter is meticulously crafted to convey a potent yet unpretentious essence in every presentation. Maldives seamlessly marries simplicity and sophistication, resulting in extraordinary visual harmony.

A sales catalog sheet from the American Decalcomania Company circa the late 1940s-early 1950s provided some hand lettering that served as the inspiration for Sign Painter JNL. Emulating the look of characters made with a round pen nib, this Deco-style typeface conveys nostalgia and charm seldom found in advertising of today.

Sweet Hand was inspired by casual, neat hand lettering. It is casual and informal and is ideal for use in conveying these qualities. It is excellent for casual text and at large sizes an effective casual display font. The font includes upper and lowercase alphabets, numbers, punctuation, accented characters, symbols, and miscellaneous characters.

A slab serif Mr Palker and grotesque Mr Palkerson build one superfamily together.  These are blank types. In a way even the display ones. Typefaces for newspapers, announcements, cheap advertising and police posters.  Mr Palker and Mr Palkerson will turn every language into a fence. And due to six types of faces one can choose what material should the fence be made from — from Thin steel rods to   the Black stone blocks. In their simplest appearance Mrs P&P are  intended for the solid blank composition in victorian or industrial style. They are quite decent, a bit old-fashioned slab serif and grotesque with closed aperture. All my types have layers. Walker and Palkerson also do. Besides the standard set of symbols, they have 4 add-ons. 1. Alternate glyphs, including unicase ones. 2. Ligatures with A letter. 3. Extra tall small caps. 4. Two-storey ligatures. All this options are intended for the complex composition. The additional letters are rather eccentric as their main function here is to imitate the victorian oddities. Imitate, parody, just not repeat. There are lower-case As and Es in the set in height of small caps and uppercases. They can turn every writing into the unicase.    The lower-case A (as well as uppercase and small caps version of it) has deliberately by my taste grown a ludicrous tail. To compensate it I’ve built all the possible ligatures - ад, ал, ая. There are 35 of this ligatures all together. Take a closer look at the Russian letters D, L, K, Ya from the main set as well as their alternates. The additional glyphs are one more comic than the other — on purpose to imitate (not to repeat!) the victorian set. This sets have lowercase numbers. And small caps numbers as well. What a modern typeface without them. They also have an У-letter with a generously curvy tail. As if before the WWI. The Latin of course has alternates as well. It has letters to make the perfect French sound more like the russian provincial version of it. The tails of Js and Ts can be made a little bit more open — or a little bit closed. My favorite feature here, an invention of a kind - extra tall small caps. It allows to compose logos with the small caped uppercases directly from the keyboard. The small caps of this typefaces are usually much taller than the customary ones. This is the kind of small caps that Palker and Palkerson have. More to that, the strokes’ weight and the letters width are corresponded to the uppercases. Just a ready set for making a logo a la 1913 style. With a unicase, one has to mind! One more trick with the tall small caps is a possibility to make them work like lower uppercases. Their height is just in between of lower- and uppercases. Isn’t it great to have an additional set of uppercase working ponies in stock for the case of emergency. And finally — the trademark of Palkers family, two-storey ligatures. They are made in the height of uppercases and turn every writing into an ornament or a puzzle of a kind, while at the same time making them much shorter. Each face has 90 of them. Mainly those are twins: CC, BB, DD and so on. ll this things are for the unhasty compositing, even for lettering. Which means that for the things which are not there you always should have Command+Option+O and some patience. Also — among the two storey ligatures one also can find some belvedere villas. All my types are glasses from the one kaleidoscope. The P&Ps family was preliminary part of the victorian set, which already has 1 Cents and Clarendorf - optionally one can add Costro, Gordoni, Handy, Guardy, Surplus, Red Ring, Red Square, Babaev to the list. And also Sklad, Odessa, Dreamland, Romb, Platinum - here, at Letterhead’s, every second one is victorian. All together our typefaces can allow one to set advertisement of any kind, even the trickiest one, and compose everything, from the coffee place’s menu to the antiquarian magazine.

A grotesque Mr Palkerson and slab serif Mr Palker build one superfamily together. These are blank types. In a way even the display ones. Typefaces for newspapers, announcements, cheap advertising and police posters.  Mr Palker and Mr Palkerson will turn every language into a fence. And due to six types of faces one can choose what material should the fence be made from — from Thin steel rods to   the Black stone blocks. In their simplest appearance Mrs P&P are intended for the solid blank composition in victorian or industrial style. They are quite decent, a bit old-fashioned slab serif and grotesque with closed aperture. All my types have layers. Walker and Palkerson also do. Besides the standard set of symbols, they have 4 add-ons. 1. Alternate glyphs, including unicase ones. 2. Ligatures with A letter. 3. Extra tall small caps. 4. Two-storey ligatures. All this options are intended for the complex composition. The additional letters are rather eccentric as their main function here is to imitate the victorian oddities. Imitate, parody, just not repeat. There are lower-case As and Es in the set in height of small caps and uppercases. They can turn every writing into the unicase.    The lower-case A (as well as uppercase and small caps version of it) has deliberately by my taste grown a ludicrous tail. To compensate it I’ve built all the possible ligatures - ад, ал, ая. There are 35 of this ligatures all together. Take a closer look at the Russian letters D, L, K, Ya from the main set as well as their alternates. The additional glyphs are one more comic than the other — on purpose to imitate (not to repeat!) the victorian set. This sets have lowercase numbers. And small caps numbers as well. What a modern typeface without them. They also have an У-letter with a generously curvy tail. As if before the WWI. The Latin of course has alternates as well. It has letters to make the perfect French sound more like the russian provincial version of it. The tails of Js and Ts can be made a little bit more open — or a little bit closed. My favorite feature here, an invention of a kind - extra tall small caps. It allows to compose logos with the small caped uppercases directly from the keyboard. The small caps of this typefaces are usually much taller than the customary ones. This is the kind of small caps that Palker and Palkerson have. More to that, the strokes’ weight and the letters width are corresponded to the uppercases. Just a ready set for making a logo a la 1913 style. With a unicase, one has to mind! One more trick with the tall small caps is a possibility to make them work like lower uppercases. Their height is just in between of lower- and uppercases. Isn’t it great to have an additional set of uppercase working ponies in stock for the case of emergency. And finally — the trademark of Palkerson family, two-storey ligatures. They are made in the height of uppercases and turn every writing into an ornament or a puzzle of a kind, while at the same time making them much shorter. Each face has 90 of them. Mainly those are twins: CC, BB, DD and so on. ll this things are for the unhasty compositing, even for lettering. Which means that for the things which are not there you always should have Command+Option+O and some patience. Also — among the two storey ligatures one also can find some belvedere villas. All my types are glasses from the one kaleidoscope. The P&Ps family was preliminary part of the victorian set, which already has 21 Cents and Clarendorf - optionally one can add Costro, Gordoni, Handy, Guardy, Surplus, Red Ring, Red Square, Babaev to the list. And also Sklad, Odessa, Dreamland, Romb, Platinum - here, at Letterhead’s, every second one is victorian. All together our typefaces can allow one to set advertisement of any kind, even the trickiest one, and compose everything, from the coffee place’s menu to the antiquarian magazine.

Now Appearing JNL is a digital version of some hand-lettering spotted on an early 1960s ad for a Miami Beach night club. Its fun, casual appearance makes it perfectly suitable for any project that conveys a relaxed atmosphere. The font was intentionally not kerned, so the free-flowing form of the lettering is at its best, but it can be set tight by hand if a more compact look is desired.