Fraught is a rough tough stencil font for hard use. Feel the touch of cracked concrete, rusty iron and undressed board. Fraught supports most European languages.

On a clear day you can see all the way to URAL from a high place in Helsinki. There your eyes will meet strange permafrost letters.

The Wild West meets Russia and India in this heavy duty display face. Although it's uppercase only, most of the characters vary between the uppercase and lowercase alphabets, so it's easy to give your text a hand-made feel by mixing up your cases. OpenType savvy applications can really exploit the extra features of this font. Engage contextual alternates, and G, C, L and alternate form of E will change when placed before a letter with a crossbar to create some cool effects (see the CK and LE combinations in the poster). There are standard ligatures for ff and FF combinations, and discretionary ligatures for 'and', 'the', 'No', 'Mc' and 'Co'. Engage stylistic alternates for a reversed 3 version of E, and the obligatory backwards R for that faux-Russian effect. Also included in the font is a host of ornaments. This font is perfect for wanted posters, heavy metal band logos, Communist propaganda leaflets and no doubt a load of other things too.

This is a special font for use creating US Postal Service "Intelligent Mail" barcodes. Those are the barcodes you see on most cards and envelopes. Commercial mailers get the best pricing by printing barcodes when they address the mail, saving the Postal Service a step. The barcodes are also used on reply mail and Share mail, and for "Informed Visibility" tracking. Software to create these barcodes, including the USPS Intelligent Mail Small Business (IMsB) tool, typically provide an output of 65 characters, each character being an A, D, T or F, corresponding to each of the styles of bar. SmartBars 12 replaces those characters with the corresponding bar. When doing a mail merge to print addresses, the user would set the barcode field on their merge template to be printed using SmartBars 12, at 12 point, regular, and the barcode will print with the correct bars and at the required size to meet USPS requirements.

When I was in high school, I would wreck my notebooks with multiple layers of graffiti tags, which would start in the margins, and then creep in to cover the entire page. I developed a sensibility towards a very fast, expressive use of my hand, which later easily and naturally translated into brush. I used this style typographically on several projects throughout the years, and even turned it into a signature illustration style. Recently, by repeating letters hundreds of times each with brush on paper, this ad-hoc brush style became Streetbrush. The style is characterized by a unique blend of urban grafitti meets Asian calligraphy. The font is best used for large titling or signage, as it is extremely detailed and really captures the feeling of a brush pulling ink across a textured surface. That said, the font will also work well for body copy, and includes most basic symbols. The font has some ligatures, mainly for legibility.

POWERPLAY a monospace lowercase alphabet with a 3D twist. Designed by André Toet in 1976 (during his study at Central School of Art & Design, London, UK) and he redesigned this in 2011. The name Powerplay is based on the Battersea Power Station, London. The remarkable architecture of the building is also used as a decor for films and for one of the covers by Pink Floyd (Animals, the flying pig). Concept/Art Direction/ Design: André Toet © 2017

Galdana font family is a Roman serifs typeface, whose most relevant characteristic is the slanted angle of its true italic, at seventeen degrees. Its design was inspired by one of the most prominent American calligraphers of the last century, the book designer Oscar Ogg. Galdana contains 18 styles: starting from thin to ending in a fat typeface. This family is completed with multilingual support and a set of OpenType features such as stylistic alternates, swashes, and ligatures.

Bloomsburg is a sharp, modern, everyday font with a multitude of uses. This family is characterized by its high legibility, delicate curves, and vertical cuts to most lowercase terminals. Its humanist features are most evident in the lightest versions making it a versatile choice for showcasing warmth and personality. Use Bloomsburg for eye catching headlines or try the Bold version for a company logo. A wide range of languages are supported including European accents and Cyrillic characters.

Destroy, destroy, destroy. Insurgent was expanded to include extended Latin, extended Cyrillic and Greek alphabets so it will work with most languages in Europe and the Americas.

XComputerBugs is a pictorial font of insects, mostly butterflies and moths. A few are based on actual species, but most are fanciful and meant only for decoration.

Okaycat presents "Hiew". Hiew is a connected font with serif, some bold personality making your message clear. Includes European accents and extra characters to meet publication needs.

Pia is a new typeface named in honor of one of the most fun people we know, Sophia Williams aka Pia. Extended Character set for multilanguage support.

CrosswordBill was created by scanning a finished crossword puzzle, done with a failing ballpoint. A complete character set with numbers and most (but not all) special signs.

Based on the 36-point design of the Amsterdam Nobel Inline capitals (1931), Sans Serif Inline™ is designed specially to meet the requirements of today's technology.

Univers and Helvetica Compressed are most often used for movie posters, but they lack variants. Therefore I made a compressed family with seven weights for more versatility.

The most watched and celebrated sports are A-Z, with the lower case showing the same sports flopped. The numbers 1-0 are an assortment of Olympic sports.

Introducing Spooky Bluest by Forberas, yet playful but still serious. You can use this as decorative material for your upcoming project. Your review and response are most welcome.

Shift Comic is the usual alternative to many similar typefaces. It’s based on my handwriting. I decided to make a thinner variety than most available on the market.

One of the many Solotype experiments in developing fonts with an ethnic flavor, this one is a bit less obvious than most. The lowercase seems to work well.

This contrast grotesque works well in text sizes and in large ones. Here are two sub-families: contrast and most contrast Display. Ideal companion for Osnova type family.

Duffle Bag JNL continues Jeff Levine's series of stencil fonts. Most are from authentic, vintage sources; this one is an original... and with a sports theme to boot!

Abaddon has been one of our most popular fonts since it was first released in the mid-90s. It's based on lettering by Alphons Mucha with some modernization.

Experimental typography meets Art deco retro style. Odd contrast gives your work a curious impression.By using 'liga' and 'dlig' feature of OpenType format, you can access advanced typography.

Youngblood is a non-connected formal script with tall, sweeping ascenders and two alternates. These alternate forms can be mixed and matched for a custom look, and Youngblood is stronger in weight and is better suited for display work than most script fonts. Although Youngblood looks back to traditional copperplate scripts for inspiration, there is a new and exciting spirit to the design. Youngblood includes OpenType ending swashes, ornaments, ligatures, discretionary ligatures for most common ascender pairs and old style figures.

Grandezza Xtra is the standalone version of my most elaborate script. It is the script for many countries, good for Basic Latin, Latin Eastern Europe, Turkish, Baltic. I first designed 5 different sets and now this Xtra version which has a second set of capitals in the place of the smallcaps. This Xtra set is sufficient for most design jobs. If you need more you can always buy the standard Grandezza 5-font set for the reduced price. -Your script designer, Gert Wiescher

WOLFSZN Anniversary! WOLFSZN is the tenth Font of André Toet. The inspiration for this capital alphabet came from the trails of an agricultural machine (think tractor) leaves in the soil after working the land. But it’s not meant to be ‘like a heavy workload’, in fact to us it seems like a very useful Font for headings, logotypes, advertising or films. We hope WOLFSZN will be happily and wisely used by my dear colleagues. Concept/Art Direction/Design: André Toet © 2017

Check out other members of the Pocket family: Pocket and Pocket Serif This hand drawn font has a subtle rough texture, and lots of alternate swash characters to start and end words. It is perfect to give an extravagant but whimsical look to your projects. It has support for most western and central European languages, and has alternates for most letterforms accessible through Opentype features, allowing for variations that make it look authentically hand-drawn. It also has extra ligatures, swashes, and catchwords.

STRANO Like the name indicates it’s a strange typeface. Just capitals (including punctuation marks and numbers), composed from early sketches for a corporate identity in 2005 by André Toet. The complete font was restyled and translated to a Monospaced version. It’s a quite versatile font: it can be used in a lot of different cases, not only in print but also in architecture and street furniture. Think about lettering on benches, bridges, buildings. Concept/Art Direction/Design: André Toet © 2017

Summit rehashes both Circuitry Fonts, combining them into one font. To further modernize Summit, I have included all the characters required for full character set. Regular with Small Caps. Summit includes all punctuations, numerals, diacritics and special characters. The oringinal Circuitry Font was inspired by the printing on electronic circuit boards, it was interesting that most all printed font-strokes were either 90 or 45 degrees. I have kept most if not all of these angles while simultaneously giving it a contemporary feel.

Hologram is a font inspired by a combination of the future and the past. The intention was to design a font that was most effective when applied to Largely Displayed text like Headings, rather than for smaller extended bodies of text. There are 3 distinctive styles offered in the Hologram font family. Each style contains over 350+ Glyphs per style with support for up to 26 Languages as well as specialised kerning & spacing. Display Sans: This style is the cleanest of the 3 fonts. There are no serifs attached to the ends of the strokes, although the stroke weight is varied from thick to thin depending on the letters. Display Serif: This style contains modern serifs at the ends of most character strokes that give more structure to the shapes. A majority of the serifs are horizontal in direction with few characters containing vertical serif details. Display Wedge: The most Bold of all is the Wedge Serif style offered. Featuring thick and thin triangular serifs at the ends of character strokes. This style is most effective in Large Displays & Titling uses. Designed by KAZER STUDIO

Sabron Light is a very round font with the thickness at the corners rather than the side as in most typefaces. Serifs are swollen ends coming to a point.

Meet Engrace, a serif font family with elegant & stylish curves. She’s romantic, classy and modern all wrapped into one, and surely can not be missed in your font collection.

A cursive font with a curvilinear feel, named for the Scottish stream immortalized by the poet Robert Burns. Useful for menus, certificates, display lines, short paragraphs or poetry setting.

Kiner is a typeface designed by Jorge Mercado, inspired in old western letters used in many industries. Kiner support most latin languages, and the set includes uppercase and lowercase.

Meet my new font Indian! Indian includes full set of lovely uppercase and lowercase letters, multilingual symbols, numerals, punctuation and ligatures. This is so perfect for invitations, monograms etc

Artful Nouveau JNL was modeled from the hand lettering on the sheet music cover for the 1910 song "Gee, But It's Great to Meet a Friend from Your Home Town".

Named after Gian Giorgio Trissino (1478-1550) the Italian Renaissance humanist, poet, dramatist, diplomat and grammarian who was the first to explicitly distinguish I and J as seperate letter sounds.

Stencille Une is that long-sought delicate and refined stencil font. Unique but not gimmicky, giving it the legibility often lost in most stencil fonts. Totally kerned pairs, including puncuation.

Silk Remington Pro is the best Typewriter font with 14 variations, one of the most variations in typewriter fonts available in market. It's designed to give a real typewriter feel.

Sandy is a handwritten sans serif font, based on shapes made with ink brush. Sandy is a lively and informal typeface with good readability. Most of European languages are supported.