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  1. General Merchandise JNL by Jeff Levine, $29.00
    Antique X Condensed is a condensed slab serif font found with the pages of a Rob Roy Kelly book of wood type designs. It was introduced around 1840 by Wells and Webb, and the example served as the model for General Merchandise JNL, which is available in both regular and oblique versions.
  2. Public Notice JNL by Jeff Levine, $29.00
    Public Notice JNL is based on a wood type alphabet originally shown in George Nesbitt’s 1838 catalog as “Gothic.” The image sample used for a model had only the basic A-Z characters, an ampersand and an exclamation point, so numbers and additional characters were designed and added to the digital version.
  3. Show Card Freehand JNL by Jeff Levine, $29.00
    The title and credits for the 1951 Dick Powell and Rhonda Fleming film “Cry Danger” were hand lettered in a freehand brush lettering often seen on store signs and show cards. Serving as the model for Show Card Freehand JNL, this pleasant and casual typeface is available in both regular and oblique versions.
  4. Stencil Cutter JNL by Jeff Levine, $29.00
    Modeled after some antique stencil cutting tools spotted in an online auction, Stencil Cutter JNL portrays the look of hand tooled lettering. The rounded-end characters have their own personality and this eccentricity provides a warmth and charm from times past. Stencil Cutter JNL is available in both regular and oblique versions.
  5. Mengelt Basel Antiqua by Linotype, $29.99
    Inspired by the excellent serif fonts of the Basel printer of the 15th and 16 Century, Christian Mengelt designed the Mengelt Basel Antiqua. The typeface is a Renaissance Antiqua with stylistic reference to the historical model, but with the technical and typographic qualities of a modern text typeface with excellent reading quality.
  6. Inspired by the excellent serif fonts of the Basel printer of the 15th and 16 Century, Christian Mengelt designed the Mengelt Basel Antiqua. The typeface is a Renaissance Antiqua with stylistic reference to the historical model, but with the technical and typographic qualities of a modern text typeface with excellent reading quality.
  7. Nouveau Spurred JNL by Jeff Levine, $29.00
    The hand lettered title on the 1915 sheet music for “On the Banks of the Amazon” was the design model for Nouveau Spurred JNL, which is available in both regular and oblique versions. This gently spurred Art Nouveau Roman is a beautiful choice for headlines, book titles and other retro-influenced projects.
  8. Hexide JNL by Jeff Levine, $29.00
    Hexide JNL was modeled and modified from an original design created by the late sign artist Alf R. Becker for Signs of the Times® Magazine. Thanks to Tod Swormstedt of ST Publications, Inc. and the American Sign Museum of Cincinnati, Ohio for providing the reference material used to make this font.
  9. Parking Lot Stencil JNL by Jeff Levine, $29.00
    At first glance Parking Lot Stencil JNL look quite similar to many sans stencil fonts, but rest assured there are numerous subtle nuances that give the typeface its own unique flavor. Modeled after the plastic stencils used for marking numbers and directional information on paved surfaces, the lettering is clean yet industrial.
  10. Templit JNL by Jeff Levine, $29.00
    Templit JNL is one of a number of fonts modeled from actual lettering stencils by Jeff Levine. This one takes its style from a set of individual letters and numbers used for marking and identifying objects. Some of the letters and numbers have solid shapes rather than traditional stencil breaks in the characters.
  11. Antiqva by Ultramarin, $40.00
    An alphabet based on classic Roman letterforms. As a model for our typography since ancient times, Roman stone inscription remains the starting point for all Latin letterforms. Working with these classical letters is an eternal dance for the graphic artist. The constant drawing and refinement of detail. A typographical relationship for ever.
  12. Impossible - 1000 - Unknown license
  13. Ale and Wenches BB - Personal use only
  14. Brawnie by Gerald Gallo, $20.00
    Brawnie is a very bold, contemporary, sans serif font. It is ideal for headlines, titles, branding, and small blocks of text.
  15. Modsten by Ingrimayne Type, $12.95
    Modsten-Bold is a modernistic stencil design with two sets of capital letters. Modsten-plain was added to complete the family.
  16. Number 515 by Wooden Type Fonts, $20.00
    A display style, with protuding bulb round ends at the serifs and mid-points, very bold, lower case originally not designed.
  17. Chendolle by Rometheme, $6.00
    Chendolle is a bold display font, it has a fun and cute style and is perfect for creating playful kids designs.
  18. Craska by Device, $39.00
    A bold and arresting geometric font built from parallel stripes. Most effective in short headings or logos at larger, display sizes.
  19. Zaius by The Northern Block, $12.80
    A bold sans serif typeface influenced by Ed Benguiat 's work for the 1968 movie poster for Planet of the Apes .
  20. Knoo by ffeeaarr, $11.00
    Knoo is a bold typeface with some pretty futuristic characters. This version has new additional characters compared to the previous version.
  21. Mimbie by Cultivated Mind, $20.00
    A quirky handwritten headline font with doodley artwork by Cultivated Mind. This font collection includes three weights (Regular, SemiBold, and Bold).
  22. Queen Bella by Epiclinez, $18.00
    Queen Bella is a bold and bouncy handwritten script font. Use it for any design project that requires a personalized appearance!
  23. Illustrious by Gerald Gallo, $20.00
    Illustrious is an all caps, bold, sans serif font. It is ideal for headlines, titles, branding, and small blocks of text.
  24. Ruthless by Gassstype, $27.00
    Ruthless Bold handmade Rough Brush Font with ligature and Multilanguage support. Best for halloween poster, horror poster, childrenbook, cartoon, comic etc.
  25. Raphtalia by Nurf Designs, $36.00
    Raphtalia is a fun and bold font with a unique vintage appeal! Designed with a distinct retro feel and lovely elements,
  26. Nighthawk JNL by Jeff Levine, $29.00
    Nighthawk JNL is a clean, bold headline sans serif with a slight touch of Art Deco added for a nostalgic look.
  27. BooRush by Nurf Designs, $12.00
    BooRush is a display font with a childish touch. The bold shape makes this font very suitable for any playful heading!
  28. Grotesque by Wooden Type Fonts, $15.00
    Based on a revival of one of the popular type fonts of the 19th century, suitable for display, or text, bold.
  29. Pudgie by Gerald Gallo, $20.00
    Pudgie is an all caps, bold, sans serif font. It is ideal for headlines, titles, branding, and small blocks of text.
  30. Dvarlin Staves by Sins, $37.48
    Dvarlin Staves is a collection of 512 rune glyph's divided into six font family's. The three main font's are Root, Caber and Bole, while Remnant, Branch and Blossom are taller versions of the main set. They all come in four weights: Light, Regular, Semibold and Bold. As well as a Italic and a Slant style for the purpose of adjusting letters on a curved line. It also features codex:437 glyph set and an extended array of letters and corner alternatives, including the default runic glyph's. The collection stands at 72 styles that contains a total of 36 864 glyph's. For extra supporters consider gifting some Staves away to a crafty friend.
  31. Mancunium by K-Type, $20.00
    Mancunium is a sans serif family with a contemporary monolinear character, though designed with the iconic proportions of Roman capitals in mind. In addition to reliable romans, the typeface includes proper, optically corrected italics. Also, uniquely, a set of ‘vertalics’ that contain the more script-like glyphs of the italics with angled stem terminals, but which are unslanted and upright in aspect, and without the slight narrowing of the italics. Each font includes a full complement of Latin Extended-A characters and additional oldstyle numerals. Mancunium is sold in two collections – a Regular/Bold package and a Light/Medium package. Each package contains six fonts - two romans, two italics, and two vertalics.
  32. Quadrim by Artisticandunique, $40.00
    Quadrim - Serif Font Family - Multilingual -12 Style (2020) On the basis of Quadrim, it is a mix of the old-fashioned Roman serif family. The old style serif combination combines, modern aesthetics with fantasy and Art Nouveau serif fonts, making Quadrim a versatile family that can be used in many different design projects. This font offers a wide variety of styles to help you discover the best mood for your projects, from body text to large titles, from classic styles to modern and bold styles. It is very suitable for book and magazines, magazine covers, editorial, titles, websites, logos, invitations, branding, advertising and more. CHARACTER RANGES : Basic Latin, Latin-1 Supplement, Latin Extended-A, Latin Extended-B, General Punctuation, Currency Symbols, CJK Symbols And Punctuation, Private Use Area (plane 0), With this font you can create your unique designs. If you have a question, please contact me. Have a good time.
  33. Chelsey Bobby by Gatype, $10.00
    Chelsey Bobby model original handwritten simple font, the newest you can get now! With an updated hand calligraphy model with special glyphs that have been given a combination of fantasy and handwritten ink. This font will look beautiful on all designs, Wedding designs, branding materials, blog titles, quotes and invitations, business cards. OpenType includes: Alternative Style Set styles Including fonts: . Chelsey Bobby. OTF To enable the OpenType Stylistic alternative, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or later. There are additional ways to access the alternative/swash, using the Character Map (Windows), Nexus Font (Windows), Font Book (Mac) or a software program such as PopChar (for Mac and Window). This font has provided PUA unicode (custom code font)
  34. Postman by Juan I. Siwak, $20.00
    Postman is a typeface inspired by old documents, banknotes and leading product brands. It has cursive and elegant capital letters and its lowercase letters are actually small caps of geometric shapes as if they were made of metal and nailed with bolts. It is ideal for classic products that consider nobility and tradition among their virtues. It evokes classic products that lasted over time. Includes OpenType features, like ligatures, alternates, and more.
  35. Drakoni Sans by Mans Greback, $59.00
    Drakoni Sans is a bold and rounded font that exudes a strict and angular aesthetic. Its clean lines and subtle curves give it a humanist touch, making it perfect for a wide range of designs. Designed with a vision of comic book headlines, Drakoni Sans is both playful and professional. Its bold and powerful presence commands attention, while its rounded edges and angled cuts add a touch of personality and charm. Available in four styles - Regular, Italic, Bold, and Bold Italic - Drakoni Sans offers versatility and flexibility for any project. Its clean and clear letterforms make it ideal for logos, headlines, and other display purposes. Whether you're looking to add a touch of softness to your designs or to create a bold and commanding presence, Drakoni Sans is the font for you. The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures and more features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, from Northern Europe to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers.
  36. Xaloc by Vanarchiv, $20.50
    Xaloc was designed for editorial use in books, magazines and newspapers. This typeface family contains different font versions for different optical sizes; Caption, Text, Subhead and Display, all of them with different x-height proportions and contrast. Its serifs are asymmetrical and its letterforms have geometric modulated strokes that emulate the calligraphic variations. Its design approach enhances text flow and continuous reading. Xaloc was based on Ricado Santos’ Tramuntana, which has the same skeleton, proportions and serifs with a more mechanical design. Xaloc is the Catalonian name from the Mediterranean wind that comes from the Sahara and reaches hurricane speeds in North Africa and Southern Europe.
  37. Fulmar by CAST, $45.00
    Named after a practical seabird, Fulmar is a modern Scotch intended for extended reading. More European than American, it draws on a range of influences from around the North Sea, from Fife’s Alexander Wilson to 17th-century French experiments in modulation and 18th-century Belgian flash, and combines them with contemporary structure and proportions. The result is crisp yet warm, steadfast yet lively, sharp yet robust, rational but humane. It can be appropriate for new translations, new histories and new understanding. With five weights, ten styles, small caps, a clamjamfry of OpenType features and unicorn manicules, Fulmar dispenses with sprawl while retaining range and dexterity.
  38. Tin Roof by Jukebox Collection, $32.99
    Tin Roof is a unique and original Jukebox font based on the 1958 hand lettered movie poster from "Cat on a Hot Tin Roof". The slightly modulated baseline and shaky letters give the font both a silly and sinister aspect. Perfect for any dramatic, spooky or sultry subject, Tin Roof has all the allure of a hot southern night! Jukebox fonts are available in OpenType format and downloadable packages contain both .otf and .ttf versions of the font. They are compatible on both Mac and Windows. All fonts contain basic OpenType features as well as support for Latin-based and most Eastern European languages.
  39. Jane Roe by deFharo, $10.00
    JANE ROE is a family of 10 Sans Serif condensed fonts of geometric construction and neo-Gothic style, a friendly typography with maximum readability, specially drawn for the composition of texts of any size for both printing and screen, signage or headlines and where you need savings in horizontal space. This typeface contrasts its neutral aspect with the humanistic modulation of the antlers in the characters, giving the opportunity to compose texts adaptable to any context and concept of design. The typeface includes small letters with support for Latin Extended-A, dynamic fractions, several set of numbers, etc. Look at the PDF with all the functions.
  40. Quimera by PampaType, $19.00
    A happy, and delicate family, available in 5 weights. Being very legible in small sizes, it pays tribute to French designer Roger Excoffon, particularly to his Antique Olive type. Antique Olive combines two features which inspired the design of Quimera: a large x-height with open counters which ensures legibility at tiny body sizes; and letterforms with a horizontal stress which contradicts the logics of calligraphic tradition (thick verticals, thin horizontals). Quimera has a typical sanserif stroke modulation, but letters have a very thin, capricious serif, which helps to keep the texline's continuity. This 'genetic' contradiction is the reason for its name: Khimera, as it would be a 'sanserif avec'!
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