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  1. RM Squarial by Ray Meadows, $19.00
    Based loosely on a square, this hair line design works best at 24pt and above. Due to the modular nature of this design there may be a slight lack of smoothness to the curves at very large point sizes (around 100 pt and above).
  2. Verdana - Unknown license
  3. DS Diploma - Unknown license
  4. Michaels - Unknown license
  5. Titan Text OT by DSType, $19.00
    Originally designed in 2003, TitanText now becomes TitanTextOT and it's available in Regular, Italic, Bold and Bold Italic. Includes plenty of OpenType features, like SmallCaps, Alternates, Ligatures and Swashes.
  6. Capstone by Rivet Designworks, $10.00
    Capstone is a display typeface influenced by the bold angular features of stone architecture, especially that of cathedrals and archways. It works well for short bold titles or brands.
  7. Rockids by Surotype, $20.00
    Rockids is a bold display typeface, Comes in two styles sharp and softed with bold characters, this font is perfect for headlines, posters, movie titles, Games, branding and others.
  8. Titan OT by DSType, $19.00
    Originally designed in 2003, Titan now becomes TitanOT and it's available in Regular, Italic, Bold and Bold Italic. Includes plenty of OpenType features, like SmallCaps, Alternates, Ligatures and Swashes.
  9. PL Fiedler Gothic by Monotype, $29.99
    PL Fiedler Gothic Bold is a display sans serif designed by Hal Fiedler. The distinguishing characters in the PL Fiedler Gothic Bold font are lower case q and t.
  10. OliJo - Unknown license
  11. Acid Bath by Bogusky 2, $12.00
    Bold corroded font
  12. Egyptienne75 Black by Wooden Type Fonts, $15.00
    Bold Serif style
  13. SF Change Pro by Sultan Fonts, $19.99
    Change is An Arabic and Latin text typeface for desktop applications. This Font Family development and extension of the Old sultan font "change" Here you will find a change in many letters, along with two types of regular and bold fonts, as well as a change in all Latin letters. The font includes a matching Latin design and support for Arabic, Persian, Kurdish, and Urdu. Designer: Sultan Maqtari Design date: 2020 Publisher: Sultan Fonts
  14. Utopia by Adobe, $29.00
    Utopia, created by Robert Slimbach and presented by Adobe in 1992, was intended to solve a number of typographic problems related to office correspondence. This demanded versatility, so Slimbach created a font family with cuts for text, for titles, extra bold for headlines, small caps, all caps with numerals, old face numerals, fractions, ligatures and scientific markings. Not just its forms, but also its aesthetics make the balanced, elegant Utopia suitable for any use.
  15. Treasure Stones by Ironbird Creative, $22.00
    Treasure Stones is a display typeface which is inspired by vintage lettering sign and art. While this font has a victorian touch, it still looks bold and solid. Very suitable for for headline, logotype, apparel, invitation, branding, packaging, advertising etc with old school / vintage theme. We hope you enjoy the font, please feel free to comment if you have any thoughts or feedback. Thanks for purchasing and have fun! Regards, Ironbird Creative
  16. Bradia by Locomotype, $20.00
    Going back in time, Locomotype presents Bradia, a classic style font that brings out a vintage and old-fashioned feel. Available in three weights: Light, Regular and Bold. Discrectionary Ligatures feature is also included to enhance some letter pairs when applied to typographic designs. Bradia is a stylish and versatile typeface perfectly suitable for a wide range of applications, especially headlines and short lines of text, posters, packaging, logotype, in both print and digital media.
  17. Mantana by Anomali Creative, $10.00
    Mantana - Retro Vintage DIsplay font is an old style serif font, its funky, round, hight-contrast and bold shape with a retro touch is perfect for displayed, head text, logotype and many more. Mantana - Retro Vintage DIsplay font comes with stylishtic alternates and ligatures. We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.
  18. Indiana Script by Mans Greback, $59.00
    In a classic logotype style, Indiana Script is a sharp and steady typeface created by Måns Grebäck. With its bold brush strokes and vintage tilt, this typeface works great in old-style logos and headlines. It contains ligatures and alternate characters, and supports a very wide range of languages. Write _ after a word to get a swash. Example: Indiana_ With ligatures activated, write _ and a number for more swashes. Example: Visual_2 Music_6
  19. Kanzaki by Locomotype, $18.00
    Kanzaki is a display typeface sculpted with special curves inspired by old typography combined with semi-reversed contrast. A semi-serif font that has a classic and elegant feel, yet warm and friendly. To beautify your creations, Kanzaki is equipped with various opentype features such as disrectionary ligatures, alternates, swashes and stylistic sets. Available in 5 weights: Thin, Light, Regular, Medium, Bold and its matching italics. Perfect for branding, packaging, logotypes, labels and posters.
  20. Nova Hispane by Ixipcalli, $30.00
    NovaHispane typeface is a serif typeface with a clear, serious, elegant, old and modern touch at the same time. This typeface is perfectly suitable to be used in books, magazines or any printed media that requires showing a set of traditional or modern styles. Its four weights Light, Regular, Bold, and Heavy make a well-marked visual game for highlighting words from text; in addition to having the italic forms for each weight.
  21. Bertham by Ascender, $29.99
    Bertham Pro Family (4 fonts) is a revival of Frederic W. Goudy’s Bertham typeface. Steve Matteson produced this unique typeface and added bold, italic and openface styles. The fonts include a variety of OpenType features including swash capitals, small capitals and old style figures. It is unmistakably American in appearance recalling a day of quality craftsmanship and hard work. Publishing, branding and packaging materials will draw inspired attention due to its grace and distinctive appearance.
  22. Contax Pro by Type Innovations, $39.00
    Contax Pro is a contemporary design based on generous proportions and clean, crisp lines. Forget about 'Helvetica'. Look out 'Univers'. Contax Pro is the new geometric sans typeface series for the 21st century. Contax Pro makes for easy reading and is ideal for long lines of copy. Contax Pro includes true drawn small capitals and old style figures. The family comes in 6 weights: ultra light, thin, light, regular, medium and bold.
  23. Morthern by Graptail, $19.00
    Morthern is inspired by the work of charming lettering artists with a combination of Old Style Display Bold. Each letter is modified so that the distance, width and weight can give the beauty of the alternates given. A passionate curve gives a touch of beauty to this font. With both weights you have two different shapes in terms of uppercase letters that aim to distinguish between title of the letter and the paragraph.
  24. Routemaster by Work by Dan, $12.00
    Routemaster is a hand-drawn condensed title font by the graphic designer Daniel Thomas. Found under the stairs, hand painted on a dusty rolled up bus route canvas. Re-created and refined with additional glyphs, Routemaster is old, bold and unique. A characterful font. Pleasant for posters, lovely for a logo, brilliant for branding, tasteful for t-shirts, playful for packaging and becoming for book cover design. Enjoy your design journey with Routemaster
  25. Bell MT by Monotype, $39.00
    Monotype’s hot metal Bell series from 1931 was based on original types made by the punchcutter Richard Austin for the foundry of John Bell in the 1780s. The different sizes of Monotype’s series were not all based on the same model. As type historian James Mosley wrote on Typophile, “For 18 point and above (the metal type was cut in sizes up to 36 point) Monotype’s model was a larger type [than the model used for the text sizes], the ‘Great Primer’ cut by Austin. This has greater contrast in the capitals and a flat foot to letter a.” The digital Bell closely follows the design of the hot metal 18pt version, and is therefore somewhat lighter in color than the text sizes of Monotype’s original metal face. James Mosley’s Typophile article can be found here.
  26. Gallos by W Type Foundry, $25.00
    What comes to your mind if I say Architype, Geometric, Gaelic, and Uncial? An impossible combination of features? An unrealistic setup of tastes as weird as your music list? Or some part of a joke told by your favourite comedian? Just chill and stick to the idea that is possible. Gallos combines the conceptual historical elegance of the Uncials with the practical rationalism of the Geometric style. Moreover, this typeface is composed by two sub families: Gallos Uncial and Gallos Architype. The letters “M”, “N”, “W”, “a”, “m”, “n”, “r”, and “w” differ between these two models. The first one is related to both: The Uncial script aspect displaying the leaned “a” with a closed bowl, and the classical geometric style depicting more conventional uppercase and lowercase letters “m” and “n”. The Architype one is inspired by Paul Renner’s Architype model, thus the leaned “a” has an open counter, the “r” is composed by a stem and a dot, and the rest of the mentioned letters were built using square rational features. Both models are connected by classical Uncial features such as the curved stroke “e” and curved shaft “t”, and with Gaelic vibes which can be seen in uppercase and lowercase letters “K” and “X”. Also, the curved descender “g” and “y”, alongside the curved stem “z” connect really well with the rest of the system and provide more uniqueness to the Gallos type family. Without further ado, we say to you: let’s make Uncials popular again!
  27. Snips by G.A.R.M. Company, $22.00
    Monoweight / Geometric / Utilitarian Although sturdy straight out of the keyboard, this true mono weight sans is built for more. Snips sacrifices several traditional letterform nuances for the sake of being easily broken apart and customised. Its modular construction is perfect for novice and experienced designers interested in modifying existing typefaces to fit their project needs. Font Key Features: Uppercase & Lowercase Characters Numbers & Punctuation Multiple Language Support Single Weight Usage: Snips provides an excellent base for lettering and logotype projects. It’s modular construction makes it easy to break apart and rebuild into unique custom letterforms, the potential variations are endless. In addition, Snips is also great for headlines and callouts in you favorite working class / industrial era designs.
  28. Inline Square JNL by Jeff Levine, $29.00
    Inline Square JNL is modeled from the hand lettered title found on the 1935 sheet music for "Cielito Lindo (Beautiful Heaven)", and is available in both regular and oblique versions.
  29. Artful Nouveau JNL by Jeff Levine, $29.00
    Artful Nouveau JNL was modeled from the hand lettering on the sheet music cover for the 1910 song "Gee, But It's Great to Meet a Friend from Your Home Town".
  30. Sagebrush JNL by Jeff Levine, $29.00
    Sagebrush JNL was modeled from examples of a vintage French Clarendon wood type in which many of the characters had rounded parts rather than the traditional all-slab serif approach.
  31. Monthly Meeting JNL by Jeff Levine, $29.00
    A set of plastic pin-back letters served as the model for Monthly Meeting JNL. Pin-back letters were primarily used on cork bulletin boards for changeable notices and announcements.
  32. Rhineland Roman JNL by Jeff Levine, $29.00
    Rhineland Roman JNL was modeled from the hand lettered title of some 1939 German sheet music entitled "Ich Hab'Mir Fur Grinzing", and is available in both regular and oblique versions.
  33. Ongunkan Greek Hollow Script by Runic World Tamgacı, $75.00
    I added the hollow model of the font he developed by taking an example from the ancient Greek inscriptions found in Turkey to my fonts. Use it in good works.
  34. Stencil Edition JNL by Jeff Levine, $29.00
    The cover title for a 1950s British glamour magazine called “Beauty Parade” was the inspiration and model for Stencil Edition JNL, which is available in both regular and oblique versions.
  35. Fruit Juice JNL by Jeff Levine, $29.00
    A vintage New York neon sign for a juice stand advertising “Papaya” was the model and inspiration for Fruit Juice JNL, which is available in both regular and oblique versions.
  36. DS Mechanical - Unknown license
  37. Gizmo - Unknown license
  38. Jaferon by Twinletter, $17.00
    Jaferon is a display font that comes with a stunning superhero style. Ready to take the lead in projects that call for a bold, bold touch and a bold look. What’s Included : File font All glyphs Iso Latin 1 Alternate, Ligature Simple installations PUA Encoded Characters – Fully accessible without additional design software. Fonts include Multilingual support
  39. AT Nezue by Amera Type, $10.00
    Nezue is our first font family consisting of neat and elegant lowercase and uppercase letters, comes with 9 styles (Thin, Extra Light, Light, Regular, Medium, Semi Bold, Bold, Extra Bold, and Black) Formed in a modern style that can help your visual branding look younger, detailed letterforms for optical contrast can make this font even more attractive
  40. Mixoma by Something and Nothing, $12.00
    Introducing Mixoma, a combination of Serif and Sans strokes gives Mixoma a stylish look. The available stylistic alternates are designed to make your typography look more unique and help bring out your inner Mixologist. Mixoma is available in 9 weights, Thin, Extra Light, Light, Regular, Medium, Semi Bold, Bold, Extra Bold and Black each having an italic version. Enjoy!
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