Play like a child with letter forms, fill the gaps of a stencil with a ballpoint pen and work this to generate a digital type. Régua (Ruler, in Portuguese) is the result of a typographical joke with the upper cases made by Buggy, a Brazilian typographer, in 1998.

Introducing Moderately, a chunky and friendly typeface that makes a bold statement. This high-impact font is specifically crafted for designers seeking a display typeface with presence, perfect for applications where large, expressive type is a must. The defining features of Moderately include a generous x-height, soft curves, and tight spacing, ensuring a punchy and fresh aesthetic. Moderately is a deliberate departure from your contemporary sans with nary a straight line to see, embracing the organic and dynamic qualities reminiscent of blocky Art Nouveau typefaces, notably inspired by the works of Alfred Roller. While drawing influence from psychedelic / Art Nouveau revival typefaces of the 1960s, Moderately strikes a contemporary balance, delivering a design that is both impactful and approachable. Each glyph in Moderately attempts to maximize its space within the em square, incorporating slim carve outs for counters and apertures. The name "Moderately" adds a touch of irony, as this typeface is anything but plain – it exudes affable confidence and subtle flair. Created with versatility in mind, Moderately offers broad support for Latin-based languages, ensuring its adaptability for a wide range of creative projects.

Basquiat Irregular is a font inspired by graffitti and children's writing. Contains 3 alternative characters for each letter, multilanguage support including cyryllic. It's perfect for creating artistic publications, writing quotes and many other designs. The family also has two fonts with frames, lines and ornaments. Its apperance is rough, hand painted and casual. Perfect for music and street art designs. Frames and lines are created by typing uppercase letters for starting or ending frame or creating an arrow and lowercase letters for typing lines.

Dias Irregulares is a font inspired by ignorant tattoo style. Contains 2 alternative characters for each letter and 4 cute illustrations. It's perfect for artistic publications, clothing and many other things. All made by hand, such as my tattoo work.

Austrian type designer Markus Hanzer created this display FontFont in 1994. The family has 6 weights, ranging from Light to Black (including italics) and is ideally suited for editorial and publishing and poster and billboards. FF Irregular provides advanced typographical support with features such as ligatures and case-sensitive forms. It comes with proportional lining figures.

Angular is all angular. This font has no curves! Dingbat symbols & icons replace a handful of the generally unused alternate characters, to make this font extra fun & useful. Angular is extended, containing West European diacritics & ligatures, making it suitable for multilingual environments & publications.

Introducing Angular Alchemy, a font that pushes the boundaries of modern design and brings a touch of enchantment to your projects. This unique geometric typeface is a true alchemy of creativity and precision, combining sharp angles and clean lines to create a visually striking composition. With its contemporary appeal and captivating charm, Angular Alchemy captures attention and leaves a lasting impression. Whether you're crafting sleek logos, engaging headlines, or cutting-edge branding materials, this font adds a touch of sophistication and allure. Elevate your designs with the magic of Angular Alchemy and witness the transformation as it infuses your work with a sense of modernity and intrigue.

This unusual font was designed by Alessio Leonardi, who plays with the difference between content and impression. At first glance the font looks almost like a row of pictograms or Asiatic characters. The forms become Arabic letters when the characters are set together to form words. HaManga Irregular is a good font to use when the reader is supposed to contemplate not only the text but the form of what he or she sees.

Ano Angular was originally designed for a fashion company. It was to be used as a headline type, half way between the logo we had designed — made up of straight lines only — and our circle-based Ano typeface, which was to be used for text. Its design is based on the idea of mixing circles with triangles into letter shapes in a modular, constructed way. The effect is digital, mathematical, remeniscent of the typography of 1980s arcade games such as Asteroids.

A wrecked, monospaced font containing 278 ligatures and unique accented characters! You will need to use OpenType supporting applications to use the autoligatures.

“Queen Kelly’s Sword” - new elegant luxury bold serif from Julia Visht. Classical font serif with stylish decorative elements! Romantic and elegant, “Queen Kelly’s Sword” – is a luxury bold serif with both modern and vintage curves. “Queen Kelly’s Sword” is a must-have for your collection of fonts. Main features: Ligatures. Set of OpenType ligatures allows to make your design truly unique. Alternates. Set of stylistic alternates allows you to create even more authentic custom-feel text. OpenType Style Set. Open Type Style Sets allow to create many perfect styles of your text. Multyfunctionality. It's perfect for: elegant modern branding, web-design, posters, headers, advertising, wedding stationery, book cover designs, classy packaging, album covers, greeting cards, wall art, websites, photos, and so much more. Multylangual support. English, German, Italian, French, Danish, Norwegian, Swedish, Italian, Spanish, Filipino, Scottish Gaelic, Indonesian, Irish, Swiss German, Portuguese. Stylish font for your stylish projects! Happy creating! Designers: Julia Kruk Publisher: Julia Visht

"Vandal Blow" is a 3D layered graffiti font that includes solid, shadow, and inner shadow styles, providing the tools to create a three-dimensional appearance in your text. Fonts with layered styles like this are commonly employed in graffiti art, street art, posters, and other designs where a dynamic and eye-catching 3D effect is desired. By utilizing the solid, shadow, and inner shadow layers in "Vandal Blow," you can enhance the visual impact of your text, creating a sense of depth and dimension. This font is particularly suitable for projects where you want to infuse a graffiti-style aesthetic with a three-dimensional twist, making your text stand out and grab attention.

Coral Candy is a bold font with fun and playful looks. This type of font perfectly made to be applied especially in cartoon or child theme which is need a standout font, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : numbers and punctuation multilingual ligatures PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.

Modesto Initials had existed as a single font for several years. I recently added a fill font to put color in the Inlines. The Inline font still works by itself. The Fill font works alone too, as an ultra Modesto on steroids. They work best together. Modesto is a loose-knit family based on a signpainters lettering style popular in the late-19th and early-20th centuries. It evolved from the lettering I used for the Ringling Bros. and Barnum & Bailey Circus Logo. The Modesto family was not planned. It just happened, a few fonts at a time over about fifteen years. In 2014 seven new Italic fonts and two Chromatic families were added. There is a downloadable MODESTO USER MANUAL PDF in the Gallery section for this family.

Accia Moderato is a contemporary serif typeface with moderate contrast and large x-height. It will become a great choice for primary body copy. The font family contains 8 weights from Thin to Extra Bold, with matching true italics. It supports extensive language support including Cyrillic, as well as numerous OpenType features such as small caps, ligatures, several sets of figures, case-sensitive punctuation, ordinals. Accia Moderato is a member of Accia Type System. It encompasses five typefaces ranging from sans-serif to expressive serif, giving you the possibility to create sophisticated cohesive designs. Accia Type system consists of Accia Sans, Accia Flare, Accia Piano, Accia Moderato, and Accia Forte.

The Modesto Text Family is text in name only. It’s called Text because it has a Lower Case, and also to distinguish it from the rest of the Modesto clan. Modesto is a loose-knit family based on a signpainters lettering style popular in the late-19th and early-20th centuries. It evolved from the lettering I used for the Ringling Bros. and Barnum & Baily Circus Logo. The Modesto family was not planned. It just happened, a few fonts at a time over about fifteen years. In 2014 seven new Italic fonts and two Chromatic families were added. There is a downloadable MODESTO USER MANUAL PDF in the Gallery section for this family.

Modesto Open is now a Chromatic Font Family. The old font Modesto Open has been improved, renamed Modesto Open Primary and joined by four new fonts that ornament and augment the Primary font in many different ways. All Caps. Modesto is a loose-knit group of Font Families based on a signpainting lettering style popular in the late-19th and early-20th centuries. It evolved from the lettering I used for the Ringling Bros. and Barnum & Bailey Circus Logo. The Modesto family was not planned. It just happened, a few fonts at a time over about fifteen years. In 2014 seven new Italic fonts and two Chromatic families were added.

Here's a typeface from the Art Nouveau era that is equally at home in the world of contemporary science fiction, which is quite an achievement. Both versions of this font support the Latin 1262, Central European 1250, Turkish 1254 and Baltic 1257 codepages.

An antiquated modern display typeface.

Belgia Serif is a classic, glamorous and fancy font. This font will be perfect for logo design, branding, clothing, signage, posters, wedding invitations and so much more! My goal in creating this font was to create a mix of serif fonts with modern and classic styles, which will help your project to be more luxurious and elegant. Don't Miss Out! Belgia Comes With: Lowercase and Uppercase Stylistic Ligature Stylistic Alternate Numerals & Punctuation Accented characters Belgia Font Style (4 styles) Multiple Languages Supported I Hope You Enjoy it! Diki Pradipta Tri Atmojo ^ Pradipta Creative & Lettertype Studio

The first ideas about creation this font appeared in spring 2005. I took gothic fonts and a technique of feather as the base and create something unusual. Zholud's Modern Ghotic font has only A-Z, a-z, 0-9 and . , : ; ' " ! ? - characters. I recommed you to use this font in headers. It looks better if you'll start each word with Caps. Please use an application that supports kerning in order to display the spaces between characters correctly.

The Modern Times is the most popular font developed by me. It was sold more than any other of font that I created. The earlier version supported Western Europe, Central/Eastern Europe, Baltic, Turkish, Romanian, Cyrillic, Greek, Georgian languages. Last year, I decided to update it. The new version is called TA Modern Times. Its OpenType features include 1200 glyph, Stylistic Alternates, Stylistic Set 01–12, Standard and Discretionary Ligatures, Numerators, Denominators, Subscript, Superscript, Ordinals, Contextual Alternates and Kerning. Currently, supported languages are as following: Western Europe, Central/Eastern Europe, Baltic, Turkish, Romanian, Cyrillic, Greek, Hebrew. Additionally, the font has multiple styles such as Semi Condensed, Condensed, Extra Condensed, Ultra Condensed, Rounded, Inline, Outline, Semi Expanded, Expanded, Extra Expanded, Ultra Expanded. 6 previous versions of the font are FREE. You may download and enjoy it. Latin Plus languages supported 95% Latin Plus diacritics included 88% TA Modern Times OpenType features list: aalt, calt, case, dlig, dnom, frac, kern, liga, locl, numr, ordn, salt, sinf, ss01, ss02, ss03, ss04, ss05, ss06, ss07, ss08, ss09, ss10, ss11, ss12, subs, sups TA Modern Times graphic presentation at Behance

The cover of the 1904 sheet music from the Tibetan comic opera “The Forbidden Land” had the title hand lettered in an unusual Art Nouveau style. Mostly squared with rounded corners, many of the characters twisted, turned and extended in ways that took on the look of the Far East. This became the design model for Nouveau Moderne JNL, which is available in regular and oblique versions.

Since the release of these fonts most typefaces in the Scangraphic Type Collection appear in two versions. One is designed specifically for headline typesetting (SH: Scangraphic Headline Types) and one specifically for text typesetting (SB Scangraphic Bodytypes). The most obvious differentiation can be found in the spacing. That of the Bodytypes is adjusted for readability. That of the Headline Types is decidedly more narrow in order to do justice to the requirements of headline typesetting. The kerning tables, as well, have been individualized for each of these type varieties. In addition to the adjustment of spacing, there are also adjustments in the design. For the Bodytypes, fine spaces were created which prevented the smear effect on acute angles in small typesizes. For a number of Bodytypes, hairlines and serifs were thickened or the whole typeface was adjusted to meet the optical requirements for setting type in small sizes. For the German lower-case diacritical marks, all Headline Types complements contain alternative integrated accents which allow the compact setting of lower-case headlines.

Monotype Modern, the first typeface produced by Lanston Monotype, was released in 1896, the same year the company introduced its hot metal typeseting machine. It is a Victorian variation on the vertically stressed, high-contrast Bodoni model.

A classic example of Art Deco lettering made with a round nib ink pen was found within the pages of “Lettering” by Harry B. Wright (circa 1950). Now available as a digital type font, Pen Moderne JNL is available in both regular and oblique versions.

Benton Modern was first prepared as a text face by Font Bureau for the Boston Globe and the Detroit Free Press. Design and proportions were taken from Morris Fuller Benton’s turn-of-the-century Century Expanded, drawn for ATF, faithfully reviving this epoch-making magazine and news text roman. The italic was based on Century Schoolbook. This version of the family is part of the Reading Edge series of fonts specifically designed for small text onscreen, having been adjusted to provide more generous proportions and roomier spacing, and having been hinted in TrueType for optimal rendering in low resolution environments.

Goudy Modern/Open was designed by Frederic Goudy, who was inspired by the caption of a French engraving. It is Goudy's first attempt at a "modern" face, but with less contrast and rigidity normally found in Bodoni style Modern faces. Goudy Modern was designed later in 1918 after viewing a proof of Goudy Open with the line filled in. Not a true modern face, but still a Goudy classic. The Pro versions include ligatures, varieties of numerals and Central European character sets.

Cut by Monotype between 1900 and 1902, the Monotype Modern font family was based on Miller & Richards News 23 and 28; slightly condensed news text types of the 1890s. Monotype Modern is a lively typeface, with long, fine hairlines and well rounded letterforms, representing the best of nineteenth century modern face design. A classic text face, and typical of the moderns that were produced in the United Kingdom at that time, being less extreme in its rendering than some of the models of purer form being produced elsewhere. Monotype Modern is an excellent text face for magazines, newspapers and books, the heavier and more condensed versions are useful in headlines and display.