Ballet Mechanique is a custom designed font for musician Jeroen Borrenbergs, aka Ballet Mechanique. For his upcoming record releases Jeroen asked me to create a special font for him. As co-founder and graphic designer at Stoere Binken Design he creates his own artwork and therefor had very specific wishes. The font should be warm, soft and have soul. He gave me some sketches for his logo that I should use as a starting point. The result is a very narrow, kind of techno, monocased font called "Ballet Mechanique" (what else). After having served his purpose, Jeroen Borrenbergs allowed his font to be sold publicly. Jeroen Borrenberg’s debut work, in 1996, received hugely praising reviews. Muzik Magazine made Evolutionary Entities techno single of the month, Laurent Garnier and Mister C constantly played it in their sets and Morgan Geist just said “I won’t do a review here - let me just encourage all of y’all to listen to and/or pick up the new Eevolute 12″. Beautiful stuff - complex, melodic, soaked in just enough reverb to take it to another room. Check or regret.”

It started with an italic, or to be more precise, half an italic. The slanted styles of Urge Text exhibit a certain bipolarity, the tops of glyphs having a standard italic form, the bottoms of glyphs being more Roman in their construction. This sturdy footing really locks the italics to the baseline, making them very legible while still being distinct from the uprights. The same bipolar approach didn't work very well in upright styles, so the Romans are more toned down. Ranging from the almost monoline, Egyptian style light weights to higher contrast ‘Modern’ bolds, there is much potential for use in typographically demanding scenarios. The family consists of six weights, normal and condensed widths, all with italics, making a total of 24 fonts; it’s a highly usable text typeface with an array of OpenType features. All styles include small caps, multiple figure styles (proportional- and tabular-, oldstyle and lining, small cap proportional figures, numerators, denominators, superscript and subscript), standard ligatures, alternate forms (stylistic sets), automatic fractions, case sensitive forms, and a handy (perhaps!) ‘percent off’ ligature in the discretionary ligatures feature.

Time to grunge it up again with another detailed masterpiece from Guillaume Séguin. Character set has been greatly expanded, ready for some rough and tough designs in many languages. Rock on! ALL fonts from CheapProFonts have very extensive language support: They contain some unusual diacritic letters (some of which are contained in the Latin Extended-B Unicode block) supporting: Cornish, Filipino (Tagalog), Guarani, Luxembourgian, Malagasy, Romanian, Ulithian and Welsh. They also contain all glyphs in the Latin Extended-A Unicode block (which among others cover the Central European and Baltic areas) supporting: Afrikaans, Belarusian (Lacinka), Bosnian, Catalan, Chichewa, Croatian, Czech, Dutch, Esperanto, Greenlandic, Hungarian, Kashubian, Kurdish (Kurmanji), Latvian, Lithuanian, Maltese, Maori, Polish, Saami (Inari), Saami (North), Serbian (latin), Slovak(ian), Slovene, Sorbian (Lower), Sorbian (Upper), Turkish and Turkmen. And they of course contain all the usual "western" glyphs supporting: Albanian, Basque, Breton, Chamorro, Danish, Estonian, Faroese, Finnish, French, Frisian, Galican, German, Icelandic, Indonesian, Irish (Gaelic), Italian, Northern Sotho, Norwegian, Occitan, Portuguese, Rhaeto-Romance, Sami (Lule), Sami (South), Scots (Gaelic), Spanish, Swedish, Tswana, Walloon and Yapese.

Introducing “Towienk Font” – Your Passport to Summer Creativity. Embrace the sun-soaked vibes of summer with Towienk Font, your perfect companion for creating designs that radiate the essence of the season. This delightful display font captures the spirit of summer in every character, making it an ideal choice for all your warm-weather projects. Towienk Font’s playful and breezy style adds an instant touch of summer to your designs. Whether you’re working on beachside invitations, tropical-themed posters, or anything in between, this font will infuse your work with the carefree spirit of the season. With meticulous attention to detail, Towienk Font ensures that your text pops with the vibrancy of summer. It’s a versatile typeface that adapts effortlessly to various design applications, from travel brochures to poolside party banners. Dive into the world of Towienk Font and let your designs sizzle with the warmth and energy of summer. Elevate your creativity and make every project a sun-drenched masterpiece. – PUA Encoded Characters – Fully accessible without additional design software.

This is a new version of our popular DIN Stencil family designed with a wider cut than the original. This overcomes the diminishing effect of the stencil at smaller sizes where the cuts tend to disappear, whereas it makes a bold statement at display sizes. Traditionally, stencils have been used extensively for military equipment, goods packaging, transportation, shop signs, seed sacks and prison uniforms. In the old days, stencilled markings of ownership were printed on personal possessions, while stencilled signatures on shirts were typical of 19th century stencilling. DIN Stencil B manages to preserve several traditional stencil features, but introduces additional modernities which enhance its pleasing characteristics and make it an ideal choice for a large number of contemporary projects. It consists of 7 diverse weights from Extra Thin to Black. This version supports Latin, Cyrillic, Eastern European, Turkish and Baltic. DIN Stencil B includes several additions such the recently unicode encoded character of the German uppercase Eszett (ẞ), the Russian currency symbol for Rouble (₽), Ukrainian Hryvnia (₴), Azeri and Kazakh letterforms.

Palms & Chill is a laid-back and stylish script font that effortlessly captures the essence of tropical vibes and relaxation. With its fluid strokes and casual letterforms, this font transports your designs to a sun-soaked paradise, making it the perfect choice for projects that exude a carefree and easygoing aesthetic. Inspired by the leisurely swaying of palm trees and the warmth of a tropical breeze, Palm & Chill is an invitation to infuse your designs with a touch of coastal charm. Its versatility makes it suitable for a range of applications, from beach party invitations to vacation-themed branding and social media graphics. The breezy, handwritten quality of Palm & Chill adds a personal touch to your designs, making them feel approachable and inviting. Whether you're creating logos for beachside cafes or designing laid-back apparel, this font brings a sense of relaxed sophistication to your projects. Embrace the chill vibes of Palm & Chill script font and let your creativity flow as you craft designs that transport your audience to a world where every day feels like a beach day."

STROKIN is an inky, messy, Omnicase display font. It’s part charcoal part paint strokes, reversed in lighter tones it looks like chalk, add a splash a red and it starts to look like blood. It has over 250 glyphs including all those extra pesky foreign features. OpenType coded, It has various letter pairings that interlock automatically to create a more randomized, bespoke feel to your copy. Hope you like it.

The name says it all. Signpost is a display font purpose-designed for directional, informational and publicity signage, as well as posters, public notices and advertisments. It comes complete with a choice of 'pointing hands' symbols and quartrefoil borders of the kind used on traditional British street signs. It is essentially a drop shadow version of my Red Top font family, which has a similar range of applications.

Father Frost, or Grandfather Frost is the Santa Claus of Slavic countries. He used to wear a red coat, like his ho-ho-ho colleague, but when that was deemed too Bourgeois and Western by the Soviets, he changed into a blue coat. Father Frost is a very happy, very legible font, ideal for Christmas cards, posters and ads! Father Frost comes with a bagful of language support.

Welcome to the ultimate font choice for all you gnarly dudes and dudettes out there! Gleaming the Cube is the totally tubular display typeface straight from the late 80s and early 90s. With its rad style, you can rock those capital letters at both the beginning and end of a word for maximum impact. But wait, there’s more! This babe-a-licious typeface comes packed with special OpenType combination ligatures that will blow your mind and take your design to the next level. And let’s not forget the wildly awesome symbols included that will make your message pop and stand out from the crowd. With Gleaming the Cube, you can bring that retro 90s skateboard vibe to your graphic designs and make them shine like never before. So don’t be a poser, grab this font and let your creativity soar! Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

The Bauer Typefoundry first released the Beton family of types in 1936. Created by the German type designer Heinrich Jost, the present digital version of the Beton family consists of six slab serif typefaces. First developed during the early 1800s, by the 1930s slab serif faces had become one of many stock styles of type developed by foundries all over the world. Because of their distance from pen-drawn forms and their industrial appearance, they were seen as “modern” typefaces. (Their serifs kept them from being too modern.) The first slab serif typefaces were outgrowths of didone style text faces (e.g., Walbaum). As newspapers and advertising grew in importance in the western world (especially in “Wild West” America), type founders and printers began to create bigger, bolder typefaces, which would set large headlines apart from text, and each other. Through display tactics, businesses and industry could begin to visually differentiate their products from one another. This craze eventually led to the development of monster sized wood type, among other things. By the 20th Century, the typographic establishment had begun to tame, categorize, and codify 19th Century type styles. It was in the wake of this environment that Jost developed Beton. The Beton family is a type “family” in a pre-1950s sense of the word. Although six styles of type are available, only four of them fit in logical progression with each other (Beton Light, Beton Demi Bold, Beton Bold, and Beton Extra Bold). The other two members of the family, Beton Bold Condensed and Beton Bold Compressed, are more like distant cousins. They function better as single headlines to text set in Beton Light or Beton Demi Bold, of as companions to totally separate typefaces.

introducing, Materniva. a natural handwritten font with a feminine feel. this font is designed to fit your needs to a beautiful natural handwritten font. this font is perfect for branding, packaging, wedding invitation, logo, magazine, book, wedding card, etc. Features : uppercase & lowercase numbers and punctuation multilingual ligatures PUA encoded

Paulend is a unique and elegant handwritten font. It looks beautiful on a variety of designs requiring a personalized style, such as wedding invitations, thank you cards, weddings, greeting cards, logos and so on. What's Included? Uppercase, Lowercase, Numerals & Punctuations Ligature, Alternate & Swashes Simple installations Multilingual support PUA encoded

This textured outline is clear and easy to read while still having personality.

Bohemian Cassidy is a lovely handwriting script font. It's perfect for signatures, logo type, weddings, posters, brochure or any display use. Bohemian Cassidy is perfect to get a more charismatic impression or give a unique touch to your projects and branding, greeting cards, wedding, banner, name card, lettering, fonts pairing, etc.

Mitchaella Luxury Serif Font is a modern, unique, and a luxurious serif typeface. The font comes with many alternative characters, ornaments, multilingual support, ligatures and a bonus wedding illustration*. Hence, the font is a suitable for branding, branding logos, magazine imagery, wedding invitations, posters, fashion, packaging, website logos and more.

Lawyerbait was designed to be a clean, light and easy to read display face.

Westkreep is based on wood type with characters extremely wide relative to their height.

Beautiful and elegant typeface, excelent using in wedding invitations, arts, posters and small texts.

Beautiful and elegant typeface, excelent using in wedding invitations, arts, posters and small texts.

This is font to help children read. The Diacritic Marks (Nikud) are 25% bigger.