A collection of fonts by the type foundry Intellecta Design. Distressed and antique, use these fonts in display purposes for a stylized type design. Contains a limited amount of letter designs.

Super curly letters with a playful vibe. Whimsical, fun, and cute- yet still legible enough that you can read it! Cute doesn't have to be painful to read!

Matt Desmond (MADType, Pufficlaude BT) would like you to meet Mesotone BT. This computer typeface design is monoweight and somewhat monowidth. The squarish unicase glyph forms feature eased corners and rounded terminal ends, which takes some of the edge off its techi look. Yet Mesotone still inspires one to explore the outer limits of the design universe. So, don’t tone it down; Mess with the fringes. Get Mesotone. Available in PostScript OpenType format, Mesotone’s extended glyph set covers the Western and Central European, Baltic and Turkish languages.

From the title screens and comic books of the Hair Bear Bunch comes the fun and funky Wonderbear typeface. All that 70’s flavor packed into a Caps/Alt Caps typestyle reminiscent of a lovable limited run cartoon show. The Hair Bears miss you as much as you miss them. Relive the laughter.

Ataxia was designed to be used in long texts such as books and magazines. The font has the weights regular, bold, italic and bold italic as well as ligatures, small caps, oldstyle numbers and support for many languages (unfortunately not German: ß is missing, lower quotes ‚wrong‘ and „missing“), with more than 500 glyphs.

I happened to come across a facsimile of a sample of text with typeface made by Sweynheim & Pannartz in 1476. I scanned the sample, and redraw all the available glyphs from the sample in RobFog. After that I added the missing characters by copying and pasting the forms of the original characters, and filling in the missing parts.

ALERT: Comicraft's Mad Font Scientist John Roshell and Lead Lab Assistant Drewes McFarling have applied an Unstoppable Force to our Immovable Font ULTIMATUM, successfully splitting it into a family of three fonts! Here’s the secret formula: ULTIMATUM MASS retains the dynamic details of the original with flat, angled corners; ULTIMATUM FORCE cooperates with your demands for a vertical slice of the action; and ULTIMATUM VELOCITY got tired of waiting for a compromise and cut across its horizontals. The complete family features three styles of eight weights for a total of 24 fonts, each with support for 221 languages including Western & Central Europe, Vietnamese & Cyrillic. Three Variable Fonts provide precise control of Weight & Italic slant. ULTIMATUM MASS FORCE VELOCITY is ideal for high performance car & truck branding, sports uniforms, video game graphics, college & university apparel, and any time you want to convey industrial strength and technological innovation.

Architype Universal is a collection of avant-garde typefaces deriving mainly from the work of artists/designers of the inter-war years, whose ideals underpin the design philosophies of the modernist movement in Europe. Their ‘universal’, ‘single alphabet’ theory limits the character sets. Architype Ballmer is inspired by the experimental, universal letterforms drawn by Bauhaus trained Swiss designer Theo Ballmer for a series of 1928 posters, most notably for an exhibition on industrial standards. The grid-based square forms reference elements of De Stijl.

Architype Universal is a collection of avant-garde typefaces deriving mainly from the work of artists/designers of the inter-war years, whose ideals underpin the design philosophies of the modernist movement in Europe. Their ‘universal’, ‘single alphabet’ theory limits the character sets. Architype Bayer was drawn from Bauhaus Archiv sketches for a minimal sans typeface that was created in 1925 by Herbert Bayer, based on his single-alphabet student thesis. This ‘universal’ alphabet was designed for exclusive Bauhaus use, but never cut as a typeface.

Salom was designed by Austrian type designer Igor Labudovic during his year at Reading University. Besides Latin, it originally included Arabic and Hebrew. The peaceful coexistence of both writing systems in his fonts led him to combine the words Salaam and Shalom to the font family name. Salom’s sibling, Salom Sans, features the same letter proportions and therefore allows a rich spectrum of diverse typography, yet keeping the harmony between all styles. The sans has an additional light weight, while the serif comes with an expressive stencil style.

Architype Universal is a collection of avant-garde typefaces deriving mainly from the work of artists/designers of the inter-war years, whose ideals underpin the design philosophies of the modernist movement in Europe. Their ‘universal’, ‘single alphabet’ theory limits the character sets. Architype Bayer-type is based upon Herbert Bayer’s 1931 universal, modern serifed alphabet. Although the ‘modern’ style appears to be a radical departure from his first sans single alphabet of 1925, the structure of this later serifed style is still grid based and geometrically constructed.

Dingbats based on authentical and historical pirate's flags and other devices in your universe.

A new gothic with the great new look for today. Universal, works for all applications.

A bold, playful typeface named after my late and much-missed grey cat, Freddie, who was my best buddy for 18 years.

UNY is a display slab serif font. UNY is a distinct all caps geometric typeface inspired by varsity, college and university sports as well as the military. The UNY name was derived as a new styled acronym from the word university. UNY is great for sports, sports teams, schools, fantasy, display work, invitations, writing, quotes, posters, acronyms and headings.

The October 5, 1935 issue of “Universal Weekly” (a publication detailing current film releases from Universal) was promoting the film “Remember Last Night”. Hand lettering used for this advertisement was an ultra-bold sans serif design with chamfered corners and some stylized characters. This is now available digitally as Road Work JNL in both regular and oblique versions.

Architype Universal is a collection of avant-garde typefaces deriving mainly from the work of artists/designers of the inter-war years, whose ideals underpin the design philosophies of the modernist movement in Europe. Their ‘universal’, ‘single alphabet’ theory limits the character sets. Architype Bill was developed from the few letterforms created by Max Bill for a 1949 exhibition poster. All the forms, with the exception of the letter ‘o’, were constructed using only straight lines and triangles on a purely mathematical basis, that showed the continued influence of his earlier Bauhaus training, and the universal alphabet principle.

A new gothic with the look for today. Available in 3 weights, universal, works for all applications.

Corner D is a part of Corner type family. This subfamily is designed with inverse rounded shapes in the corners. The concept of the typeface Corner is based on variation of corner shapes in font characters, from what is also its name derived. The basis is a bitmap modular principle, to which by simple addition of “the missing pixels” in corners of the characters ( Corner A ) to the shape of diagonal ( Corner B ), curvature ( Corner C ), or inversion curvature (Corner D), three more font variations are created. The basic monolinear bitmap weight is supplemented by two more extreme thicknesses – hairline and fat weight. The character set supports the complete Latin, while the x-height of lowercase is drawn at the same height as in the uppercase characters. Corner is a strong display typeface, which allows you to easily experiment and to combine it with its mutual font variations.

FM Valentines Pro consists of 50+ hand-lettered love expressions and sentiments for various romantic purposes: from St.Valentine's greeting cards to email/ letter signatures, to engagement, wedding and anniversary accessories and gifts. Most of the expressions are in English, with some additions in other languages, such as French, Spanish, Italian, German (for example 'Te quiero', 'Amore', 'Je t'aime', 'Ich liebe dich', etc.). All the words and phrases are original and handwritten - a high quality calligraphy for your projects. In addition there are 10 hand-drawn heart icons in the digits' glyphs. (0-9) I Love You | Happy Valentine's Day | Miss You | Be Mine | Kiss Me | Love Me | Will You Be My Valentine | Love | Ich Liebe Dich | Te Quiero | Amor | Je t'aime | Amour | Amore

Merendina has a geometric construction with an handwritten touch. This family contains regular and slanted and 6 weights. Do not miss all the alternates and swashes.

Meet Engrace, a serif font family with elegant & stylish curves. She’s romantic, classy and modern all wrapped into one, and surely can not be missed in your font collection.

Comenia was developed as typographic system for use on all levels of schools and universities. It introduces new aesthetic standards aimed at improving reading and writing skills and the perception of texts for pupils, students, teachers, office and IT staff at schools. It offers a clear, intelligible and universal graphic tool for layout of primers, textbooks, educational texts and materials, for electronic typography and for the information systems.

Use your imagination. Butter Bold Brush Script is a fun universal font that will work with almost anything you want it to do!

Sultan Plain is an active contemporary variable font, complete with a flexible range of cases tailored to responsive layouts The font places itself at the boundary between two eras of contemporary typographic design, Between stillness and movement, between past exclusivity and present diversity, between the finite and the infinite. Although it is like many of the modern Naskh fonts, Sultan Plain has amazing unique energy Which is missing by many of the fonts that we designed since the beginning of the second millennium. The font is clear and legible in small sizes, suitable for printing for large texts, web pages, and other visual uses. The font includes a matching Latin design and support for Arabic, Persian, Kurdish, and Urdu.

Based on a revival of one of the popular wooden type fonts of the 19th century, suitable for display, lower case missing but not always designed for this type of face.

Another variant of Bayer’s Universal Alphabet, resembling ITC Bauhaus in design, ITC Ronda in proportion and fit, prepared by FotoStar in the mid 1970s.

Creating the condensed version for the Brandon Text was the missing project to complete the Brandon series. Brandon Text was created as a companion to Brandon Grotesque. When we started to designed Brandon Grotesque Condensed we felt that there should also a condensed counterpart for small sizes; so we made Brandon Text Condensed. While a condensed typeface is not just a squeezed original, we took the Grotesque Condensed as a starting point for the Text Condensed version simultaneously we also kept an eye on Brandon Text to find the perfect missing variables.

Leuthikline Script is a beautiful monoline font, perfect for logo design, branding, clothing design, signage, posters, wedding invitations and so much more! My goal in creating this font was to be an easy-to-read script font that would serve a variety of purposes and help your project to be more perfect and beautiful. Do not miss! Don't Miss Out! Leuthikline Script comes with: Lowercase and Uppercase Stylistic Alternates Numerals & Punctuation Accented characters Format File: OTF Multiple Languages Supported I Hope You Enjoy! Diki Pradipta Tri Atmojo ^ Pradipta Creative & Lettertype Studio