Metaphysica is an unorthodox futuristic typeface that provides otherworldly zest without overly compromising typographic aesthetics. Combining weird angular beams and junctions with soft and round forms, Metaphysica finds the middle ground between sci-fi futurism and friendly legible sans.

During planning for the new Roissy Charles de Gaulle airport in Paris at the beginning of the 1970s, it was determined that the airport's signage system had to include the clearest and most legible lettering possible. The development of all signage was put into the hands of Adrian Frutiger and his studio. The team carried out their task so effectively that a huge demand for their typeface soon arose from customers who wanted to employ it in other signage systems, and in printed materials as well. The Frutiger® typeface not only established new standards for signage, but also for a range of other areas in which a clear and legible design would be required, especially for small point sizes and bread-and-butter type. The typeface family that which emerged as a result of this demand was added into the Linotype library as "Frutiger" in 1977. Frutiger Next, created in 1999, is a further development of Frutiger, not necessarily a rethinking of the design itself. It was based on a new concept, the most obvious visual characteristics of which is the larger x-height, as well as a more pronounced ascender height and descender depth for lower case letters in relation to capitals. This new design created a balanced image and included considerably narrower letterspacing. Frutiger Next meets the demand for a space-saving, modern humanist sans. 2009's Neue Frutiger is a rethink of the 1977 Frutiger family, now revised and improved by Akira Kobayashi in close collaboration with Adrian Frutiger. Despite the various changes, this "New Frutiger" still fits perfectly with the original Frutiger family, and serves to harmoniously enhance the weights and styles already in existence. The perfect mix, guaranteed Neue Frutiger has the same character height as Frutiger. As a result of this, already existing Frutiger styles can be mixed with Neue Frutiger where necessary. Likewise, Neue Frutiger is perfect for use alongside Frutiger Serif. Newly added are the "Neue Frutiger 1450" weights. Especially for the requirements of the newly released German DIN 1450 norm we have built together with Adrian Frutiger specific weights of the Neue Frutiger. The lowercase l" is curved at the baseline to better differentiate between the cap "I", additionally the number "0" has a dot inside to better differentiate between the cap "O", and the number "1" is now a serifed 1. The font contains additionally the origin letterforms from the regular Neue Frutiger font which can be accessed through an Opentype feature."

During planning for the new Roissy Charles de Gaulle airport in Paris at the beginning of the 1970s, it was determined that the airport's signage system had to include the clearest and most legible lettering possible. The development of all signage was put into the hands of Adrian Frutiger and his studio. The team carried out their task so effectively that a huge demand for their typeface soon arose from customers who wanted to employ it in other signage systems, and in printed materials as well. The Frutiger® typeface not only established new standards for signage, but also for a range of other areas in which a clear and legible design would be required, especially for small point sizes and bread-and-butter type. The typeface family that which emerged as a result of this demand was added into the Linotype library as "Frutiger" in 1977. Frutiger Next, created in 1999, is a further development of Frutiger, not necessarily a rethinking of the design itself. It was based on a new concept, the most obvious visual characteristics of which is the larger x-height, as well as a more pronounced ascender height and descender depth for lower case letters in relation to capitals. This new design created a balanced image and included considerably narrower letterspacing. Frutiger Next meets the demand for a space-saving, modern humanist sans. 2009's Neue Frutiger is a rethink of the 1977 Frutiger family, now revised and improved by Akira Kobayashi in close collaboration with Adrian Frutiger. Despite the various changes, this "New Frutiger" still fits perfectly with the original Frutiger family, and serves to harmoniously enhance the weights and styles already in existence. The perfect mix, guaranteed Neue Frutiger has the same character height as Frutiger. As a result of this, already existing Frutiger styles can be mixed with Neue Frutiger where necessary. Likewise, Neue Frutiger is perfect for use alongside Frutiger Serif. Newly added are the "Neue Frutiger 1450" weights. Especially for the requirements of the newly released German DIN 1450 norm we have built together with Adrian Frutiger specific weights of the Neue Frutiger. The lowercase l" is curved at the baseline to better differentiate between the cap "I", additionally the number "0" has a dot inside to better differentiate between the cap "O", and the number "1" is now a serifed 1. The font contains additionally the origin letterforms from the regular Neue Frutiger font which can be accessed through an Opentype feature."

During planning for the new Roissy Charles de Gaulle airport in Paris at the beginning of the 1970s, it was determined that the airport's signage system had to include the clearest and most legible lettering possible. The development of all signage was put into the hands of Adrian Frutiger and his studio. The team carried out their task so effectively that a huge demand for their typeface soon arose from customers who wanted to employ it in other signage systems, and in printed materials as well. The Frutiger® typeface not only established new standards for signage, but also for a range of other areas in which a clear and legible design would be required, especially for small point sizes and bread-and-butter type. The typeface family that which emerged as a result of this demand was added into the Linotype library as "Frutiger" in 1977. Frutiger Next, created in 1999, is a further development of Frutiger, not necessarily a rethinking of the design itself. It was based on a new concept, the most obvious visual characteristics of which is the larger x-height, as well as a more pronounced ascender height and descender depth for lower case letters in relation to capitals. This new design created a balanced image and included considerably narrower letterspacing. Frutiger Next meets the demand for a space-saving, modern humanist sans. 2009's Neue Frutiger is a rethink of the 1977 Frutiger family, now revised and improved by Akira Kobayashi in close collaboration with Adrian Frutiger. Despite the various changes, this "New Frutiger" still fits perfectly with the original Frutiger family, and serves to harmoniously enhance the weights and styles already in existence. The perfect mix, guaranteed Neue Frutiger has the same character height as Frutiger. As a result of this, already existing Frutiger styles can be mixed with Neue Frutiger where necessary. Likewise, Neue Frutiger is perfect for use alongside Frutiger Serif. Newly added are the "Neue Frutiger 1450" weights. Especially for the requirements of the newly released German DIN 1450 norm we have built together with Adrian Frutiger specific weights of the Neue Frutiger. The lowercase l" is curved at the baseline to better differentiate between the cap "I", additionally the number "0" has a dot inside to better differentiate between the cap "O", and the number "1" is now a serifed 1. The font contains additionally the origin letterforms from the regular Neue Frutiger font which can be accessed through an Opentype feature."

Handmade Mr Moustache™ is designed for Great Type. · Extra thin letters, condensed and with a handwritten touch, Mr Moustache gives a warm and friendly feeling to your layout. Mix upper- and lowercase letters according to your own liking. Furthermore, choose between a hand-drawn Unicase and an almost Unicase appearance. Use Mr Moustache Display for headlines and anything BIG. Use Mr Moustache Text for small type sizes or large volumes of text. · Mr Moustache is accompanied by frames, ornaments and dingbats in regular and solid, that can be layered for multicolored effects, providing endless design-possibilities. Please download MrMoustacheAccessories.pdf to get a complete overview. If you prefer the document in Indesign, please send an email to office@buerofliegenpilz.at · Mr Moustache offers OpenType features, including contextual alternates and stylistic sets. The font family works best with frame-based layout programs that support full OpenType functionality. · For Mr Moustache Frames please note: The glyph preview in your design application may be a bit confusing due to the size of the "letters". Please download the MrMoustacheAccessories.pdf which shows all possible frame parts. Here you can easily copy and paste all the parts you need. · View other fonts from Georg Herold-Wildfellner: Sofa Serif | Sofa Sans | Mila Script Pro | Pinto | Supernett | Mr Moustache | Aeronaut | Ivory | Weingut · Language Report for MrMoustache / 175 languages supported: Abenaki, Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Amis, Anuta, Aragonese, Aranese, Aromanian, Arrernte, Arvanitic, Asturian, Aymara, Basque, Bikol, Bislama, Bosnian, Breton, Cape Verdean, Catalan, Cebuano, Chamorro, Chavacano, Chickasaw, Cimbrian, Cofan, Corsican, Croatian, Czech, Danish, Dawan, Delaware, Dholuo, Drehu, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, Folkspraak, French, Frisian, Friulian, Galician, Genoese, German, Gooniyandi, Greenlandic, Guadeloupean, Gwichin, Haitian Creole, Han, Hiligaynon, Hopi, Hungarian, Icelandic, Ido, Ilocano, Indonesian, Interglossa, Interlingua, Irish, Istroromanian, Italian, Jamaican, Javanese, Jerriais, Kala Lagaw Ya, Kapampangan, Kaqchikel, Karelian, Kashubian, Kikongo, Kinyarwanda, Kiribati, Kirundi, Klingon, Ladin, Latin, Latino Sine, Lojban, Lombard, Low Saxon, Luxembourgish, Makhuwa, Malay, Manx, Marquesan, Meglenoromanian, Meriam Mir, Mohawk, Moldovan, Montagnais, Montenegrin, Murrinhpatha, Nagamese Creole, Ndebele, Neapolitan, Ngiyambaa, Norwegian, Novial, Occidental, Occitan, Oshiwambo, Ossetian, Palauan, Papiamento, Piedmontese, Polish, Portuguese, Potawatomi, Qeqchi, Quechua, Rarotongan, Romanian, Romansh, Rotokas, Sami Lule, Sami Southern, Samoan, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian, Seri, Seychellois, Shawnee, Shona, Sicilian, Silesian, Slovak, Slovenian, Slovio, Somali, Sorbian Lower, Sorbian Upper, Sotho Northern, Sotho Southern, Spanish, Sranan, Sundanese, Swahili, Swazi, Swedish, Tagalog, Tetum, Tok Pisin, Tokelauan, Tshiluba, Tsonga, Tswana, Tumbuka, Tzotzil, Uzbek, Venetian, Vepsian, Volapuk, Voro, Walloon, Waraywaray, Warlpiri, Wayuu, Wikmungkan, Wiradjuri, Xhosa, Yapese, Yindjibarndi, Zapotec, Zulu, Zuni

Reduza Infinity is a modern and futuristic font, created for you to make fancy designs. It is very useful to create movie posters or sci fi book covers. Reduza supports many languages and looks forward to be used by you.

Andtioh is my vision of sci-fi font. I want to propose the idea of ​​simplicity and techno in two ways. I think this font can find its place in logos and names and will make your business look innovative.

CONCEPT/CHARACTERISTICS
 The curly, pixelated, edgy and futuristic cha­rac­ter, gives the type­face a high reco­gni­tion value and uniqueness. APPLICATION AREA 
The fancy, videogame like, vintage and sci-fi font „india snake pixel labyrinth game“ would look good at logos, dis­play size for poster, flyer, comics and gra­phic novel let­te­ring, head­lines in maga­zi­nes or web­sites, packa­ging, music covers or webbanner etc. TECHNICAL SPECIFICATIONS 
Head­line Font | Dis­play Font | Sci-Fi Font „india snake pixel labyrinth game“ OpenType Font with & 275 gly­phs & 4 styles (regu­lar, bold, light & 3d). Alter­na­tive let­ters, symbols and liga­tures (with accents & €) KONZEPT/BESONDERHEITEN
 Der ausgefallene, videospielartige, retro und futuristische Cha­rak­ter, geben der Schrift eine hohe Wiedererkennung und eine gewisse Einzigartigkeit.

Electrum is an all-caps layered font that presents a plethora of permutations for any use. Inspired by handlettered signage of the 1950's and 60's, Electrum has one foot in the past and one in the present. Use a single weight, or mix and match weights to create a number of interesting and eye-catching combinations. The "lightning" weight is especially interesting and adds a bit of electricity to any design. Perfect for logos, packaging designs, or poster designs. Whatever the usage, Electrum can add some spark to your project!

Happy Ney Year Party is a playful and quirky display font. I made this font especially for New Year and holidays. This font has 8 decoration versions : regular, firework, splash, ribbon, star, trumpet. These decorations are related to New Year decorations, making this font the perfect fit for any new year or holiday themed activity / project. Happy Ney Year Party perfect for crafter, gift, tshirt, card event, anniversary, birthday,greeting cards, logotype, branding, poster, packaging, stationery, website, and any other projects requiring a handwritten and luxurious touch. This font is also support multi language.

Legend of Christmas This is an amazing font family that includes six fonts: serif, serif rough, decor, decor rough, script, script rough style. These fonts are perfectly combined with each other and are suitable for both modern and vintage design. Serf has only capital letters and includes a large selection of alternates, play with them and achieve an amazing design. Script will also look great in vintage and modern design and can be used as an additional or main one, it includes a large selection of alternates for lowercase letters.

Brilliant Soulmate is a modern signature typeface. It’s perfect for any signature or name card design, for branding projects, product packaging, quotes, logos, book covers, and many other awesome projects. With the combination of elegant and casual style, this font contains a full set of lowercase and uppercase letters. Includes: Brilliant Soulmate Regular Version 1,2,3 Brilliant Soulmate Italic Version 1,2,3 Features: Stylistic Alternates and Ligatures Character Set A-Z Numerals and Punctuation (OpenType Standard) · Accents (Multilingual Characters) · PUA Encoded With an elegant and casual design, I hope this font could fit your design needs.

Distinctive with a sense of humor, Laughing Gull is a fun interlocking font that will fill your project with swirling energy, but won’t snatch your lunch. Handsome straight up, or switch on discretionary ligatures to find a fresh array of interlocks. Most of the ligatures are for lower case, some for upper/lower, and a few are for all-caps. Play around by turning some on and others off and feel free to mix up upper/lower whenever you need a laugh. Laughing Gull posters also feature Atlantic Fonts' Digby and Atlantic Doodles.

Hermit was born like a modern and personal reinterpretation of Gothic-style alphabets, where improvisation and personal taste have led the design towards a new aesthetic mix between gothic and modern typefaces, creating new glyphs with tweaked strokes to achieve a good level of legibility. Hermit is a modern gothic font designed for brave designers and for epic designs, available in three weights and variable fonts. It is good to use for Branding and Editorial projects with texts not too small, Advertising, Packaging, Labeling, and Book or Magazine titles.

Miamo is an elegant and modern font family. It includes script font and sans serif in six weights from Thin to Bold. Sans serif font is a multi-purpose font that is perfect for any project, it is contrasted, modern and easy to read. With it, you can create logos, use in advertising, packaging, book covers and magazines, headings, descriptions and much more. Handwritten script font elegant and charming, it includes alternatives and a variety of ligatures that will make your project unique. This font is easy to use has OpenType features.

This is a font that will fit in the "hard to read section" because it may not be super legible at first sight - that is because of the negative space. But when you combine the two layers (Layer and Box) the letter suddenly appears very legible! Play around with your favourite colour palette while adjusting the transparency in order for the colours to blend, giving a really nice handcrafted look! You have 4 different versions of each letter to play around with and of course there is multilingual support!

While developing one of their own IP's, Pilot needed a typeface which reflected a developing story with a science fiction theme. Mentor-51 is proudly the first release born out of this IP. It was created by designer and Pilot co-founder Bill Concannon and Brendan Keohane, a graphic designer at the studio. Pilot, located at Boston Design Center, is home to graphic designers and illustrators who enjoy the mix of the two disciplines. Pilot's primary goal is effective brand development through telling brand stories using strategy and art.

Katenila is a cute handwriting font with a joyful taste. Inspired by marker handwriting and modern calligraphy, Katenila offers the flexibility of the upper & lowercase that you can mix and match and get your typographic mood. Katenila equipped with alternates and swash to give you more variants. This font is suitable for any design themes such as summer, bright, minimalist, holiday, feminine, and etc. Also featured with multilingual supports in 350+ glyphs total, Katenila is perfect for branding, apparel, editorial, poster, quotes, menu, and more! Thank you for visiting, and have a nice day! Ramz.

Aircrew is a neutral, humanist sans-serif family optimized for signage applications in display sizes. Its large x-height enhances readability and its letterforms help distinguish characters from each other, increasing legibility. Aircrew has vertical terminals, low contrast, and short ascenders and descenders. The weight variations between uppercase and lowercase characters provide the perfect balance and its slightly condensed proportions allow more words to fit in less space. There are two different versions of Aircrew, positive and negative. This avoids optical effects that cause uneven thickness and unsteady readability in either light or dark backgrounds.

Four fonts — found on a map of America, created by the spanish cartographer Diego Gutiérrez and the dutch engraver Hieronymus Cock anno 1562. From the start of the digitization by Sebastian Nagel in 2005, Tierra Nueva has gone a long way. On its journey of exploration it has grown to four members of a family (regular, bold, italic and script) with an overall count of almost 3.700 characters for different languages and purposes, extensively featured with useful typographic options. Over six years after the start of the expedition, it shall be launched. Land ahoy!

Get ready to channel your inner (cute) fear with KONSIDER—spooky yet playful fonts. It was inspired by the vintage Halloween visual campaign, with a touch of happiness and cheerful vibes. To amplify the font itself so it can be a "no-doubt" choice for your branding campaign. Packed up with Ligatures and Stylistic Alternates to double up the joy of your visual statement. Perfectly fit for logo, branding, mood board, campaign, events, poster, game, esport, fashion, snack, packaging, streaming overlay design, graphic design, toys, and many more.

Bluebell is a modern script type family in the style of copperplate calligraphy. It comes with six weights from extra light to extra bold, all of them maintaining the distinct high contrast. Rich with Open Type features, Bluebell includes Swash & Stylistic alternates, automatic ligatures, old style figures and small caps that work as stand-alone font as well. Each font also comes with a set of ornaments that are found in the glyph palette. Bluebell makes for an elegant, iconic display letter for packaging, books, posters and the like.

Belgia Serif is a classic, glamorous and fancy font. This font will be perfect for logo design, branding, clothing, signage, posters, wedding invitations and so much more! My goal in creating this font was to create a mix of serif fonts with modern and classic styles, which will help your project to be more luxurious and elegant. Don't Miss Out! Belgia Comes With: Lowercase and Uppercase Stylistic Ligature Stylistic Alternate Numerals & Punctuation Accented characters Belgia Font Style (4 styles) Multiple Languages Supported I Hope You Enjoy it! Diki Pradipta Tri Atmojo ^ Pradipta Creative & Lettertype Studio

Oliva & Oliva Italic are two strong and funky display fonts. Influences came from typefaces like Futura Black by Paul Renner and Motter Ombra by Othmar Motter, but also Stilla by François Boltana and Allegro by Hans Bohn lay on the desk. All these ingredients were mixed to a new and contemporary type experience and packed in proper OpenType files Oliva & Oliva Italic are OpenType Pro, featuring full Western, Central European, Baltic, Turkish and also Cyrillic language support. They contain ligatures, superior numerals, and a stylish set of decorative ornaments and arrows.

Seven superb scripts, to be freely mixed with one another. Alone, each of them flows nicely, but combined they reach ultimate vitality and grace. The Pleiades are one of the most beautiful constellations in the sky, and in Greek mythology they were seven divine sisters. Luxurious freedom of choice and excellent readability make Pleiad the perfect face for a variety of projects, from stylish invitations to magazine ads, from poetry books to restaurant logos. Sometimes calm, sometimes flittering – but always fair and graceful – this sublime calligraphic type family will hold an everlasting fascination.

Rika is a combination of supposedly male and female characteristics, combining together to create a beautifully realised, high impact, condensed typeface. The tall but well-built characters are softened with smooth curves and a mixing in of thin lines, so that the sharpness of many condensed fonts is brought under control. Suave in its application, Rika is all professionalism and elegant showmanship, great for both headlines and text. Rika comes with support for a number of languages, as well as specifically designed glyphs, and its uses might be considered limitless.

Jules Verne. Wild, Wild West. Tomorrowland. The Past’s extrapolation of the Future. So it was wrong, it’s still romantic. Steampipe is a font constructed of bits and pieces, reminiscent of the ironwork construction of the Crystal Palace or the inner workings of The Time Machine. Although it works fine as is, it comes alive with some Photoshop Layer Styles. Steampipe has the most extensive kerning of any font I've designed, just so (most) letters fit together as if they were constructed as a unit; use them in a program that supports special kerning.

Angel Koziupa's familiar brush goes upright and narrow with Pinguino. Koziupa's approach to condensed brush fonts makes use of the same elements that have always distinguished his calligraphy from any other. With Pinguino, however, we see him softening his corners and adding a distinctly feminine touch to his exotic brush. Pinguino would feel at home on sobering coffee packaging just as it would on a bouncy mixed-fruit juice bottle. Try Pinguino for your next packaging project, and tell your client an Angel told you to use it.

Daniel Berkeley Updike seems to have stimulated the architect Bertram G. Goodhue to design the prototype in 1896 for Ingalls Kimball at the Cheltenham Press. Six years later Morris Fuller Benton at ATF developed it into the design and then the series that we know today. “Owing to certain eccentricities of form,” writes Updike, “it cannot be read comfortably for any length of time.” But he concludes: “It is, however, an exceedingly handsome letter for ephemeral printing.” Mergenthaler bought composing machine rights to the original design c. 1896, but bought the Benton design in 1904.

When merely “extended” just would not do, here is Paragraph Stretch™: a super extended or elongated geometric display typeface. It is a typeface with an unicase effect: the capitals and lower case fit the same height and a similar width, so they are interchangeable: fancy a round “W” in all caps? Use the lower case. Want a straight “x” in lower case? Use the cap. And so on. Designed for use at larger sizes for logotypes, short titles or headings. It supports Western plus Nordic, Eastern European and Turkish languages.

Nadimo is an elegant, charming, and sensual sans serif font. Designed with subtle curves and flexible shapes to create a beautiful typeface that fits all your projects. Whether you’re looking for a typeface for a logo, t-shirt, poster, or even a large typography installation, Nadimo is here to help. Of course, your various design projects will be perfect and extraordinary if you use this font because this font comes with a font family, both for titles and subtitles and sentence text, start using our fonts for your extraordinary projects.

Usually fonts that are related to computers, space, future are not handmade, but rather digital made. Autoray is 100% handmade, and I am not sure which category it fits in. It has this futuristic and intergalactic look, but at the same time the handmade details are pointing in a more grafitti and comic way. I will let you decide where to go with Autoray! I have added 5 different versions of each letter, and they automatically changes as you type - and of course, there's multilingual support - and even intergalactic gravity! :)

AFISH was born out of the need to create a variable serif display typeface – so that any headline on the poster would easily fit. The form of the letters comes naturally from Didone style typefaces, while many of the characters have an experimental form that will not leave the audience indifferent. AFISH will be ideal for posters and strong headline and branding use. The entire family consists of one weight and five widths. Karol Mularczyk and Małgorzata Bartosik worked on the project under the creative direction of Mateusz Machalski.

Ring Netlike - Classic Serif Font Ring Netlike is a classic serif typeface called weiss roman. A unique modern font that is a mix of old and new. The Elegant curves also make for a unique logo or masthead. Ring Netlike comes with multilingual support also. The combination with the width of each letter forms a modern feel and is suitable for various magazines, logos, branding, photography, invitations, wedding invitations, quotes, blog headers, posters, advertisements, postcards, books, websites, etc. Files Includes: - Uppercase & Lowercase - Numerals & Punctuation - Multilingual - Ligature - Alternative Fridaytype

This is a unique design by Elyahu Koren. He wanted to design another version of his Koren Tanakh sacred font that was for Biblical use only. So he designed Koren Siddur to be used for page numbers etc. OpenType Pro Excellent support for Niqqud (Vowels). All marks are programmed to fit each glyph's shape and width. OpenType Pro includes new advanced features like Dagesh Hazak, ShevaNa, Qamatz Katan, Holam Haser and wide letters. Best used with Adobe InDesign CC that support complex Hebrew text. Please check these advanced features in this link: tinyurl.com/2fbkuy95

Teenage Spermo is a display font that brings a touch of edginess to your designs. With its clean, neat curves and straight upright stance, this font is a perfect fit for projects that require a confident, youthful vibe. The strong lines and thick strokes give the font a bold and impactful look while its smooth lines and curves add a softer, more approachable touch. Whether you're designing posters, flyers, logos or any kind of print or digital material, Teenage Spermo is sure to stand out and make a statement.

Salinas imitates a friendly and warm handwritten typeface. Its particular feeling is achieved thanks to several character variations, which can automatically alternate between three different (and complete) sets of characters, giving the font the proper character of hand writing, mixing: height, weight and inclination. Through its opentype programming, Salinas generates multiple character changes in the text, without losing its surprising legibility in various sizes. The added gestural strokes for titles enriches the spectrum of variants and versatility. Itís ideal for countless pieces of design that require warmth and spontaneity.

Inspired by the first Swiss banknotes, Fiducia is a four weight display typeface. Linked through a common theme, this family is a collection of four styles of typography, Serif, Modern, Slab and Sans. Connected through common vertical proportions, the styles can be combined and mixed to create diverse layouts. These four styles include a range of Opentype features, they all share a range of numerals and each weight equally features its own additional option, for example adding a titling style in the Serif weight or Small capitals in the Sans.

Take a little Inspiration, mix in some Sassy Frass and a splash of Waterfall; add hundreds of alternate forms and you have the recipe for a versatile hand writing font. This fun, scribbly little font can fool you. At first glance it looks crude and simple. But, with over 1600 glyphs, combine the right character pairs and suddenly Fuggles is a powerful script that can be used for sophisticated commercial design. Some characters are quirky, some are swashy, some are scribbly and others are elegant. So take a look at the world of Fuggles.