Letterpress Leftovers JNL gathers twenty-six vintage letterpress cuts on a variety of themes as well as an attractive wood type border in various positions on the 0-9 keys.

Sixpak is rooted in the concept of creating a font in which each individual character is composed of no more than six squares with rounded corners, to resemble enlarged pixels.

Jumping Unicorn is a sweet and friendly display font. Its natural and cute style makes it incredibly fitting to a large pool of designs. The only limit is your imagination!

These playful letters are perfect for any whimsical designs. There are two versions- one with tickmarked tips and one without. Looks great in all caps as well as mixed-case.

Dino Blue is a sweet and friendly handwritten font. Its natural and unique style makes it incredibly fitting to a large pool of designs. The only limit is your imagination!

Delighted Panda is a sweet and simple handwritten font. Its natural and unique style makes it incredibly fitting to a large pool of designs. The only limit is your imagination!

Tapas Signpainting is a typeface based on traditional sign painting letters designed by Cifonts. This family has six variants and is useful to compose display texts, vintage logos, headlines & packaging.

Fruity Cake is a sweet and friendly handwritten font. Its natural and unique style makes it incredibly fitting to a large pool of designs. The only limit is your imagination!

HWT Bernice is an ornament font system designed by Marian Bantjes. The basic shapes were designed by Bantjes for the Hamilton Wood Type Museum's border stamping machine as a contemporary application for this 150 year old machine, which punches shapes into end grain wood to form continuous border patterns. The digital version expands a bit beyond the punch machine and allows designers to assemble a multitude of options using flipped and rotated variations of these 6 basic shape sets using simple keystrokes.

Sangkhamonthon, a distinctive headline typeface, captivates audiences with its enchanting and sacred essence, highlighted by a sharp 45-degree tip. This font is specifically crafted for use in headlines across a myriad of media platforms, where the emphasis lies in communicating messages related to belief and faith. Whether employed in digital or print media, Sangkhamonthon adds a touch of mystique and reverence, making it a compelling choice for content that seeks to evoke a sense of magic and spiritual significance.

Are you a game developer, retro enthusiast or lover of pixel art? Ever had trouble tracking down an 8-bit display font that's classy, coherent and truly complete? This type enthusiast and veteran pixel artist once had the same problem, and cut no corners to solve it. Lost Arcade features four styles, a myriad of special characters, broad language support and an accompanying symbol font with 64 pixel art symbols. For the purists out there, each square is proportional to its neighbor.

Since you like to look, Angel Koziupa and Alejandro Paul bring you Voyeur, an entirely different direction from their usual collaborations. This typeface attracts two opposite design theories by mixing bold and blocky modernism with delicate ornamentals. The unlikely mix is not haphazard, however. It is calculated with an alchemist's (or voyeur's) attention to detail. This font includes many, many different ornamental treatments, each adjusted specifically for its letter form counterpart. Open your glyph palette to find plenty more variation and alternative combinations. For everyone's eyes only.

Knul is an elegant modern typeface with a subtle mono-line appearance. Balanced engineered geometry with delicate hand touches allows for practical typesetting without complications. Knuls' mechanical simplicity is best suited to identity, editorial, advertising and software applications. Details include six weights with italics and over 600 characters per style. Opentype features consist of six variations of numerals, including inferiors, superiors, fractions, lining and tabular. Language support covers Western, South, Central Europe and Cyrillic—Remastered to version 2.0 for improved OpenType features and usability.

Point Made JNL is a varied assortment of pointing hands and arrows used for embellishing word copy, drawing attention to key points or simply adding some retro flair to your print or web project. Twenty six designs in varying styles offer a wide range of visual diversity. The images point to the right on the capital keys and to the left on the lower case keys. This font is a companion to Point Taken JNL, which offers twenty-six more pointing hands and arrows.

Toshiko is an experimental typeface which mixes techno and traditional designs, creating a straight edged but curly serif font. The characters themselves are very carefully crafted, with precise, accurate lines and predictable forms, but the serifs, as well as the indecision between curved and square corners, gives the font an impression of unpredictability that shows off its creative freedom. Whether you’re looking to brand something technological or express rebellion, Toshiko can create the mix of conformist and nonconformist that will draw readers into interest and attentiveness.

Inspired by stenciled lettering on crates and shipping containers, Intermodal is a 18-typeface family consisting of six widths and corresponding italics in two different angles. Intermodal uses only vertical stencil cuts— creating a dynamic rhythm and a unique, industrial feel. The variable font allows for customization of weight, slant and stencil opening size. 18 fonts Six widths: A-F Regular and two different oblique angles Tabular Opentype Numbers and an alternate "9" Variable font allows you to change weight, slant and stencil opening size

Dear and Fans is all class. A stylish modern font that is a mix of serif and sans serif. It's soft curves mixed with high contrast glyphs lend it self to both feminine and masculine qualities. With a contrasting light italic, Dear and Fans works great in layout design for quotes or body copy. The Elegant curves also make for a unique logo or masthead. Dear and Fans comes with multilingual support also. Full upper/lower case, numbers, punctuation and multilingual support. Full italic style included also.

Chequers was inspired by the all-capitals lettering seen on a 1920s magazine cover. It is a family of six small-serifed display faces, including a selection of stylistic alternates. Use it for a comfortable period feel in your design work. Article abstract: Chequers was inspired by the all-capitals lettering seen on a 1920s magazine cover. It is a family of six small-serifed display faces, including a selection of stylistic alternates. Use it for a comfortable period feel in your design work.

Rasteroids Old is a typographic flashback to computing of the early 1980s, when 7-pin dot-matrix printers were the state of the art, and most home computer displays were TVs hooked up to RF modulators. Rasteroids Old not only captures the dot-matrix printer look, but recreates the rasterized appearance of text on those lower-resolution monitors. Rasteroids Old is a fixed width font lacking any descenders. Furthermore, the character set is limited to the subset of US-ASCII that would be available on a typical machine of 1980. As such, it is not intended for large areas of copy.

Gobble gobble gobble! The Gobbler font was drawn with a leaky pen on a napkin at the Modern Cafe in Northeast Minneapolis while the designer, Mister Chank Diesel, was waiting for some pot roast. “Apple cobbler drippings on the napkin add more character to the strokes of each letter,” says Chank. This font was originally named Modern Napkin, a free font released in 1997. Chank completed the character set, fixed some curves, and cleaned up some of the apple cobbler to make a more elegant font in 1999. Gobbler works great for either text or display purposes.

Cuivrerie is a free interpretation of relatively common lapidary inscriptions in Burgundy. Letters fit together. Thus the engraver gains room and we lose legibility. No matter, we have forever to read !

I Love Summer is a sweet and friendly handwritten font. Its natural and unique style makes it incredibly fitting for a large pool of designs. The only limit is your imagination!

Glamori is a hand-brushed calligraphy font. It feels bold and charming. This handwritten font is the perfect fit for all of your logos, branding, social media, and crafty DIY projects.

A handsome German art deco design that fits in well with other types of the 1920s and 1930s. Originally without a lowercase, so we drew one for it, extending its usefulness.

Shaimus is a multi-purpose and very legible font family. It will fit perfectly in a vintage and modern styles. It is great for creating logos, layouts, templates, advertisements and more.

Osake is a Japanese style decorative font, created by using a brush pen. This font is the perfect fit for all of your logos, branding, social media, and crafty DIY projects.

A decorative, maze-like multi-line typeface in two weights. Lower case is narrow, upper case is wide, the two can be mixed to give a variety of bold, dynamic effects.

Nicholas is a headline version of Goodchild , Shinntype’s version of Jenson . It has been specially modified with very fine details and an ultra-tight fit for headlines that really get noticed.

Both edgy and elegant, LD Genevieve—with its decorative plumes—adds unique flair to your scrapbook layouts, handmade greeting cards and other creative projects. Pair Lowercase and Uppercase to mix cases.

The On Hangers family is a collection of fonts consisting of font-bats on hangers. Upper-case are on hangers and lower-case are not. Mix and match and have fun.

Crafty Notes is a clean, thin and simple handwritten font. Its natural and unique style makes it incredibly fitting to a large pool of designs. The only limit is your imagination!

Svelte is condensed serif family. Its consist of upright styles from Regular to ExtraBold. Fit for display, short text, and stacked typesetting. Its contain 394 glyphs with broad latin language coverage.

More Office Stamps JNL is the companion font to Office Stamps JNL, and collects another twenty-six designs based on vintage 'stock' rubber stamps used in hundreds of offices for decades.

Adept Sans is a rounded, modern and clean font that make it suited for small text to high-impact headlines. The family contains six fonts, 3 weights and its matching italics.

Maron American is a sweet unique and natural handwritten font. Its unique and neat style makes it incredibly versatile, fitting a wide range of designs. The only limit is your imagination!

Lagoena Font was designed by Zainul Faozi from San Studio. This was inspired by road markings. This font fits on any project You make, on posters, logos, ads, banners, and more.

Brigitta is the complementary joining script that can be mixed with Annabella. Also written with a Japanese brush on rough paper, first scanned and then carefully finished by hand on screen.

Gimcrack is "showy but cheap or badly made" - that's what a search on the internet says. Well, that description fits this font quite well - although it was deliberately made that way!

Heretic surrounds itself with an atmosphere of evil, carnival freakshow and no-nonsense thuggery. Mix the black and condensed weights of this octagonal blackletter together for more interesting, yet disconcerting results.

Capital aphabet simulating blind embossing, to create distinctive stationery. Includes six border styles for monograms, each accessed by a single keystroke, as well as decorative rule characters to generate business letterheads.