Look the allure of Daisy & Violette, a mesmerizing serif font that blends modernity with classic refinement. With its thin serifs and captivating alternates adorned with graceful flourishes, this font is a true testament to elegance. Whether used for high-end packaging, editorial layouts, or upscale event invitations, Daisy & Violette brings an air of sophistication that will leave a lasting impression. Features : Uppercase & lowercase Numbers and punctuation Alternates & Ligatures Multilingual PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.

Mollen is sans serif font family that designed to be functional. Each glyphs are shaped by geometrical form with specific visual structure: Simple and clean form with low contrast stroke, rounded 'o' in the normal width, mix diagonal and straight cuts on terminals and finials. Low capitals, with flat top and low descenders. With this personality, Mollen meant be fit for modern, contemporary and technological nuance. Mollen consist of 48 font with 8 weight: From Thin to ExtraBold and 3 width: Condensed, Narrow and Normal. With each matching Italics. It also contain 425 glyphs and several opentype features.

Gingo is a wild brush script. The typeface was drawn and created by Måns Grebäck between 2018 and 2020. Its thick strokes are inspired by mid-century advertising, is full of spirit and progressiveness. The handwritten family consists of three weights: Gingo Thin, Gingo Medium and Gingo Bold. Its multiple alternate alphabets gives the font a true handwritten feeling. Use it for a logotype, a greeting card or as a headline. The font contains all characters you'll ever need, including all punctuation and numbers. It has an extensive lingual support, covering all European Latin-based scripts.

Vikive is a family of Sans Serif fonts, better known in its origins as "Gothic" in America or "Grotesque" in Europe. Some authors divide them into three categories: Grotesque, Geometric and Humanistic. Probably, it can be defined that Vikive has some characteristics of the first two: Grotesque and Geometric, high x-height, slight squareness of the curves, wide set, open tail, simple construction. The family concept provides several weights and widths for one face and its matching italics, therefore this family of types is more suitable for text settings, enriched with strong contrast fonts (condensed thin or expanded black) for headlines.

Pina is a typefaced based on Italian signage, incorporating simplified shapes for the letters and unique characters. The barebones S and the perfectly circular O are examples of the type of lettering you'd likely see on awnings. These letters have a thin footprint, and are quite condensed apart from certain letters like O and Q, which gives the font a unique bounce. It includes plenty of alternates, to letters like O, S, Q, R, K, and special ligatures for specific pairs. This font is named after my grandmother from Italy, Josephine, who was a wonderful figure in my life.

Nacinth is a wild calligraphy script. The typeface was drawn and created by Måns Grebäck between 2018 and 2020. Its open shapes are inspired by mid-century advertising, is full of life and emits liberty and optimism. The handwritten family consists of three weights: Nacinth Thin, Nacinth Medium and Nacinth Bold. Its multiple alternate alphabets gives the font a true handwritten feeling. Use it for a logotype, a greeting card or as a headline. The font contains all characters you'll ever need, including all punctuation and numbers. It has an extensive lingual support, covering all European Latin-based scripts.

Mohr Rounded—the new version of the original Mohr typeface—features curved and softer terminals which make the font look more organic, warm and friendly. The Mohr Rounded family comes in three versions: normal, alt and italic, each with 9 weights, from Thin to Heavy, resulting in a total of 27 styles. The versatility of the font makes it suitable for a wide range of applications, from small text to high-impact headlines. Mohr Rounded also includes initial and terminal swashes in most of the uppercase and lowercase characters. This provides a greater range of uses such as branding, packaging and identity design.

Gart Serif is a serif font that combines traditional Antiques from the 18th century with modern solutions. Compared to other Antiques, Gart Serif stands out with its "display" metrics that enhance its character without compromising readability. With a variety of weights, Gart Serif can have an elegant demeanor seen in its thin weight or a more robust and sturdy presence in its bold rendition. It serves well for setting large amounts of text as well as for short headlines. Gart Serif comprises 5 weights, 642 glyphs, basic Cyrillic and extended Latin, several stylistic sets, ligatures, numeral sets, and a variable font.

Bedontes is an unique handwritten brush font. Created with brush pen to give a great contrast between thick and thin curves. Drawn, Scanned & Vectorized from paper to screen. I wanted to create an authentic brush typeface leaving the texture and imperfections the way they are, but perfect for any awesome project that need hand writing taste. Comes with regular and italic, also support multilingual. This is suitable for branding, header, quotes, invitations, stationery, wedding design, logos, watermarks on photography, signatures, advertisement, album covers, business cards, clothing, magazines, posters, and more! Thanks for checking out this font. I hope you enjoy it!

Introducing Squid GT Display new generation Typeface with 9 Weights. Squid GT Typeface created with the vision of to attract the audience to your brand . The finest details of this typeface are methodically and mathematically created. Squid GT is created with all the tasks of a corporate font and also for the usage in a variety of projects, including branding, logos, titles, headlines, servers, posters, screens, display, digital ads, and everything else. We are putting a lot of effort on this font as a long-term project. The Typeface includes Nine Weights. Thin, ExtraLight, Light, Regular, Medium, SemiBold, Bold, ExtraBold, Black.

Summer flower is a dazzling script font with a lovely atmosphere and spotless form, inspired by a timeless classic calligraphy. Not too thin and not too thick, balanced and varied, summer flower was designed to enhance the beauty of your projects. summer flower will turn any design project into a true stand-out. Add it to your most creative ideas and notice how it makes them come alive! This font is PUA encoded which means you can access all of the amazing glyphs and swashes with ease! It also features a wealth of special features including alternate glyphs and ligatures.

Sattinda is a thin and elegant handwritten font. It features a cute and joyful style that will take your designs to the next level! perfect for branding projects, logo, wedding designs, social media posts, advertisements, product packaging, product designs, label, photography, watermark, invitation, stationery and any projects that need handwriting taste. What’s Included : Standard Glyphs Ligature Works on PC & Mac Simple installations Accessible in the Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even work on Microsoft Word. PUA Encoded Characters – Fully accessible without additional design software. Fonts include multilingual support for; ä ö ü Ä Ö Ü ß ¿ ¡

The Nuga typeface embodies a commanding presence with its slab serif design, offering a versatile range across 9 distinct weights from thin to black. This extensive variety is further enriched by both regular and italic styles, totaling 18 distinct fonts. Its robust nature makes it an ideal choice for titles, headers, and subheaders, lending an authoritative air to any text. However, it doesn't stop there; Nuga's versatility extends to paragraphs, making it suitable for both display and body text. This font stands out effortlessly in branding, print materials, and logos, its powerful characteristics leaving a lasting impression on any design it graces.

Krong is a set of font family, modern Geometric in which there are several combinations of unique style sets, so ready to help you to make your designs look elegant. Krong Each contains nine weights ranging from Thin to ExtraBold, all with companion italics. The font includes more than 819 glyphs, covering all European languages written in Latin script. Krong OpenType features: Stylistic Alternates, Sylistic Set, Standard Ligatures, Discretionary Ligatures for lowercase and uppercase, Case Sensitive Forms, Arrows, Circled and Black Circled Figures, Proportional Old Style figures, Tabular Lining figures, Slashed Zero, Fractions, Superscript and Subscript figures.

Grao is a modern, funny and casual script. All the glyphs have been carefully designed giving the texts a wonderful flow. A fat and thin blow in this font impresses the harmony. This font includes alternative stylistics and contextual, swsh, and ligatures for a genuine handwriting effect. It also includes a Central European language support with its corresponding alternative characters to have more options in those languages. Grao looks good in children's books, fashion, magazines, restaurant menus, book covers, wedding invitations, greeting cards, logos, business cards and is perfect for use in designs based on ink or watercolor, and more..

Andove is a narrow sans font with very tight compression. With a slim character and a fairly large x-height, Andove looks great for very large and eye-catching typesettings. The one-sided serif in ascenders makes this font very unique and stands out to show it is sporty and strong enough. What's even more interesting is Andove has a true italic on each weight so it can be an option for really big headlines and poster title. Andove consists of 10 styles in six weights — Thin to Bold — Upright and True Italics and comes with extended language support including Cyrillic.

GreenCherry typeface is for regular texts. I have designed every glyph with kept perfection in mind. I also retained symmetry throughout all glyphs. They look very premium when placed together. The typeface has 3 fonts - Thin, Normal & Bold. Every font has 210 glyphs and supports Western European languages. It has essential OpenType features like Kerning and Hinting. Hence you can use it wherever you want. It works very well with print media and web media as well. This typeface is suitable for Websites, Apps, Blogs, Book Publication, Stationery, Signage, and other Printing media. I am sure you will enjoy this typeface.

Introducing Romavich, a beautiful condensed serif font, inspired by the modern serif style features with thin lines and bold serifs. This casual and minimalist typeface is versatile and can be used for a wide range of designs, including magazines, editorials, posters, logos, branding, logotypes, wedding, fashion, cards, titles, and more. Romavich is an all-caps font with small caps, allowing you to create an elegant short texts and quotes. It comes equipped with numerous alternates and ligatures, adding a gorgeous touch to your designs. What you’ll get : Uppercase Smallcaps Numbers & symbols Punctuation Stylistic alternates Custom ligatures Multilingual support PUA Encoded Thank you!

Grotica is a versatile geometric sans serif contains 7 weights from Thin to Bold. IIt's inspired by the beautiful logotype on old labels and by exploring the Retroica font we've created in 2020. This font is suitable for movies, TV, advertising, packaging, logos, posters, music, branding, posters and so on with a modern design style. With over 600 glyphs per style, Grotica supports around 150 languages in Latin and Cyrillic script. Grotica OpenType Features including alternate glyphs, fractions, contextual alternates, oldstyle and lining (proportional and tabular) numerals, numerators/denominators, superiors/inferiors, and a variety of symbols.

Normaliq is a geometric and modern sans serif family that exudes a unique and minimalist charm. comes in nine weights, ranging from Thin to Black, combined with an Italic style, as well as the addition of Black Outline and Black Italic Outline. The balance of hard lines and subtle curves provides strength and eye-catching for every weight of the family. Each font in the family can stand alone, dynamic and authoritative. This font family offers versatility for a variety of design needs, designed specifically for looks such as titles, branding, logos, books, branding and other impactful editorial work.

Introducing Boiller Typeface 💖💖Boiller💖💖is a sans serif font that has an elegant romantic concept, supported by 736 glyphs. The Boiller font has a lot of alternative characters, from swash, ligature and of course it is also supported by multilingualism. In addition, Boiller also has 14 families from Thin to Heavy. So it can be used for body text and header text. Boiller is very suitable for design concepts that are elegant, simple, minimalist and romantic. Can be used for wedding card designs, shop signs, logotypes, promotions on Instagram and so on.

A unique kind of type by Michael Herold: The 14 cuts of Corner are equally distributed to the two style variants A and B. From Thin to Extra Bold, variant A comes with technical and pure forms while B appears with a soft, more personal character. In combination, the two variants add up to a highly versatile family which is very well suited for branding purposes, thanks to its diverse forms of expression. Eine besondere Schriftfamilie von Michael Herold: Die 14 Schnitte der Corner sind auf die beiden Stilvarianten A und B verteilt. Von Thin bis Extra Bold kommt die Corner im Stil A mit technischen, reinen Formen und im Stil B mit weichem, persönlicherem Charakter. Als Kombination ergibt sich eine sehr vielfältige Familie, die sich mit ihren verschiedenen Ausdrucksformen besonders fürs Branding eignet.

Carousel is a fat faces display type designed by Gary Gillot in 1966. Fat faces were offshoots of the modern, or Didone, typefaces that were de rigueur during the early 1800s. These fat faces were among the first typefaces to be used solely for advertising purposes. Naturally, they were always used in larger point sizes, in display functions. Carousel could be called an optimization of these old advertising typefaces. With high x-heights, ultra contrast between thick and thin strokes, and perfectly engineered drawing techniques, Carousel is a highly crafted typeface. Give it a spin in your next advertising campaign! Carousel's fine thin strokes are very graceful in their appearance, and lend a strong, yet soft, feminine feeling to anything they touch.If you like Carousel check out wearing Annlie, another fat face from 1966."

Austral Sans is a hand-drawn layered font designed by Antipixel. Based in the Slab version, it is part of the Austral type family. This sans makes your work unique & noteworthy, because the possibilities of combinations of textures & styles create distictive results. Austral Sans comes in three weights, Regular, Light & Thin, which all share the same crooked look with irregular strokes and outlines. For these reasons this font can be used in a vast variety of projects, such as logos & branding, stationery, book covers, magazine design, clothing prints & tags, packaging, animated videos, and many more! Austral Sans has three sets of alphabets in uppercase and lowercase to avoid repeating the same character pattern, and giving the font a more natural handwritten feel. This is included in the Open-Type Contextual Alternates, which applies an automatic substitution of glyphs as long as the Open-Type features are activated. Also, Austral Sans offers other Open-Type features such as Stylistic Alternates, Ligatures, Discretionary Ligatures, Fractions, Superscript, Subscript, Denominator, Numerator, Scientific Inferiors & Kerning. This font has a very large glyph coverage and can be used in a wide range of languages, including English, Spanish, Italian, French, German, Polish, Czech, Vietnamese, Finnish, Icelandic, among many others. The style Maplines Thin is offered Free for commercial & personal use! Check Austral Slab!

The original metal Neue Haas Grotesk™ would, in the late 1950s become Helvetica®. But, over the years, Helvetica would move away from its roots. Some of the features that made Neue Haas Grotesk so good were expunged or altered owing to comprimises dictated by technological changes. Christian Schwartz says Neue Haas Grotesk was originally produced for typesetting by hand in a range of sizes from 5 to 72 points, but digital Helvetica has always been one-size-fits-all, which leads to unfortunate compromises."""" Schwartz's digital revival sets the record straight, so to speak. What was lost in Neue Haas Grotesk's transition to the digital Helvetica of today, has been resurrected in this faithful digital revival. The Regular and Bold weights of Helvetica were redesigned for the Linotype machine; those alterations remained when Helvetica was adapted for phototypesetting. During the 1980s, the family was redrawn and released as Neue Helvetica. Schwartz's revival of the original Helvetica, his new Neue Haas Grotesk, comes complete with a number of Max Miedinger's alternates, including a flat-legged R. Eight display weights, from Thin to Black, plus a further three weights drawn specifically for text make this much more than a revival - it's a versatile, well-drawn grot with all the right ingredients. The Thin weight (originally requested by Bloomberg Businessweek) is very fine, very thin indeed, and reveals the true skeleton of these iconic letterforms. Available as a family of OpenType fonts with a very large Pro character set, Neue Haas Grotesk supports most Central European and many Eastern European languages.

1955 Is a fresh grotesque interpretation. Any detail too historically referenced is replaced by strong geometry and idiosyncratic features. Round dots and punctuation, curved “l” foot, single storey “g” etc. all these details make 1955 a very contemporary typeface (unlike the name suggests!). With a range of weights going from Thin to Black including Italics, OpenType Features, extended character-set, tailored for print and digital, 1955 has everything to become your new go-to typeface for every project!

Straight Line is essentially an outline Modern, but drawn without any curves whatsoever. Thin horizontals and thick verticals provide the classic look of a Didone, updated and enhanced by clean, minimalist geometry. In addition to the Straight Line font itself, the package includes Straight Line Solid with matching spacing and kerning. The Solid font can be used solo, or layered with the outline font to provide a colour background. Straight Line is an excellent display face for contemporary, eye-catching headings and sub-headings, and the fonts contain a full complement of Latin Extended-A characters. The typeface was inspired by a 1930s experimental alphabet by the British artist, Percy J Smith.

Introducing "Vagodha" a captivating retro reverse contrast script font that brings a unique and striking visual appeal to your designs. Inspired by vintage aesthetics, this font features an intriguing twist with its reverse contrast, where the thin strokes are replaced by thick ones and vice versa. The result is a font that effortlessly stands out and grabs attention. With its bold and dramatic letterforms, "Vagodha" adds a touch of retro charm and edginess to your projects. Whether you're designing logos, headlines, posters, or any creative work that calls for a standout retro style, this font will make a bold statement. Features: Uppercase and lowercase letters Alternates Letter Ligatures Multilingual, numerals, and punctuation Thank You!

Aceituna means ‘olive’ in Spanish. It comes from the Arabic Al-Zeitoun. I am multi-tasking today: finishing this font and thinking about what to cook for my family tonight (yes, I am the one who cooks!). We normally eat Asian food, but I was toying with the idea of serving something Mediterranean and realised we had run out of olives. So there you have it: the super simple trick of naming a new font! But enough of cooking: Aceituna font was made with a Japanese brush pen. It is a very versatile font: tall and thin, elegant and a little messy. A hint of texture and, like olives, it goes with almost anything.

Givonic is a new geometric sans serif and clean variable font. The typeface is versatile to blend in your design- with 6 weight, ranging from regular, medium, thin, bold, semibold, extrabold, light, extralight and black & 18 styles + variable type to touch a lot of personality. Perfect anywhere you need a right finas touches for branding, publishing, titles, book, magazine , and use on UI/UX design. Features: Variable Font uppercase & lowercase numbers and punctuation multilingual 9 weight & 18 Style PUA encoded More about variable fonts : https://creativemarket.com/blog/what-is-a-variable-font if you have any questions don't hesitate to send our email at letterhend.com/tutorials/using-opentype-feature-in-any-software/

MB Vinatage is a 6 weight font family with italics that has its roots based firmly in the type and font design of the early 20th Century. With some art deco touches in the standard caps like the N and the low bars on the E, F & H, by using the stylistic alternates these can be changed to give the font a more contemporary look. The same applies to the lower case letters, with an alternate a and g and a stylistic lowercase t. The family works great as a display font using the thin and heavy weights and just as well for smaller & bulk text. Stay traditional or go contemporary or mix it up.

Esgard, our newest graffiti-themed font, is now available. We created this distinctive font just for those of you who are unique because we built it with quality and benefit in mind, so you can easily use it and instantly produce amazing, intriguing, and original projects! Really unique. We also provide two thicknesses, thick and thin, to suit your preferences. This graffiti font is great for product logos, poster titles, headlines, packaging, film titles, logotypes, gorgeous writing, and trendy graffiti designs, among other things. Of course, if you utilize this font in your numerous creative projects, they will be perfect and outstanding. Use this typeface right away for your one-of-a-kind and remarkable projects.

Core Rhino is a contemporary typefamily designed by S-Core. The fonts have the mood of brushed feeling and come across as soft and gentle. Core Rhino displays warmth through its roundness and curved letterforms. Also it is legible in prints and on screens. The Core Rhino family consists of 7weights (Thin, Extra Light, Light, Regular, Bold, Heavy, Black) plus matching italics. The OpenType fonts contain complete Latin 1252, Cyrillic, Central European 1250, Turkish 1254 character sets. Each font includes proportional figures, tabular figures, numerators, denominators, superscript, scientific inferiors, subscript, fractions. If you are looking for a sans serif style font which is practical and friendly, get this family and save your time.

New Gerbil Sans Serif Modern has distinctive characteristics, such as bold thin lines and strong bold lines, as well as highly geometric letterforms with sharp corners. The color of this font tends to be monochromatic with white as the base color, making it suitable for use in designs that are modern and stylish. This makes this font easy to apply to various media, be it for poster designs, logos, business cards, banners, and various other design purposes. New Gerbil Sans Serif Modern is a very flexible font that is suitable for a variety of design purposes. With a modern and stylish design, this font can give your design a very luxurious and elegant impression.

Isidora Sans is a new version of the bestselling font Isidora (released a year ago). The absence of terminals gives this new typeface a cleaner and more geometric look, keeping the essence and structure of the classic sans fonts of the early 20th Century yet with a fresh, clean and contemporary appearance. Isidora Sans consists of two subfamilies of 7 weights, ranging from Thin to Black, with matching italics, giving a total of 28 fonts. Isidora Sans is the perfect font for publishing, titles, books, magazines and corporate design. Its Alt version is ideal for logotypes, branding, packaging, and use on web and Tv. The family contains a set of 416 characters supporting 207 different languages.

Looking for a unique, stylish, and fun font for your next project? Look no further than this one. Meet Redsema groovy font. With an anatomical shape between thin and thick lines, beautiful from any angle. It also features alternative lettering, ligatures, and decorative elements to add a unique flair to your work. Make the most of your designs using this font today! What’s Included : Standard glyphs Iso Latin 1 Simple installations We highly recommend using a program that supports OpenType features and Glyphs panels like many Adobe apps and Corel Draw, so you can see and access all Glyph variations. PUA Encoded Characters – Fully accessible without additional design software. Fonts include Multilingual support

The PIXymbols™DecoGlass font is designed to create black (or single color), and two-color titles, initials as well as decorative characters. It is available in a choice of two weights. Each package includes a document showing the character sets and key codes for the fonts. The font packages include both TrueType and PostScript versions, and are available in either PC/Win or Macintosh format. In order to avoid serious problems, be sure not to install the same fonts in both TrueType and PostScript on the same computer. The font offers opportunities for various color treatments in your application programs.

Toshna is a classic garaldic typeface family offering three real optical type sizes. The Display weight for titles and headlines is kept very tall, thin and graceful. The Book weight for body text is drawn essentially wider, more round with robust, bold details. The punctuations and accents strictly serve the demands of body text. They are substantially bigger and more readable. Despite the fact that the width is running economically, the user notes the fonts ‘big face, that qualifies for eye friendly long texts.

This family, in normal and bold weights, is based on Advertisers Gothic, designed by Robert Wiebking for Barnhart Brothers & Spindler in 1917. The original might be considered a transitional design between Art Nouveau and Art Deco; this version accentuates the Deco traits, adding a thick-and-thin treatment not found in the original. The large x-height and short descenders allow for compact, commanding headlines with a carefree charm, a.k.a. bell'agio. Both versions of the font include 1252 Latin, 1250 CE (with localization for Romanian and Moldovan).

Lasta is small serif font family with simple elegant shapes, refreshing Italics and poetic endings. Containing 2 weights and 2 italics, with lower x-height which brings more air (empty space, white space...) into paragraphs making text more graceful and legible. Thin serifs bring small touch of dynamic into letter forms, just enough to bring specific tone to paragraph. Beside being mainly imagined as fully text family, Lasta is suitable titles or decorative typography as well for, especially the Italics with fancy curvy endings.