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  1. Jacoby Modular by Jacoby Type Co, $12.00
    Jacoby Modular is a geometric sans serif display typeface with six styles. Jacoby Modular is a dynamic, bold typeface with a sculptural feel.
  2. Fix Sys by ParaType, $25.00
    Developed for ParaType (ParaGraph) in 1995 by Alexander Tarbeev, based on letterforms of various screen fonts. For use in advertising and display typography.
  3. Merry santa by Sealoung, $12.00
    Merry Santa is a friendly and festive display font. Fall in love with its sweet and unique style and create amazing Holiday designs.
  4. Rocklogo by Gaslight, $25.00
    Rock Logo is an all caps, display typeface, inspired by old cool rock/metal band logos. It has many alternates, swashes and ligatures.
  5. Ellen by Lebbad Design, $29.95
    Ellen is a charming elegant serif face. Great for headline display and text use. Many alternates and ligatures are included with this font.
  6. Cicero Series by Alphabet Agency, $15.00
    Cicero Series is a bold decorative serif display font that exudes power, strength, magnificence, prestige. Add this grandiose piece to your font collection.
  7. Shunsine by Portograph Studio, $19.00
    Shunsine is a distinct and elegant display serif font. Its stylish alternates and ligatures make this font the perfect match for any project.
  8. Drum Komputer - 100% free
  9. Mottek - Personal use only
  10. Last Ninja - Unknown license
  11. Duralith - Unknown license
  12. Drive-Thru - 100% free
  13. Special K - 100% free
  14. Circoex / ANTIPIXEL.com.ar - Personal use only
  15. Teimer Std by Suitcase Type Foundry, $75.00
    Typographer and graphic designer Pavel Teimer (1935-1970) designed a modern serif roman with italics in 1967. For the drawing of Teimer he found inspiration in the types of Walbaum and Didot, rather than Bodoni. He re-evaluated these archetypes in an individual way, adjusting both height and width proportions and modifying details in the strokes, thus effectively breaking away from the historical models he used as a starting point. Teimer's antiqua has less contrast; the overall construction of the characters is softer and more lively. The proportions of the italics are rather wide, making them stand out by their calm and measured rhythm. This was defined by the purpose of the typeface, as it was to be utilised for two-character matrices. The long serifs are a typical feature noticeable throughout the complete family of fonts. In 1967, a full set of basic glyphs, numerals and diacritics of Teimer's antiqua was submitted to the Czechoslovak Grafotechna type foundry. However, the face was never cast. At the beginning of 2005 we decided to rehabilitate this hidden gem of Czech typography. We used the booklet "Teimer's antiqua - a design of modern type roman and italics", written by Jan Solpera and Kl‡ra Kv’zov‡ in 1992, as a template for digitisation. The specimen contains an elementary set of roman and italics, including numerals and ampersands. After studying the specimen, we decided to make certain adjustments to the construction of the character shapes. We slightly corrected the proportions of the typeface, cut and broadened the serifs, and slightly strengthened the hair strokes. In the upper case we made some significant changes in the end serifs of round strokes in C, G and S, and the J was redrawn from the scratch. The top diagonal arm of the K was made to connect with the vertical stem, while the tail of Q has received a more expressive tail. The stronger hairlines are yet more apparent in the lower case, which is why we needed to further intervene in the construction of the actual character shapes. The drawing of the f is new, with more tension at the top of the character, and the overall shape of the g is better balanced. We also added an ear to the j, and curves in the r have become more fluent. To emphasise the compact character of the family, the lining numerals were thoroughly redrawn, with the finials being replaced by vertical serifs. The original character of the numerals was preserved in the new set of old-style figures. To make the uppercase italics as compact as possible, they were based on the roman cut rather than on the original design. The slope of lowercase italics needed to be harmonised. The actual letter forms are still broader than the characters in the original design, and the changes in construction are more noticeable. The lower case b gained a bottom serif, the f has a more traditional shape as it is no longer constricted by the demands of two-matrice casting, the g was redrawn and is a single storey design now. The serifs on one side of the descenders of the p and q were removed, the r is broader and more open. The construction of s, v, w, x, y, and z is now more compact and better balanced. Because Teimer was designed to make optimal use of the OpenType format, it was deemed necessary to add a significant amount of new glyphs. The present character set of one font comprisess over 780 glyphs, including accented characters for typesetting of common Latin script languages, small caps and a set of ligatures, tabular, proportional, old style and lining, superscript and fraction numerals. It also contains a number of special characters, such as arrows, circles, squares, boxed numerals, and ornaments. Because of its fine and light construction, the original digitised design remained the lightest of the family. Several heavier weights were added, with the family now comprising Light, Light Italic, Medium, Medium Italic, Semibold, Semibold Italic, Bold, and Bold Italic.
  16. Pexico Micro by Setup, $-
    Pexico Micro is a pixel typeface that uses 5 by 7 grid (capital letter) in 8 styles: 4 basic styles for text setting — Regular, Bold, Narrow, and Mono and 4 stylistic variations of the Regular style for display setting — Outline, Dots, Round, and Inverse. It fits the display's pixel grid when used at 10pt size or its multiples. Pexico Micro supports Latin, Cyrillic, and Greek Monotonic scripts, all with thoroughly designed diacritics. Moreover, Pexico Micro makes use of advanced OpenType features, just as any other modern text typeface. Each style also has 9 sets of numbers, small capitals and is properly kerned. For more information go to For more information go to Urtd.
  17. Benjoet by Forberas Club, $16.00
    Benjoet is a fun and whimsical paint brushed display font. This font is perfect for children themed designs, especially when combined with bright colors.
  18. Leviatan by Saskara Type, $15.00
    leviatan is a spooky display font featuring horror & scary characters This font is inspired by blood Add this font to your most creative ideas
  19. Exablock by Scannerlicker, $22.00
    Exablock is a display typeface based on a 6x6 grid, highly modular and geometric. Diacritics appear as negative space cut into the glyph form.
  20. Hitormis by Forberas Club, $16.00
    Hitormis is handwritten font with uppercase style. Recommended to use for wall art, children theme, funny theme, comics, cartoon, simple write, poster and display.
  21. Savu by Hiekka Graphics, $18.00
    Savu is a hand-lettering font in four styles: regular, bold, condensed and condensed bold. It is recommended for use as a display typeface.
  22. Vmesr by Baqoos, $25.00
    Boktto is a preeminent noetic tech display apt for headline, editorial, branding, packaging, printed materials and typographic applications. 240+ glyphs with ligatures and fractions.
  23. JulianaJoy by Lebbad Design, $24.95
    JulianaJoy is a condensed elegant sharp serif typeface for headline display and text use. Several alternate characters are included with this original font design.
  24. TAN Aegean by TANTypeCo., $17.00
    TAN AEGEAN is an elegant display serif. It's classic and versatile with a touch of playfulness, it's perfect for any of your design needs.
  25. Drunk by ParaType, $25.00
    Developed for ParaType (ParaGraph) in 1997 by Alexander Tarbeev, based on PT Pragmatica, 1989, by Vladimir Yefimov. For use in advertising and display typography.
  26. Hotel by Parkinson, $25.00
    An inline gothic display font based in mid-twentieth century showcard and signpainting styles. All caps with some alternates in lower case keyboard positions.
  27. Grecian Bold Expanded by Wooden Type Fonts, $15.00
    A revival of one of the popular wooden type fonts of the 19th century, suitable for display, geometric slab serifs unbracketed, short descenders,condensed.
  28. Redgar by Graphite, $12.00
    Redgar is a weathered display family. It comes in four styles – regular, slab, stencil, clean and has a matching set of banners and shapes.
  29. The Show by Sakha Design, $14.00
    The Show is a fun and friendly display font. Whimsical and a little bit quirky, this font will brighten up each of your designs!
  30. Egyptian Wide by Wooden Type Fonts, $15.00
    A revival of one of the popular wooden type fonts of the 19th century, suitable for display, short ascenders and descenders, pronounced slab serifs.
  31. Crosstown JNL by Jeff Levine, $29.00
    Crosstown JNL is a serif treatment of Midtown JNL, an Art Deco typeface displayed in the pages of an old 'how to' lettering book.
  32. Opium by Max Prive, $39.00
    Opium — a humanist display typeface with futuristic flared lines inspired by the anatomy of opium flowers. Designed using the herbarium specimens of Papaver somniferum.
  33. OpenAir by Jonahfonts, $25.00
    OpenAir is a display typeface unlike standard Stencil Fonts. Great for logos, short titles and comes with Old Style numerals as well some ligatures.
  34. Tatiana by ParaType, $30.00
    Designed at ParaType in 1995 by Tagir Safayev. Based on informal handwriting. Formerly known as PT Tagir. For use in advertising and display typography.
  35. Gallegos by profonts, $51.99
    Gallego Pro is a classical, pen-drawn upright script useful for many applications, e.g. book titles, ads, magazines or any kind of display work.
  36. Hortensia by ParaType, $30.00
    Hortensia™ was designed by Natalia Vasilyeva and licensed by ParaType in 2001. An original calligraphic script. For use in advertising and display typography.
  37. Srikaya by HandletterYean, $10.00
    Srikaya is a display typeface with a cheerful vibe and autumn nuance. Use it for any creative project in need of a whimsical vibe.
  38. Vermouth by Resistenza, $39.00
    Vermouth is a new Layered font family inspired by Italian signs of the 60s You can create awesome colorful display text overlapping some styles.
  39. ALT Ayame by ALT, $-
    Ayame is a display font which looks great on posters, logos, and titles. Ayame is a 6-weight family with a heavy retro look.
  40. Constância Script by Pedro Teixeira, $20.00
    Constância Script, classic and elegant calligraphy. This unique, stylish and legible script is handy for logo, poster, headlines, invitations, cards and all display needs.
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