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  1. Tuscan Italian Round by Wooden Type Fonts, $20.00
    A revival of one of the popular wooden type fonts of the 19th century, for large display. Lowercase not designed for this type.
  2. eSpectrum by Jonahfonts, $29.00
    A text and display font suitable for various applications, many of which include, letterheads, packaging and logos. Excellent for very large typographic layouts
  3. Jacoby Modular by Jacoby Type Co, $12.00
    Jacoby Modular is a geometric sans serif display typeface with six styles. Jacoby Modular is a dynamic, bold typeface with a sculptural feel.
  4. Fix Sys by ParaType, $25.00
    Developed for ParaType (ParaGraph) in 1995 by Alexander Tarbeev, based on letterforms of various screen fonts. For use in advertising and display typography.
  5. Merry santa by Sealoung, $12.00
    Merry Santa is a friendly and festive display font. Fall in love with its sweet and unique style and create amazing Holiday designs.
  6. Rocklogo by Gaslight, $25.00
    Rock Logo is an all caps, display typeface, inspired by old cool rock/metal band logos. It has many alternates, swashes and ligatures.
  7. Ellen by Lebbad Design, $29.95
    Ellen is a charming elegant serif face. Great for headline display and text use. Many alternates and ligatures are included with this font.
  8. Cicero Series by Alphabet Agency, $15.00
    Cicero Series is a bold decorative serif display font that exudes power, strength, magnificence, prestige. Add this grandiose piece to your font collection.
  9. Shunsine by Portograph Studio, $19.00
    Shunsine is a distinct and elegant display serif font. Its stylish alternates and ligatures make this font the perfect match for any project.
  10. FS Maja by Fontsmith, $50.00
    Youthful Fontsmith received a brief to develop a font that would form part of the broadcast identity for the UK’s first digital Freeview channel – E4. It needed to work seamlessly in text and display, both in print and on-screen, and please the eye of the target audience, 18-34-year-olds. So, young, fresh and informal. No problem. Except for one thing: the timing. Daughter As he worked on FS Maja, Jason Smith was occupied by another imminent deadline: the birth of his third child. The pressure was mounting, but rather than let it get to him, Jason embraced the challenge and made light of the tension, fashioning a bright, bubbly, entertaining type with a personality made for memorable headlines. Beautifully random FS Maja’s soft, rounded shapes and assured, fluent lines encompass lots of notable features that contribute to its warm, fun-loving personality, including: a very large x-height; a short, rounded serif to allow for close spacing and give texture to body text; a slight convexity, or bulge, in the stroke terminals; a calligraphic fluidity in the entry to the down-stroke of most lowercase letters; open, generous curves, especially in the “B”, “P” and “R”; and a “w” made of two “u”s.
  11. Drum Komputer - 100% free
  12. Mottek - Personal use only
  13. Last Ninja - Unknown license
  14. Duralith - Unknown license
  15. Drive-Thru - 100% free
  16. Special K - 100% free
  17. Circoex / ANTIPIXEL.com.ar - Personal use only
  18. Ah, Liturgisch! This font is to typography what a grand, echoing chorus is to a silent chapel: absolutely transformative. Crafted by the talented Dieter Steffmann, a wizard in the world of fonts, Lit...
  19. Pexico Micro by Setup, $-
    Pexico Micro is a pixel typeface that uses 5 by 7 grid (capital letter) in 8 styles: 4 basic styles for text setting — Regular, Bold, Narrow, and Mono and 4 stylistic variations of the Regular style for display setting — Outline, Dots, Round, and Inverse. It fits the display's pixel grid when used at 10pt size or its multiples. Pexico Micro supports Latin, Cyrillic, and Greek Monotonic scripts, all with thoroughly designed diacritics. Moreover, Pexico Micro makes use of advanced OpenType features, just as any other modern text typeface. Each style also has 9 sets of numbers, small capitals and is properly kerned. For more information go to For more information go to Urtd.
  20. Benjoet by Forberas Club, $16.00
    Benjoet is a fun and whimsical paint brushed display font. This font is perfect for children themed designs, especially when combined with bright colors.
  21. Leviatan by Saskara Type, $15.00
    leviatan is a spooky display font featuring horror & scary characters This font is inspired by blood Add this font to your most creative ideas
  22. Antique Tuscan Condensed by Wooden Type Fonts, $20.00
    A revival of one of the popular wooden type fonts of the 19th century, condensed, bold, curved serifs, a very useful design for display.
  23. Exablock by Scannerlicker, $22.00
    Exablock is a display typeface based on a 6x6 grid, highly modular and geometric. Diacritics appear as negative space cut into the glyph form.
  24. Hitormis by Forberas Club, $16.00
    Hitormis is handwritten font with uppercase style. Recommended to use for wall art, children theme, funny theme, comics, cartoon, simple write, poster and display.
  25. Savu by Hiekka Graphics, $18.00
    Savu is a hand-lettering font in four styles: regular, bold, condensed and condensed bold. It is recommended for use as a display typeface.
  26. Vmesr by Baqoos, $25.00
    Boktto is a preeminent noetic tech display apt for headline, editorial, branding, packaging, printed materials and typographic applications. 240+ glyphs with ligatures and fractions.
  27. JulianaJoy by Lebbad Design, $24.95
    JulianaJoy is a condensed elegant sharp serif typeface for headline display and text use. Several alternate characters are included with this original font design.
  28. TAN Aegean by TANTypeCo., $17.00
    TAN AEGEAN is an elegant display serif. It's classic and versatile with a touch of playfulness, it's perfect for any of your design needs.
  29. Drunk by ParaType, $25.00
    Developed for ParaType (ParaGraph) in 1997 by Alexander Tarbeev, based on PT Pragmatica, 1989, by Vladimir Yefimov. For use in advertising and display typography.
  30. Hotel by Parkinson, $25.00
    An inline gothic display font based in mid-twentieth century showcard and signpainting styles. All caps with some alternates in lower case keyboard positions.
  31. Grecian Bold Expanded by Wooden Type Fonts, $15.00
    A revival of one of the popular wooden type fonts of the 19th century, suitable for display, geometric slab serifs unbracketed, short descenders,condensed.
  32. Redgar by Graphite, $12.00
    Redgar is a weathered display family. It comes in four styles – regular, slab, stencil, clean and has a matching set of banners and shapes.
  33. The Show by Sakha Design, $14.00
    The Show is a fun and friendly display font. Whimsical and a little bit quirky, this font will brighten up each of your designs!
  34. Egyptian Wide by Wooden Type Fonts, $15.00
    A revival of one of the popular wooden type fonts of the 19th century, suitable for display, short ascenders and descenders, pronounced slab serifs.
  35. Crosstown JNL by Jeff Levine, $29.00
    Crosstown JNL is a serif treatment of Midtown JNL, an Art Deco typeface displayed in the pages of an old 'how to' lettering book.
  36. Opium by Max Prive, $39.00
    Opium — a humanist display typeface with futuristic flared lines inspired by the anatomy of opium flowers. Designed using the herbarium specimens of Papaver somniferum.
  37. OpenAir by Jonahfonts, $25.00
    OpenAir is a display typeface unlike standard Stencil Fonts. Great for logos, short titles and comes with Old Style numerals as well some ligatures.
  38. Tatiana by ParaType, $30.00
    Designed at ParaType in 1995 by Tagir Safayev. Based on informal handwriting. Formerly known as PT Tagir. For use in advertising and display typography.
  39. Gallegos by profonts, $51.99
    Gallego Pro is a classical, pen-drawn upright script useful for many applications, e.g. book titles, ads, magazines or any kind of display work.
  40. Hortensia by ParaType, $30.00
    Hortensia™ was designed by Natalia Vasilyeva and licensed by ParaType in 2001. An original calligraphic script. For use in advertising and display typography.
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