The Metro Office family is designed after the model of the original sans serif family – Metro No.1 – produced by W.A. Dwiggins and Mergenthaler Linotype’s design studio during the late 1920s and 1930s. A distinctly new interpretation of the sans serif idea, Metro was a thoroughly “American” sans serif when it was released. However, over the ensuing decades, it became a favorite the world over. Moreover, it is one of the first “humanist” sans serif typefaces designed. While redesigning Metro in 2006, Linotype’s Type Director Akira Kobayashi drew from his own knowledge of humanistic letterforms. The result is a redefined Metro; a typeface that is finally ready for heavy text setting. The original Linotype Metro No.1 never had italic variants. Kobayashi has created oblique variants, extending its use in document setting. A double-storey a and g, as well as a wider w were features of Dwiggins’ original Metro design that were filtered out by Mergenthaler Linotype in the 1930s. Kobayashi remedied this historical slight, retooling Dwiggins’ original forms and optimizing their legibility. Kobayashi has additionally retooled some of Metro’s more troublesome letters, which has black elements that became too dense. By opening up the troublesome joins (like that on the Q), Kobayashi has given his new Metro a more even color in text, improving its legibility while retaining its original spirit.

Ah, so you've noticed a typo! Mayonnaise - the sauce, is written with double 'n'! I know. This font was named after a Smashing Pumpkins song that I like very much. Mayonaise is a bit of an ugly duckling. It is strange, open and messy, and might not be love at first sight. BUT, when you spend some time with Mayonaise and get to know her, you might actually fall in love. Just like that song I mentioned earlier. Go on then, give it a try! At this price, you can't go wrong!

rishgular is inspired by a regular weight, is a unique sans serif font with display character. rishgular is include with tech characters

Designed for Adobe in 1993, Viva is an inline display face. The Viva font family is useful for advertising, packaging and brochures.

A revival of one of the popular wooden type fonts of the 19th century, condensed, bold, a very useful design for display.

Geko is yet another experimental decorative display typeface. I just love experimenting with type I design it with logos, titles in mind.

Developed at ParaType in 1995 by Alexander Tarbeev, based on TextBook, 1987, by Emma Zakharova. For use in advertising and display typography.

The American nineteenth century display form as handed down through ATF and the composing machine companies, largely for use in newspaper headlines.

Romb is the display font based on feeling of the retro typefaces of the early 20th century. Good for posters, magazines, packaging.

A geometric display font contains upper & lowercase characters, all punctuation and numerals. Fun and blocky, it has a contemporary but playful feel.

JH Amira is a display modern typeface; it is designed based on Art Deco style, typical for fashion magazines headlines, logos & titles.

Chat Love is a cute and adorable display font. Fall in love with it and bring your projects to the highest levels!

Clean and elegant display sans-serif uppercase family with three weights and rounded corners. Excellent for headers, posters, t-shirts and websites.

A handsome, square sanserif, the ultra extended Cavalero is strictly a display design. The typeface was inspired by the Chevy Cavalier logotype.

Morgy is a unique font that displays a cheerful and dynamic impression, suitable for all modern design concepts from posters to branding

Wah Wah Narrow is a compact, eye-catching, flat-sided display font that will tightly pack the empty space in your layout!

Type/Usage: Technoid Display Font for spacecraft visual identification in high and low gravitation. Mixes well with all other kinds of GROTESKES.

SuperBlack is a saucy counterless typeface, ideal for display purposes. Whenever you need impact with a playful feel, SuperBlack will pop out.

This font family can be used as Display as well as text font. The font family includes Armenian, Cyrillic and Latin alphabets.

SG - BRISCY is a display typeface. It's bold, fun, and playful. Perfect for you who need a pop style in your design.

A black weight decorative typeface with an engraved flare. Merchant was designed for all media and requires subjective display kerning and compensation.

Tushi is a handmade fontface with twist in two styles: regular and italic. Tushi is recommended for use as a display typeface.

Jaggard is a classical renaissance penmanship inspired font which works great when used for display reasons only. Contains only uppercase alphabet designs.

Minado Rough is a display sans, stencil and dingbat font family. This typeface has sixteen styles and was published by Rodrigo Typo.

Rushline is a fun display font. Add this font to your favorite creative ideas and notice how it makes them come alive!

Soft Fleurons is a dingbats/decorative display font featuring many different styles of flourishes and ornaments. Great for a vintage antique feel.

Splashed is a handwritten brush font with dynamic movement. Comes in 400+ glyphs. Splashed perfect for display, branding, advertising, and many more.

Capuche is eccentric, bold, bloating, retro display font. Designed to be fit for various design purposes such as logo, branding, titling e.t.c

Developed at ParaType in 1995 by Alexander Tarbeev, based on Pragmatica, 1989, by Vladimir Yefimov. For use in advertising and display typography.

Axion SSF is an original design by Alex Kaczun. Axion SSF is a style variation based on his original Axion typeface family of fonts. It is a display font not intended for text use. It was designed specifically for display headlines, logotype, branding and similar applications. The entire font has an original look which is strong, dynamic, machine generated and can be widely used in publications and advertising. Axion SSF is a futuristic, techno-looking and expressive typeface with an appearance of machined parts with sharp and rounded edges. This attractive display comes in roman with lower case and lining figures. The large Pro font character set supports most Central European and many Eastern European languages.

Looking for a font that will make your branding stand out? Do you sometimes have an appetite for a bit more wholesome typography? Looking for a fabulous, stylish, and adventure font? We've got what you want. White Block-A Display Font White Block is a bold display font with a modern look. This display font is perfect for anything adventurous, and direct. Designed primarily as a captivating font that easy to read but still stylish, A real head-turner for your presentation, designs, branding, quotes, invitation, website illustrations, and much more. Our font always includes Multilingual Options to make your branding globally acceptable. Features: PUA Encoded Numerals and Punctuation Thank you for downloading premium fonts from Natha Studio

In the nineteen-twenties and early thirties, all display typography flourished in Europe. This was especially true in Germany, where poster design set a high creative standard, stimulating the design of a fantastic group of dramatic display letterforms. Richard Lipton designed Riquet after being inspired by a handful of freehand capital and lowercase letters on posters designed by lettering and poster artist Ludwig Hohlwein. He expanded this small group of display letterforms into a variable family with a weight axis. Riquet is a low contrast, delightfully casual typeface with 6 weights and the perfect selection of alternates. All of which gives an expressive look of precisely inked letters perfect for any packaging or branding project.

Al Valenciaga is a strong display font. Valenciaga is a fully-kerned titlecase display typeface built for strong design vibes. Valenciaga is raw and uncut with sharp terminals and serifs that give off an aggressive appearance. The difference in depth between the uppercase and lowercase, making Valenciaga very suitable to be the display font for your product packaging, logo, branding, and more! This typeface features 180+ characters with some language adaption that is guaranteed to give your project a competitive edge. Thanks for checking out Al Valenciaga. I really hope you enjoy using it. If you have any questions I'd be more than happy to answer them, just send me a message.

Melting Dessert - Display Font. Melting Dessert is a playful and quirky display font. Melting Dessert will easily add a fun touch to any craft Melting Dessert perfect for any fun quirky design work! Melting Dessert can be used for anything such as story books, illustrations, comic books, t-shirts, posters, greeting cards, logos, branding, stickers, svg, crafting and all for display purposes. The alternative characters were divided into several Open Type features such as Swash, Stylistic Sets, Stylistic Alternates, Contextual Alternates, and Ligature. The Open Type features can be accessed by using Open Type savvy programs such as Adobe Illustrator, Adobe InDesign, Adobe Photoshop Corel Draw X version, And Microsoft Word. This font is also support multi language.

A Modern Strong Display Font that perfect for technology, sport, racing, action design project. A new Display Font that we created special for Headline, Title and more stand out typography needs, with extra outline that will add your variations. It's so perfect to add your style and headline overview. And specially for Headline font, we crafted for futuristic style and modern feels so enjoy to create any project that will show your main idea out. Varien Modern Strong Display Font ready with: Any options to get creative variations (combination of Outline Characters) Preview as a inspirations that you can do with Varien font Ready with All Uppercase characters Wish you enjoy our font. :)

Ekeras is an original design by Alex Kaczun. It is a display font not intended for text use. It was designed specifically for display headlines, logotype, branding and similar applications. Primarily a display, this extremely versatile font has generous proportions, large counters and loose fitting which also allow the font to work well across a wide range of text sizes. The entire font has an original look which is strong, dynamic, machine generated and can be widely used in publications and advertising. Ekeras is a futuristic, techno-looking and dynamic typeface with an appearance of machined-like parts with sharp and rounded edges. The large Pro font character set supports most Central European and many Eastern European languages.

Mecanica is an original design by Alex Kaczun. It is a display font not intended for text use. It was designed specifically for display headlines, logotype, branding and similar applications. The entire font has an original look which is strong, dynamic, machine generated and can be widely used in publications and advertising. Mecanica is a futuristic, techno-looking and expressive typeface with an appearance of metal-like parts with some very sharp edges. This attractive display comes in roman with lower case and lining figures. The font also is available with true-drawn slant italics. Other design style variations include Swash as well as Ornamental Italic Capitals along with a few Ornamental Symbols to embellish and enhance the possibilities.

Bracy is an elegant display font with a unique artistic touch in every glyph. Bracy is perfectly suitable for display use such as elegant logos, brand, headlines, business cards, titles, visual identities, covers, labels, fashion industry, social media, advertising purposes, or any display use. Bracy includes: Standard Characters Numbers and punctuation Multilingual Ligatures / Discretionary Ligatures Alternates Character PUA Encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many Adobe apps and Corel Draw so you can see and access all Glyph variations. We hope you enjoy our font - please do let us know by emailing us at info@prestigetype.com or prestigetypestudio@gmail.com if you need something!

»Cristal True« is an elaborate matrix display font. It contains 645 letters per font style and some Open Type features: Different stylistic alternates, small caps, various font styles and different sets of numerals. It is monospaced and therefor easy to handle, if you want to simulate the look and feel of a LCD display. The basis of this font is a Union-Jack or sixteen-segment display (SISD). It is expanded by another 10 segments for a wider range of languages supported (this should cover all European regions). »Crystal True« is perfected for the quick, easy and precise use in modern graphic design applications. Try »Cristal Text« for more text-heavier usages.