Alisya is a new modern script calligraphy font with an irregular baseline. Alisya looks lovely on wedding invitations, thank you cards, quotes, greeting cards, logos, business cards and more. Perfect for using in ink or watercolour. Including initial and terminal letters, alternates, ligatures and multiple language support. To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or later versions. There are additional ways to access alternates/swashes, using Character Map (Windows), Nexus Font (Windows), Font Book (Mac) or a software program such as PopChar (for Windows and Mac).Thanks so much for looking and please let me know if you have any questions

Night Visions: An Unsettling Hand-Drawn Brush Script Font Night Visions is a hand-drawn script font with a loose style typical of late night horror and thriller movie posters. It’s designed to look as though ink has been laid with the nervous flick of the artists brush, giving a random, imperfect, but elegant result. This font comes with the flowing script of the regular version or a complete set of non-script alternatives. Added to which there are additional character alternatives and special ligatures to experiment with for a truly hand-made look. Each version comes with a full set of uppercase and lowercase characters along with numerals, punctuation and language support. I recommend this font for anyone about to design a header or title that needs an authentically hand-made look. It’s the perfect choice for movie titles or posters, album covers, comic books, t-shirts or editorials. It’s a font that rewards experimentation and offers many options for your designs. Check out the visuals for usage ideas.

A tessellation is a shape that can be used to completely fill the plane—simple examples are isosceles triangles, squares, and hexagons. Tessellation patterns are eye-catching and visually appealing, which is the reason that they have long been popular in a variety of decorative situations. These Tessie fonts have two family members, a solid style that must have different colors when used and an outline style. They can be used separately or they can be used in layers with the outline style on top of the solid style. For rows to align properly, leading must be the same as point size. Shapes that tessellate and also resemble real-world objects are often called Escher-like tessellations. This typeface contains Escher-like tessellations of birds. A number of years ago I decided to see how many of the 28 Heesch types of tessellations I could use to make birds standing on the backs of other birds. I found standing bird patterns for all 17 of the types that had either translated or glided edges. The TessieStandingBirds typefaces contain the standing-bird shapes that I discovered. At first glance they seem to be quite similar, but small differences matter in how they fit together. Most of the patterns require more than one character. The sample file here shows how pieces fit together to give tessellating patterns. (Earlier tessellation fonts from IngrimayneType, the TessieDingies fonts, lack a black or filled version so cannot do colored patterns.)

Tokyo Olive was designed as an homage to nostalgic display types and advertisements in the mid-late 80s. The mid-late 80s was the era of the post-modernism and fancy-decorative design especially in Japan In other words, it was the mixture of superficial form-operation and girly taste. This curious design movement vanished without a trace in the 90s, but it had its moments. Tokyo Olive has voluminous and simple geometric skeleton (for post-modern) with rounded and craft-style stencil joints (for fancy decoration). We added a classic open style as a little spice. The mixture of those essences makes new impression we have never seen before. Tokyo Olive family consists of 5 styles for stacking color font. Please use Photoshop or Illustrator, or your favorite graphic design apps that can handle layers. Layers are the printing plates of wood type. You should be able to change text color for each layer. Tokyo Olive "Standard" style is the base of this font family. You can add open effect by stacking "Fill" layers over the Standard layer. Instruction 1. Type your text as you like. 2. Set font-name "Tokyo Olive" and font-style "Standard". 3. Set color of "Standard" layer. 4. Duplicate the "Standard" layer to make "Fill" layer. 5. Set font-style "Half Fill" or "Full Fill" and new color of upper layer. Tokyo Olive Standard, Half Open, and Full Open style can be used solely.

Kermel serif is a hand made font ideal for your graphic project. Usage recommendations: Title, short text, children's book, poster, book cover, brochure, label, magazine

Asmiyati Script Font - A Handwritting script with a unique character! It's perfect for logos, name card, magazine layouts, invitations, headers, or even large-scale artwork.

Whiteboard Modern is a hand-drawn face resembling the flowing motion and freedom of writing in an open space, such as a dry-erase board.

Andorra Script is a hand written font - it is very legible, quite elegant (in an informal way) and useful. Andorra Script comes with all diacritics.

Psyche is a swash font, hand drawn and tweaked and kerned to within an inch of its life. Perfect for fancy, funky initials and phrases.

Mystere is a new, hand-drawn font. This is currently a limited set designed for display usage. The font has a crude, yet stylish feel.

Kumachi is an ultra condensed font with a stamp style, and is perfect for logos, name cards, magazines layouts, headers or oven large scale artwork.

The word "Signs" hand-lettered on the cover of a 1930s instructional book on sign and poster lettering was the basis for Poster Inline JNL.

Talking Five is a hand-drawn sans serif font family. Friendly and soft impression. Best for school activity, text-book for kids, poster and toys.

With this font, you sure have the flow! Standard hand writing easy to apply in your designs and layouts. UPPERCASE 
lowercase 
Numerals 
Punctuation 198 characters

The hand lettered title credits for the 1950 French film “Lady Paname” inspired French Cinema JNL, which is available in both regular and oblique versions.

The Azola font family is elegant, hand lettered & charming. Azola features extended characters, and contains West European diacritics & ligatures. Highly suitable for international environments & publications.

FG Rakel is a small old looking handwriting connected script font. I have found it useful on greeting cards and scrapbook journaling among other things.

My Recipes is a sweet font duo designed with an authentic hand drawn flavour. Combine it with it's lovely graphics and get the perfect recipe!

Handegypt resulted from playfully hand-rendering Egyptian style fonts from memory. Its playful nature is ideally suited for whimsical designs and anything aimed at children.

The hand punched lettering of an antique French shipping stencil was the inspiration for French Shipping Stencil JNL; available in both regular and oblique versions.

Scripty Style is a handwritten signature font. It has a natural handwritten style and is perfect for logos, branding, business cards, watermarks, and much more!

How cute can you get? Cattapilla's open type version has extra ligatures and stylistic alternates, perfect for scrapbooking, greeting cards, announcements or any creative project.

Baby Fun is inspired by the playfulness of hand lettering. This font can be used for comic design, children's books, preschool name tag and more.

Dondolare is simple hand-drawn font family. Squarish looking and ready for typography cooking, comes in 2 weights with support for extended Latin character set.

A semi-heavy face slightly condensed, inspired by the Germanic & European type fonts. Applications include captions, packaging, invitations, cards, posters, ads, book jackets, and manuals.

Cohoba is a chunky condensed sans serif. Cohoba is loud and proud. It comes with a handful of discretionary ligatures. Cohoba is fun and versatile.

Sheepdog is a whimsical handwriting font originally created for use in greeting cards and to combat the propagation of ! Use it to your hearts content.

Condensed serif font. Great for tight-fitting headlines and other condensed titling situations such as headlines, ads, invitations, captions, packaging, bulletins, posters, and greeting cards.

Zumbo is a capital letter font, hand designed. The letters can be freely combined: with or without decoration. 2022 by German typeface designer Joachim Frank.

The Simple Serif fonts are designed as hand-lettered serif fonts. They are casual and informal and are ideal for use in conveying these qualities.

The rounded hand lettering for the circa-1920s sheet music title "I'm On My Way Back Home" inspired the font design for Lettering Pen JNL.

Reinert is a casual script font inspired by a few words in a magazine ad layout from the mid-1930s hand-lettered by Allen Reinert.

Monthly Goals A Playful Font It is perfect for headings, flyer, greeting cards, product packaging, book cover, printed quotes, logotype, apparel design, album covers, etc.

Morgain is a decorative vintage font with "celtic spirit". Morgain Is an experimental font, specific shapes and forms gives it a little hand-painted effect.

This caps only hand lettering could have come from an architect. Speedy written on a 45 degree slope with a bold felt pen or brush.

The typefaces Largo Mager (Light) and Largo Halbfett (Medium) were cast for the first time in 1937 by Ludwig & Mayer based on the designs by Hans Wagner. One weight Largo Licht (Outline) was added in 1956. All fonts were only configured with capitals. The digital version of Largo has pointed serifs and not the slightly rounded ones seen in the hot metal versions which gives the typeface a more elegant note. Largo is often used for fine printing jobs as business cards or formal invitations, or in the fashion and cosmetics fields. Hans Wagner was born in Munich in 1894 and died in 1977 in Altenburg where he had worked as a painter, graphic designer and book designer. In addition to the Largo typeface, he developed, among others, the Altenburger Gotisch (1928), the Welt-Antiqua (1931-1934) and the Wolfram (1930).

Trolls are lurking under each and every river crossing. The earth is shaking as Ogres stomp across the land, spiked clubs in hand. Swordsmen and Sorcerers are waging war on one another even as the pure and young and stout of heart search for the talisman which will restore harmony once more. Are you under the spell of some wizard's magickal incantation or are you just looking for exactly the right typestyle for your J.R.R. Tolkien Convention newsletter? Regardless, an ancient curse has been lifted and the Talmudic Legend of the Clay Beast they call GOLEM has been restored to his former majesty. The shapeless mass is no longer one of unfinished substance, no longer a body without a soul. The Homunculus that was once Comicraft's Golem has had a spiritual awakening and is now available with the crinkly bits smoothed off.

Stonetype is a typeface that was used by stonemasons in the 70s & 80s of the last century. When I was starting as a stonemason, these were the first characters I had to draw, by hand, back then on grave monuments and memorial plaques. The idea was born to digitize all the material, to be saved for eternity. By digitizing all and fine tuning, plus the addition of some main characters, Stonetype has now grown into a user-friendly typeface that can, now still, be used by stonemasons, to improve their creation process times. But Stonetype can also easily be used in modern and contemporary designs. Stonetype is the perfect fit for graphic design, editorial design, magazines, posters, logotypes, brands and corporate design. Stonetype is designed by Coert De Decker in 2019 and published by Kustomtype Font Foundry.