Meet our newest product, we call this product Moleno font. Moleno font is a cute typeface font with a uniqe touch and assertive vetrolles font is very nice to use on: fashion magazine, logos, ,and photography, landing page, fliyer, What’s includes - Mutilngual support - alternate - ligature

“Hey, look at me!” cried the new advertising typefaces. With the nineteenth century and the industrial revolution came an esthetic revolution in type design. Brash, loud, fat display faces elbowed their way into the crowd of book faces, demanding attention. Those who admired traditional book types harumphed and complained. Robert Thorne had fired the opening round with his Fatface. With the cutting of Figgins Antique, the battle was well and truly joined. Job printing came into its own and it seemed like everything changed. The world of printing had been turned upside down and the gentile book-type aficionados recoiled in horror much as the rural landed gentry recoiled at the upstart middle class shopkeepers and manufacturers. William Savage, approvingly quoted by Daniel Berkeley Updike over a hundred years later, described the new display faces as “a barbarous extreme.” These were exciting times. According to Geoffrey Dowding in his An Introduction To The History Of Printing Types, “The types which we know by the name of Egyptian were first shown by Vincent Figgins in his specimen book of 1815, under the name Antique.” Of course, dating the design is not quite as simple as that. Nicolete Gray points out that Figgins used the same “1815” title page on his specimen books from 1815 to 1821, adding pages as needed without regard to archival issues. As a result, there are different versions of the 1815 specimen book. In those copies that include the new Antique, that specific specimen is printed on paper with an 1817 watermark. The design is dated by the 1817 watermark rather than the 1815 title page. Figgins Antique ML is an all-cap font. This typeface is for bold statements. Don't waste it on wimpy whispers of hesitant whimsies. And please don't use it for extended text -- it will only give someone a headache. Think boldly. Use it boldly. Set it tight. Go ahead and run the serifs together. Solid and stolid, this face is very, very English. FIGGINS ANTIQIE ML represents a major extension of the original release, with the following changes: 1. Added glyphs for the 1250 Central Europe, the 1252 Turkish and the 1257 Baltic Code Pages. Added glyphs to complete standard 1252 Western Europe Code Page. Special glyphs relocated and assigned Unicode codepoints, some in Private Use area. Total of 331 glyphs. 2. Added OpenType GSUB layout features: liga and pnum. 3. Added 86 kerning pairs. 4. Revised vertical metrics for improved cross-platform line spacing. 5. Redesigned mathamatical operators. 6. Included of both tabular (standard) & proportional numbers (optional). 7. Refined various glyph outlines.

Black Bear is a stylish angled monoline font family of twelve styles in six weights. Each font is fully loaded with OpenType stylistic and titling alternates to give the fonts a different feel and help with optics for smaller point sizes.

Paladise font is great for logo, poster, clothing, branding, party invitation, and many many other cool design projects. Paladise Font Inside: Add more style to each font with OpenType Features - stylistic alternates, lowercase initial form and final form, ligatures, stylistic sets.

Quadria, is an experimental square font. With many alternative and ligature, this typeface is more than capable to fulfill all the square variant you need in a font. Use this font for title, headline, logo, poster and many other design projects.

Manunggal is a cool, stylish, modern and fun serif display font. This font is great for headlines, magazines, logos, branding and more! This font is PUA encoded which means you can access all of the glyphs and alternates with ease!

Colibre Bristole Pro is a serif font family that crafted with precision, Colibre Bristole consist of 9 styles from thin to black. has 49 ligatures to make writing more interactive Features : · Multilanguange · Alternates · PUA Encoded · Font Family totals 9 fonts

Magical Night is an another retro serif font inspired by classic sixties and seventies bold typeface, comes with alternate and ligature make this font more stylish with retro style. This font will be suit for heading, logotype, poster, and many more.

La Charly is an exquisite and delicate handwritten script font that exudes elegance. It features captivating letter alternatives and enchanting tails at the beginning and end of each stroke. The font's distinctive attribute lies in its heart-shaped connecting tail, which adds a touch of romance and charm. To use alternates, heart connector, beginning and ending swashes, you don't need to use software that supports opentype, because we have made it separately so it's very easy to use. Files included: La Charly-Regular La Charly-Tail La Charly-Heart Feature: Ligature, Multilingual and PUA encoded.

Golddrew is a handwritten font. A beautiful display font with alternate characters, very suitable for any design purpose like magazines, packaging, branding , website header, posters, greeting cards, letterhead, and many more other creative project.

ArgonType is the first commercial font produced by Vic Fieger. It features thick vertical strokes, soft curves, and incomplete loops. It was designed to be used as an alternative for serif fonts where appropriate.

Donuto is a bold rounded font. It's suitable for create logos and branding of food, children's and eco-products. The font contains a number of alternate characters, which allows you to create unique combinations.

"Christmas Celebration" is a beautiful and unique handwritten font. This font features uppercase, lowercase, lowercase alternative, swashes, titling, multilingual support, binders, numbers, and punctuation. great for Christmas, weddings, invitations, promotions, social media, and more.

Nova Horst is an amplified version of Horst, a highly original font (MyFonts Rising Star) based on etchings by the extraordinary artist and printmaker Horst Janssen. Nova Horst keeps all the amazing wilderness of the original font, while enriched with sharp OpenType programming, plus a whole new set of alternates, a handy set of ornaments and loads of cool unpredictable overlapping glyphs. Language support was also expanded. Now there are 5 sets of letters, 2 sets of numerals and a robust set of discretionary ligatures. OpenType functionalities now include an extremely playful Contextual Alternates feature and also Discretionary Ligatures and Stylistic Alternates. Nova Horst is an energizing blend of eccentric characters, cool OpenType features, loads of alternates and a meticulous kerning table. But be warned: as the original font, this one is quite addictive! A quick roadmap: • All features turned off: you can choose the different letterforms stored on upper- and lowercase sets. There are no overlapping letters. • Contextual Alternates turned on: you get alternating characters from 4 sets of glyphs, with loads of overlapping letters, all managed by a carefully handcrafted kerning table. The result is a very cool random effect on glyphs distribution. • Discretionary Ligatures turned on: now some additional glyphs enter the scene. There are more than 60 ligatures glyphs which substitute pairs of letters for some extra-coolness • Stylistic Alternates turned on: access the counterless glyphs from the Stylistic Alternates set. Use each feature alone or mix them up for added boldness. Gorgeous extravaganza guaranteed!

Anelo is about beauty with objectivity. A handmade sans serif with a humanist style. 889 Latin and Greek glyphs covering lots of Western and Eastern European alphabets. You can use Anelo from a LaTeX equation (there are 117 Greek/Coptic glyphs; please see image #6 in the gallery for an example of an Anelo/Computer Modern combination) to billboards and traffic signs. Its crisp, upright, handmade aspect takes communication to a direct and personal level. Anelo has some important OpenType features, like kerning, standard ligatures, old style/tabular/proportional figures and diagonal fractions. There are 25 currency symbols, including Euro ₠ €, Shekel ₪ and Bitcoin ₿. Each Anelo style has a condensed version, which gives room to many interesting combinations. For best results on screen, the Semibold Family is recommended.

Kiro is a minimal, simple condensed sans-serif family designed by Ryoichi Tsunekawa and the whole family consists of 12 style: six weights from Thin to ExtraBold and their matching Italics. The range of styles provides flexibility for title, headline and body text. And the large x-heights gives them legibility and readability. The basic skeleton was designed semi-modularly and the letterform was minimalized by removing their unnecessary stems. Their corners were finished with subtle rounded effect. The minimalized semi-modular design gives this family contemporary urbane taste and rounded corners make this family warm and friendly. Kiro supports almost all European languages: Western, Central, South Eastern Europeans and afrikaans. And superior figures, inferior figures, denominators, numerators and fraction can be accessed by using OpenType features.

Pero is a condensed rounded sans-serif family designed by Ryoichi Tsunekawa and the whole family consists of 7 weights from ExtraLight to ExtraBold.The range of styles provides flexibility for title, headline and body text. And the large x-heights add to legibility. The basic skeleton of the letterform was designed modularly and minimalized by removing unnecessary stems and ends were rounded out. The minimalized modular design gives this family contemporary urbane taste and rounded corners make this family warm and friendly. This rounded feature will also accentuate your design work moderately. Pero supports almost all European languages: Western, Central, South Eastern Europeans and afrikaans. And superior figures, inferior figures, denominators, numerators and fraction can be accessed by using OpenType features.

Hombre™ is a sure-fire attention-getter for projects requiring a straight out of the old west flavor. Authentic, weather-beaten, time-ravaged, and a bit haphazard, it’s also a sure-fire attention-getter. Drawn by Thomas Oldfield and loosely based on popular typefaces of the 19th century, Hombre offers all the gun-slinging swagger and rugged style of Jesse James and his crew of outlaws. But don’t typecast this design. The Hombre typefaces are equally at home in ads, banners, headlines and subheads – in both hard copy and digital environments. Add to this, a large character set supporting most Western European and many Eastern European languages, including Cyrillic and Greek, and you can bring a rustic and timeworn look to a passel of applications.

Zona Pro is a geometric sans-serif type family of 8 styles plus matching italics, designed by Kostas Bartsokas in 2013/14. It draws inspiration from 1920’s geometric style faces, having clean and highly readable shapes, and mixes it up in the heavier weights with a slight variance in the stroke widths, lending it a grotesque-ish unique and distinctive look. Zona Pro is multifunctional and versatile. With its modern yet elegant form it performs amazingly in display sizes and headlines. At the same time its really tall x-height makes Zona Pro equally suited for editorials and shorter lines of text in smaller sizes (magazines, newspapers). Zona Pro supports Greek, Western, Central and Eastern European languages, ligatures and special characters.

»Supra« – designed by Gert Wiescher in 2012/13 – is a new sans typeface family of eight weights with matching italics. Supra is influenced by current and past sans typefaces, but has a completely new look. The pleasant flow and warm touch combined with great legibility makes Supra unique. The light and normal weights and the dominant x-height with its high ascenders make for easy reading of long copy. The heavy and x-light weights are great for elegant headlines. Supra is an OpenType family for professional typography with an extended character set of over 700 glyphs. It supports more than 40 Central- and Eastern-European as well as many Western languages. Ligatures, different figures, fractions, currency symbols and smallcaps can be found in all cuts.

Zebramatic - A Lettering Safari Zebramatic is a font for editorial design use, to create headlines and titles in eye-catching stripes. Constructed to offer flexible and a variety of graphical possibilities, Zebramatic type is easy to use. The font is offered in three styles: POW, SLAM and WHAM. These styles work both as ready-made fonts and as patterns to create unique, individualized type. The font design’s full potential is unleashed by layering glyphs from two or all three styles in different colors or shades. Working with the different styles I was reminded of the late Jackson Pollock poured paintings—in particular the documentation of his painting process by Hanz Namuth and Paul Falkernburg in the film Jackson Pollock 51. In Pollock’s pictures the complex allure arises from how he layered the poured and dripped paint onto the canvas. Similar joyful experience and exciting results emerge by layering the different styles of Zebramatic type. Texture In the heart of the Design is Zebramatics unique texture. It is based on an analog distorted stripe pattern. The distortion is applied to a grade that makes the pattern complex but still consistent and legible. You can view some of the initial stripe patterns in the background of examples in the Gallery. Zebramatic POW, SLAM and WHAM each offer a distinct pallet of stripes—a unique zebra hide. POW and WHAM use different distortions of the same line width. SLAM is cut from a wider pattern with thicker stripes. The letter cut and kerning is consistent throughout styles. Design Concept Attention-grabbing textured or weathered fonts are ideal for headlines, ads, magazines and posters. In these situations rugged individuality, letter flow, and outline features are magnified and exposed. Textured fonts also immediately raise the design questions of how to create alignment across a word and deal with repeated letters. Zebramatic was conceived as an especially flexible font, one that could be used conveniently in a single style or by superimposing, interchanging and layering styles to create a unique type. The different styles are completely interchangeable (identical metrics and kerning). This architecture gives the typographer the freedom to decide which form or forms fit best to the specific project. Alignment and repetition were special concerns in the design process. The striped patterns in Zebramatic are carefully conceived to align horizontally but not to match. Matching patterns would create strong letter-pairs that would “stick out” of the word. For example, take the problematic word “stuff”. If Zebramatic aligned alphabetically, the texture of S T and U would align perfectly. The repeated F is also a problem. Imagine a headline that says »LOOK HERE«. If the letters OO and EE have copied »unique« glyphs - the headline suggests mass production, perhaps even that the designer does not care. Some OpenType features can work automatically around such disenchanting situations by accessing different glyphs from the extended glyph-table. However these automations are also repeated; the generated solutions become patterns themselves. Flip and stack To master the situation described above, Zebramatic offers a different programmatic practice. To eliminate alphabetic alignment, the letters in Zebramatic are developed individually. To avoid repetition, the designer can flip between the three styles (POW, SLAM, WHAM) providing three choices per glyph. Stacking layers in different sequences provides theoretical 27 (3*3*3) unique letterforms. A last variable to play with is color (i.e. red, blue, black). Images illustrating the layering potential of Zebramatic are provided in the Gallery. The design is robust and convenient. The font is easily operated through the main font panel (vs. the hidden sub-sub-menu for OpenType related features). The process of accessing different glyphs is also applicable in programs that do not support OpenType extensively (i.e. Word or older Versions of Illustrator). International Specs Zebramatic is ready for your international typographic safari. The font contains an international character set and additional symbols – useful in editorial and graphic design. The font comes in OpenType PostScript flavored and TrueType Format.

A bit of experimentation with the Art Deco-flavored Sign Card JNL brings forth a hybrid alphabet where Art Deco meets Western. The result is Kalvesta JNL. This font's unusual character shapes defy and yet redefine the notion of the classic Western alphabet. The name is from a town in Kansas.

Troix is a full display ligature font with many options – ideal for designing posters, flyers, logos and packaging. Features: Uppercase & lowercase Western European diacritics Numbers & oldstyle figures Many symbols & ligatures

The dots forming this font are all hand positioned for maximum randomness! Great for display purposes or for logo work. Includes upper and lowercase, numbers, punctuation and Western European diacritics.

Demoise is a sans serif font family with 2 versions, a display version (Demoise Play) and a sans serif version (Demoise) containing 14 for each version and complete with italics. This font is styled unique enough to collaborate with the retro style, when you stick it on your designs such as posters, brochures, magazines, business cards or any other shape you will find something interesting and unique. This font is equipped with a multilingual system and various languages such as: Baltic, Basic Latin, Central European, Dutch, Euro, Romanian, Turkish, Western European and others. al European, Dutch, Euro, Romanian, Turkish, Western European and others.

This family was inspired by the set of fonts used in the end of 1800s by the famous J. H. Geiger, printer in Lahr (Germany), especially these used to print an almanac for the year 1883. It is a Fraktur pattern, with two styles, as a few others incomplete fonts also used for this work were Blackletters from other patterns. Both were used in two size, for titles, subtitles, main text and notes. This font contains standard ligatures and German historical ligatures (German double s, long s, tz, ch, ck...) and diacritics. 1543 German Deluxe Initials may be used in complement this family.

Opera Signature is an elegant font duo that includes a serif font and a script font. Serif font is a contrasting elongated font that is suitable for a wide variety of projects, such as: logos, labels, branding projects, magazines, home goods design, food packaging, wedding invitations, quotes, posters and much more, it also includes ligatures and alternates, with which you will add uniqueness to your project. Script is a handwritten font of modern calligraphy that includes alternates, swash, and initial and final forms for lowercase letters. You can use these fonts individually or together, and they are perfectly combined with each other. This font is easy to use and has OpenType features.

Frelline looks beautiful on wedding invitations, thank you cards, quotes, greeting cards, logos, business cards and more. Perfect for use in ink or watercolors. Including beginning and end letters, alternative support and many languages. I made this font very carefully so that each letter looked very unique and had various beautiful alternatives.

A spunktastic offbeat latin typeface inspired by numerous Caribbean travel brochures & retro album covers from the mid 50’s. This font really dances off the page! Opentype features include Stylistic Alternates that change the scale of monetary symbols, and Contextual Alternates that modifies the second letter when typing double letters in lowercase.

Simply Paranoid is elegant monoline font that comes with various kinds of alternate that will make design very awesome and elegant Feature and what will you get: Uppercase and lowercase Number Punctuation Multilingual support Beautiful alternate Please fell free to contact me on Hipenculture@gmail.com if you have any question Thank you

Raegan is a handwritten Brush. This font perfect is for poster design, book covers, merchandise, fashion campaigns, newsletters, branding, advertising, magazines, greeting cards, album covers, and quote designs and more. Feature: - Uppercase - lowercase - Numbers and Symbol - International Glyphs - Alternative Uppercase - Alternative lowercase If you need anything else please contact me by message.

Really excited to introduce Peylon Viggo is gorgeous handmade signature font. Peylon Viggo signature includes alternative and ligatures to make everything look natural handmade signature. Included: Uppercase Lowercase Number & Symbol International Glyphs Multilingual Support Ligature Alternative If you need anything else just shoot me on email at: dedukvic@gmail.com Hope you enjoy it.

Beatford is a Vintage typeface font, it will add an old-rustic charm to any design project. It’s great also for Branding, Logo designs, Lettering, Logotype, Craft, Posters and much more. Features : Uppercase & Lowercase ( in All Caps ) Numbers & Punctuation Multilingual Alternate character & ornament How to access alternate / ornament ? : https://hanscostudio.com/tutorial/ Enjoy!

Really excited to introduce Aubrey Maddie is a realistic handwritten font to give an incredible impression for all your project design come with more than 75 ligatures and 100 Alternative to make everything look realistic handmade handwritten. Included: Uppercase & Lowercase Number & Symbol International Glyphs Multilingual Support Ligature Alternative Hope you enjoy it.

The Potato font was made using a technique everyone probably knows from childhood - the letters were cut out from a potato which was used as a stamp. It was designed for my cook book. One of its best features is OpenType Contextual Alternates that will automatically replace each glyph with it alternate characters.

Introducing. Klender: The modern and retro styled fonts have some additional alternative characters that make them beautiful. With these 2 styles you can apply them to your branding designs, business cards, posters, social media posts, merchandise and more. Features: Uppercase, Lowercase, Numeral, Punctuation, Multilingual, Alternates & PUA Encoded. Obtained file format: Otf & Ttf. Thanks :)

Bunday Clean is a minimalist and friendly font family with different moods. It drops everything unnecessary like spurs and ears and appears crisp and contemporary with a slightly squarish touch. Like the other members of the superfamily (Bunday™ Sans and Bunday™ Slab), Bunday Clean provides uprights, a second set of styles with characters that reference handwritten cursive. These curvy styles give words a distinct look and are especially attractive for use in display applications and logotype design. Bunday™ Clean is space-saving and creates a homogenous text color with good legibility. The font was manually hinted and contains extensive handcrafted kerning tables to ensure perfect appearance in all media. It ships with 9 standard, 9 upright, and the corresponding italic styles from a considerably thin hairline to a quite thick heavy. It supports at least 99 languages and provides OpenType® features for ligatures, alternative glyphs, localized forms, and much more. Feature Summary*: -4 Moods: Normal, Upright, Italic and Upright Italic -9 weights: Hair, Light, Thin, SemiLight, Regular, SemiBold, Bold, ExtraBold and Heavy -Supports at least 99 Languages incl. eastern european -Overall width: Narrow or Space-Saving -Advanced f- ligature set including fb -Discretionary s- and c- ligatures -Alternative Characters: a, e, f, g, l, t, y, A, E, F, L, and more -Capital German Eszett -Extra characters with Polish Kreska -Catalan Punt Volat -More than 570 characters per font * Some features may only be available in OpenType®-savvy applications Please, take a look at the other Bunday superfamily members: Bunday™ Sans Bunday™ Slab

The ten font Turbinado™ Set was designed to be clear and easy to read with a friendly personality, ideal for advertising and packaging in both text and display settings. Included are three weights of brushed casual script, each with a dry version, two condensed all caps faces, another hand printed caps face and an Elements package with 100 brushed elements that include swashes, botanicals, shells, arrows, repeatable patterns and a few other doodads that play well with the fonts. Like our most recent release Fave, all of the fonts use the OpenType standard ligature feature to automatically differentiate consecutive lowercase letters and numbers, using separate glyphs rather than a single ligature so they can be set on a curve or colored separately, etc. They also automatically differentiate like characters that are separated by another letter when standard ligatures is enabled. The script fonts have alternate characters like swash glyphs for ends of words and a few ligatures too; single crossbar to unite the At and Att letter combinations etc. The two condensed faces also have a third set of less uniform glyphs that can be used to create a more quirky, fun and bouncy effect (see the ‘she sells seashells’ graphic above) when the discretionary ligature feature is on. The script fonts have 10+ lowercase t (and double t) crossbar alternates that can be selected from the OpenType glyph table manually, or you can enable the contextual alternates feature to automatically insert a bigger crossbar as the surrounding letters allow throughout a text box or document. Hello? Are you still there? :) And for those intrepid typographers who would rather fashion their own lowercase t to custom fit a specific design, all of the lowercase t ascenders and crossbars are also available separately in the glyph table, and can be combined manually.

PF Champion Script Pro is perhaps the most advanced and powerful calligraphic family ever made. It received an award for Excellence in Type Design from the International Type Design Competition ‘Modern Cyrillic 2009’ which was held in Moscow. Most recently, it received another award from the 3rd International Eastern Type Design Competition - Granshan Awards 2010. This typeface was first presented in June 2007 at the 3rd International Conference on Typography and Visual Communication (ICTVC) and was met with rave reviews. It is based mainly on the manuscripts of the 18th century English calligrapher Joseph Champion. Developed over a period of two and a half years, each one of the 2 weights is loaded with 4300 glyphs(!), offering simultaneous support for all European languages based on the Latin, Greek and Cyrillic scripts. Furthermore, a wide selection of alternate forms and ligatures is included for all languages, in order to accommodate diverse design aesthetics. These alternates are either applied automatically through an advanced programming scheme, or manually through several OpenType features. An attempt was made to design a contemporary script typeface with classic roots, by following certain guidelines, i.e. lowercase characters were designed so they are less inclined, have a higher x-height and are less condensed than the original. Several characters were stripped-off their connecting lines in order to enhance legibility. Four sets of alternate swashed capitals as well as a plethora of ornaments and frames (117) was included. Small caps and their alternate forms were designed to replace the capitals which disrupt the flow of text within a sentence with their extravagant swashes. All characters were carefully designed with the proper weight in order to sustain harsh printing conditions (on special papers), a situation which affects mainly the light connecting parts of calligraphic typefaces. Finally, it was programmed in such a way as to preserve handwriting qualities, by designing an extensive array of ligatures and alternate glyphs in all languages, never before released or incorporated within the same font.

JulianaJoy is a condensed elegant sharp serif typeface for headline display and text use. Several alternate characters are included with this original font design.