German type designer Hans Reichel created this sans FontFont between 1995 and 2000. The family has 36 weights, ranging from Light to Black in Condensed, Normal, and Wide (including italics) and is ideally suited for advertising and packaging, book text, editorial and publishing, logo, branding and creative industries, poster and billboards, wayfinding and signage as well as web and screen design. FF Dax provides advanced typographical support with features such as ligatures, small capitals, alternate characters, case-sensitive forms, fractions, and super- and subscript characters. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths. As well as Latin-based languages, the typeface family also supports the Cyrillic and Greek writing systems. In 1998, FF Dax received the The Big Crit award. This FontFont is a member of the FF Dax super family, which also includes FF Dax Compact and FF Daxline.

Apocalyptic - Sans Serif Font Family - Multilingual - 24 Style (2022) Apocalyptic - Sans serif font family is a futuristic-modern font. The emotional integrity it creates due to its structure is suitable for use in technology, science, space and similar subject contents.Apocalyptic - sans serif font family, from Thin to Heavy, offers a full range of expression for interfaces and corporate design; in multiple languages, from print to screen media.It offers rich solutions to your creative projects with its alternative versions.You can easily use the sans serif font feature in many areas.You can create your text with normal characters and highlight Heavy characters and titles. It is functional in many sizes and environments that you can use as a main actor in strong headlines. If you are looking for a font with these features, Apocalyptic sans serif font family may meet your needs. With this font you can create your unique designs. If you have a question, please contact me. Have a good time.

A connected typeface design with a calligraphic flavor. The Lahab (Arabic for flame) font family employs visual features from the Arabic Diwani Calligraphy. It has six members, normal, bold, and light, all of which come in two styles, regular and left-slanted italic styles. This font family design follows the guidelines of Mutamathil Taqlidi type style with one glyph for every basic Arabic Unicode character or letter, as defined in the latest Unicode Standards, and one additional final form glyph, for the freely-connecting letters in traditional Arabic cursive text. Lahab employs variable x-height values. It includes only the Lam-Alif ligatures. Soft-vowel diacritic marks, harakat, are selectively positioned. Most of them appear by default on the same level, following a letter, to ensure that they would not interfere visually with letters. Tatweel is a zero-width glyph. Keying the tatweel key before Alif-Lam-Lam-Ha will display the Allah ligature. Lahab includes both Arabic and Arabic-Indic numerals, in addition to standard punctuations.

Arabetics Detroit is a monoshape font family with a fixed single shape per each Arabic Unicode character. This font family supports all Arabetic scripts covered by Unicode Standards 6.1, and the latest Arabic Supplement and Extended-A Unicode blocks, including support for Quranic texts. It includes three weights: regular, bold, and light, each of which has normal and left-slanted (Italic) versions. The design of this font family follows the Arabetics Mutamathil style design principles utilizing varying x-heights and no glyph substitutions. The Mutamathil type style was introduced by the designer more than 15 years ago. The Arabetics Detroit font family includes all required Lam-Alif ligatures in addition to all soft vowel diacritics (harakat), which are selectively positioned with most of them appearing on similar high and low levels—top left corner—to clearly distinguish them from the letters. The Tatweel or Kashida lengthening character is a zero-width glyph.

A typeface design with extra isolated scattered letters and random careless look. It has six members, normal, bold, and medium, all of which come in two styles, regular and left-slanted italic styles. This font family design follows the guidelines of Mutamathil Taqlidi type style with one glyph for every basic Arabic Unicode character or letter, as defined by the Unicode Standards, and one additional final form glyph, for the freely-connecting letters in traditional Arabic cursive text. Fallujah employs variable x-height values. It includes only the Lam-Alif ligatures. Soft-vowel diacritic marks, harakat, are selectively positioned. Most of them appear by default on the same level, following a letter, to ensure that they would not interfere visually with letters. Tatweel is a zero-width glyph. Keying the tatweel key before Alif-Lam-Lam-Ha will display the Allah ligature. Fallujah includes both Arabic and Arabic-Indic numerals, in addition to standard punctuations.

Originally ZionTrain was built as a Cyrillic typeface for public transport navigation system. We wanted comprehensible, distinctive letterforms, that can help everybody on the way from Babylon to Zion. Here, on MyFonts, we present the ZionTrain STD versions with western latin including smallcaps and oldstyle figures in some faces in TrueType format; also western, central, baltic and turkish latin charsets, smallcaps, oldstyle numerals, few alternates, some arrows and fractions in ZionTrain OT OpenType format.

This font is a very new typeface from 2022. It is based on biro pen writings. The name Hanka is the nick of the designer’s daughter. The family has seven weights (straight and oblique), which are OpenType sets with PostScript curves. Features include ligatures (classical and discretionary), number formats (tabular/proportional, lining/old style), fractions, old-style formats, stylistic alternates, and kerning. May you be happy with this set when creating advertisements or artistic content.

Lovers is a romantic, elegant handwritten calligraphic script, with well over 300 additional characters, including standard and discretionary ligatures, swashes and stylistic alternatives. Use of its extensive OpenType features enable the designer to create text that constantly changes, giving the impression of genuine handwriting, but handwriting that has all the flair and styling of hand-done calligraphy produced towards the end of the twentieth century. Lovers is based on traditional calligraphic ideals, but I've combined these with my own brand of relaxed, handwritten spontaneity, to design a font that is formal yet free and accidental, traditional yet contemporary. The font’s extravagant curves and swashes make it perfect for valentine’s day and wedding media, book covers, greeting cards, and certificates, in fact for any design work that requires a romantic or opulently elegant look. The range of stylistic alternatives and swashes enable users to create a wide range of moods in their work. In many ways it is a calligraphy toolkit. Lovers contains the accented characters used in the major European languages. What sets it apart from most other calligraphic fonts is that it appears so genuinely handwritten and avoids the uptight formality that characterizes so many of the fonts in this genre. Try Lovers, enjoy its wealth of OpenType features and let its vigorous yet elegant exuberance delight you and enhance your creativity!

Inspired by Halloween theme. The authentic fontto give you fun and playful feel but scary vibes too. This font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, packaging, stationery, novels, labels or any type of advertising purpose. Features : uppercase & lowercase numbers and punctuation multilingual PUA encoded

Mallaire is a calligraphy font with an exclusive style and a touch of classic, inspired by the handwriting of ancient manuscripts. Carefully designed to work together in harmony that makes it very suitable for wedding media, book covers, greeting cards, logos, branding, business cards and certificates, even for any design work that requires a classic, formal or luxurious.

Praise is a versatile script with variations from Casual (non-connecting) to Formal appeal. If you're a professional graphic designer, and use Adobe Illustrator®, or InDesign®, the PRO version is the way to go. With nearly 1600 Glyphs, the Praise OpenType programming gives a powerful solution to the design needs of the graphic design professional.

Squire font is the work of Austrian typographer Michael Neugebauer. Its characters are unusual sans serif forms which offer a blend of formal and informal construction. Its legibility in both large and small sizes makes this font particularly flexible and versatile. Squire is ideal for applications like greeting cards, menus, personal stationery, or anything needing a warm, familiar touch.

Introducing, Mictorn - A display blackletter typeface in 2 style regular & stamp. It comes with ornament bonus. This type of font perfectly made to be applied especially in logo, and the other various formal forms such as Logo, Clothing, Fashion, Headline, or any type of advertising purpose. Features : Uppercase & lowercase Numbers and punctuation Alternates & Ligatures Multilingual PUA encoded

Aceh Is Great attracts a typeface that is smooth, clean, unique, elegant, modern, serif, san serif, feminine, sensual, glamorous, simple and very easy to read. Classic style is very suitable to be applied in various formal forms such as invitations, labels, menus, logos, fashion, make up, stationery, letterpress, romantic novels, magazines, books, greeting/wedding cards, packaging, labels.

Maginia font can make your project look more unique, beautiful, and awesome like magic. Maginia has many alternatives and ligatures making this font very suitable to be applied to various formal forms such as invitations, labels, logos, magazines, books, greeting/wedding cards, packaging, fashion, make-up, stationery, novels, labels, or any kind of purpose. Thank you very much

Canterbury is named after the English cathedral city in the county of Kent, chiefly because its sculptural qualities are reminiscent of ecclesiastical architecture. It's a monumental font in the sense that it is well suited to plaques, certificates and other formal inscriptions. It's also suitable for any application that strives for a sense of elegance and dignity.

Thrive Woods is a organic serif with stylish looks. This font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose . Features : Uppercase & lowercase Numbers and punctuation Alternates & Ligatures Multilingual PUA encoded

Orient is a elegant and feminine sans serif with a touch of modern look and feel. This type of font perfectly made to be applied especially in logo, headline, signage and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose.

Angie Lou is a contemporary clean informal face. More formal than most handwritten faces, it surprises the eye with its clean rhythm. It gives that "marker on paper" or "dry erase board" feel. But the thin nature of Angie Lou sets it apart from most marker style fonts. Angie Lou offers two variants: regular and italic.

Based on script handwriting and engraving used in formal announcements and invitations, the Flemish Script font lends itself to typesetting in which an elegant mood is desired. Flemish Script, Citadel, Florentine Script, and Old Fashion Script have similar lowercase letters but unique flourished capitals. Flemish Script makes a very decorative choice for labels and packaging, greeting cards and invitations.

Introducing, On Fire Display Font. Concise typeface is fun, and relaxed with natural handwriting. This type of font is very suitable to be applied especially for the needs of letters and logos, and various other formal forms such as invitations, labels, magazines, books, greeting/wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose.

This elegant face with a few semi-script flourishes is based on Morris Fuller Benton’s Announcement Roman, designed for American Type Founders in 1917. It’s perfect for invitations, programs and all kinds of formal ballyhoo. All versions of this font include the Unicode 1250 Central European character set in addition to the standard Unicode 1252 Latin set.

Brenda Script is a beautiful formal script, contemporary typeface with classic roots and an elegant touch. It can be used for various purposes.such as logos, wedding invitations, headings, t-shirts, letterhead, signage, lable, news, posters, badges etc. Brenda Script features 405+ glyphs and 160 alternate characters. including initial and terminal letters, swashes, alternates, ligatures and multiple language support.

Etewut foundry proudly presents Etewut sans family. It includes 20 font styles and each of them supports extended Latin, basic Cyrillic and modern Greece languages. Styles variety is from formal and bold to italic and decorative. More of all there are many ligatures and alternative symbols in each font. And finally the typeface has minuscule letters and numbers!

Coronet is a non-joining script font first issued by Ludlow. The capitals have been drawn with a degree of freedom whereas the lowercase are more formal in structure. The ascending lowercase letters of the Coronet font are quite tall, descenders are short. Coronet is a useful script for informal occasions, such as invitations, flyers and greetings cards.

Nice One is the font with a modern, clean and semi formal looks. We have three styles on Nice One; light, regular and bold. The characteristic of the font is tall, neat and thin almost like a serif font. Try this font on your book, magazine, or poster and believe me your work will be the nice one! :)

French Script font is based on script handwriting and engraving used in formal announcements and invitations in general, and specifically on a 1905 ATF face named Typo Upright," by Morris Fuller Benton. French Script lends itself to typesetting in which an elegant mood is desired. French Script is an upright script font with an engraved appearance and decorative capitals. "

Nebulon is a newdisplay font with classic letterform. You can playaround to fit the form using alternate & ligatures. This font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, or any type of advertising purpose. Features : Uppercase & lowercase Numbers and punctuation Alternates & Ligatures Multilingual PUA encoded

Introducing, Stellarum Display Font. Concise typeface is fun, and relaxed with natural. This type of font is very suitable to be applied especially for the needs of letters and logos, and various other formal forms such as invitations, labels, magazines, books, greeting/wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose.

Fairground was created by calligrapher Rachel Yallop using a vintage nib and ink. This gives it a light flourishing feel, combining the formal penmanship of calligraphy with something a little more informal at the same time. It’s a delicate font with a full range of upper and lowercase alternate characters. Oh, and it has ligatures too!

Introducing our latest display typeface called Pineforest. A unique Fonts with vintage taste can make your lettering / logotype become more interesting. Pineforest fonts perfectly made to be applied especially in logo, and the other various formal forms such as logos,invitations, labels, magazines, books, packaging, fashion, make up, stationery, labels or any type of advertising purpose

This delightful semiscript is based on an offering from a 1930s specimen book from the Mergenthaler Linotype Company, originally called, simply, "Card Italic". Elegant without being stuffy, it is equally “at home” announcing anything from formal occasions to casual get-togethers. Both versions of the font include 1252 Latin, 1250 CE (with localization for Romanian and Moldovan).

A fine, fat Deco face named Ludlow Stygian provided the basis for this delightful typeface. Although generally formal in character, the font shows a hint of playfulness in the distinctive “humpback” h and n characters. This font contains the complete Latin language character set (Unicode 1252) plus support for Central European (Unicode 1250) languages as well.

Based on hand lettering from a January 26, 1930 ad for the 1930 Fox Studios film "Let's Go Places", the lettering is an ultra bold serif design with numerous ball terminals throughout the character set. The typeface is both formal, yet casual and playful in appearance. Going Places JNL is available in both regular and oblique versions.

Law Italic was designed as an imitation of a formal style of penmanship used in legal documents. It has a more pronounced angle than standard italics. It is intended to be used by itself but can be combined with other faces to suit a designer's inclination. Historically, this face was once used by Bruce Rogers strictly for headings.

Elaya Script is a formal and flowing script typeface. Silky and smooth curves, but with a straight and rigid backbone. Perfect for logotypes and titles of a project to emit friendly earnestness. The font contains OpenType functions such as alternates and ligatures. It supports all European Latin-based languages and has all necessary punctuation and symbols.

Ovidius is a formal script with solid structure. Characters present a look and feel of an ancient pen to very rough paper. The Ovidius family designed by Thaddeus Szumilas is now part of GroupType, a foundry specializing in period and revival typeface designs. These designs have not only important historical design roots, they possess great contemporary appeal.

Introducing, Blunder Display Font. Concise typeface is fun, and relaxed with natural handwriting. This type of font is very suitable to be applied especially for the needs of letters and logos, and various other formal forms such as invitations, labels, magazines, books, greeting/wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose.

Contains the 20 Days of the Mexican Calendar Stone in outline and silhouette mode NOTE: this font comes with an interpretation guide in pdf format.

The Sacramento Pro family of typefaces was inspired by a monoline, semi-connected script from hand-lettering artist brochure work of the 1950's and 1960's. With its sophisticated upright stance, it stands on a thin line between formal and casual lettering styles, yet it has a commanding presence for headlines and titles. The Slim adds a fine pen-line style, while the Stout style expands the formal/casual dichotomy much further than the original weight. Opentype features include: - Contextual Alternates for initial and final forms. - Stylistic Alternates for an alternate lowercase t. - Discretionary Ligatures* for catch words like “and”, “at”, “by”, “for”, “of”, “or”, “the”, “to”, and “with”. - Full set of Inferiors and Superiors for limitless fractions. - Proportional and Oldstyle figure sets. * Discretionary Ligatures not included in the Stout style due to heavyweight nature.