Reload Alt is a rounded industrial geometric display typeface available in four flexible and distinct weights. Features include: Slashed zero Romanian s accent language feature Extended language support *Requires an application with OpenType and/or Unicode support.

Reload Stencil is a rectangular industrial geometric stencil typeface available in four flexible and distinct weights. Features include: Slashed zero Romanian s accent language feature Extended language support *Requires an application with OpenType and/or Unicode support.

Nonantza Sans is a sans serif style. It comes in four weights and features an extended character set with open type support for European languages. Use Nonantza Sans for your graphic design projects, advertising, banners and signs.

Harpers Grotesque is a classic multiusable grotesk font with a modern twist. Harper Grotesque has an extended character set to support Central and Eastern European as well as Western European languages plus OpenType features, fractions and alternates.

Tifinagh One est une police qui prend en charge les scripts latin et Tifinagh (Basic-IRCAM, Extended, Neo-Tifinagh, Touareg) avec ligatures, chiffres, et symboles de base. Tifinagh One offre la possibilité d'écriture Tifinagh LTR ou RTL.

Statement Sans is a versatile sans serif font family created by the Sudtipos team in the spirit of modern neo humanistic fonts, with a deep grotesk and industrial influence that can be discovered along the system. Developed to express its potential in UX and UI projects, corporative interfaces or editorial web and print layouts, Statement is available in 9 weights with matching real italics, extended latin language support, and also including classic and old style figures as well as plenty of stylistics alternates. Last but not least, Statement Sans includes a one file variable font to join the party.

This all caps display font is defined by its close spacing and thick serifs for a distinct appearance. Inspiration came from old movies set in the Wild West. The characters are tall in stature so works well in spots with limited space. Use Durango Western for a wanted poster, social media, or team logo. Basic/Extended Latin, European accents, punctuation, diacritics, kerning, and Cyrillic characters are included. The eroded version features varying levels of distress between the uppercase/lowercase and contains a few alternates. NOTE: Due to the level of detail in the eroded version temporary computer slowdown may occur.

Legible and dynamic shape, tons of OpenType options, different scripts – that’s Mato Sans. Difficult small size, long text in Vietnamese, huge heading in Russian or table full of figures to create? It’s not a problem with this family. There are over 2000 glyphs in every weight with such features: superscript and subscript characters, tabular lining and old style figures, small caps, fractions, arrows or even case sensitive parenthesis. Mato Sans was designed for use in Latin as well as in Cyrillic script. Every font contains an extended set of Cyrillic characters including special, local glyphs for Bulgarian, Macedonian and Serbian.

The gifted Hungarian punch-cutter and printer Miklós Kis was active in Amsterdam in the 1680s. Among the many fonts that he cut during those years were a ‘mediaen’ (pica-sized) roman and italic, and the digital Miklós fonts are an interpretation of these ‘mediaen’ types. The character set has been extended to cover all the European languages that use the Latin alphabet, and the fonts offer OpenType features such as small capitals; old-style and lining figures, both proportional and tabular; fractions; superior and inferior numbers; superior alphabet; contextual and stylistic alternates; and intelligent application of long ‘s’.

Jobst Gutknecht was a highly successful printer in the city of Nuremburg from 1514 to 1542. He published the "Achtliederbuch" (the first Lutheran hymnal, with a whole 4 tunes) and many works by Martin Luther. This font is an accurate "recutting" of the font face Gutknecht used for the body text in his printed works. It has been extended to over 900 glyphs adding hundreds for modern use. It also presents many ancient things like old ligatures such as "tz", a hedera, and alternate style pilcrow for visual interest. And for those conservative types the modern lower case "k" is also available.

MURQAS by Holyline is a Retro serif and width variable typeface, have 5 style condensed to expanded . It's very unique, elegant, bold and have beautiful shapes from each character . MURQAS perfect for headline, custom logo, merchandise, packaging, wedding designs, invitations, watermark,social media posts, label, and anything for your creativity and MURQAS is perfect typeface if you want something new with your project. And you can play and choose the width axis, for make your project more awesome! Happy creating!

Energize is a sports font family with 3 weight (thin, regular, bold) & various styles of outline - extrude. The Italic styles bring another vibe of speed. This font family is built to bring active looks, racing, workouts, and other athletic activities. Its shape is rooted in the the competitive sports spirit. The Idea is to bring the dynamic shape mixed with weight , elevating athletic performance through progressive innovation of font, so whenever people see the font they think of hard work and sports.

Typeface in 70s and 80s became the inspiration for Biago. soft and bold are the characteristics of Biago. The large and rounded legs make Biago unique and different from other serif fonts. Biago brings a warm, friendly, unique, and simple impression. Biago is intended for display purposes, such as large headlines, titles, logos, or anything that requires special characteristics and attention. Biago's five width, will give you the flexibility to express your interface and design. Italic and alternate versions are also included.

Introducing Antonia Retro – a bold retro script font that takes you back to the ’60s. This typeface has an extruded version so you can easily create retro-effect fonts. It is suitable to be applied especially to logos, and various other formal forms such as invitations, labels, logos, magazines, books, greeting/wedding cards, packaging, fashion, make-up, stationery, novels, labels, or any advertising purposes. This font is PUA encoded, which means you can access all of the glyphs and swashes with ease!

This is the condensed version of Gothiks , a 6-weight display sanserif influenced by Texturas. It is ideal for everything big, compact and powerful. This family has an extensive character set — with extensive language support — and many OpenType features like fractions, small capitals and different figure sets. Default figures align with lowercase.

This is the compressed version of Gothiks , a 6-weight display sanserif influenced by Texturas. It is ideal for everything big, compact and powerful. This family has an extensive character set — with extensive language support — and many OpenType features like fractions, small capitals and different figure sets. Default figures align with lowercase.

Sybilla Pro a humanist slab serif well suitable for broad range of design projects. Its unique, soft and almost cursive shapes help define a warm and friendly slab serif that is more legible and easier on the reader's eye. This newly developed extended type family consists of seven weights in three widths with complimentary true italics. It is ideally suited for advertising and packaging, editorial and publishing, logo, branding and creative industries, poster and billboards, small text and signage as well as web and screen design. Sybilla Pro provides a broad range of advanced typographical features such as small caps, case-sensitive forms, fractions, scientific inferiors, super- and subscript characters. It comes with a complete figure range set of oldstyle and lining figures, each in tabular and proportional widths. Sybilla Pro has extensive multilingual support, covering more than 70 Latin-based languages and specially designed Cyrillic that works harmoniously with its Latin counterparts - a perfect choice for projects that need both writing systems running side by side.

Samo Sans Pro is a contemporary sans-serif typeface with a slight contrast of strokes, balancing between technical design and dynamic feeling. The Pro Version is based on the Samo Sans basic typeface, and it is extended by more styles, more glyphs, and other features required for professional typesetting. Beside the complete set of Latin, Samo Sans Pro includes Cyrillic and Greek glyphs as well. Each font includes alternate glyphs, small capitals, standard and discretionary ligatures, oldstyle/lining and tabular numerals, fractions, superiors/inferiors figures, set of arrows, dingbats and a wide range of typographic options applied by the Opentype features. The complete typeface family consists of 16 styles in 8 weights and their Italics. The type has a reduced height of caps and numerals and it has an optimal x-height, which makes it suitable for the typesetting of more extensive texts. It can be effectively applied in corporate identities or in a display typesetting.

Fuse Vol 2 Printed is an extension to the popular Fuse & Fuse Vol 2 type family. W Foundry worked alongside Julia Martinez Diana (Antipixel) to create a balanced and consistent texture throughout the whole family. All the typeface’s textures have been meticulously outlined to give a natural look mantaining the soft and round edges, making Fuse Vol 2 Printed more easy-going and spontaneous. It is perfect for large display usage due to the professional shapes of its outlines, which were hand-crafted glyph by glyph. Each character has its own printed style, which is not repeated in the accented characters, nor in other weights of this family. The typeface is designed with powerful OpenType features. Each weight includes alternate characters, ligatures, fractions, special numbers, arrows, extended language support, small caps and many more. Perfectly suited for graphic design and any display/text use. The 32 fonts are part of the larger Fuse superfamily.

Amika™ is a rational geometric sans serif with an engaging personality and a contemporary profile. The large x-height, minimal contrast and the double storey 'a' makes Amika™ a highly legible typeface suited for any kind of text applications, from display poster type to massive text layouts. Amika™ has 22 styles and it's a workhorse type system. Versatile and reliable, it covers 230+ languages, including extended Latin, Cyrillic and Greek writing systems. With over 1280 glyphs per style, its Opentype features include alternative shapes, small caps, standard and discretionary ligatures, localized forms in Latin and Cyrillic, case sensitive forms, numerators and denominators, proportional and tabular figures, slashed zero, fractions and more. With a tectonic touch, Amika™ is a prototypical sans serif of the New Media age that, due to its extensive set of features, conveys a great choice for a wide range of applications, from branding to broadcast.

Novel Display is the humanist sans serif typeface family for headlines and display sizes and the latest addition to the largely extended, award winning Novel Collection, containing Novel Pro, Novel Sans Pro, Novel Sans Hair Pro, Novel Sans Condensed Pro, Novel Mono Pro, Novel Sans Rounded Pro and Novel Sans Office Pro. All typeface families of the Novel Collection have a carefully attuned character design and a well balanced weight contrast. The fine gradation of 10 weights in combination with 4 widths enable designers to create fine display typography and combine the design with other members of the Novel Collection to reach highest quality in typography. Novel Display [788 glyphs] comes in 50 styles and contains an extra set of alternate glyphs, many ligatures, lining figures [proportionally spaced and monospaced], hanging figures [proportionally spaced and monospaced], positive and negative circled figures for upper and lower case, superior and inferior figures, fractions, extensive language support, arrows for uppercase and lowercase and many more OpenType™ features.

This highly stylish, engraved blackletter font was cut by Rudolf Koch between 1919 and 1921 for Klingspor in Offenbach on Main. It was then sold under the name Deutsche Zierschrift. I completely redraw and extended this font and called it Zierfraktur. To take full advantage of this fine headline blackletter font, please use it from, at least, 18 points upward. This font contains a bunch of useful ligatures, and it is recommended to activate both Standard and Discretionary Ligatures. The round s can be reached by typing the # key, and you get the numero sign by typing the combination N-o-period and activating the OT feature Ordinals.

Aztek emerged as a custom face for an ethno-music festival, and gradually developed a more robust, geometric base. The original ethno roots can still be seen in some of the alternative caps, and the ease with which Aztek forms decorative elements and borders. There is also an alternative “Tall Caps” set, that goes alongside normal uppercase characters as if they were Small Caps. The font features Latin (extended to support German and Polish) and Сyrillic character sets. Though Aztek is an accidental face designed primarily for display work, it holds well at smaller sizes and can endure high ink gain printing found in letterpress and silk-screen processes.

Cift Serif is inspired by the work of charming lettering artists with a combination of Old Style Display Bold. Each letter is modified so that the distance, width and weight can give the beauty of the alternates given. A passionate curve gives a touch of beauty to this font.

Ailey Display is inspired by the work of charming lettering artists with a combination of Old Style Display Bold. Each letter is modified so that the distance, width and weight can give the beauty of the alternates given. A passionate curve gives a touch of beauty to this font.

Moonbandit proudly presents Bad Motor typeface, a powerful bold vintage font. Inspired by the glorious old world of route 66, Bad Motor is perfect for that retro look and feel for your projects. This typeface is maxed with anarchy, attitude and attention. OpenType features include ligatures and kerning.

HALVAN –a striking type with half-serifs The Halvan font family comes in 5 styles from Roman to Bold, Italic and a Small Caps Version. Each version includes old style figures and lining figures. It is a versatile type and can be used in a wide range of circumstances.

Over the course of 50 years, the charismatic and enterprising Frederic W. Goudy designed more than 100 typefaces; he was the American master of type design in the first half of the twentieth century. Goudy Old Style, designed for American Type Founders in 1915-1916, is the best known of his designs, and forms the basis for a large family of variants. Goudy said he was initially inspired by the cap lettering on a Renaissance painting, but most of the flavor of this design reflects Goudy's own individualistic style. Recognizable Goudy-isms include the upward pointing ear of the g, the diamond-shaped dots over the i and j, and the roundish upward swelling of the horizontal strokes at the base of the E and L. The italic was completed by Goudy in 1918, and is notable for its minimal slope. Goudy Bold (1916-1919) and Goudy Extra Bold (1927) were drawn not by Goudy, but by Morris Fuller Benton, who was ATF's skillful in-house designer. Goudy Catalogue was drawn by Benton in 1919-1921 and was meant to be a medium weight of Goudy Old Style. Goudy Heavyface was designed by Goudy for Monotype in 1925, and was intended to be a rival to the successful Cooper Black. Goudy Modern was designed by Goudy in 1918; its small x-height, tall ascenders and shorter caps impart a spacious and elegant feeling. Benton designed Goudy Handtooled, the shaded version that has just a hairline of white through its bold strokes. The Goudy faces, especially the bolder weights, have long been popular for display and advertising design. They continue to pop up all over the world, and still look reassuring to our modern eyes."

Over the course of 50 years, the charismatic and enterprising Frederic W. Goudy designed more than 100 typefaces; he was the American master of type design in the first half of the twentieth century. Goudy Old Style, designed for American Type Founders in 1915-1916, is the best known of his designs, and forms the basis for a large family of variants. Goudy said he was initially inspired by the cap lettering on a Renaissance painting, but most of the flavor of this design reflects Goudy's own individualistic style. Recognizable Goudy-isms include the upward pointing ear of the g, the diamond-shaped dots over the i and j, and the roundish upward swelling of the horizontal strokes at the base of the E and L. The italic was completed by Goudy in 1918, and is notable for its minimal slope. Goudy Bold (1916-1919) and Goudy Extra Bold (1927) were drawn not by Goudy, but by Morris Fuller Benton, who was ATF's skillful in-house designer. Goudy Catalogue was drawn by Benton in 1919-1921 and was meant to be a medium weight of Goudy Old Style. Goudy Heavyface was designed by Goudy for Monotype in 1925, and was intended to be a rival to the successful Cooper Black. Goudy Modern was designed by Goudy in 1918; its small x-height, tall ascenders and shorter caps impart a spacious and elegant feeling. Benton designed Goudy Handtooled, the shaded version that has just a hairline of white through its bold strokes. The Goudy faces, especially the bolder weights, have long been popular for display and advertising design. They continue to pop up all over the world, and still look reassuring to our modern eyes."

Over the course of 50 years, the charismatic and enterprising Frederic W. Goudy designed more than 100 typefaces; he was the American master of type design in the first half of the twentieth century. Goudy Old Style, designed for American Type Founders in 1915-1916, is the best known of his designs, and forms the basis for a large family of variants. Goudy said he was initially inspired by the cap lettering on a Renaissance painting, but most of the flavor of this design reflects Goudy's own individualistic style. Recognizable Goudy-isms include the upward pointing ear of the g, the diamond-shaped dots over the i and j, and the roundish upward swelling of the horizontal strokes at the base of the E and L. The italic was completed by Goudy in 1918, and is notable for its minimal slope. Goudy Bold (1916-1919) and Goudy Extra Bold (1927) were drawn not by Goudy, but by Morris Fuller Benton, who was ATF's skillful in-house designer. Goudy Catalogue was drawn by Benton in 1919-1921 and was meant to be a medium weight of Goudy Old Style. Goudy Heavyface was designed by Goudy for Monotype in 1925, and was intended to be a rival to the successful Cooper Black. Goudy Modern was designed by Goudy in 1918; its small x-height, tall ascenders and shorter caps impart a spacious and elegant feeling. Benton designed Goudy Handtooled, the shaded version that has just a hairline of white through its bold strokes. The Goudy faces, especially the bolder weights, have long been popular for display and advertising design. They continue to pop up all over the world, and still look reassuring to our modern eyes."

Over the course of 50 years, the charismatic and enterprising Frederic W. Goudy designed more than 100 typefaces; he was the American master of type design in the first half of the twentieth century. Goudy Old Style, designed for American Type Founders in 1915-1916, is the best known of his designs, and forms the basis for a large family of variants. Goudy said he was initially inspired by the cap lettering on a Renaissance painting, but most of the flavor of this design reflects Goudy's own individualistic style. Recognizable Goudy-isms include the upward pointing ear of the g, the diamond-shaped dots over the i and j, and the roundish upward swelling of the horizontal strokes at the base of the E and L. The italic was completed by Goudy in 1918, and is notable for its minimal slope. Goudy Bold (1916-1919) and Goudy Extra Bold (1927) were drawn not by Goudy, but by Morris Fuller Benton, who was ATF's skillful in-house designer. Goudy Catalogue was drawn by Benton in 1919-1921 and was meant to be a medium weight of Goudy Old Style. Goudy Heavyface was designed by Goudy for Monotype in 1925, and was intended to be a rival to the successful Cooper Black. Goudy Modern was designed by Goudy in 1918; its small x-height, tall ascenders and shorter caps impart a spacious and elegant feeling. Benton designed Goudy Handtooled, the shaded version that has just a hairline of white through its bold strokes. The Goudy faces, especially the bolder weights, have long been popular for display and advertising design. They continue to pop up all over the world, and still look reassuring to our modern eyes."

Quizles is an elegant stencil serif with contrast. The font has classic proportions with bold serifs and fading thin lines. Quizles is easy to use in various design programs or without any program. The font is suitable for modern and vintage typographic compositions, design of books and fashion magazines, branding, packaging and social media design. Also use individual letters to create logos and monograms. The font has extensive language support, it includes English, French, German, Italian, Spanish, Portuguese, Danish, Norwegian, Swedish, Finnish, Estonian, Turkish. Quizles serif includes stylistic alternates for symbols: K, k, O, R. There are also ligatures: tt, ff, fi, gi, oo, ll, ra, ga, ca.

Accia Moderato is a contemporary serif typeface with moderate contrast and large x-height. It will become a great choice for primary body copy. The font family contains 8 weights from Thin to Extra Bold, with matching true italics. It supports extensive language support including Cyrillic, as well as numerous OpenType features such as small caps, ligatures, several sets of figures, case-sensitive punctuation, ordinals. Accia Moderato is a member of Accia Type System. It encompasses five typefaces ranging from sans-serif to expressive serif, giving you the possibility to create sophisticated cohesive designs. Accia Type system consists of Accia Sans, Accia Flare, Accia Piano, Accia Moderato, and Accia Forte.

Elevate your designs with the captivating allure of Makeshift Font. This extraordinary display typeface brings a bold and fun look, infusing your creations with a powerful and distinctive touch. Perfect for designers seeking originality, Makeshift Font is poised to make a lasting impression on logos, headlines, posters, product packaging, and more. Its versatility shines through in both digital and print mediums, making it a must-have for innovative projects. Makeshift Font boasts an extensive range of features, including uppercase and lowercase letters, numbers, punctuations, and comprehensive multilingual support. With PUA encoding, accessing the wide array of glyphs and swashes becomes effortless, empowering you to effortlessly customize your designs.

Megafield is a contemporary display serif typeface with sharp and dynamic strokes, strong contrast and delicate pointed serifs. giving traditional serif design elements a modern feel, it’s a graceful and confident typeface family with an extensive set of functional and experimental glyphs. Megafield family has 12 fonts, namely (6 weights and 6 Italics, ranging from Light to Extra Bold. These fonts are perfect for your design needs such as making nostalgic but still clean and elegant designs such as headlines, magazines, logos, packaging, editorials, and more. Features · All Uppercase and Lowercase · Number & Symbol · Supported Languages · Alternates and Ligatures · PUA Encoded Thank you, Great Studio

Costa Brava and Costa Dorada are devoted unforgettable days on beaches of tender Mediterranean sea in Catalonia. Enjoy! Both fonts were originally created in the summer 2003. The OpenType version, with extended Latin characters, was released in 2009.

Japanese Brush Master was developed directly from the hand-written brushstrokes of experienced calligrapher, Shigeru Nomura. Feel the artistic brushstrokes. Japanese Brush Master is extended, containing West European diacritics & ligatures, making it also suitable for multilingual environments & publications.