Kermel serif is a hand made font ideal for your graphic project. Usage recommendations: Title, short text, children's book, poster, book cover, brochure, label, magazine

Maori New Zeeland is made for all MAORI Tribal fans. It comes with many MAORI Tribal Graphics and a extra Font for two color style!

Designed by Morris Fuller Benton in 1907; an improved version of the familiar nineteenth century blackletter as he had executed it in his Wedding Text.

This font is based on real prints made out of a linocut. The glyphs were handprinted, then scanned and then turned into a computer font.

This font was made in collaboration with Nikki at Melonheadz Illustrating. The quirky look and feel of the lettering is perfect for illustrations for children.

Finally the light version of Wilhelm Berg’s hot-metal classic which had found its way from Schriftguss to Typoart can be released for nowaday’s use.

CoalhandLuke is a handwritten font I made by using a piece of charcoal. The Pro version contains an additional set of Cyrillic and Greek characters.

We had a dozen or so letters of this of this, picked up at the flea market in Vienna. The rest came from our imagination.

Say hello to Hello Arsenio font. Made with love and joy. Kids look, so it will make your design more beautiful, cute, fun, and colorful.

Andrew Smith played with his pencil and scetched an alphabet with several strokes. and as he made come cross strokes it lokes like barbed wire.

Ammonia is a simple sans serif made fumey and gloopy. Strange little dendrites poke out from some of the characters, causing some linkage between letters.

This font was made to be clean and legible. It's versatile nature makes it perfect for note taking, posters, or even for long form copy.

This is a revival font from an Image of a plate made from Eleventh Century initial letters. The "numerals" are Roman numbers done as ligatures.

Boa bold is a basic display font made for print. It was created for an Artbook about reptiles. It needed to be round and clear.

Squoosh Gothic is a serious new contender in the arena of headline fonts. Upright and condensed, Squoosh’s whimsical name belies its true nature. Though, that’s not to say it’s totally devoid of a sense of merriment – it just values a more orderly, regulated kind of tomfoolery. Mad-libs for instance, or The Times cryptic crossword. Its mature but unmistakably witty attitude can go a great distance to lending a sense of culture and an air of scintillation to your designs. Don’t miss out on this sanguine new font, Squoosh Gothic from Thinkdust, available now.

The Toxic Brew font was initially designed to be a Halloween font, but I guess it turned out not so scary in the end. But maybe you can use it for something scary anyway? I've added several versions, and they mix very well

Introducing Moycen font is the perfect blend between bold, modern and feminine. It's strong yet soft, urban and high fashion. The hard lines with subtle rounded edges gives it a perfect mix of contemporary typography and classic design. Versatile is an understatement.

My Aunt Celia was designed as a quaint, quasi-elegant display face using caps and small caps. The family consists of two fonts: regular and alternate which, between them, provide many special swash characters, tall caps and ligatures for lively, quirky, mixed settings.

Introducing Invictus hand-painted brush font! With FOUR hand-painted character sets and SWASHES which can be mixed up, lowercase or uppercase. Invictus character are great for logos, name tag, handwritten quotes, product packaging, merchandise, social media, greeting cards and many more.

Carga by Superfried is an angular, brutal, uppercase display typeface. Initially inspired by the use of typography upon container ships, this font is aptly named Carga – Spanish for Cargo. Carga includes 266 glyphs and features two interchangeable character styles switched via shift.

Este is a modern sans serif typeface. The family has 7 weights, ranging from Thin to Bold and is suited for branding, logo, transportation, product design, advertising and packaging. The modern feel is complimented by alternative characters via the OTF stylistic sets.

A modern handwritten script font that balances creativity with clear legibility that contains upper & lowercase characters, all punctuation and numerals. Designed so the text reflects stylish natural handwriting, with ligatures and carefully kerned characters mixed with unjoined letters for a contemporary feel.