Briliana Script is a modern calligraphy font with a dancing baseline and a clean, classic and elegant touch. It can be used for various purposes such as headings, signature, logos, wedding invitations, t-shirt, letterhead, signage, lable, news, posters, badges etc.Briliana Script features 350 total glyphs with 150 alternate characters including OpenType Stylistic alternates, ligatures and international language support. To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Photoshop CC (With Glyphs Panel), Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or later versions. Also supported PUA encoded, simply copy and paste the alternate characters using the Character Map (Windows), Nexus Font (Windows), Font Book (Mac) or a software program such as PopChar (for Windows and Mac).

Romario is a beautiful and light display font with a cool vibe. Use it to add a modern feel to any design project! Romario includes initial and terminal letters, alternates, stylistic alternate, ligatures and multiple language support. Romario is coded with PUA Unicode, which allows full access to all the extra characters without having special designing software. Mac users can use Font Book , and Windows users can use Character Map to view and copy any of the extra characters to paste into your favorite text editor/app. To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or later versions. If you need help or advice, please contact me by e-mail. Thank you for your purchase!

Girabella Script is a modern calligraphy font with a dancing baseline and a clean, classic and elegant touch. It can be used for various purposes such as headings, signature, logos, wedding invitations, t-shirt, letterhead, signage, lable, news, posters, badges etc.Girabella Script features 350 total glyphs with 150 alternate characters including OpenType Stylistic alternates, ligatures and international language support. To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Photoshop CC (With Glyphs Panel), Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or later versions. Also supported PUA encoded, simply copy and paste the alternate characters using the Character Map (Windows), Nexus Font (Windows), Font Book (Mac) or a software program such as PopChar (for Windows and Mac).

Brunella Script is a modern calligraphy font with a dancing baseline and a clean, classic and elegant touch. It can be used for various purposes such as headings, signature, logos, wedding invitations, t-shirt, letterhead, signage, lable, news, posters, badges etc. Brunella Script features 931 total glyphs with 575 alternate characters including OpenType Stylistic alternates, ligatures and international language support. To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Photoshop CC (With Glyphs Panel), Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or later versions. Also supported PUA encoded, simply copy and paste the alternate characters using the Character Map (Windows), Nexus Font (Windows), Font Book (Mac) or a software program such as PopChar (for Windows and Mac).

Delayed Love is a unique blend of a classic and modern script style. It works well for logos, wedding invitations, posts, t-shirts, letterhead, signage, labels, posters, badges and more. It includes OpenType features with alternative styles, binders and multi-language support. To activate the OpenType Stylistic alternative, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or newer versions. How to access all alternative characters, using Windows Character Map with Photoshop: https://www.youtube.com/watch?v=Go9vacoYmBw How to access all alternative characters using Adobe Illustrator: http://youtu.be/iptSFA7feQ0 There are additional ways to access alternatives / swash, using Character Maps (Windows), Nexus Fonts (Windows), Font Book (Mac) or software programs such as PopChar (for Windows and Mac).

Adelicia Script is a stylish calligraphy font that features a varying baseline, smooth line, classic and elegant touch. Can be used for various purposes.such as headings, signature, logos, wedding invitation, t-shirt, letterhead, signage, lable, news, posters, badges etc. Adelicia Script features 565+ glyphs and 264 alternate characters. including initial and terminal letters, alternates, ligatures and multiple language support. To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or later versions. There are additional ways to access alternates/swashes, using Character Map (Windows), Nexus Font (Windows), Font Book (Mac) or a software program such as PopChar (for Windows and Mac). Copy any of the extra characters to paste into your favourite text editor/app.

Ameston is an organic handwritten font suitable for branding, signatures, wedding invitations, promotions, product packaging and other necessities. This font is modern, simple, but still authentic. To enable the OpenType Stylistic alternative, you need a program that supports Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or a later version. How to access all alternative characters using Adobe Illustrator: https://www.youtube.com/watch?v=XzwjMkbB-wQ Ameston is coded with PUA Unicode, which allows full access to all additional characters without having to design any special software. Mac users can use Font Book, and Windows users can use Character Map to view and copy any additional characters for pasting into your favorite text editor / application. How to access all alternative characters, using the Windows Character Map with Photoshop: https://www.youtube.com/watch?v=Go9vacoYmBw

Shington Script is modern script font that features a varying baseline, smooth line, classic and elegant touch. Shington Script features 950+ glyphs. It comes with a handy set of opentype stylistic, use the beautiful ligatures, alternates and swashes. You need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Photoshop CC, Adobe Indesign, Microsoft Word 2010. It is perfect for logo, greetings, branding, quotes, prints, invitations and crafting. All lowercase letters include alternates, beginning & end swashes, that makes the font look fabulous! These are all coded with PUA Unicode. Mac users can use Font Book and Windows users can use Character Map to view and copy any of the extra characters to paste into your favourite text editor/app. Thanks and have a wonderful day :)

Butterfly Script is a modern calligraphy font with a dancing baseline and a clean, classic and elegant touch. It can be used for various purposes such as headings, signature, logos, wedding invitations, t-shirt, letterhead, signage, lable, news, posters, badges etc.Butterfly Script features 350 total glyphs with 150 alternate characters including OpenType Stylistic alternates, ligatures and international language support. To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Photoshop CC (With Glyphs Panel), Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or later versions. Also supported PUA encoded, simply copy and paste the alternate characters using the Character Map (Windows), Nexus Font (Windows), Font Book (Mac) or a software program such as PopChar (for Windows and Mac).

CA Zentrum is a compelling mix of conciseness and pragmatism. Bold, distinct and original, contemporary and versatile. At a closer look, it reveals rounder reading-friendly forms. The choice of weights aims at an easy, straight forward use. A set of five well-balanced weights and three widths ranging from light to black and from condensed to wide. This variety ought to be enough to cover most needs without throwing the typographer into questions. The family’s glyph set supports over 100 Latin languages. With its blend of timelessness and modernity, the type-family is uniquely suited for modern corporate visual languages, websites, corporate design, editorial design and advertising. Careful spacing and a great choice of OpenType features make it especially well suited for text copy and/or editorial design.

Virginia is a calligraphic script font with multiple baselines, designed to convey elegance and style. It is subtle, clean and feminine. Works perfectly for logos, magazines, menus, books, invitations, wedding/greeting cards, packaging, labels, t-shirts etc. All your designs will have a beautiful homemade touch with Virginia. To enable the OpenType Stylistic alternative, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or a later version. and there are additional ways to access alternatives, using the Character Map (Windows), Nexus Font (Windows), Font Book (Mac) or a software program such as PopChar (for Windows and Mac). If you need any help or suggestions please contact me via email "chaidirgata@gmail.com" Thank you for your purchase.

Blue Typewriter is a bold typewriter font and scans pack (with graphics, text, paper) sampled from old documents, for an authentic vintage look. Use this set in any designs that needs a vintage touch: in long or short texts, in digital collages, branding and packaging, social media posts, logotypes, etc. Included in this product: Blue Typewriter font with variations: underlined, dashed, crossed-out and dashed underline, in SVG and vector versions (with the vector versions created separately, so that the two versions include subtle differences)

Winchell is the only identified typeface designed in Buffalo, NY prior to the formation of P22 type foundry. It was created by Edward Winchell of the Matthews-Northrup Printing Works and released by the Inland Type Foundry in 1903. The Winchell typeface was also made in Wood by the Hamilton Manufacturing company in the mid 20th Century. The Winchell typeface is a Clarendon styled slab serif that clearly has the look of a pre-modernist design. E.E. Winchell’s Arts & Crafts tendencies show through in this design

Croog is a rounded geometric monoline typeface, built in three weights with true italics. Inspiration for this typeface was derived from FF Roice, with desire to create typeface less spicy or unconventional in appearance and more neutral, calm and friendly to use. Squarish in proportions, monoline letterfoms gain more readability by having short rounded serifs and terminals. The typeface is ideal for use in display sizes, though is quite legible in text. Croog is released as OpenType single master with a Western CP1252 character set.

Obviously the Irish Stew font finds its origin in Ireland. During a vacation in West Ireland Donald® fell in love with the famous local dish. In fact, he loved Irish stew so much he couldn't wait to create a font dedicated to the stew from Ballymaloe. He found the inspiration for this font on an old shop front sign somewhere in Dublin. The sign only contained a few characters, but the stew had given him more than enough energy and inspiration to complete the whole alphabet!

Drone is a deliberately misproportioned typeface, inspired by hand-drawn lettering found in Spanish/Hispanic Catholic churches in the Philippines and Los Angeles. These naive letterforms appeared to be ‘copies of copies’ – and in aiming to recreate the beauty of the Vatican and the Sistine Chapel they instead created something unique with its own charm and beauty. As a curious aside, the forms are reminiscent of those found in 16th century English calligraphy too. Drone is available in two styles: No.666 and No.90210.

A freely drawn heading face prepared in 1912 by Lucian Bernhard for Bauer. The typeface enjoys a vogue in Europe.

A casual, inline party font. Hubbub is always relaxed and confident in every social situation. comes in regular and bold.

Accurate handwritten font with dots and lines. In small sizes it looks especially good in the texts of history books.

Designed for ParaType in 2002 by Sergey Volhonsky (Moldova). An original calligraphic script for use in advertising and display typography.

Based in Manuel Corradine's handwriting, Mucura is a very spontaneous font. It could be used in almost any informal project.

Based in Manuel Corradine's handwriting, Zape is a very spontaneous font. It could be used in almost any informal project.

Alessandro Butti designed the Quirinus font, released in 1939. Quirinus is a headline font with a strong contrast in strokes.

Jan Koller designed the Banner typeface family especially for the creation of animated web banners. Banner is best used at 80p without antialiasing. The family comes in 24 styles which, in combination, create great, unusual screen effects. Three different animation modells provide the basis: extrusion, cutting in/out by ‘pixelation’, outline pixel rotation. The available flash clip listed in the Related Links below demonstrates some of the effects. Take a look! The swf clip runs in any web browser (drag & drop) but you need the flash player plugin. Apart from animation use, Banner also works well in print. Since all 24 styles are identical in width and kerning, you can set several styles on top of each other, maybe using different colours for each style. Look at the nice effects yourself!

Bramante™ is an original display font by LetterPerfect Fonts, designed by Garrett Boge in 2020. It is modeled after a fifteenth-century inscription in the church of Santa Cecilia in Trastevere, Rome. The name is a tribute to the pre-eminent Renaissance architect Donato Bramante, whose Tempietto (1502, San Pietro in Montorio) marked the beginning of the High Renaissance in Rome. In 1503 he was named lead architect for the new St. Peter's Basilica, which was completed by Michelangelo, Maderno and Bernini a century later. Based on the pervasive use of Adobe Trajan as a classical-inspired titling face, LetterPerfect offers this Renaissance revival of imperial Roman capitals as an alternative with additional refinement and personality. (The full size capitals are complemented with small capitals in the lowercase positions.)

Poleno is a custom typeface originally designed in 2006 for the Slovak folk dance ensemble Poleno, as a part of their corporate identity. Ever since, new weights have been added to complete six variables and two different options for accents. The typeface adds a fresh, bold and non-rational feeling to headlines and titles in books and posters in display sizes where emphasis and detail are equally important. Randomly-generated contextual alternates included in the family contribute to add a distinctive look to words with repeating characters, whenever they occur next to each other. The difference between the Poleno Set and the Poleno Alt Set is in the accented characters. In the first one, accents are merged with the characters and in Alt version, accents are separated from the characters.

Cyan Neue is a substantial update variation to the original Cyan we launched in 2006. Most notably the contrast has decreased making it more contemporary. Many glyphs have been improved especially in the italics. The design of Cyan Neue was inspired by features found in classic Roman. It shows a preference for geometric Roman proportions while incorporating open centers (B,P,R) and compact serifs. The characters stay true to the same features as the capitals, resulting in an unusually distinctive style. There are many subtle details in Cyan Neue that become more interesting in display sizes, for instance the subtle curves in the serifs and the overall smoothness. Cyan Neue is a robust font that will exceed your expectations. Cyan Neue is clearly ideal for headlines, inscriptions, publications, annual reports, corporate identities, packaging.

The robust and contemporary sans-serif typeface Rethink, comes with strong characteristics. The typeface is made for work in text as well as in display. It features nine weights in two styles, including Small Caps, a set of contemporary OpenType functions, multiple figure sets and a rich language support. Rethinks main characteristics are the non-straight stroke endings and a slope that might come in an unexpected direction. It brings a bit of movement to the baseline and some attraction to the shapes in bigger sizes. These details are designed to ‘disappear’ in smaller sizes and to not disturb a reading process. Rethink was designed with the idea to help spreading bold ideas ond strong opinions, to support the work of activists in contemporary movements, to design statements with impact and meaningfulness.

Neon Rounded is a rounded monoline typeface inspired by retro neon light bulbs often used in signage. Neon bulbs were first seen back in 1910 in Paris. They later became popular in 1930s New York, especially on Broadway and the Las Vegas strip. Although Neon Rounded was designed with eye-catching signs in mind, its possible usage is vast. Clothing brands, road signs, logos and advertising. The heavier weights lend themselves to children's books and toys, while the lighter weights provide a more modern, futuristic feel. The typeface contains lower and uppercases in five weights: Light, Regular, Medium, Semi-bold and Bold. There are also alternatives for most letters and all numbers. The glyph set includes all languages covered in Basic Latin, Latin-1 Supplement and Latin Extended-A scripts.

Telemark is a monolinear slab serif influenced by the wide serif typefaces of the 19th century. The name refers to the vintage form of skiing which was introduced in Norway at the same period of time and allowed more fluid turns. After the Telemark style was replaced by newer techniques in the Alpine countries it has experienced a rise in popularity in recent years. The Telemark type family features the three weights in an additional label style which allows an uncomplicated creation of editable pointers, banners and cartouches. Different combinations of end pieces result in a great variety of designs. Telemark is suitable for headlines and logotypes and complements script typefaces as well as any neutral grotesque. Details include 207 characters in three weights, a total of six styles and manually edited kerning.

Martian Grotesk is a large typeface family originally designed for the screen which consists of a variable font with 2 axes of variation and 63 styles: Condensed to Ultra Wide, Thin to Ultra Black. Aesthetics The font style is characterized by some brutality and assertiveness. Overhanging terminals, a closed aperture, and an almost complete lack of contrast lead to this effect. Additionally, some elements of the letters are especially enlarged. This font gives any text the impression of being a “signature” style. Nevertheless, we still maintain the golden mean between its rebellious nature and readability. Perfect for web development We created Martian Grotesk for the web and digital project world. When laying out web pages, frontend developers are constantly faced with the fact that uneven metrics do not allow text to be evenly placed on some design element, for example, on a button. Instead, they have to compensate in some way, like making the top padding smaller and the bottom padding larger in CSS. This little deal really hurts. Also, if your project adheres to design system principles, you might be unable to stand a lack of systematic approach when working with fonts. We researched and calculated vertical metrics and set them up in a way that guarantees equal space above the cap height and under the baseline. This enables the text labels to be evenly placed on buttons, inputs, lists, and forms. In addition, we found a proper ratio of the letter heights, so, with commonly used font sizes—10, 15, and 20 pixels—the glyph heights stick to the pixel grid. As a result, the letter shapes become sharper, which reduces the load on the reader's eyes and simply looks much better. The typeface also comes equipped with OpenType and TrueType hinting, and Martian Grotesk appears legible on most platforms, even when being rendered in small sizes. When coupled together, all the above features make Martian Grotesk a reasonable choice for any user interface design. Roadmap Martian Grotesk right now is a work-in-progress product. The font is completely ready for professional use, however, many great features are still ahead! For example, support for Extended Cyrillic characters, and italics. Pricing Purchasing an early version of the font presents the opportunity to get it at a very attractive price! That’s because with every new version, costs will go up to reflect the additional value that comes with every release. But after purchasing Martian Grotesk, all its future updates are included for free!

Anele is a classic grotesque in the bedt sense of the word in 5 weights and Italic that communicates in 140 languages. The font is created by the danish designer Ole Sondergaard who is also behind the award-winning FF Signa super family.

Atlantis: The Lost Empire is a 2001 I made the alphabet prepared for Atlantis Lost Empire, the first feature-length animated movie of Walt Disney in 2000 years, in 2 versions in accordance with the original. It is suitable for today's use.

A comic book feature entitled “Foe of the Borgias” appeared in 1937’s New Adventure Comics. The hand lettered title was done in a slab serif Art Deco style and is recreated digitally as Classic Comics JNL in both regular and oblique versions.

CP Company Flash is the version of CP Company designed for use in Adobe Flash. Available in three versions: Big to be used at 16pt, Medium at 16pt and Small at 8pt. Originally designed to be used in the cpcompany.com web site

Macquarie Heavy was used for a logo back in the mid nineties and never completed until recently when I decided to revive it. It works very well in all-caps blocky headlines and is surprisingly legible in lowers with plenty of strength.

The script designed for ParaType in 2006 by Isabella Chaeva. Based on informal handwriting, its characters have rough jaggy contours. In small sizes, the face simulates an effect of handwriting by felt pen on rough paper. For use in advertising and display typography.

The Flowrite typeface combines timeless elegance with modern flair. It offers six weights in both regular and italic, alongside a stylish script in modern calligraphy. Designed for broad appeal, Flowrite supports 87 languages, perfect for global communication in branding, editorial, and design.

Although the Taz family was designed for newspapers, it works equally well in many other contexts. The fonts have been used in glossy magazines, sales catalogues and corporate brochures, for instance. Taz is appreciated for its readability in longer texts at medium sizes.

This bold blackletter is rather wide, which enhances its readability. In Victorian job printing it was not unusual to find one line of blackletter in a card or handbill, just for contrast. This one came on the scene sometime in the 1880s.