Heavy Duty is a bold condensed sans serif font set. Heavy Duty Solid is crisp and clean while Heavy Duty Sketch suggests characters that could have been sketched with a pen or pencil. Both fonts have the same uppercase and small caps lowercase alphabet, numbers, punctuation, symbols, and miscellaneous characters. The Heavy Duty fonts are ideal for making a bold statement in headlines, titles, or text. Heavy Duty Solid and Heavy Duty Sketch are to be sold only as a set priced at $20.

Tavern is a super font family based on our Algerian Mesa design, with Tavern we've greatly expanded the usability by creating light and bold weights plus all new for 2020 with the introduction of extra bold and black weights Tavern is now a five weight family. The addition of the bold weight made it possible to go further with the design by adding open faced shadowed, outline and fill versions. Please note, the fill fonts are aligned to go with the open faced versions, they may work with the outline versions, however you will have to apply them one letter at a time. The Tavern Fill fonts may also be used a stand alone font, however, the spacing is much wider than the regular solid black weights of Tavern. In the old days of printing, fill fonts rarely lined up perfect with the open or outline font, this created a misprinted look that's much in style today. To create that misprinted look using two different colors, try layering the outline fonts offset over the top of the solid black versions. Next we come to the small caps and X versions, for a font that's mostly seen used in all caps we felt a small caps would come in handy. The X in Tavern X stands for higher X-height, we've taken our standard lowercase and raised it for greater visibility in small text and for signage where you want the look of a lowercase but it needs to be readable from the street. In August of 2016 I started the project of expanding this font into more weights after seeing the font in use where someone tried creating a bold version by adding a stroke fill around the letters. The result didn't look very good, the stroke fill also caused the shadow line to merge with the serifs on some letters. This lead me to experiment to see if a new bold weight was possible for this font and I'm pleased to say that it was. After the bold weight was finished I decided to type the regular and bold weights together in a first word thin second word bold combination, however the weight difference between the two wasn't enough contrast. This lead me to wonder if a lighter weight was possible for this font, as you can see yes it was, so now for the first time in the history of this old 1908 type design you can type a first word thin second word bold combination. So why the name change from Algerian to Tavern? Since the original font was designed in England by the Stephenson Blake type foundry I decided to give this font a name that reminded you of the country it came from, however, there were other more technical reasons. During the creation of the bold weight the engraved shadow line was sticking out too far horizontally on the bottom right of the serifs dramatically throwing the whole font off balance. The original font encountered this problem on the uppercase E, L and Z, their solution was a diagonal cut corner which was now needed across any glyph in the new bold weight with a serif on the bottom right side. In order to make the light and regular weights blend well with the bold weight diagonal cut offs were needed and added as well. This changed the look of the font from the original and why I decided to change the name, additional concerns were, if you're designing a period piece where the font needs to be authentic then this font would be too new. Regular vs. Alt version? The alternate version came about after seeing the regular version used as a logo and secondary text on a major product label. I felt that some of the features of the regular version didn't look good as smaller secondary text, this gave me the idea to create an alternate version that would work well for secondary text in an advertising layout. But don't stop there, the alternate version can be used as a logo too and feel free to exchange letters between both regular and alternate versions. Where are the original alternates from Algerian? Original alternates from Algerian are built into the regular versions of Tavern plus new alternates have been created. We're excited to introduce, for the first time, all new swash capitals for this classic font, you're going to love the way they look in your ad layout, sign or logo. The best way to access alternate letters in Tavern is with the glyph map in Adobe Illustrator and Adobe InDesign products, from Adobe Illustrator you can copy and paste into Photoshop as a smart object and take advantage of all the text layer style features Photoshop has to offer. There may be third party character maps available for accessing alternate glyphs but we can't advise you in that area. I know what you're thinking, will there be a Tavern Condensed? It takes a lot of hours to produce a large font family such as this, a future condensed version will depend on how popular this standard version is. If you love Tavern we're happy to introduce the first weathered edge version of this font called Bay Tavern available in February 2020.

The Enagol Math family consists of 4 weight plus True italics. It is a typeface with rounded Slab-Serif of Semi-Condensed proportions. I have composed all the proportions of the character based on a study of mathematical proportions related to the golden sequences of Perrin, Lucas and Fibonacci. From an initial matrix of golden proportions applied in the letters 'H' for capital letters and 'n' for lowercase letters, calculated for the versions of the extremes of the Light and Bold type, below I do the whole calculation of proportions using my formula of three axes and by interpolation I generate the intermediate versions Regular and Medium. For the Italic versions I have drawn a complete set of lowercase letters that give these fonts an aspect close to the Italic writing. In these versions I have also applied many optical corrections to balance the deformations created in many curves by the mere inclination of the letters, which in the case of this type is 11°.

Hand printing typography revolutionized the way books were published. The earliest printing presses made it possible for newspapers to reach the doorstep every morning, for information to freely be shared among the masses for the first time on a large scale…and the fonts that were used in those classic times are forever embedded within the collective memories of societies across the planet. It is to this collective memory that we give a visual form with our new Hand Printing Press Pack. Up for grabs are a set of 10 Hand Printing fonts plus one "Stamps" elements font. The fonts are: the Normal, the Stencil, the Eroded, the Meshed and the Scraped in REGULAR and BOLD versions; each of them displaying a simplistic yet classic printing style and as often happens lately, we are also offering you an "elements" pack, the "Stamps" font, to go with these to create your customized stamp giving to your creations a touch of "official documentation".

Strikers Script is a vintage baseball font. In a cool retro look, this calligraphic family has an optimistic attitude and the genuine appearance of a sport jersey or a club logotype. The Strikers Script family consists of 14 professional styles, such as Thin, Bold, Outlined and Swashes, plus more variations and combinations, complimenting each other for ultimate usability. Use underscore _ to make a swash. Example: Letter_ Use multiple underscores to make longer swashes. Example: Baltimore____ For the outlined version, use symbols < > around the word to make beginning and end. Example: The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures and more features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, from Northern Europe to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers.

Dolly Pro is a book typeface with a flourishing flavour. She’s suitable for classical book type setting as well as for more contemporary magazine designs. The family consists of four fonts: Dolly Regular is neutral and useful for long texts. Dolly Italic is narrower and lighter in colour than the Regular, and so it can be used to emphasize words within Regular text. Dolly Bold is also useful in emphasizing words within Regular text. It also works well as a display type. Dolly Small Caps is intended for setting whole words or strings of characters. With its relatively low contrast, Dolly is perfectly legible in really small sizes. When Dolly is applied in bigger sizes, such as book covers, more crispy details will show up. These four fonts provide a good basis for most of the problems of book typography. Dolly Pro fonts have Underware’s Latin Plus character set, supporting a total of 219 languages.

Everyone loves an Art Deco typeface. And there are hundreds of similarly-designed deco faces out there! But not one of them seems to have every form of every character that you want or need at any given moment. That’s why Swonderful was created! It has more letterform variations than you can shake a stick at (if you're inclined to shake sticks at things). With four variations of every uppercase form, two variations of every lowercase form (plus diacritical characters for the standard set), you’re bound to find the character you need for any given project, whether the style is French Art Deco, American Streamline Moderne, or Jazzy Midcentury Gaspipe. Just switch between stylistic sets! And you’ll find all those characters in three standard weights: Light, Regular, and Bold. They’re designed as a unicase, so they’re all height-compatible, and every set works with every other set, so you can mix and match to your heart’s delight!

As comic book readers know all too well, team ups are every super hero’s bread and butter... when the brave and the bold are in a pickle, and super villains are running onion rings around them, here’s how they roll: They Meat! They Team-Up with your taste buds! They Fight Hunger! Our original Hero Sandwich font has become a go-to for video game and app graphics, due to its easy readability and friendly demeanor. The new Pro version adds nine weights from Thin to Heavy, with matching italics, plus a versatile Variable Font to dial in your preferred combination of weight and italic slant. Each weight includes four numbering options and support for 222 languages, including Cyrillics. So take a footlong bite out of crime, and make the subways safe again with our mouthwatering Hero Sandwich! Prepared with care and plastic gloves by those awfully nice chaps at the Comicraft deli.

Jeanne Moderno is a revisionary type family. A synthesis of Bodoni Italic and 19th Century Ultra-Bold "Fat Faces"—distilled with personality taken from early 20th Century Modernists; the Futurists, Dadaists, Suprematists, Constructivists. Historically, Jeanne Moderno could have appeared on the scene around 1918—after the First World War—when new cultural movements, manifestos, theories and countertheories shaped art, industry and society. Spatter in a few later influences—from De Stijl, the Bauhaus, the types of Herbert Bayer, Josef Albers, Paul Renner—plus a twist of Art Deco and High Fashion—Jeanne Moderno is a remanifestation of 19th + 20th Century Modernist thinking; traditional + revisionist, raw and elegant! Jeanne Moderno can best be used for magazines, advertising, posters, flyers, fashion reports, letterpress experiments, silkscreen endeavors, exhibitions, DMV signage, paper money, revolutionary political statements as well as formal declarations of peace or war. Jeanne Moderno is about the future, the past. The Avant-Garde. Humanist geometry + vintage footwear. Form, function, style, art and life.

Rahere Sans Inline is a bold, no-nonsense display font featuring an inline that imbues the design with classic overtones while still looking modern. It’s imposing without being overpowering and practical but not boring. As part of the expanding Rahere typeface family, Rahere Sans Inline is specifically designed to complement both Rahere Sans and Rahere Roman Display, pairing beautifully when used for headings, stand-out quotes or drop caps. Whether you’re in design, marketing or advertising, Rahere Sans Inline is a versatile display font suitable for all types of applications including: Design, advertising - posters, leaflets, brochures, adverts, books and banners Publishing - magazine covers and editorials and book covers Music, film - DVDs and CDs Announcements - offers, events, birthdays and anniversaries Rahere Sans Inline is a capitals-only font with small caps in the lowercase slots and matching numerals, plus a few ligatures. The following languages are supported: Western Europe, Vietnamese, Central/Eastern Europe, Baltic, Turkish and Romanian.

Doretypo was born accidentally, during the design of a poster for a jazz festival in Rome. I was going to realize a typesetting, but I could not find the right character and decided to draw the letters I needed, starting from the first letter of the headline, capital M. I was looking for a lettering able to evoke musical notes, where each letter could be linked to the following one, to the previous one, to the largest at the top and the smallest at the bottom. From this idea doretypo came to life gradually. In the beginning there were a few medium capital letters with very few glyphs, but given the good results I decided to decline in light and bold, integrating minuscule letters, for a whole of 374 glyphs. Today doretypo OpenType is a family of fonts with three weights, 374 glyphs, supporting about 57 languages, ligatures standard, plus a new “NY”. Moreover, each glyph can be used individually to create textures and graphic symbols.

Secca is a fresh and versatile typeface series. With its workhorse qualities, Secca is perfectly suited for a wide range of applications - especially where legibility and economy are important factors. Secca is rooted in the tradition of early German Grotesk typefaces, but is tailored for the needs of today, with a wide language support and many typographic features and extras. » pdf specimen « The core family comes in nine weights from Thin to Ultra Black plus another three Hairline weights - each with italics, small caps and italic small caps. While the weights from Light to Bold perform well in text sizes, the more extreme styles give extra freedom for Headlines & Signage. For setting tables and charts, Secca offers tabular figures, fractions, currency signs and mathematic operators which share the same fixed width throughout the entire range of weights. This special feature is called “weight duplexing” and is a time saver for designers of annual reports and other figure-heavy texts.

Mouvere – Old Style Serif Family, comes with four types of typefaces, Regular, Italic, Bold, and Bold Italic. This font is very suitable to be applied in various aspects of design, and your branding. It’s perfect for logos, branding, title, social media posts, advertisements, product packaging, product designs, label, photography, watermark, special event, magazine, web designs, etc. Features : Multilingual Support If you have any questions please don’t hesitate to contact me follow my Instagram: @fkryall Thank you

Berlin Sans is based on a brilliant alphabet from the late ’20s, originally released by Bauer with the name Negro, the very first sans that Lucian Bernhard ever designed. Assisted by Matthew Butterick, David Berlow expanded this single font into a series of four weights, all complete with expert character sets, plus a dingbat font. Imaginative & little-known, it promises enticing opportunities to the adventurous typographer; FB 1994

Hamerald inspiration from seasonal Halloween Themes, Hamerald Decorative style inspired from bones illustration. Hamerald font is perfect for use as a poster design, branding, logos, apparel design, tattooo or other design needs. Hamerald font containing uppercase and lowercase, plus numerals and a full range of punctuation. There are alternate stylystic version and ligature. To access these, simply turn on 'Stylistic Alternates' or access them via a Glyphs panel.

An unusual handlettered alphabet from the 1922 chapbook Modern Show Card Writing, by Joseph Bertram Jowitt, provided the pattern for this whimsical face. Its letterforms, as well as its name, conjure up visions of faraway places, and is sure to add a unique charm to your next project. This font contains the complete Latin language character set (Unicode 1252) plus support for Central European (Unicode 1250) languages as well.

Delirium Duo is a handwritten font duo, consisting of: - A textured brush font with ligatures; - A casual all-caps font with different upper case and lower case characters for a more natural handwritten feel. - Plus two sets of swashes and ornaments that complement each font nicely. This font duo makes it so easy to create beautiful designs, and is perfect for logos, quotes, cards, social media posts, websites, magazines, and packaging.

Tannen is an interpretation of the Emil Meyer’s Tannenberg, the result is a fun and cool blackletter display built without curves and casual look with a lot of personality and expressivity. It has 3 independent styles (regular, inline and shadow) that can be combined with each other, plus a stencil style. Tannen counts with 3 weights per style, OpenType features (ligatures, alternates, fractions and more) and supports dozens of latin languages.

Fat and sassy, this ultrabold brush font is based on the works of lettering legend Mike Stevens as seen in his book, Mastering Layout. A natural choice for can't-miss headlines, this typeface also works surprising well for short blocks of body copy. Both the OpenType and Truetype versions of this font contain the complete Latin language character set (Unicode 1252) plus support for Central European (Unicode 1250) languages as well.

The majority of the letterforms in this mono-case font are based on a little-seen titling typeface designed by Frederic Goudy. The lowercase positions contain alternate letterforms, so you can mix and match to obtain just the right look. Both the OpenType and Truetype versions of this font contain the complete Latin language character set (Unicode 1252) plus support for Central European (Unicode 1250) languages as well.

Forged to be as imposing as a Norse horde ready to stampede into battle, Works great in all caps which it was initially designed to. I designed the lowercase characters to match really well with each other and the uppercase, so it works well in title case. Plus it has a great set of looking numbers and loads of extras. Fully kerned pairs so all letter combinations look great

Angars Runes is a Middle Age style rune typeface. With engraved letterforms and gothic curves, this font is the perfect addition to a medieval project. The font was drawn and created by Måns Grebäck in 2019. Use the symbols plus + period . multiply × colon : for decorative separators. Angars Runes contains all characters you will ever need, as well as numerals and alternate letters. This is a font with multilingual support.

Negara Serif is typeface that have classic and elegant vibe, designed for any headline and short paragraph use. Featured with Latin Plus that have include 219 Language support so it will usable in wide range country, Beside latin there is Cyrillic Support in Negara Serif. You can see more about this font usage and feature in the preview image. [New Update with Variable Font File available to purchase]

Introducing LEATHER NECKS, a font born from the heart of traditional sign painting and American typography LEATHER NECKS offers clean and aged versions, along with captivating features like alternates, ligatures, and swashes. Plus, it embraces the global stage with its multilingual support Features: Leather Necks Main File Has 2 Families: Script and Sans Has 2 Styles: Regular and Aged Instructions (Access special characters, even in Cricut Design) Enjoy Designing! Dharmas Studio

This typeface is an amalgam of Edwardian and Art Deco letterforms: the lowercase letters come from a turn-of-the-twentieth-century typeface named Amsterdam, and the uppercase letterforms come from a 1930s logotype for the Théâtre Moderne in Paris. Like its namesake, this typeface is not easily overlooked. This font contains the complete Latin language character set (Unicode 1252) plus support for Central European (Unicode 1250) languages as well.

Blambot’s first font featuring Contextual Alternates: COLLECT EM ALL BB! As you type, you'll discover six versions of every letter, three versions of every number, three versions of the exclamation point and question mark, auto-correction of serif-I per standard American comic book tradition, and if you type from three to six of any letter, you'll get a bouncy baseline! All this, plus a hefty set of European characters.

Suit Sans ​STD is a typeface designed for multi-purposes with ​4 weights plus matching​ italics. The set of ​554 glyphs embraces a​ll European languages​, ​and it's perfect for branding, interfaces and everything else you could create on large and small sizes​. ​But if Suit Sans STD is not enough for you, take a look at Suit Sans Pro with extended weight range, character set and more cool features.

This extra stout slab serif derives its inspiration from two Vincent Pacella designs: Pacella Barrel and Pacella Colossus. Essentially it’s an all-caps font, but there are biform variants of a, e, m, n and u, so you can mix things up to create more interesting headlines. This font contains the complete Latin language character set (Unicode 1252) plus support for Central European (Unicode 1250) languages as well.

Conquera is an extended caps-only font in five weights plus an inline. It is refined and masculine without being heavy-handed - the angled stokes and pointed vertices lend it a stylish, upmarket Moderne poise. Suitable for man's grooming products, supercar showroom brochures, high-end developments, space vehicles and home technology. Letterspacing at small sizes adds extra sophistication. Includes an alternative A with a triangular crossbar and full international character set.

Klassisk is the Danish name for “classic” [’klasisg]. Taking its inspiration from a wide range of classic serif traditions, Klassisk can be your partner in crime for almost every kind of design job! It has the four classic weights PLUS two lighter display weights for headers and big letter sizes in general. Klassisk also comes with … a large variety in numerals (three styles) swashes and special ligatures a vibrant italic style.

Introducing Hoicky, a quirky irregular font. Each character in this font has a different tilt angle, plus there is a ligature that makes this font even more unique. Hoicky also perfect for branding design, posters, apparel, logotype, header, quote, invitation, greeting card, cover, poster, fashion design and any more. Come with lot of ligatures character, its help you to make great lettering. This font is also support multi language.

This sans-serif type family of two weights plus matching italics. Influenced by the geometric-style sans serif faces that were popular during the 1920s and 30s, the fonts are based on geometric forms that have been optically corrected for better legibility. Vitage has a functional look with a warm touch. It is manually hinted and optimized for screens, so it will be a good choice for Websites, eBooks or Apps.

Introducing new Morgini Serif Typefaces with lots of alternative characters, SWASH and unique ligatures. It appears regularly and boldly with lower and uppercase letters, numbers, punctuation marks plus multilingual letters. A must have for every modern graphic designer now! Morgini is a very versatile font. Perfect for branding projects, logos, magazine imagery, wedding invitations, posters, apparel, packaging, website headers, or simply as a stylish text overlay onto any background image.

Here’s a not-often-seen variation of Milton Glaser’s 1968 creation Baby Teeth, distributed by Photo-Lettering Inc. as Baby Teeth Baroque. Actually, the sinuous swirls suggest, rather, an Art Nouveau influence, which is why this version has its name. Well, that, and the original design didn’t need any fixing. This font contains the complete Latin language character set (Unicode 1252) plus support for Central European (Unicode 1250) languages as well.

15 poses as line drawings and the same 15 in reverse, plus the OM graphic and a lotus flower. Yoga Studio, a set of detailed yoga poses that are both useful and elegant. Tadasana, trikonasana, savasana -- from mountain pose to relaxation pose you will find what you need to put together a sun salutation vinyasa, basic instructions for beginning students or a visual guideline for your own personal practice.

In his book of 100 Wood Type Alphabets, Rob Roy Kelly called this face "Teutonic". This version adds lowercase letters, missing in the original, plus a few woodcut dingbats in the brackets, bar, section and florin positions. Named for a charming town in the Texas Hill Country, founded by German settlers in the mid-1850s. Both versions of the font include 1252 Latin, 1250 CE (with localization for Romanian and Moldovan).

A 1930s ad for—believe it or not—Orion radios provided the inspiration for this ultrabold and slightly sassy face. The radio brand didn't make it into the twenty-first century, but its signature typeface has, ready and willing to add a little pizazz to your next project. This font contains the complete Latin language character set (Unicode 1252) plus support for Central European (Unicode 1250) languages as well.

A 1931 poster for the film The Man from Chicago provided the pattern for this quirky Deco delight. Although the fonts is all uppercase, tasty variants have been added in the lowercase positions, and all possible letter combinations have been kerned, so you can mix the forms freely. This font contains the complete Latin language character set (Unicode 1252) plus support for Central European (Unicode 1250) languages as well.

Arthur is an edgy modern serif font. The long, classic serifs make for a unique high-contrast typeface that's all stylish. It appears regularly and boldly with lower and uppercase letters, numbers, punctuation marks plus multilingual letters. A must have for every modern graphic designer now! Features Include: Uppercase and lowercase Number Punctuation (OpenType Standard) Accents (Multilingual Characters) Alternative Style Ligatures and Style Sets Works on PC and Mac Simple installation

The typeface of Betm Rounded is based on the successful Betm font family by font foundry Typesketchbook. Font designer Chatnarong Jingsuphatada created Betm as a Rounded version to Betm. Both type families consist of ten weights plus with italic versions. Betm’s typeface has a friendly and modern sans serif appearance. This modern geometric font is very legible and can be used for headlines as well as small and long text.