Inkblock is based on various ink printing and rubbings from an ancient wood type set. Inkblock the alphabet has lots of detail, so looks great printed large. It's a good headline font or whenever an antique look is needed.

Antidote is a grungy 3-D font. It is hand drawn and has been given a 'cracked' look. Looks great in headlines, titles and on packaging, but I wouldn't set a text in it as it is quite heavy.

Midnight Sun, despite its rough look, was carefully painted. I used a very cheap brush with stuck-together bristles to get that ‘eroded’ look. Midnight Sun comes with double letter ligatures and some really cool stylistic alternates as well.

Busy Scratch is very useful for something that needs a simple, yet eye-catching handmade look. The letters are carefully hand-kerned and spaced for a natural and legible look. For extra energy, try switching between Regular and Italic!

Sukothai is a traditional Thai design based on early metal type. The classic and distinct forms make it excellent for setting text at small sizes or in large passages. Originally released by Linotype for digital photocomposition, now both the Light and Bold weights are available in OpenType format. This makes it possible to dynamically and precisely position the various levels of superscript and subscript vowel signs and tonal marks. In addition to this, the complete Unicode page range for Thai is covered to ensure flawless conversion between other OpenType fonts using Unicode. The accompanying Latin design matches well in scale and texture and supports most Western European languages making it ideal for setting bilingual texts.

Madison Antiqua was original released as a metal typeface for hand-setting in 1965. The letters were produced by D. Stempel AG in Frankfurt, Germany. Their design was based heavily on an earlier German typeface named Amts-Antiqua, which had also been produced by Stempel. Amts-Antiqua is credited to Henrich Hoffmeister, and he developed it between 1909 and 1919. Madison Antiqua is an excellent selection for body text in magazines and newspapers. The typeface features a characteristic x-height, and attention-grabbing serifs. For a time, Madison Antiqua was associated with advertising design, because of its namesake: Madison Avenue in New York. Madison Avenue is a global center of advertising excellence.

Font designed from that used in France in 1492 to print the peace treaty between French and Enqlish Kings in Etaples, French town in Normandy. This font include "long s", naturally, as typically medieval, and only a few special characters as there were not very often used in the text, no more than abbreviations. Added, a lot of accented characters no longer existing on this time. A render sheet, joined with the font file, makes it easy to identify on a keyboard. This font is used as variously as web-site titles, posters and fliers design, editing ancient texts, greetings... This font supports as easily enlargement as small size, remaining a readable and beautiful regular gothic.

There are thousands of pieces of vintage sheet music available for collectors and curiosity seekers. Prior to the 1930s, a large percentage of them had wonderfully hand-lettered titles on the covers, but gradually there was a shift by music publishers to utilizing metal type for the bulk of their output. Normally set in an all-caps format, certain type faces reappeared in growing frequency and familiarity. Composer JNL is one such example of a “workhorse” font, and has been re-drawn and reinterpreted by Jeff Levine Fonts in both regular and oblique versions. It is based on the design "Glamour", released by Lanston Monotype in 1948; which in turn was based on "Corvinus", designed by Imre Reiner.

In researching historic decorative material offered by Lanston Monotype as well as other metal foundries such as Barnhart Brothers and Spindler, there were occasionally ornaments that defied description. Perhaps it was a Victorian sense of humor or someone really thought these were a good idea or perhaps popular taste has just changed so much over the last hundred years, or our forbearers were completely insane. In any case, LTC is somewhat proud to present a collection of the most bizarre, disturbing and baffling printers ornaments we could find. Along with mutant fowl-children and frolicsome amphibians, there are also Masonic and other secret fraternal symbols that may not be creepy to everyone, but just enough to be moderately disturbing.

Skiltmaler is the typeface that refers to the style of decorative arts during the Victorian era 1837 to 1901, the Victorian era was the period in which fly poster typography emerged. The large amount of colour in combination with large font sizes were created from movable metal type. As well as being made from wood, this was used to create the two-coloured typefaces. You would imagine this would be specific to the '3D' styled type seen on the poster to create the drop shadow. Skiltmaler works well with normal size text, but it works even better for large displays, short words, or even just to incorporate a few or single characters in a design.

A sheet music edition of an early 1900s song entitled "You Taught Me How to Love You, Now Teach Me to Forget" was hand lettered in a free-form Art Nouveau style that combined varying line widths and character shapes. This unrestricted style of lettering was popularly embraced and revived by the hippie counterculture of the mid-1960s through the mid-1970s through their rock concert posters, record album covers and tee shirt graphics. It is now available digitally as Nouveau Artiste JNL. As a side note, a 1940s reprint of the sheet music was done in a popular metal typeface, which was also redrawn digitally and available as Elite Resort JNL [in both regular and oblique versions].

Stucco is a construction material that is used as a decorative coating for walls, ceilings, exteriors, and as a sculptural and artistic material in architecture. Stucco can be applied on construction materials such as metal, concrete, cinderblock, or clay brick and adobe for decorative and structural purposes. In similar fashion, the Stucco font is designed to be a decorative piece and is intended to support a wide variety of mediums. The font is intended to be used as a header or headline font, but a creative designer will find other uses for it. The font contains 300+ glyphs which includes uppercase letters, lowercase alternates, numbers, symbols, accented characters for multiple language support.

P22 CoDependent is a revival of the Independant typeface from 1930 created by Dutch designer Johannes Nicolaas Coenraad Collette along with Jos Dufour from Belgium. Independant was released in metal by the Belgian division of the Amsterdam Type Foundry in commemoration of the 100th anniversary of the independence of Belgium from the Netherlands. Despite the name, the two fonts contained in the set, Regular and Shadow, are not codependent upon each other. They can be used alone, but together they can create a dynamic two-color option. There have been other fonts inspired by and revived directly from Independant, but this version adheres the original design with the added consideration of how the shadow version will overlap.

Splendor was originally produced and released in 1930 by Schriftgu� AG, Dresden. The typeface was designed by Berlin designer Wilhelm Berg. Ralph M. Unger, who in the last few years has created a whole series of revivals and redesigns from the hot metal era, ?retrieved? this jewel of a typeface design, redesigning, complementing and digitally remastering it for profonts. Splendor is a broad nip, non-connecting handwriting script of timeless elegance, charm and beauty. It needs tight setting with plenty of space around it. The font contains a number of alternate characters: Two uppercase As, Ss (with descender); in addition, two uppercase Ms, Ns and Zs as well as two lowercase zs.

This font was inspired by one of a standard French manual styles in use from the beginning of 1900s to the end of World War II, when people were writing most often with pen holders and metal nibs. This typeface is easily legible as it was used for the lithographic printing of university textbooks. All lower cases from a to z and numerals from 0 to 9 are doubled by a slightly different one to allow a varying manual aspect in texts. We have added a lot of diacritic characters, covering West (including Celtic) and North European, Icelandic, Baltic, Eastern European and Turkish language. A few special glyphs allows to make final loops or underlining.

Acklebury is a chunky, reverse contrast, slab-serif typeface available in two styles. It has heaps of personality, plenty of open type features, and a whole host of special characters and dingbats. Although it's drawn from historical sources, Acklebury is not a straight revival, rather more of an homage to the many, varied, extended lining figures of the late 1800's. Acklebury celebrates the once labelled 'hideous' combination of wide rounded forms and hard slab serifs. Only using modern type technology to fix the spacing and kerning issues that would of been impossible with metal or wooden type. Acklebury is not a French Clarendon, neither is it really an Italienne... but it is phat, wide and hella funky.

dT Jakob started as a revival by Gustavo Soares for Paul van der Laan’s class at the Type and Media Masters, in The Hague, NL – back in 2007. There are quite a few excellent geometric sans typefaces available, but we did want to make our contribution and have a fine geometric face to offer. dT Jakob was born out of Erbar, by Jakob Erbar, one of the very first geometric sans, released in metal around 1926. Our goal was to make a versatile typeface, that handles display and text typography beautifully. To achieve that we designed a complete range of weights, matching italics and lots of OpenType Features. Hope you enjoy it :D

Splendor was originally produced and released in 1930 by Schriftgu� AG, Dresden. The typeface was designed by Berlin designer Wilhelm Berg. Ralph M. Unger, who in the last few years has created a whole series of revivals and redesigns from the hot metal era, ?retrieved? this jewel of a typeface design, redesigning, complementing and digitally remastering it for profonts. Splendor is a broad nip, non-connecting handwriting script of timeless elegance, charm and beauty. It needs tight setting with plenty of space around it. The font contains a number of alternate characters: Two uppercase As, Ss (with descender); in addition, two uppercase Ms, Ns and Zs as well as two lowercase zs.

Annonce is a digitization and expansion of a 1912 Johannes Wagner Foundry classic called Aurora Grotesk, which also circulated later on in metal under the name Annonce. Bold, extended and clear as a bell, Annonce stood out as the definite big sign font long before the Helveticas of the world. With angled cuts on some of the letters, it also shows humanistic traits that make it more appealing than any other face in its genre. The Annonce set comes in two fonts, a regular and an italic, and includes a very large character set that accommodates almost all Latin-based languages, including Turkish, Baltic, Celtic, Maltese, Esperanto, and the languages of Central and Eastern Europe.

Omerta Blackletter Font Blackletter fonts have letters that are very bold and ornate. It is a Western calligraphy style that was used in Europe from 1100s to the 1600s. Blackletter is also known as Old English or Gothic script. During the 20th century, blackletter type styles were adopted by new audiences and came to be associated with punk, street art, and heavy metal. Omerta Blackletter Font Specifically developed to be suitable for perfect for tattoos clothing, labels and packaging, branding, or any Gothic-themed projects. Omerta Blackletter Font are great for Classic Calligraphic type projects and convey a sense of what’s to come. This font can be used with all software that can read standard fonts.

Travelling is a captivating display font designed to ignite wanderlust. Perfect for book covers, logos, and lettering, its bold and expressive design adds an enchanting touch to your creative projects. Embark on a typographic journey with "Travelling" and let your designs explore new horizons.

Keitaro is a Japanese Font Style Featured with Uppercase and Lowercase, Numerals, Punctuation, and OpenType Features. Perfect for your design projects like logos, branding, advertising, product designs, stationery, magazine designs, book/cover title designs, photography, art quotes, Special events, labels, product packaging, and more.

Honey badeta font duo Script is a modern calligraphy design, including Regular. This font is casual and beautiful with swash. Can be used for various purposes. such as logos, product packaging, wedding invitations, branding, headlines, signage, labels, signatures, book covers, posters, quotes, and more.

Here’s a workman-like collection of border elements gleaned from the specimen books of various American manufacturers of woodtype from around 1840 to 1885. Refer to the PDF guides for detailed, yet simple, instructions for constructing various border patterns, all with Victorian grace and charm.

Inspired by Karl-Heinz Lange’s Publica, Bravura Pro is a versatile humanist sans font family with a slight calligraphic touch which makes it ideal for private correspondence as well as for body texts in magazines and books. All styles contain small caps and oldstyle figures.

Neo Alcatraz will help you to create futuristic and sporty designs. Perfect for branding, posters, book covers, magazines, trademarks, landing pages, mobile apps and more. This font has a simple yet strong form in its character. Minimalism, futuristic, sporty, that's the theme of Neo Alcatraz.

Ramadanish is an Arabic Font Style Featured with Uppercase and Lowercase, Numerals, Punctuation, and OpenType Features. Perfect for your design projects like logos, branding, advertising, product designs, stationery, magazine designs, book/cover title designs, photography, art quotes, Islamic events, labels, product packaging, and more.

Originally called Bohemian in the 1918 specimen book of the Miller and Richard Type Foundry of London and Edinburgh, this Jugendstil typeface still retains its freshness and quaint charm. Both versions of this font include the complete Latin 1252 and Central European 1250 character sets.

Introducing the latest styles Brittensy script is a modern calligraphy design, including Regular. This font is enough with a sweep. Can be used for various purposes. such as logos, product packaging, wedding invitations, brand imagery, titles, signs, labels, signatures, book covers, posters, quotes, and more.

Authenticity is an authentic signature font. It made with a neat touch making it easy to read. This font is suitable for use as web logos, signatures, invitation, prints, headers, magazines, book covers, t-shirt prints, craft, product brand, business card, logo, and gift card

Kingdrops is a cool script typeface. This font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose.

Mrs Berry is a hand drawn typeface designed for one of our books. You can use it as a regular monochrome typeface or layer different styles to achieve colorful combinations. Mrs Berry has upper and lowercase characters and supports both Latin and Cyrillic scripts.

Tubby came about when I made a book with Cooper Black as a headline font. I started playing with heavy forms, and as a result was Tubby. It has a fat and friendly feel, and with swash italics it is fairly versatile in use.

A bold and unique font is here to accompany your project, it can be applied to t-shirts, logos, video covers, book covers, food labels, and much more. See some of the previews above for an illustration. Features: -Uppercase -Lowercase -Numeral -Punctuation -Multilingual -Alternate Thanks.

Merhaba is an Arabic Font Style Featured with Uppercase and Lowercase, Numerals, Punctuation, and OpenType Features. Perfect for your design projects like logos, branding, advertising, product designs, stationery, magazine designs, book/cover title designs, photography, art quotes, Islamic events, labels, product packaging, and more.

The 1897 ATF specimen book featured the pattern for this font, originally called Elzevir Gothic. Its friendly letter-forms and large x-height make it surprisingly contemporary in its presentation. Both versions support the Latin 1252, Central European 1250, Turkish 1254 and Baltic 1257 codepages.

Minion is a contemporary type family created by Robert Slimbach and released by Adobe Originals. Since its earliest release, Minion has proven to be a versatile typeface for text and display, used widely in books and in editorial design where readability and elegance are necessities.

The correct spelling, apparently, is Goody Bag. But I like it with an ‘ie’ ending. Goodie bag is a 4 member display font family. Use it for your book designs, magazines or websites - maybe even for the goodie bag you want to hand out!

This simple, charming script is based on the handlettering of Carl Holmes, from Walter T. Foster art book entitled ABC of Lettering. Elementary! Both versions of this font include the complete Latin 1252 and CE 1250 character sets, with localization for Romanian and Moldovan.