Girly – is a Lovely Script Calligraphy font with a natural handwritten feel. It has sweety swash that are perfect for any creative design. This handmade font will make your design has a beautiful natural touch for each details. It is perfect for any design project as Invitation,logo, book cover, craft or any design purposes. This font is PUA encoded which means you can access all of the magical glyphs and swashes with ease! It also features a wealth of special features including alternate glyphs and ligatures.

Introducing by Balpirick Studio. Royale Kingdom is a Modern Calligraphy Font that's perfect for adding a touch to your design projects! With its natural, organic feel and unique character. Crafted with care and attention to detail, this font is incredibly versatile and can be used for a range of design projects, including logos, branding, invitations, and more. Its modern, handwritten style gives it a unique character that's sure to make an impact. - also multilingual support Enjoy the font! Feel free to comment or feedback! Thank you!

Encorpada Essential is part of Encorpada Project. It started in 2011 with Encorpada Black. Encorparda Pro was released in 2012 with 14 weight - being seven uprights and seven italics. The Pro version brought a lot of opentype features and a extended character set. The Encorpada Essential has the basic character set with 455 glyphs, that supports more than 50 languages and opentype’s basic features such as: allcaps, standard and discretionary ligatures, numerator, denominator, superior, inferior and fractions. Check out the details on Encorpada Project website.

Byker is a geometric sans serif font that blends technology with handcrafted skill. The letterforms are constructed digitally from a technical grid and overlaid with handmade curves. The combination of this process creates a strong, organic font that is precise with subtle movement and personality without being too clinical. Details include seven carefully chosen weights with true cursive italics, over 800 characters, alternative lowercase a, e, g and y. Seven variations of numerals, true small caps with accents, ligatures, manually edited kerning and Opentype features.

Memorita is Bouncy Script font with a natural feel, It has sweety swash that are perfect for any creative design. This handmade font will make your design has a beautiful natural touch for each details. It is perfect for any design project as Invitation,logo, book cover, craft or any design purposes. This font is PUA encoded which means you can access all of the magical glyphs and swashes with ease! It also features a wealth of special features including alternate glyphs and ligatures.

Ressolles - Handmade Brush Typeface with a natural style and dramatic movement. Crafted manually with love and passion, This font is great for your next creative project such as logos, printed quotes, invitations, cards, product packaging, headers, Logotype, Letterhead, Poster, Label, and etc. This handmade font will make your design has a beautiful natural touch for each details. It is perfect for any design project as Invitation, book cover, craft or any design purposes.photos, photography overlays, signs, window art, scrapbooking, tags and so much more!

A pragmatic sans-serif which sits in the centre on the grotesque to geometric style spectrum. Equal measures of both letterforms create a neutral type family that is modern, functional, and easy to read without being too distracting. Details include seven proportionally spaced weights and four monospaced weights, both with matching italics, 750 characters with an alternative lowercase a and g, twelve variations of numerals with stylistic zero’s, Opentype features inferiors, superiors, fractions, case-sensitive punctuation, and language support covering Western, South and Central Europe.

Despite what some might say, you can’t just always go for that most ubiquitous font in the world, can you? Avion font family channels those cool modernist vibes yet brings something new to the table. With a slightly more rectangular approach and some clever detailing, Avion has a distinct look of its own, yet provokes a calming familiarity of neutrality and objectiveness. As goes without saying, it’s also equipped with a sensible amount of features that make it a true, versatile workhorse. Get on board.

Burgendry is a bold, high-detail brush font. It comes with regular and slanted version, which aim to give a different feel. Equipped with an open-type feature and more than 300 glyphs, which are very useful for today's design needs. This font is perfect for designing t-shirts, stickers, headlines, sports, quotes, logotypes, brandings, and posters. LANGUAGE SUPPORT : Burgendry covers almost all European languages. Check out the supported languages by typing specific letters in the font preview. Please enjoy this font like a beautiful summer.

agasthiya rococo is a script type font with 552 glyphs, supports western & eastern europe, turkish, cyrillic languages. equipped with alternates lowercase, ligatures, and swash. inspired by the art of rococo architecture, which is an ornamental architectural style that emerged in the 18th with its characteristic intricate and layered details. The rococo style is a further development of Baroque, where the forms used have not changed. The Rococo style first appeared in the 18th century in Paris. makes this font has a distinctive character style similar to victorian

Meet Tilson, a versatile workhorse family for both texts and headlines based on a geometric and straight-lined design. It will give your apps, websites, logos, posters and so much more a techy and masculine look and feel. However, some friendly rounded details, such as the i-dot, add a rather pleasant personality to this family. With more than 200 languages covered, many opentype features on board, obliques, and weights ranging from Thin to Black, Tilson is a truly versatile companion for your next design project.

Introducing Pioggia, a modern and playful serif font. This clean and minimalistic serif is crafted with love and high attention to the details. Packed with OpenType features (such as alternate chars, swashes, ligatures, etc), lets you play and explore every characters available. Pioggia is very versatile, suits best for almost everything, whether you're working on classic themed design, or the modern ones. If you're often working with a magazine, layouts, logotypes, hipster-quote writings, t-shirt designs, etc, Pioggia is your next go-to font.

Whittington is a revival of a congenial ‘modern’ typeface of the mid nineteenth century, unassuming and businesslike with an even colour that reads comfortably over long stretches. It is intended primarily for use in running text. Whittington provides wide support for west, central, and east European languages that use the roman alphabet. Among its OpenType features are ligatures, small caps, several sets of numerals, contextual alternates, intelligent implementation of long ‘s’, and fractions. For more detail, please see the pdf available in the Gallery.

Charles W. "Plot" Plotner was a cartoonist who had developed a template-based cartooning set for kids circa 1952 called "Plot-O". A companion set was called "Plot-O the Clown". "Plot-O" consisted of two plastic templates with pre-cut and numbered cartoon shapes. By following the simple directions and tracing the corresponding parts, any youngster could create basic cartoons of people and finish them off with their own details. The hand-lettered instruction booklet provided the design inspiration for Cartoon Panel JNL.

The Fountainhead - is an elegant serif font family that combines Art Nouveau motifs, but at the same time has strict verified forms that will help emphasize the style and sophistication of your project. There is multilingual support, which will allow you not to be limited to English only. Refined, sophisticated, made with attention to detail - a great choice for business cards, brand, wedding invitations and much more. Distinctive characteristics: - more than 80 ligatures - multilingual support - two styles (extra light and regular) - kerning is present

"Moyt" is a display slab font that has an art deco retro feel in a slanted modern design. This family is perfect not only for TV and film titles and credits but also for holiday season materials such as greeting cards, Christmas cards and many other purposes. Individual fonts - light, regular, medium and bold - are available in addition to a variable version which can be perfect if you would like to adjust its weights in detail. Hope you’ll have fun using this typeface for your projects.

Pixeloza 02 is a pixel-style, grid-based, display typeface. This is another version of Pixeloza type. Compared to Pixeloza 01, it is characterized by a more slender form, the letters are taller and narrower, which makes the font lighter. The font is characterized by its simplicity, attention to detail, and original form. You can use it in a wide variety of projects. It gives many possibilities for creating graphics. Pixeloza 02 is available in two options: Pixeloza 01 Regular and Pizeloza 01 Skewo Regular.

Introducing by Balpirick Studio. Salvador History is a Handbrushed Script Font that's perfect for adding touch to your design projects! With its natural, organic feel and unique character. Crafted with care and attention to detail, this font is incredibly versatile and can be used for a range of design projects, including logos, branding, invitations, and more. Its modern, handwritten style gives it a unique character that's sure to make an impact. - also multilingual support Enjoy the font! Feel free to comment or feedback! Thank you!

Kamelitta – is a Beautiful Curvy Script font with a natural handwritten feel. It has sweety swash that are perfect for any creative design. This handmade font will make your design has a beautiful natural touch for each details. It is perfect for any design project as Invitation,logo, book cover, craft or any design purposes. This font is PUA encoded which means you can access all of the magical glyphs and swashes with ease! It also features a wealth of special features including alternate glyphs and ligatures.

Proudly present the newest product called Craved Story Font. In the design process added engraving to every detail of the font character to create a stylish and elegant impression so your design project can make more outstanding. Craved Story Font is also perfect for use in vintage-style projects. In the package of this product, you'll get engraved and solid font so you can mix and match for your project. f you have a technical issue don't hesitate to contact me. Thanks and have a nice day.

Jana Thork is a synthesis of stone engraved capital letterforms and uncial and half-uncial calligraphic styles. The idea of the typeface designer Ricardo Esteves was to seek for the limits between our uppercase and lowercase mental concepts. This family can be useful to compose titles, short texts, labels and letterings that need to look attractive to the eye. The family includes Regular and Bold styles, so it can be used in graphic designs that need more complex hierarchic relations or greater visual impact.

paintbrushdd was created using a real paintbrush. It is available in 4 styles including almost 3000 characters (Latin, Greek, Cyrillic, Coptic, symbols, shapes, mathematical expressions and so on). The main focus is on authenticity: The font literally looks like someone just painted it onto your artwork with a paintbrush! Just to name some examples, it is recommended for headlines, posters, t-shirts, computer graphics, and for any other purpose that need less than about 1000 words (due to the complexity of the font and the brush details).

STONES is a supercharged, street-wise brush font bursting with energy. With extra attention to quick strokes and sharp details, STONES is guaranteed to deliver an unapologetically loud & fast-paced message; ideal for logos, apparel, quotes, product packaging, or anything which needs a typographic turbo-boost. What you get : Numeral and Punctuation International Language Works on PC & Mac Simple installations Accessible in the Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even works on Microsoft Word. Thank you for your purchase! Hope you enjoy with our font!

Stylish, elegant, and alluring, Sekhmet got its name from the lion-headed war goddess of ancient Egypt. And the typeface does possess a kind of feline, forward-directed energy - a result of its calligraphic detailing combined with a very slight slope in the roman. Sekhmet is essentially a display face; still, it's as carefully crafted as any of the designer's text fonts and so also works well in reasonably large text blocks, especially at larger point sizes. Comes with a book-weight roman and calligraphic italic.

Introducing Moraco Display new generation Typeface created for building brand identity. Moraco Typeface created with the vision of to attract the audience to your brand. The finest details of this typeface are methodically and mathematically created. Moraco is created with all the tasks of a corporate font and also for the usage in a variety of projects, including branding, logos, titles, headlines, posters, screens, display, digital ads, and everything else. We are putting a lot of effort on this font as a long-term project.

Biennale is a geometric typeface with a strong character and a large x-height which make it an excellent choice for a wide range of applications, such as headlines or branding. Although common in style, Biennale distinctive details and color on the page allow users to create really unique designs. The font comes in 11 weights, from Hair to Heavy, and includes matching italics. As you would expect from Latinotype, this typeface comes with a standard set of 417 characters that support over 200 Latin-based languages.

Apagah Reverse is a reverse contrast serif font with a contemporary concept and modern style. Equipped with an alternative with a reverse style too, you can use the uppercase with the lowercase style, and vice versa. This font also has four styles that you can mix and match, to complete the design you create. Crafted with high attention to detail, giving you the best designing experience. Most suitable for poster design, headlines, quote writing, pamphlets, greeting cards, product packaging, book covers, logo types, album covers, etc.

Rasputin is a sharp, curvy and versatile modern slab serif typeface with 4 weights. These are complemented by unique discretionary ligatures that pay attention to detail to make this font stand out and stand out in all its shapes and weights. Its sharp uniqueness, for example in the letter "A R K" provides a great personality type in the title and body text while maintaining optimized readability. Characters that are well-suited for a wide variety of applications from editorial design to branding, advertising, publicity and digital.

Realtime Text Rounded is the proportional alternative to the monospaced Realtime type family. Nevertheless Realtime Text Rounded includes a monospaced design already built into the font. It is employable through OpenType by activating alternate characters. Realtime Text Rounded is a technical yet friendly design with details that serve function and visual impact alike and lends itself to tabular designs, sturdy columns and tidy layouts. It comes in five weights, from light to black, and with a character set that covers over 200 latin languages.

Perhaps one of the more difficult typeface styles to space convincingly, Irakly, a serif-sans by Russian designer Oleg Karpinsky imparts an unfamiliar elegance. The odd mixture of superficial details such as the half serifs and the protruding horizontal strokes confuse your visual senses, yet the simple geometric roots of the letterforms are apparent and ultimately reassuring. Irakly Light and Bold make a great addition to any library. The OpenType versions have alternates that are more conservative in design and broaden the usefulness of the typefaces

Bathella script is the perfect font choice for businesses that want to convey an image of elegance, luxury, and style. The font's smooth and fluid lines create a sophisticated and refined appearance, making it ideal for high-end branding and marketing materials. Bathella script's exquisite details and graceful curves make it a favorite among designers who seek to create an impression of exclusivity and class. Whether used in logos, invitations, or advertisements, Bathella script is sure to leave a lasting impression of quality and luxury.

Inspired by food labels, signs and coats of arms, PR-Scrolls is a collection of images which can be used for framing text in contexts where antiquity, craftsmanship, or traditional quality are conveyed. There are several sets of glyphs which work together to make a variety of shapes, or banners of custom length. Most of the glyphs are presented in a range of three or more widths. Scrolls 3 has a greater unity of detail, and a greater variety of form than our earlier designs.

Leo Slab is a clean, contemporary slab-serif font. It's bold extended design makes it a perfect choice for headline and larger text block use. Extremely readable for a strong impact! Leo Ornate is a decorative companion to Leo Slab. With it's detailed inlines and linear drop shadow, Leo Ornate is ideally suited for use on headlines, display titles, logos, as well as a variety of other applications. Bold, extended and robust, this font is sure to make a strong impact in your next design.

Introducing Sekarmaya, a geometric font that captivates with its high contrast and distinctive design. What sets Sekarmaya apart is its unique feature—certain letters highlight only the core characters while elegantly covering the rest, adding an intriguing touch to your typography. This font is a perfect choice for posters and graphic designs that crave a personal and distinctive flair. Sekarmaya's geometric precision combined with its artistic detailing provides a harmonious balance, making it ideal for projects where you want to convey both structure and individuality.

While researching the history of Onitsuka Tiger's branding and graphic design, I came across an odd, yet highly appealing piece of custom lettering on the company's ONICK ski boots from the 1970s. Reminiscent of aspects of the typeface Black-Out by Eli Carrico (released by my type foundry Wordshape), yet vertically compressed with razor-sliced counters and odd stencil element that makes up one of the legs of the "K", the ONICK lettering is a potential source for an intriguing modular font. I immediately thought of Ryoichi Tsunekawa as a potential collaborator to bring this piece of lettering to full-fledged life in the contemporary context. Based in Nagoya, Tsunekawa runs an independent type foundry called Dharma Type, including three specialized foundry sub-labels: Flat-It, devoted to display lettering; Prop-A-Ganda, a series of fonts inspired by and based on retro propaganda posters, movie posters, retail sign lettering & advertisements in the early 20th century; and Holiday Type, a series of decorative and retro scripts for holiday use. The past year has seen a flurry of notice of his work abroad, having been featured in both MyFonts' "Creative Characters" and YouWorkForThem's newsletter. As the work of most Japanese type designers is almost wholly unnoticed abroad, for Tsunekawa to be interviewed by two of the most popular type distribution companies in the world is definitely something beyond the norm. Perhaps it is because he works independently, or perhaps it is due to the charm and friendliness with which his typefaces are infused. Either way, this attention is both welcome and appreciated. Beyond mere charm, Tsunekawa's work is nuanced, detailed, and accessible due to its high level of finish. His fonts stand apart from his contemporaries in Latin typeface design in Japan due to his fascination with pop, vernacular and historical lettering from "non-pure" sources- whereas type designers like Kunihiko Okano and Akira Kobayashi have spent years analyzing the essence of Western letterform construction and unlocking the essence of Latin forms, Tsunekawa views surface and the awkward nature of his sources as being of value, as well. His irreverence for the formal doctrines of history imbue his typeface designs with a rugged inventiveness that would be missed by most- glyphs without source designs are guessed at and approximated, often in a manner wildly divergent from what Western eyes would assume. It is in these moments that I find sheer delight in Tsunekawa’s work and what make me most pleased to invite him aboard Neojaponisme and Onitsuka Tiger’s type development project. His assorted typefaces show an eclecticism in finish and as holistic systems- Tsunekawa's return email to me about the proposed type project showed a digital sketch of how a completed typeface family from the source lettering might look, rendered with an effortlessness and dedication to detail that belies a skilled craftsperson. Further development showed Tsunekawa’s rigor- the typeface in development rapidly featured glyphs ignored by many: a full set of fractions, Eastern European diacritics and accents, superior and inferior numerals, alternate characters, and custom ligatures - all designed with regulated, detailed spacing. ONICK is a typeface Tsunekawa should be proud of- an homage to a moment in history rendered in the absolute best fashion. We are proud to present it to the world! --Ian Lynam

Joachim Müller-Lancé's Uppercut is a rather sporting fellow, originally developed for the Krav Maga training center of San Francisco (Krav Maga is a simple and efficient self-defense system that has become equally popular in Hollywood and with law enforcement). Joachim has spent several years training, hitting things and people whenever he needs a break from kerning. Uppercut can be seen on the school's t-shirts and other articles. Despite bearing the same moniker as an upwards punch to the chin, the name actually fell together quite naturally as Uppercut is an all uppercase typeface, and the word "cut" is also historically used to describe a type style in hot metal type. For this slanted look, "Angle" felt just right (with thanks to Mia McHatton). The design idea sprang from pencil sketches for the center's new identity. Uppercut's shapes are not calligraphic or handwritten, more like lettering seen in comics or sports logos. Its brush movements are imaginary, not too literally brushy. During development, details were simplified and reduced until a bit of a cut-paper feel emerged, but more fluid like writing. The shapes are economical and efficient; simplicity makes the font versatile, holding up in small as well as big sizes. Uppercut is decidedly analog, muscular but not bulky, with the fluid but determined movements of a boxer or martial artist - not theatrical but powerful, fast, confident and dynamic. Well... it has punch. In the proportions, there is emphasis on a strong upper edge "keeping its guard up", while several stems protrude downward, giving the impression of leaping or being "light on the feet". Use Uppercut to pick up the pace, add snap, verve and drive - on movie posters for action and adventure, to advertise your dojo, rumble or prizefight, racing team or tuning shop, or invite friends to your barbecue with old time rock'n'roll and homemade hot pepper sauce.

Barbou was originally cut in 1925 by Monotype as a counterpart to Fournier, siblings that were different in design but both based on the work of Pierre-Simon Fournier. Whether by choice, accident or oversight, Fournier was preserved digitally, and Barbou was lost to history. Barbou was notably used by Stanley Morrison, in particular as the face of The Fleuron. I fell in love with Barbou when I saw it, and knew that I wanted to bring it to a new generation of designers and readers. This is a revival of Barbou, a faithful recutting with new weights, characters and many of the best features that modern font technology brings. Particular attention was paid to the original Monotype Barbou 178 specimen sheet. Originally only available in a single weight, Barbou has been recut with a variable weight, providing a large degree of flexibility between Regular and Bold. Barbou excels as a comfortable reading face for books, and the variable weight allows you to fine tune the darkness and texture of the page in a way never before possible. Barbou has a distinctive softness, and this revival of Barbou preserves much of the effect the medium of metal type had on the letterforms. This results in a subtly rounded yet defined type, elegant not worn, with the utmost attention and respect to the smallest of details. Barbou was originally cut with disparate x-heights for roman and italic, and this revival of Barbou features both the original italic, as well as a new italic redesigned at the same height as the roman. In Fournier’s time, roman and italic would not be mixed on the same line, but the type must change to meet the needs of a new generation. Barbou also features unique ligatures and alternates, old style numbers, small caps and a full Greek alphabet. Barbou is perfect for books and anywhere a comfortable reading face is required, and excels in flexibility.

DSType proudly introduces BRAGA, an exuberant baroque typeface, named after a portuguese city, also known as the baroque capital of Portugal. Our latest typographic extravaganza comes with a multitude of fonts designed to work like layers, allowing to insert color, lines, gradients, patterns, baroque, floral swashes, and many other graphic elements. Starting with Braga Base, you can add any of the twenty-three available styles, to create colorful typographic designs. Be sure you check our detailed specimen, showing all the features and how to use this type system.

Olis is a stylish, fresh new handwritten script. Olis comes with two weights, numerals, punctuations, and some variations on character including OpenType alternates, and common ligatures. It helps set your designs apart by adding a custom-lettered look. You will also find that its initial and terminal letters can enhance your designs in new and creative ways. Hand-drawn leaves, plants, flowers, as well as large and small snowflakes add original detail while complementing the font perfectly. If you like this font you might also like an aesthetic text generator by the same author.

Hello Everyone, introduce our new product Elfinotes is a Fun Display Font .This is Cute & Lovely Craft font with a natural handwritten feel. This handmade font will make your design has a beautiful natural touch for each details. It is perfect for any design project as Invitation,logo, book cover, craft or any design purposes. Elfinotes is font with strong and challenging nuances. very suitable for the title, typography, Poster, magazines, brochures, packaging,Websites and much more for your design needs, making your designs more modern and professional