Kaliesa - Handwritten Script Font will look gorgeous on all your designs, invitation, poster design, book design, branding materials, logo's, and all project design other. WHAT'S INCLUDED Kaliesa - Handwritten Script Font contains standard characters, Lowercase, Uppercase, Alternates, numbers, punctuation, ligatures and international glyphs. Thanks, enjoy designed olexstudio

Mistral is a loose running script based directly on the handwriting of its designer, Roger Excoffon. His goal was to create a typeface with a true handwritten style, but in this case, the writing looks as though it were done with a brush or heavy felt tip.

Flapstick is a straight forward and fun sans-serif font. It's 100% handmade and is ready for your "get well soon" cards, children's books, posters of all kinds and anything that needs an authentic handmade look! Multilingual support and alternate versions of a, g and y!

Bugisnia is a handwritten script/signature font with natural look and feel. This font is perfect for logo, and the other various forms such as invitations, labels, magazines, books, greeting cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose, photography, and more.

Adagietto is a musical term and means: ‘fairly slow’. I wasn’t in a rush to create this font, so the name kind of suits! Adagietto is a classic font, ideally suited for posters, book covers and product packaging - and just about everything that needs a classy look.

Superbrush is, well, a super brush font! Made with Chinese ink, a flat brush and a lot of patience. Superbrush would look great on book covers, product packaging, old school rock albums and T-shirts. Comes with a super amount of diacritics and double letter ligatures.

Bitmax is the work of British designer Alan Birch, who was inspired by the look of fax transmissions. He took Helvetica medium and used controlled distortions to create this commanding, high-tech style. Bitmax is best used in large display sizes for a limited number of words.

Introducing Danzio - Modern Font with all caps style and bold. You can combine a unique uppercase and lowercase, so it looks like natural. And this font perfect for signature, logo, branding, poster, band, apparel, photography, title, social media post, ad banner, book cover, product packaging, and advertising

Relyagih is a thin lettered and delicate created by Storytype, A serif modern and classic typeface that has own unique style & modern look. This typeface is perfect for an elegant & luxury logo, book or movie title design, fashion brand, magazine, clothes, lettering, quotes, and so much more.

Biosphere is inspired by industrial style typeface that's will give look a modern and technical industrial display font. That will take any design idea to the next level, covering a wide range of project types such as poster design, book covers, prints, headlines, id cards, packaging, branding.

Valentday is mazing hand lettering look attractive and natural! Every single letters have been carefully crafted to make your text looks beautiful. This font includes 300 glyphs, including 106 alternates character. It has over 60 extended Latin characters for language support. This font is suitable for Wedding invitation, Love themed design, mugs, Christmas cards, poster design etc, and also this font is PUA encoded so all characters are accessible via Character Map, Font Book, or the font management program of your choice.

Barking Frenzy may look as if it was cut out of paper or cardboard, but it's not! It was drawn with a rugged pen, leaving rough edges here and there. It's great for children's books and toys or maybe handcraft or other handcrafted activities. I've added 5 different versions of each lowercase letter and these appear randomly as you type. That way your text looks really natural and organic, because the letters rarely repeat themselves. Also the font has multilingual support!

Gallmore is signature font with mazing hand lettering look attractive and natural! Every single letter has been carefully crafted to make your text look beautiful. This font includes over 227 glyphs, including 30 alternate characters with swashes. It has over 60 extended Latin characters for language support. This font is suitable for invitations, branding, advertising, poster design and more. It is PUA encoded so all characters are accessible via Character Map, Font Book, or the font management program of your choice.

Tarnese is a calligraphic font, created to look as close to a natural handwritten script as possible. Tarnese includes over 60 natural-looking open-type ligatures and and a full set of upper and lowercase alternates, making your design more attractive. In the glyph palette you will also find ornaments that can be used for underlining, and to combine and enhance your text. Suitable for use in designing titles, invitations, title books, stationery designs, quotes, branding, logos, greeting cards, packaging, posters, and more.

Hello Valentines is mazing hand lettering look attractive and natural! Every single letters have been carefully crafted to make your text looks beautiful. This font includes 299glyphs, including 101 alternates character. It has over 60 extended Latin characters for language support. This font is suitable for invitation, branding, advertising, mugs, christmas cards, poster design etc, and also this font is PUA encoded so all characters are accessible via Character Map, Font Book, or the font management program of your choice.

🏆 Selected for Tipos Latinos 8. 🏆 Selected for the 12th Biennial of Brazilian Graphic Design. Malva was designed to perform as a branding element, providing a clean look for visual identities and publications. It brings a touch of friendliness to the communication without compromising the professional look every brand strives for. Legibility was one of the top concerns during the development of Malva, so we took special care to differentiate the naturally ambiguous characters I, i, l and 1.

Little Pea is a cute and fun handwritten font, comes with four family weights: light, regular, medium and bold. the idea in making this font is the wishful thinking of childhood memory, where everything looks so cheerful, colorful and fun. Little Pea font will make your design look modern but still fun. Easy to read and perfect for any design that need a colorful and fun concept like children comic or picture books, greeting cards, toys, posters, song lyrics, website, and much more.

Foline , stylish modern calligraphic script with lots of personality. Beautiful Opentype features with beautiful standard ligatures that replicate natural handwriting. Easily personalize her look with its many alternative glyphs, binders, and swashes. She's a natural for logo, stationery, and product design projects looking for a dynamic, personal vibe. If you don't have a program that supports OpenType features such as Adobe Illustrator and CorelDraw X Versions, you can access all of the alternative glyphs using Font Book (Mac) or Character Map (Windows):

Steel Grrrder is a robust, industrial-style stencil typeface family consisting of six weights, from light to black, with corresponding italics. Suitable for all kinds of display purposes including posters, film titles, book covers, magazines, advertising, logos, packaging, signage and games design, Steel Grrrder is especially useful where the message needs some serious geometric bite behind it. Steel Grrrder is best categorised as a constructivist sans family. The character shapes are sharp, angular and slightly condensed - it’s a rigid, no-frills, no-curves, mega-metallic design. Legible? Not really. Readable? I think not. In your faceable? Absolutely! This is a tough display typeface, designed to work in the most demanding typographic situations. It won’t buckle under pressure or wilt when the heat’s turned up. Forged from carbon steel and wrapped in a layer of Graphene, Steel Grrrder is unashamedly rugged, a rock-hard pound-for-pound boxer specialising in thumping knockouts. The Steel Grrrrder extended family also includes a six-weight joining script and two display fonts, Groove & Nutjob - all designed to work with each other.

Iridium™ was designed by Adrian Frutiger in 1972 for Linotype. It is in the modern" style like Bodoni or Didot, in that it has the sparkle created by a high thick/thin contrast and a symmetrical distribution of weight. But the sometimes harsh and rigid texture of the modern style is tempered by Frutiger's graceful interpretation. Iridium itself is a very hard, brittle and strong metal; yet the Latin and Greek roots of the word mean rainbow, or iridescence. And indeed, this font is infused with a more lustrous and complex spirit than the average rather stark modern typeface - note the stems that gently taper from waist to serif, the nicely curved ovals of the round characters, and the slight bracketing of the serifs. Iridium was originally designed for phototypesetting, and Frutiger himself cut the final master photo-mask films by hand. This digital version has all the craftsmanship of that original and includes the roman, a true italic, and the bold weight. Iridium works particularly well for book and magazine text and headlines."

The Stack Stone - Display Font a bold, quirky display font with a fun, trendy street style vibe. The Stack Stone is a versatile, stacking typeface perfect for retro or modern design aesthetic. The Stack Stone was hand-drawn, making its outlines somewhat irregular and quirky. It has an almost hand-lettered look; the characters jump around the baseline giving it a charming but urban look and feel. The Stack Stone suitables from posters designs to t-shirts and packaging, Stacked Letter will give your designs that alternative look and make your creative work look amazing. With a The Stack Stone , it will be very suitable for your project, which is related to fun, trendy street style vibe. Such as story books, illustrations, comic books, t-shirts, posters, greeting cards, logos, branding, stickers, svg, crafting. The alternative characters were divided into several Open Type features such as Swash, Stylistic Sets, Stylistic Alternates, Contextual Alternates, and Ligature. The Open Type features can be accessed by using Open Type savvy programs such as Adobe Illustrator, Adobe InDesign, Adobe Photoshop Corel Draw X version, And Microsoft Word. The Stack Stone is also support multi language.

The story of Scripps College Old Style is a heart-warming and inspiring chronicle about a young librarian, a handful of students, a wealthy grandmother, a dedicated educator -- and two eminent American type designers. The story begins in 1938, when Dorothy Drake, the newly hired librarian at Scripps College, a small women's college in southern California, became an impromptu dinner companion of the American type designer Fred Goudy. By the 1990s, the original fonts that Goudy had created for Scripps College in the 1940s had become prized -- but they were seldom-used antiques. Scripps needed digital versions of the metal fonts. This goal posed two immediate challenges: finding a designer familiar with letterpress printing who was skilled at creating digital fonts, and locating the money to commission the designer's services. The first challenge was the easiest to conquer. Sumner Stone was my first and only choice," recalls Kitty Maryatt, the current curator of the Scripps College Press. "I knew he had letterpress experience, was an accomplished calligrapher, and that his typeface designs were simply exquisite. The choice was easy."The second challenge was more difficult. It took the dedication, hard work and tenacity of Maryatt to bring the beautiful Goudy designs into the twenty-first century. While Stone was eager to begin work on the project, the college had no more money for new typeface designs in the 1990s than it did in the1930s. Years of lobbying, cajoling and letter writing were necessary to obtain the college's approval for the design project. Once she had the necessary funding, the design brief posed yet a third challenge. Goudy had provided two sizes of type to the Press: 14 point and 16 point. Which would serve as the foundation for Stone's work? In addition, the Goudy fonts were quite worn. Should Stone use printed samples as his design master, or base his work on the original Goudy renderings? The 14-point master drawings were the ultimate choice, with the stipulation that the finished fonts would provide both a seamless transition from the worn metal versions and a faithful representation of the original Goudy designs. Once the budget and design brief were established, the process of converting the original Goudy drawings into digital fonts took just a little over two months. Stone delivered finished products to Scripps in the fall of 1997. The first official use of the fonts was to set an announcement for a lecture by Stone at Scripps in February of 1998. But the story is not quite finished. Maryatt was so pleased with the new digital fonts, she wanted to share them with the graphic design community. At Stone's suggestion, she contacted Monotype Imaging with the hope that the company would add the new designs to its library. An easy decision! Now Monotype Imaging is part of the story. We are proud to announce the release of Scripps College Old Style as a Monotype Classic font. The once exclusive font of metal type is now available in digital form for designers around the world. "

When Aldo Novarese designed his “tipo inglese” Juliet typeface, he had a simple objective in mind: Reduce the inclination angle of the traditional 18th and 19th centuries English script in order to make the punchcutter’s job easier and the resulting metal type more durable. But when Juliet was released by Nebiolo in 1955, it was a big surprise to both typesetters and calligraphers all over Europe. Novarese’s idea of working the standard copperplate script within the limited technology of the time proved to be a marvel in optical metal sizing (Juliet was available in sizes ranging from 12 to 60 pt), but also opened the door to new calligraphic possibilities. Easier readability and a very friendly color were obvious side effects of the reduced angle. So soon after its release, calligraphers worldwide began emulating the angle reduction and experimenting with the application of the same concept to other calligraphic genres. Today, more than 50 years later, many professional calligraphers point to Novarese’s Juliet as an opening to fresh ideas and new directions in 20th century elegant calligraphy. Ambassador Script, this digital version of Aldo Novarese’s surprising masterpiece, is the result of more than a thousand hours of work. Going above and beyond its duty as a revival, it was expanded by a great number of alternates, swashes, beginning and ending forms, as well as accompanying flourishes and snap-on strokes for even more ending forms. Ambassador Script also supports almost every known Latin-based language, which makes its name all the more fitting. Ambassador Script is available in all popular font formats. The True Type and Postscript Type 1 versions come in 12 fonts, available in different piecemeal configurations or a full volume. The OpenType version collects more than 2300 characters in a single feature-rich font that can sing mightily in OpenType-supporting applications. Ambassador Script is ideal for weddings, invitations, greeting cards, book and magazine covers, or anywhere a touch of calligraphic elegance is desired.

Freak Mailers is a rounded combination font duo. Sans serif typeface with crazy Script Typeface . But make this font look unique. Freak Mailers clean classic and mindful , it combine in one font, use this font for anything beauty place for your logo, headline, cover book, magazine and many more.

“The Secret Library” perfectly encapsulates the vintage scribbled italic while adding a contemporary twist. It intentionally retains inky edges in an effort to convey the feel of antiquity. This font looks great in books, illustrations, posters, and on stationery. All uppercase/lowercase letters have at least one alternative glyph.

Quarterpound is loosely inspired by fonts used in Remmington typewriters. It has proportional design to create a more unique feel and improve its readability. It was created to fill a gap between edgy monospaced fonts and grungy typewriter imitations. It's meant to look credible in print and digital screens.

FRENCOS Olstd - Comic Font will look gorgeous on all your designs, kids invitation, kids poster design, kids book design, branding materials, kids logo's, and all project design other. WHAT'S INCLUDED FRENCOS Olstd - Comic Font contains standard characters, Uppercase, Uppercase Alternates, Lowercase, Lowercase Alternates, numbers, punctuation and international glyphs.

RIMPANZE is a simple, modern yet artistic display font. It comes in strong design, simple but looks elegant. You can use this font in movie title, flyer, technology, poster, cover book, title, headline, card, logo, magazine, banner, or even large-scale artwork. RIMPANZE has light, regular and bold versions.

AZ Dude font was inspired from many miscellaneous hand written slogans on a school text book covers. This font utilizes an "old look" to the line work which is designed to have a "worn feel" to it. Ideal for use as headline or sub-head text in you design.

Bughats is a relaxed and flowing script font with a modern style. This gentle font will look gorgeous on a variety of design ideas. Suitable for any projects such as logos, branding projects, product packaging, mugs, quotes, posters, shopping bags, t-shirts, book covers, labels, photography, watermark, and more.

COENGKIL Olstd Display Font will look gorgeous on all your designs, poster design, book design, branding materials, logo's, and all project design other. WHAT'S INCLUDED COENGKIL Olstd Display Font contains standard characters, All Chacacter is Uppercase, numbers, punctuation, Stalistic ALternates, ligatures and international glyphs Happy Designed.! regard olexstudio

This font looks forward to the humanist venetian oldstyle flavor. With high contrast and nice modulation, it has low x height wich is ideal for reading and to design books or long texts. Vecchia has a calligraphic basis and counts with small caps, ligatures and open face titling capitals.

Aramus is a new serif font in my continuing objective of designing book fonts that I can really use. In many ways, Aramus is a very different direction for me. It comes from a scan of an old display face that has been radically modified to a much smaller x-height than I have been using lately, plus taller ascenders. Many of the characters needed a lot of correction to bring them into my taste. In general, I have decided that many of my fonts create a type color that is too dense. Aramus is an attempt to get away from that look. Although Amitale has been a very successful book family and excellent to work with, I find I still need something more open with a lighter color. Aramus is the first look at the new direction. The original hand-cut serifs vary a lot, different for almost every character. This gives a little looseness and helps the lightness I am looking for. It will be interesting to see where this all goes. This is a normal serif for me in that it has caps, lowercase, small caps with the appropriate figures for each case. This font has all the OpenType features in the set for 2009. I didn't bother with the CE accents (though I can add them upon request. They will be in the final new book family). There are several ligatures for your fun and enjoyment: bb gg ff fi fl ffi ffl ffy fj ft tt ty Wh Th and more. Like all of my fonts, there are: caps, lowercase, small caps, proportional lining figures, proportional oldstyle figures, & small cap figures, plus numerators, denominators, superiors, inferiors, and a complete set of ordinals 1st through infinity. Enjoy!

Proudly Present Nearvana - Classic Condensed Type, created by ikiiko. This special face type inspired by Nirvana, a famous band name with an iconic logotype, served as a source of inspiration for the classic condensed serif typeface. With thin forms and sharp lines, this typeface conveys a timeless, masculine and elegant look. Nearvana was developed with a unique decorative style, simple but without losing the distinctive character that evokes nostalgia and authenticity. This typeface is perfect for an luxury brand, classy stuff, magazine layout, fashion look book, book cover, poster, packaging, food & beverages and also good for quotes, or simply as a stylish text overlay to any background image. What's included? Uppercase & Lowercase Number & Punctuation Multilingual Support Works on PC & Mac

ITC Dartangnon is a work of English designer Nick Cooke and began with the thought, It's a long shot but it might just work as a font." It started as a doodle with a chunky pencil. "So many script fonts look too stylized so I thought I'd try to produce one that looks more like handwriting." He scanned the doodles and used Fontographer to draw a set of monoline letters. "Working quickly I soon drew the whole alphabet, and without being too pedantic about the characters joining exactly, I arrived at this script." ITC Dartangnon is an energetic font which remains legible even in small point sizes. And, Cooke adds, "It is supposed to be used as upper and lowercase only, NEVER just caps.""

Magic Love is an amazing hand lettered script font, looking attractive and natural. Every single letters have been carefully crafted to make your text looks beautiful. This font contains over 260 glyphs, including over 57 alternate characters with swashes. It has over 60 extended Latin characters for multilingual support. Magic Love is suitable for invitations, branding, advertising, poster design and more, and is also PUA encoded so all characters are accessible via Character Map, Font Book, or the font management program of your choice.

Chorles Serif Font is a classy display serif font with unique look that is perfect for multipurpose projects. I made Chorles Serif Font inspired by the concept of romantic vibes and made it into a modern yet luxury style. This font is also looks elegant and will fit well in any design and very recommended for logo, crafts, posters, books, branding, quotes, print templates, packaging, invitations, product labels, advertising, wedding project and more. This typeface comes in uppercase, lowercase, with punctuation, symbols, numerals, ligature and stylistic alternates.

Manaline includes a hand lettering look that is attractive and natural. Every single letter has been carefully crafted to make your text look beautiful. This font includes over 233 glyphs, including over 30 alternate characters with swashes. It has over 60 extended Latin characters for language support. This font is suitable for invitation, branding, advertising, classic design, poster design etc, and also this font is PUA encoded so all characters are accessible via Character Map, Font Book, or the font management program of your choice.

Hello Summer, an amazing hand lettering font with an attractive and natural look. Every single letter has been carefully crafted to make your text looks beautiful. Hello Summer includes over 250 glyphs and over 53 alternate characters with swashes. It has over 60 extended Latin characters for language support. This font is suitable for invitation, branding, advertising, classic design, poster design, and more. Hello Summer is PUA encoded so all characters are accessible via Character Map, Font Book, or the font management program of your choice.

Love and Heart is an amazing hand lettering font with an attractive and natural look. Every single letters has been carefully crafted to make your text looks beautiful. This font contains over 256 glyphs, including over 57 alternate characters with swashes. It has over 60 extended Latin characters for language support. Love and Heart is suitable for invitations, branding, advertising, poster design, and more. It is PUA encoded so all characters are accessible via Character Map, Font Book, or the font management program of your choice.