Amiable Forsythia Script Font – a new modern, clean & fresh script with a lot of swashes and stylistic alternate, make this font looks elegant, natural, stylish and perfect for any awesome projects

Cinthya Einzberg feels equally charming and elegant. It looks stunning on wedding invitations, thank you cards, quotes, greeting cards, logos, business cards and every other design which needs a handwritten touch.

Arabela is a modern and beautiful calligraphy script, ideal for use in elegant designs. This font has a dancing look and adds a lot of femininity to all types of projects.

Sellviny Queen feels equally charming and elegant. It looks stunning on wedding invitations, thank you cards, quotes, greeting cards, logos, business cards and every other design which needs a handwritten touch.

Grande Parade JNL is a decorative version of Winnetka JNL, which was based on antique wood type. The look and feel of this design combines old-time typography and festive charm.

Retrograph is a handwritten font that looks neat and clear. Consistent lines make this font neat and beautiful. Font feature Uppercase, Lowercase, Numerals & Punctuations, Stylistic Alt, Stylistic Set, Swash Ligature, Multilanguage

Chendany is a friendly, neat, and cute-looking handwritten font. Not too thin and not too thick, balanced and varied, this font was designed to enhance the beauty of your projects.

Rubbish JNL from Jeff Levine is simply letters scribbled from an old stencil as if made by a child... But the look takes on a form of "stencil grunge" as well!

Say Ciao to Bellissimo Brushed! A trendy, hand-brushed font, designed with branding in mind. Bellissimo Brushed looks gorgeous on logos, websites, invitations, greeting cards, magazines, business cards, packaging and more!

The hand-hewn Islander looks like it could have been liberated from granite blocks.These demonstrative letter forms leave no doubt when it comes to conveying your message, yet they remain playful.

Threva is a stylish sans serif font with 2 styles, solid and outline. You can combine the two into something creative. The shape is not too stiff, looks modern and elegant

Marin, a name that is associated with water and ships, looks very confident and follows the ideas of Eurostile, but in a stencil design. Marin was designed for the URW++ FontForum.

Ermin Sweet is a lovely and delicate script font that exudes elegance and class. This font was particularly crafted for those who need a beautiful and refreshing look to their designs.

Kamelyn is a cute and simple lettered handwritten font that can be used for all chalkboard quotes or teaching material! Its authentic look will add a realistic feel to your designs.

A FEW THOUGHTS Indie is a trendy script, result of the wide range of possibilities that can be achieved using a pointed brush. (1) “You Only Live Once” say The Strokes, (to me, symbols of indie music) so, what would represent that sensation of volatility better than a brush? As you may already know, this time inspiration came from hipsters and indies around us: We may sometimes criticise them, we may sometimes want to be like them, but the truth is that the universo gráfico they generated these past years is gigantic, full of colour and variations. (2) Brush lettering and Sign painting are fields I've been fond of since I started as a designer. Nowadays, these styles are getting a lot of attention and maybe it’s due to the undeniable mark of life that is materialised when using a brush. This tool is so expressive that shows the passions and fears of the artist, and materialises that idea of “living the present”, so popular in this era. When you see Indie, you think of skaters, rollers, surfers, hiphop dancers, street artists, summer, and why not? California beaches. So if you feel life is only one, it’s high time you got Indie into your fonts' collection! STYLES Indie comes in 4 styles plus another one which consists only in capitals. Indie; Indie Shade; Indie Shade Solo; Indie Inline are all open-type programmed and have exactly the same glyphs and metrics, so you can combine them without probem. (I.E. You may use Indie Inline, then write the same word using Indie Shade Solo, and finally put them together). In applications such as Adobe Illustrator, the font has nice results when fi ligatures is activated. However, if you want a more casual look, activate the contextual and the decorative ligatures. NOTES 1. After several years of practicing calligraphy I can say that to me, there’s nothing more satisfying than being able to create fonts out of your own handlettering. I owe a lot of this brush-style to Carl Rohrs. He was the very first calligrapher who taught it to me. His style is unique and what he can do with a brush is truly marvelous. I'm serious. 2. In spite of some particular cases, I can say I'm happy to live in a present in which Typography is living a kind of Renaissance along with Lettering. Like it happened with W. Morris a hundred years ago, handcrafts are being revalued/reborn, and some of this may be happening thanks to these indie designers that, trying to be unique, gave new/fresh air to different areas of graphic design.

Step back in time with Marion, the transitional serif typeface that exudes a nineteenth-century flair. With its classic structure reminiscent of Century Roman, Marion stands out with a stroke treatment that’s closer to the timeless elegance of Baskerville. The inspiration for Marion comes from a diverse array of old metal typefaces, resulting in a design that’s uniquely historic and fascinating. One of the most distinctive features of Marion is the hammer claw shape of the serifs, adding a touch of industrial charm and a smokestack vibe. The font is available in Regular, Italic, Bold, and Bold Italic, allowing for a range of possibilities when it comes to design. With old-style numerals and standard f-ligatures, Marion offers the perfect balance between historical design and modern-day functionality. Additionally, it includes some eccentric discretionary ligatures and chirpy swash letters, adding a whimsical touch to your graphic design projects. Take your design to the next level with Marion. Its historically inspired design and unique features are sure to add a touch of elegance and sophistication to any project, making it the perfect choice for designers looking to create something truly remarkable. Most Latin-based European, Vietnamese, Greek, and most Cyrillic-based writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Azerbaijani, Bashkir, Bashkir (Latin), Basque, Belarusian, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Bulgarian, Buryat, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dungan, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Gikuyu, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Igbo, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaingang, Khalkha, Kalmyk, Kanuri, Kaqchikel, Karakalpak (Latin), Kashubian, Kazakh, Kikongo, Kinyarwanda, Kirundi, Komi-Permyak, Kurdish, Kurdish (Latin), Kyrgyz, Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Macedonian, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Nahuatl, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Russian, Rusyn, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tajik, Tatar, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Ukrainian, Uzbek, Uzbek (Latin), Venda, Venetian, Vepsian, Vietnamese, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xavante, Xhosa, Yapese, Zapotec, Zarma, Zazaki, Zulu and Zuni.

A Large and Small cap design great for Headlines Sub heads and even works great in text. A unique look. Allows you to fit a lot of copy in a small space.

Julie Brious is a handwritten signature typeface. Its classy energetic look makes it the perfect fit for feminine logos, printed quotes, invitation cards, social media headers, product packaging and a lot more!

Pretty Salmon is a display font that can be used for all chalkboard quotes or teaching material! Its authentic look and feel will add a personal and realistic feel to your designs.

Lightmoon is an elegant and sleek script font, perfect for exquisite projects that need an authentic look! Add it to your most creative ideas, and notice how it makes them come alive!

I once tried to imagine what the children of Schoolbook and Bodoni would look like if they were married. I'm still trying to imagine that! In the meantime I drew the Jingles.

April Blossom is a sweet, brush font with a playful character. This fun will look gorgeous on all your branding materials, cards, quotes, and any other lovely projects you are working on.

Okaycat JAPAN proudly presents "Azsitra"! Newly released, Azsitra is a beautiful handwritten script. Unique texturing & style make this font unforgettable. Azsitra sits well in any design environment adding a gentle illustrated look!

Nebulen is a beautiful and feminine serif font created by a romantic and lovely look. Nebulen was built with Open Type features, stylistic Alternate and Ligature makes your project will be awesome.

Hi! Introducing a script font named Sweettooth. It's fully handcrafted and has a natural look. Also it has several ligatures to make it more authentic. Thank you and have a great day!

Westwood is the work of American West Coast designer David Westwood, a bold display typeface featuring a fine linocut effect. Westwood exhibits a dramatic, eye-catching style with a rough-hewn look.

Oksana Text Swash has swashed initials and ampersand for Oksana Text italics in six weights from Thin to Heavy. For all-in-one fonts please look to OpenType version of Oksana Text.

Mythical Prince is a beautiful and smooth sans serif font created by a romantic and lovely look. It is perfect for greeting cards, wedding invitations, posters, logotypes, product branding, and much more.

Playing around with a previous design, Jeff Levine came up with Cut Paper Stencil JNL, a typeface with both an Art Deco flair and the look of letters made from cut paper.

This design from Jeff Levine defies description. It's kind of techno, somewhat of a novelty and definitely unusual. Diagon JNL is the perfect font for projects that need a very different look.

Rat Infested Mailbox is a strange, exaggerated typeface with a seriously worn-out look. It can be used for posters, cards and websites. It will certainly give your designs an unusual touch.

Minimalisto is a typeface made by designer Keith Hayden. The distinguishing feature of this font is the simplistic style of each letter. This simplicity gives each letter a modern and sophisticated look.

Fife Gallery is a stylish and incredibly elegant modern calligraphy font. It looks stunning on wedding invitations, quotes, greeting cards, logos, business cards and every other design which needs a handwritten touch.

New Molly is a modern script.This font looks fresh, stylish, elegant and natural. This font is great for logo branding & invitations, wedding design, photography, quotes, posters, watermark, special events and much more.

Made in a soft style with inktrap variations, Agressiva font combines authenticity with uniqueness so that it looks different from others. suitable for use in casual themed graphic designs such as logos.

Brobane is a clean and lining brush script. It looks stunning on wedding invitations, thank you cards, quotes, greeting cards, logos, business cards and every other design which needs a handwritten touch.

Blackburn is a distressed text font designed to capture the look of old printing at small sizes. Based on a 19th century French type specimen, it contains a complete international character set.

I once tried to imagine what the children of Schoolbook and Bodoni would look like if they were married. I'm still trying to imagine that! In the meantime I drew the Jingles.

Examples of Australian brass stencils used for baling form the basis of Farming Stencil JNL. The hand-cut look of this typeface gives a more casual approach to a standard stencil design.

Based on examples of common medieval Gothic typefaces, High German has lots of character, giving an immediate impression of the densely packed pages of the 'traditional' backward looking printers of the day.